Review: A captivating blend of jazz-infused grooves, soulful melodies and laid-back vibes, delving into the heart of soul music with 'Lost' that sets the tone with its heartfelt vocals and melancholic melodies. On the flipside, 'Thank You' offers a message of gratitude and appreciation, its uplifting harmonies and soulful instrumentation leaving the listener with a sense of warmth and contentment. Expect a selection of tunes that evoke the golden era of soul, with warm instrumentation, rich harmonies, and heartfelt vocals. Whether you're a seasoned soul aficionado or simply looking for some feel-good music to soothe the soul, this compilation is sure to hit the spot.
Review: Any new tune drop the Jazz N Palms label is something worth getting excited about and this, the seventh, is another fine example of that. It is a label from an Italian beat maker and deep-digging DJ who lives in Ibiza and taps into the new Balearic sound. This one kicks off with the lively jazz stylings of 'Vamonos' then moves onto 'Con Alma', a broken beat dance floor viber layered with tons of percussion. 'Tiburon' brings more sunshine with florid flutes and big horns then 'Guirnaldas' closes with a steamy sax lead and funky breaks for good time sun-kissed fun.
Review: Jazz N Palms turn out another of their standout re-edit EPs here and the sixth in the series is no less special than the previous five. As ever, the MO is that the London collective offers tidy revisions of all a wide range of jazz and jazz-funk obscurities. This one kicks off with a Bob James style jam full of instrumental funk and then goes on to the glossy samba rhythms and woodblock hits of 'Santa Ana.' There are more languorous sounds on the stretched out solos of 'El Sabe' then the pace picks up for the energetic shuffles of 'El Sabe.' Last but not least is 'Exotic Flavour,' a freeform cut with wandering bass and steamy sax lines.
Review: We've recently waxed lyrical about Jazz N Palms' fantastic re-edit EPs, which see the London collective offer-up tidy revisions of all manner of jazz and jazz-funk obscurities. Predictably, their latest clutch of cut-jobs is well worth picking up, too. They begin in gloriously summery fashion via the glistening jazz guitars, hazy horns and two-step jazz-funk beats of 'Passion', before rearranging a soft-focus flamenco-jazz gem ('Van Van'). They fast forward to the electrofunk era on luscious B-side opener 'Night Rider' - all electronic beats, elongated electric guitar solos and fretless bass - while 'Bueonos Dias' is laidback, lovely, rich in classy horn sounds and blessed with some suitably languid solos.
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