This is a Juno Exclusive from French producer Djar One that lifts off and cruises all the way to Puerto Rico. "Oye Como Va" is the breakbeat fuelled a-side with huge funk drive, oodles of instrumental flair and lively percussive sounds that bring that vital world flavour. "Dance Dance" on the reverse is a quicker jam with Latin flair to spare. It trills with summery time joy and drives on kicking drums. The fun loving vocals are the irresistible finishing touch. Both of these cuts will blow up and club, wherever you are in the world.

Having sold out in record time a couple of months back, Phil Mison's latest album as Cantoma - an all-star affair featuring a wealth of guest vocalists and musicians - has been rapidly reissued, this time with a colour insert. Musically, "Into Daylight" is sweet and soft-focused, with the Balearic veteran prioritising seductively shuffling samba beats, dewy-eyed vocals, gentle melodies, dubby basslines and tactile instrumentation (think meandering trumpet solos, acoustic guitars, flutes, twinkling Rhodes solos and Pat Metheny style jazz guitar). It's the kind of album that warms you like a hug, soothing mind and body whilst providing enough slow-motion excitement to reward repeat listens.

First released in 1972, 'Mosaic of Colour' is Rahbani at his most globally significant, boundary-pushing and forward-thinking, exploring a multitude of instruments and influences from both Arabic and Western cultures. It's not just a thing of beauty, either - it's a rare thing of beauty that should be savoured and cherished, so think yourself lucky if it's on the shelves already. The youngest of the Rahbani Brothers (also comprising Assi and Mansour), this record gives an insight into the now 82-year-old Lebanese author, conductor, arranger and producer as he was in his early-30s, which, along with the fact this was his solo debut, makes the maturity of 'Mosaic' even more remarkable (standing up as it does to anything he has given us since). A bold and beautiful journey through lush, exotic soundscapes that everyone needs to take.

AD and Worldline deliver Toy Opulent's third release - and it's first vinyl imprint.

Doesn't get better than this. Two killer much sampled funky soul classics back to back on one handy 45 from Don Blackman...Once heard...never forgotten. Pressed up for Juno on white vinyl and limited to just 150 copies...

Club of Jacks RAW 3 EP Club of Jacks come correct with the third and final installment of their RAW EP series - serving up another vinyl 4 tracker of essential House & Garage grooves primed for the dancefloor. Track 1 'Memories' opens the EP with creamy Rhodes pads leading into a pulsing deep house groove flecked with soulful vocal lines, jazzy piano arps and filtered sax riffs. The second track 'All I Think About' is a soulful groove built around an emotive vocal hook and chugging analog pads for that end of the night vibe. On the flip side, 'Pressure Sound' switches style to a bassline roller with vintage reggae vocals, swinging garage drums and dub fx combining into a bouncy party starter. Finishing off the EP is 'Bug-a-Do', a tough and bumpy hybrid acid-garage-house banger. Filtered synth pads merge with a 303 and M1 piano line - a hands in the air new school / old school workout. All tracks are produced and mixed by Club of Jacks and made to be played loud wherever you like to jack your body!

Milan based Take It Easy label and party is back. This third drop comes from label owners, Bugsy and DJLMP with the addition of the historical italian dj and Paradise Pizza's label owner Memoryman aka Uovo. After their big success "Watchin Out" and "Catch Me", The EP opens with an Afro-influeced sample stomper followed up by an afrobeat vocal tool by DJLMP. "I Wonder" open the B side with some crackly Detroit atmosphere by Memoryman aka Uovo. "Pomiri Dan" completes the set, percussive sample stomper by Bugsy on his first appearance on the label.

Sudd WAX is a vinyl only label of Sudd Records Family. The Limited Series, starts with STK named Electronic Roots. Conceptual, contemporary, the release shows electronic aesthetic into non-labeled genre but music. Figuring out Techno, Jazz, Drum'n'bass influences, into electronic raw textures, arranging something uncommon, but sense at all.