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Latest reviews

Hard LifetimeMushi 45 Japan
This sneaky 7" from Mister Mushi is a must-have for any discerning digger or lover of feelgood grooves. The A-side, 'Hard Lifetime', is a masterclass in sample-based alchemy, seamlessly blending a killer hip-hop-meets-funk groove with elements of David Byrne's iconic vocals from Talking Heads classic 'Once in a Lifetime'. The result is a wonderfully infectious and toe-tapping creation that breathes new life into one of music's most familiar tunes. The production is so expertly crafted that Byrne's vocals sound tailor-made for the backing track, a testament to Mister Mushi's skills as a producer and sample manipulator. On the flip, you'll find the instrumental version, stripped of the vocal sample but retaining all the infectious energy and groove of the A. A record that will undoubtedly get heads nodding and bodies moving, a testament to the enduring power of expertly crafted sample-based music.
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Another WednesdayPaxam
Ryan Adams' Wednesday album was released in 2020 and is introspective with songwriting up there with the best Americana. It's a world away from the classic rock swagger of his previous album, Prisoner, but no less powerful. This new album takes the exact same tracklist and reinvents the sound and spirit. It's a novel approach and a refreshing way of thinking about new studio releases for a label. 'Dreaming You Backwards and 'I'm Sorry and I Love You' has more of a more baroque pop with lush string sounds embellishing the fraught emotional tension; 'Dreaming Of You Backwards' is similarly majestic with classical music references guiding it. Compare these takes with the previous record's soulful rock feel - close in some ways to the sound of Hiss Golden Messenger - and it becomes clear Adams has shed that sound completely and achieved a true reinvention.
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This ConsequenceMetal Blade
Returning with their highly anticipated follow up to 2019's Atonement, while marking the sixth overall full-length to feature original vocalist Jesse Leach (who re-joined following the departure of his initial replacement Howard Jones for 2013's Disarm The Descent), the ninth album from melodic metalcore heavyweights Killswitch Engage serves as a triumphant victory lap of their sonic saga thus far. Self-proclaimed to be their most collaborative endeavour to date, the seasoned veterans deftly balance their complex, chugging anthemics and pioneering lead lines of the incomparable Adam Dutkiewicz with saccharine hooks and earnest bombast, while Leech's frenetic switching from gravel-throated shouts to vulnerable clarity add poignancy to cuts such as the triumphant lead single 'This Consequence' tackling "everything the past five years has thrown at us as a band, as humans, and society as a whole". Be prepared for a glorious return to form from one of the genre's most integral foundation builders..
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Hifi Sean / David Mcalmont - Twilight
CD
TwilightPlastique Recordings
Arriving almost exactly three months after its predecessor, HiFi Sean and David McAlmont's third collaborative full-length is lightly a conceptual flip side to 2024's Daylight - a "dusk till dawn" night drive sequel, as they put it. To provide a distinctly different sonic sheen to the album that preceded it, the duo has reached for slow, soft-touch grooves, dreamy textures, bubbly electronics, strobe-lit synths and musical motifs forged in darker, if still colourful, tones. Add in McAlmont's honeyed, effortlessly soulful vocals, and you have another genuine gem from the 1990s survivors. Highlights include Blessed Madonna collaboration 'The Comedown', the tactile bliss of 'Goodbye Drama Queen', the huggable wooziness of 'High With You' and the heartfelt sweep of 'Star'.
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Martin Circus - Evolution Francaise 1969-1975
CD
Evolution Francaise 1969-1975Born Bad France
Has any band undergone such a radical musical evolution as Martin Circus? The French band, formed in 1969, initially explored psychedelia, heavy rhythm and blues and formative progressive rock, before pivoting to Cerrone style disco, new wave and eventually, synth-pop. Evolution Francaise 1969-85 does a great job in charting this sonic journey on one action-packed compilation, chronologically serving up such heady musical highs as 'Annie, Christine ou Partricia' (a heavy rock-meets-The Rolling Stones workout), 'Les Indiens De Demier Matin' (psychedelic disco-rock), 'Mon Premier Hold Up' (their most Cerrone-esque number), 'Disco Circus' (their most famous cut, here re-edited by Francous Kevorkian) and 'J'Tai Vu Dans Le Canoe?' (quirky synth-pop).
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The Delines - Mr Luck & Ms Doom
CD
Mr Luck & Ms DoomEl Cortez US
Since breaking through 11 years ago, Portland, Oregon combo The Delines have crafted an attractive trademark 'country soul' sound that combines the lilting, desert drive heartache of Americana - an effect heightened by the southern drawl of singer Amy Boone - with Stax-style hazy horns, elongated Hammond organ chords, and warming grooves. It's a sound that can be as easily applied to downtempo numbers as more upbeat ones, with the widespread use of strings and less fashionable brass and woodwind instruments (flugelhorn anyone?). The band's latest full-length excursion may well be their most hard hitting, heart breaking and poignant set yet, with a polished take on their distinctive style only emphasising the quality of their musicality and Boone's expressive lead vocals.
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Mama Terra - Chameleons: Live Interpretations Of Herbie Hancock
CD
Chameleons: Live Interpretations Of Herbie HancockAcid Jazz
Initially inspired by a request by long-term supporters Jazz FM to perform a live remake of one of their favourite albums, Herbie Hancock's peerless Headhunters, Chameleons sees rising British jazz-funk and contemporary jazz combo Mama Terra dive deeper into the great man's catalogue on a set recorded live at a gig in Glasgow. In keeping with their own style, they made a conscious decision to replace the formative synth sounds and future-funk influences prevalent on Hancock's work of the 70s and 80s with acoustic instrumentation. It's a bold move but, thanks to their undoubted quality and deft touch, works well. For proof, check the languid and laidback breeze through 'Butterfly', a wonderfully gritty and low-slung jazz-funk re-make of 'Chameleon' and the triumphant takes on earlier Hancock works 'Cantaloupe Island' and 'Watermelon Man'.
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The Wombats - Oh! The Ocean
CD
Oh! The OceanThe Wombats
According to the band themselves, the Wombats' new full-length - the long-serving trio's sixth studio set in total - is their most "sophisticated and sonically adventurous yet", exploring lyrical themes of "socially awkwardness, internal strife and everyday LA life". It's certainly a musical departure, with the Liverpool-born band and producer John Congleton (best known for his work with St Vincent and Death Cab For Cutie) largely eschewing the synths and indie-dance influences of old in favour of a sound rooted in British "beat music" of the late 1960s, jangly 1980s indie-rock, and the Britpop era. It's a notable change in direction, but it works really well - as the bold, beautiful and undeniably catchy songs 'Can't Say No', 'Sorry I'm Late, I Didn't Want To Come' (a future anthem for socially anxious misfits everywhere in the same mould as Pulp's 'Mis-shapes') and the surprisingly funky 'Blood On The Hospital Floor'.
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