As a splitter: the SPLITComPro provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The main mic output passes phantom power from the main mixer to the amin mic input for use with condenser microphones. The Phantom power is blocked from passing to the isolated mic output.
Aa a combiner: The SPLITComPro provides one output from 2 microphone inputs. The phase switch can be used to invert the relative phase of the isolated mic input. Applications include dual micing of percussion instruments, choirs, and instrument amplifiers. The Phantom power passes through each output to their respective input, (main to main, isolated to isolated), however the phantom power is blocked from passing between the main and isolated signal paths. Only the audio passes between the main and isolated signal paths (it is present on all inputs and outputs).
The ART preamps offer warm tone, useful features and are innovatively designed. ART's line of Tube MP products add presence, clarity and fullness to any signal and is exceptionally low noise. The ART Tube MP Studio V3 features V3 Technology (Variable Valve Voicing), which provides optimized reference points to begin the recording process. The V3 delivers a wide variety of settings designed for various microphones and DI inputs, including guitars, basses, keyboards, synths, electronic drums and much more. Don't settle for a copy cat look alike.
Go with the real thing, the Tube MP by ART.
The preamplifier's active balanced solid-state input provides extremely low noise and excellent common mode rejection. The 14" high impedance input prevents loading of any connected device making the Tube MP/C perfect for DI or line level applications. The preamplifier's second stage 12AX7a tube runs on a regulated DC voltage providing an additional 20 dB of gain.
The compression circuit features a VCA-less design and utilises optical electronics (Vactrol) coupled with a 12AX7a vacuum tube gain stage for superior musical performance
Put A Little Tube In Your Tone:
The MIC500USB is perfect for studio and live applications. The balanced XLR and 1/4" TRS inputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with UTC technology for superior tube character and low-noise operation. The MIC500USB is ideally suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tube compression that will bring your digital tracks to life.
The incredible MIC500USB's controls consist of: switches for +48 V phantom power, 20 dB pad, Phase Reverse and Limiter; plus vintage-style Gain and Output knobs. An 8-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC500USB delivers flawless performance and outstanding signal integrity.
A Voice All Your Own:
To help you get the most from your new MIC500USB, we've provided 16 unique preamp voicings that cover a wide range of applications - including vocals, acoustic and electric guitars, bass, keyboards and more. Options include: Neutral, for a more natural sound; Warm, for adding the warmth typically associated with analog signals and vacuum tubes; Warm + Limiter, for additional warmth when working with high volume levels, sounds with frequent signal peaks, or directly recording an instrument with a mic (e.g., drums); and Limiter, for adding density and a consistent output level of all notes/sounds below clipping.
Although these voicings have been optimized for specific sound sources, feel free to experiment - you just might find that running vocals through the Warm E-GTR setting is perfect for your project. The amazing MIC500USB opens an entirely new and exciting world of creative possibilities!
There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio - and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. How do you get all that music flying around your brain into your computer? That's where the MIC500USB comes in. Thanks to the built-in USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the MIC500USB can be recorded directly to your hard drive. Which brings us to software...
Free Would Be Nice!
Because you'll want to take full advantage of your MIC500USB's recording and podcasting potential, all the software you'll need for audio recording, editing and even podcasting is included - all free of charge and downloadable from behringer.com. You'll be ready to go live on your PC or Mac right out of the box! There is also a free download of more than 150 virtual instruments and FX plug-ins - turning your computer into a powerful home-based or mobile recording studio from input to output.
The Pocket Bass Amp provides an insert for external effects, 3.5 mm stereo line input and headphones output for quiet play-along practice and a footswitch-assignable thru jack for silent tuning. Enabling DI applications, the balanced XLR output is pre or post effect switchable. The Pocket Bass Amp requires a 9 volt battery or power adapter and comes in a rugged diecast enclosure with heavy duty long-life footswitch, convenient LED status indicators and ground lift.
SessionCake SC-02 adds vocalists, keyboardists, and digital instruments to the mix with XLR and stereo left (mono) and right (Hi-Z) inputs, as well as a GAIN (MIC) control for dynamic microphones.