Review: BBC Radio 6Music favourites Tom Ravenscroft and Nemone are already backing +33JOY's The Wellness Remixes, a year on from Bopperson & Bikbaye's original Wellness Project. This 12-inch release sees four UK-based producers reimagine the message for the dancefloor. Frankson brings an atmospheric, found-sound collage, perfect for closing sets, amplifying Bikbaye's powerful words. K15 takes 'Consumption' deeper, blending Rhodes melodies with shuffling percussion and sub-heavy basslines. Titeknots flips 'Changes' into a tropical journey, all hypnotic guitars and infectious grooves. Michael J. Blood wraps things up with a 15-minute, cavernous techno stomper, pushing boundaries and commanding the B-side in style.
Review: Mariah Carey's 'All I Want for Christmas Is You' has become an essential part of the holiday season. Originally released in 1994 as the lead single from her Merry Christmas album, the song blends upbeat love lyrics with festive elements like bell chimes and synthesisers. Written and produced by Carey and Walter Afanasieff, it received immediate praise and chart success, reaching number two in the UK and Japan. Over time, the track's popularity has only grown, now becoming a Christmas standard that re-emerges each holiday season. Topping charts in over 30 countries and even breaking records for the longest gap between release and reaching number one in both the US and UK. This 7" release captures the joyful spirit of the song, making it an ideal choice for spinning during the holiday season. With 16 million copies sold worldwide, it's a track that has earned its place in the National Recording Registry and in countless holiday celebrations worldwide.
Oh Santa! (feat Ariana Grande & Jennifer Hudson) (3:21)
The Star (3:59)
Christmas Wrapping (feat Roe - live At Madison Square Garden) (2:15)
Miss You Most (At Christmas Time) (4:31)
Fall In Love At Christmas (5:08)
Joy To The World (Celebration mix) (8:01)
Review: Mariah Carey's "All I Want for Christmas Is You" has cemented itself as a holiday classic since its debut in 1994. Featured as the lead single from her Merry Christmas album, the track mixes joyful love-themed lyrics with festive sounds like sleigh bells and synths. Co-written and produced by Carey and Walter Afanasieff, it garnered instant acclaim, becoming a chart success in markets like the UK and Japan. Over the years, its appeal has only increased, evolving into a perennial Christmas favourite that resurfaces every holiday season. The song has topped charts in over 30 countries and set records for the longest time between release and reaching number one in both the US and UK. This 12" version captures the song's timeless holiday cheer, making it a perfect pick for any festive playlist. With over 16 million copies sold globally and a place in the National Recording Registry, it's a seasonal staple that continues to brighten celebrations worldwide.
All I Want For Christmas Is You (feat Jermaine Dupri & Lil' Bow Wow - So So Def remix)
Christmas Time Is In The Air Agaiin (Magical Christmas mix)
Christmas Wrapping (feat Roe - live From Madison Square Garden)
Miss You Most (At Christmas Time) (video version)
Joy To The World (Celebration mix)
Review: Mariah Carey's iconic 'All I Want for Christmas Is You' has become a timeless holiday anthem since its 1994 release. The song, featured on her album Merry Christmas, continues to be a festive favorite, blending pop, soul and classic holiday charm. Carey's powerful vocals, combined with its upbeat melody and nostalgic feel, make it a perfect seasonal hit. The CD single captures the infectious joy and warmth of the holidays, driven by its catchy chorus and irresistible energy. Known for re-entering the charts each year, this track has cemented its status as a Christmas staple. Whether you're decorating the tree or gathering with loved ones, Carey's 'All I Want for Christmas Is You' is an essential feel-good addition to any holiday playlist.
Oh Santa! (feat Ariana Grande & Jennifer Hudson) (3:21)
Miss You Most (At Christmas Time) (video version) (4:32)
Review: Mariah Carey's 'All I Want For Christmas Is You' remains a quintessential holiday classic, capturing the spirit of the season with its infectious joy and catchy melody. The holiday staple features Carey's signature vocal prowess, blending pop and R&B elements seamlessly. 'Christmas Wrapping' featuring Roe adds a delightful touch, showcasing a live performance from Madison Square Garden that brings the energy of a festive celebration. Turning to Side-2, 'Miss You Most (At Christmas Time)' offers a poignant contrast, as Carey reflects on longing and nostalgia during the holidays, showcasing her emotional range. This track's heartfelt lyrics and lush arrangement make it a great addition. Together, these songs create a beautifully balanced holiday collection that both relish in the joy and introspection of the Christmas season, making it ideal for any festive vinyl session.
