Aroop Roy launches the Vive La Musique label with this effervescent blast of sunkissed Zouk music from the mid 80s. Maurice Agad, the writer responsible for "Tabala Mouv," was traced to the Caribbean island of Martinique, and it only helps feed into the exotic atmosphere surrounding the music. In its original form "Tabala Mouv" is a plush, richly produced groover laden with slap bass, strings, keys, horns and a wonderful meandering vocal. Roy beefs the track up with a rework that subtly edges a few modern touches into the mix, while Truccy offers up a simple edit of the track in its purest form.

The current owners of iconic disco label Salsoul have previously been criticized for some of their remix choices - most notably Marquis Hawkes' revisions of classic Logg tunes - but we can't envisage many finding fault with this superb compilation. It features revisions of classic and little-known cuts from DJs and producers associated with Italy's Sounds Familiar crew. Highlights include a killer cover of Candido classic "Thousand Finger Man" by Detroit's GE-OLOGY (here titled "ReFingered With Love"), a superb re-edit of The Strangers' P-funk cut "Stimulation" by Twice and Volvov, a dusty, Theo Parrish's Ugly Edits style tweak of "Salsoul Rainbow" by Kai Alce, and a typically on-point rearrangement by Mark Grusane of Civil Attack's little-known boogie floorfiller "On The Phone".

A warm welcome back to Los Angeles artist Eddie Ruscha, who here dons the familiar Secret Circuit alias for the first time in two years. Opener "Stomping Ground" sets the tone, delivering Rushca's usual balance between colourful psychedelia, acid-fired dancefloor haziness and swirling Balearic bliss. In contrast, "Crazy Ways" is a slow and druggy affair, with ghostly electronics rising above a throbbing, analogue disco groove. Flipside "Hedz" is a loose-limbed slab of electronic Tropicana full of delay-laden Afro-beat guitar flourishes and eyes-closed electronic marimba melodies, while "The Feather Drop" is a weirder, rougher and altogether odder mix of wild acid lines, sharp electronics and San Francisco style dub house rhythms.

Eyes of Others is an Edinburgh-based producer who claims to make "post pub, couldn't get in the club music". Having previously released on chugging psych-disco specialists Nein, "I See You In The Shrubs" marks the producer's first outing on Paradise Palms. On the A-side you'll find his 12" Mix, where half spoken/half sung, Arab Strap style vocals drift across a trippy soundscape built around lo-fi drum machine rhythms, bubbly analogue synth-bass and just the right amount of blazed, out-there electronic noises. The top revision comes from the mighty Andrew Weatherall, who reaches for the heavy dub bass, languid live drums and exotic, cascading electronic melodies. To complete the package, Donald Dust re-imagines "I See You In The Shrubs" as an Italo-disco influenced nu-disco throb-job.

Since the dawn of the decade, Valentin "Valique" Golvachev has served up a wealth of top-selling re-works via the digital-only "V's Edits" series. Here he makes his belated return to vinyl via a four-track re-edits outing on Danny "80s Child" Worrall's Masterworks Music imprint. Predictably, the Russian scalpel fiend hits the ground running with the low-slung, late night disco-funk sleaziness of "It's Hot (Heavy Boogie edit)", before whipping off his shirt and charging towards peak-time disco territory via the rubbery grooves and soaring orchestration of "Think About It (Not Too Long Edit)". Over on the flip, "One Chain (Make No Prison Edit)" is a chugging, arpeggio-driven chunk of San Francisco electronic disco perfection, while "Love Hypnotizing' (Wanna Be Free Edit)" adds a little chunky house flavour to a heartfelt disco-soul number.

Editorial sub-label Clandestine Boogie welcomes Sunner Soul, a Russian producer more famous for delivering a deluge of digital-only edit EPs over the last decade. He's in fine form here, though, delivering a string of original productions that tend towards the deep and musically rich. Title track "Voyager 84" is particularly good and delivers a sun-kissed, Balearic-minded blend of deep house electronics, shuffling samba-house beats and starry, intergalactic melodies. The accompanying Kim & Buran mix is far bolder and more synth-heavy in tone, sitting somewhere between '80s boogie and cheerful nu-disco. Scruscru lends a hand on the B-side, first assisting Sunner Soul with the nu-disco/disco-house fusion of "Spring Mood", and then the deliciously jazzy and sample-heavy peak-time bounce of "Joy".

Z Lovecraft (AKA Rhythm Section International family member Mali Baden-Powell) made his debut last year via an EP on No Bad Days that cheerfully joined the dots between acid, deep house, hip-hop and early hardcore style breakbeats. There's a far mellower feel to this three-track outing on Guru Meditation, even if breezy opener "Verge Dub" does underpin jammed-out electric piano chords and dreamy electronics with shuffling breakbeats and a bustling sub-bass motif. "Arklight Dub" joins the dots between dub techno and spacey deep house, while nine-minute B-side "Hannah's Theme (Bliss Version)" is the kind of fluid, exceptionally picturesque shuffler that could have come from the studio of one of Italy's leading dream house crews during the ambient house era.

It's been three years since Linkwood wowed critics with the brilliant Expressions album on Firecracker Recordings. Here he returns with his first new material since, on a fresh label he founded to release "no frills 12-inches for DJs". Both tracks showcased here duly fit that remit. A-side "Mindmeld" is a fine chunk of unfussy deep house warmth, where metallic percussion and ebbing and flowing chords ride a rolling groove. "Nae Drama", on the other hand, is a fiendishly percussive affair - a stripped-back Afro-house workout that layers up drums and hand percussion, wild electronics and feverish tropical textures to ensure maximum dancefloor impact.