Ashley Beedle and Ray Mang aka The Boogie Twins have reworked and edited one of Paul "Trouble" Anderson's biggest signature tracks. Beedle claimed witnessing Anderson at work at his Electric Ballroom residency back in the day was a major influence, where the late selector would move through boogie, electro, hip-hop and disco, particularly the low slung groove of Trouble On The Land's "A Love That Is Real" that's featured on this 12". The pair get to work, offering a special dubbed-out edit of this rare groove classic which remains a much-loved staple of today's club scene and an example of Anderson's exceptional ear for music. This is a charity record and a tribute to Anderson, with all profits directed to Macmillan Cancer UK.

There's no shortage of great electro around at the moment, but lest we forget Carl Finlow has been dishing out some of the finest for decades now. In many ways 20/20 Vision is his spiritual home too, so it's great to see him imparting his skills for a fresh long player of razor sharp body poppers loaded with robo-funk. From charging opener "Apparatus" to freaky wriggler "Carbon Deposits", restrained creeper "Components" to punchy melodic workout "Ampere", there's a lot to enjoy and so much musical detail to absorb across this record. As if we'd expect any less from Mr. Finlow.

When it comes to DJ-friendly reworks, re-edits and mash-ups, few producers can boast quite as strong a track record as Jim Sharp. Here he proves our point with another pair of certified dancefloor heaters. On the A-side he takes his scalpel to Q-Tip's typically jazzy and bass-heavy 1999 hip-hop cut "Ride", adding a little more grunt to the bass and beats whilst retaining the essence of the Tribe Called Quest man's superb original version. On the flip he delivers a radically different revision of Rahzel's "Southern Girl", placing Erykah Badu's superb lead vocal atop an entirely different Tribe Called Quest beat. It turns it into a dusty, jazzy, head-nodding treat.

Canadian/American hip-hop crew Main Source released some sublime music during rap's "golden era", with both of their albums remaining stone cold classics. "Watch Roger Do His Thing" was never quite as successful commercially as its predecessor, "Looking At The Front Door", but is nevertheless a quality bit of conscious rap. For the uninitiated, the 1990 cut is based around loose, slack-tuned drums, weighty bass, jazzy organ flourishes and bass so fat it probably has its own postcode. This edition pairs the superb vocal version with the under-celebrated instrumental, both of which appeared on the song's original single release.

Emma-Jean Thackray is a real all rounder - she composes, producers, sings, leads a band and plays a wide range of instruments. Her work will move you inside and out thanks to its thoughtfulness and immediacy. The majestic a-side "Rain Dance/Wisdom" is Roy Ayers, Sun Ra, Kamaal Williams all rolled into one. The horns pull you one way while the keys rain down in another. The feathery drums are a perfect pillow to sink into and the mood changes often, and freely. This EP proves that Thackray is one of the most fascinating voices in the current jazz revival.

When Austrian shoegaze outfit Molly delivered their debut album in 2019 it immediately shot straight into many a critics' hit list. A work that was so beautiful and detailed, dreamy enough to inspire fantasies and yet grounded enough in reality so as to hit home with anyone who came across its contents. Prepare for your booster jab, then, with this EP offering a selection of fine alternative versions realised by some top remixers. Maps take 'Weep, Gently Weep' into snowy, icy, chilly electronic peaks - crystalline enough to see for miles from the top of the sonic mountain. William Doyle, who some will know from East India Youth, turns 'All That Was' into an epic work of ambient joy. Mark Peters continues with the feeling of wildness and wilderness on his similarly ambient offering, combining 'Part I' and 'Part II' to stunning effect.

L.F.T.'s brand of electro is punked out and industrial, with flashes of acid and EBM toughening it further. The mesmeric lead on "Red Pyramid" is a brilliantly psychedelic one that morphs and contours before your very ears, turning your mind in on itself many times over. "Chemical Confidence" is as brash as the title suggest and "Anti Tune" is a skittish beat with real snap. The flip-side closes out with two angst riddled, fist clenching electro bangers. If you want to make a real impact on a dark, strobe lit club, look no further.

It's up for debate whether house music managed to create for itself the best tagline of any genre, ever, but either way Jarv Is clearly wants to appeal to our sense of nostalgia and community with this two-track EP that is pretty much quintessential fare when it comes to the canon's emotive sound. Opening with the original mix, expect the kind of euphoric party vibes combined with a slight sense of reflective melancholia that can really make one track stand apart from so many of its four-to-the-floor peers. Warm vibes, soaring vocals and an epic, almost-gospel charged chorus. Flip it to find something a little closer to acid, jaggedly rave synth lines and staccato strings abound. Altogether exactly what you want to really set the house party off.