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Master cut and paste man Jorun Bombay doesn't leave it long between his mash-ups. The leading beatmaker has put out plenty this year but still finds time for one more in the form of this new 7" on Soundweight. He opens up with 'The Big Bonus Beats' (A Jorun Bombay edit) which has crashing drum hits and an iconic vocal mashed together with some funky guitar riffs and plenty of big, oversized and splashing cymbals. 'Jamaican Funk (A Jorun Bombay edit)' is a super sweet jam with a plunging synth bassline and more classic vocal samples that lend it a neo-soul feel.
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Leron Carson - Red Lightbulb Theory '87-'88 (reissue)
Reissue of this '09 classic double pack on Sound Signature from Leron Carson.
Epmd - I'm Housin' (reissue)
Although it was originally released at the height of hip-house mania (1988 to be exact), EPMD's 'I'm Housin' is not a rap-sporting house record. It is, though, a bona-fide club classic, with E Double E and PMD trading verses atop a rolling, dancefloor-friendly groove built from elements of Aretha Franklin's 1971 soul classic 'Rock Steady'. All these years on, it still sounds fresh - as this Mr Bongo reissue of the rare 1989 UK seven-inch version proves. In a word: essential.
Five years ago, Italian ambient master and "king of chords" (as collaborator Young Marco once called him) composed and recorded a wonderful, piano-led piece to accompany a book of photographs of his beloved home city of Venice. Masin has now re-edited and reworked that piece and stuck it out on vinyl. It's genuinely brilliant and utterly moving, with the former radio DJ's twinkling, slowly unfurling piano solos seemingly drifting above gaseous ambient chords and ghostly sonic textures. It comes accompanied by 'Abandoned Venice (For Harold Budd)', a heartfelt tribute to the late composer that offers an imaginary, late-night or early morning drift around the city's streets. It was recorded during the same period in 2016 and has a wonderfully eerie, melancholic feel.
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Gailes - Session Two
The very first live stream on 9128.live broadcast from the studio of Rafael Anton Irisarri, as he and Thomas Meluch (Benoit Pioulard) pieced together a completely live improvisation, christening the newly created 9128 airwaves and setting the bar for many more live takeovers. With one album between them as Gailes, and profound work individually (also together as Orcas), Rafael and Thomas are masters of the ambient craft, combining intricate field recordings, guitar, pedals, vocals and heady reverb across a 40-minute non-stop immersive listen, split into two 20-minute sides for the inaugural 9128 vinyl release. The 9128 label aims to document significant live performances by artists that previously performed on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for further listening across various formats that best suit each release. Gailes - Session Two, will be available as a digital download and 12", printed in a reverse-board die-cut sleeve, black vinyl.
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Developer - A Dying Breed
There's always been a bit of a "no frills" feel to Developer's output. The Los Angeles producer specializes in the kind of functional, no-nonsense techno that comes into its own when played over booming club sound system and as a label owner has truly nurtured his Modularz imprint into one of The homes for contemporary American techno. This release is consistent with the labels on going output of warehouse bangers. Straight up tribal influenced, dark, hypnotic, rhythmic techno music for the wicked.