Review: Samuel van Dijk (VC-118A) and Rasmus Hedlund deepen their journey into roots-inspired dub techno with their third release featuring Jamaica-born, Finland-based vocalist Benji. His commanding voice adds layers of introspection and wisdom, enhancing the project's meditative qualities. 'Better Way' leads with a rich, traditional dub structure, its heavy basslines anchoring a reflection on humanity's challenges and the call for solutions. Benji's vocal delivery is earnest and impactful, carrying a hopeful message that resonates deeply. The instrumental 'Better Version' follows, highlighting intricate production details like shimmering synth melodies and reverberating drum patterns. On Side-2, 'Child Was I' ventures into atmospheric depths, pairing Benji's thoughtful reflections on personal growth with an expansive, slow-burning bassline. This track unfolds gradually, creating an enveloping soundscape that rewards close listening. The accompanying 'Child Version' strips back the vocals, bringing the textured production and haunting melodic layers to the forefront. With its perfect balance of lyrical depth and intricate sound design, this release honors dub techno traditions while charting its own unique path.
Review: Way back in 2006, when for various reasons they were suffering with insomnia, the Black Dog began making music when sleep deprived - a process the Sheffield trio say made their material more emotive and vulnerable. At various times since, they've returned to the idea, resulting in this album - a collection of immersive musical movements that frequently blur the boundaries between the enveloping ambience the IDM pioneers have become famous for in recent years, and (synth) string-laden neo-classical compositions. Of course, it's not all picturesque sonic beauty, with the paranoia and slow-thinking darkness sometimes associated with periods of sleep deprivation being translated into trippy, melancholic or sonically intense soundscapes rooted in drone and dark ambient. Throughout, it remains surprisingly emotive and - for the most part - pleasingly meditative.
Review: Neville 'Breeze' McKeith is undoubtedly a legend of Black British music - albeit one not known to the majority of listeners. His CV is impressive; as well as being a founder member of jazz-funk outfit Light of the World, McKeith was also an integral member of Beggar & Co (known for disco hit '(Somebody) Help Me Out') and currently wields his guitar for The Brit-Funk Association. Unusually, this is only his second solo album, and arrives 41 years after his first. It acts as a showcase for his virtuoso guitar playing (he switches between lead, rhythm and acoustic guitar across the set), offering a mix of jazz-funk, fusion, contemporary jazz and soul songs and instrumentals. It's mostly new original material, but wisely McKeith has also included a handful of rather good interpretations of classic cuts.
Review: The third volume in the Future Sounds Of Kraut series delves deeper into the experimental realms of krautrock, blending its hypnotic rhythms with modern sensibilities. On this release, Fred und Luna lead the charge with their distinctive sound, drawing from the genre's rich history while infusing it with fresh, forward-thinking elements. The album's varied tracks are a journey through intricate loops, motorik beats and atmospheric textures, offering a dynamic exploration of electronic and psychedelic landscapes. A collection that pays homage to Krautrock's pioneers while shaping its own space in the genre, this release is a must-listen for both old and new fans alike.
Tall Black Guy - "Solar Coaster For The People" (4:11)
Tall Black Guy - "Constantly Moving" (4:24)
Tall Black Guy - "Super Heights" (3:25)
Eric Lau - "Chop For Mr Thing" (2:46)
Eric Lau - "Dedication A, B & C" (3:02)
Eric Lau - "YNWAJP" (2:35)
Eric Lau - "Lau Left The House" (2:10)
Kidkanevil - "Loopin'" (III) (1:51)
Kidkanevil - "Explorer Flip" (2:11)
Kidkanevil - "A Love That's Worth Sampling" (2:02)
Kidkanevil - "Sun Gonna Shine" (1:56)
Mr Thing - "Changes" (2:54)
Mr Thing - "Carnival" (3:12)
Mr Thing - "Higher" (3:01)
Mr Thing - "Funky Coffee Thing" (3:06)
Review: Nothing Leaves The House: The Anthology brings together four talented producers who each bring their own flavour to instrumental hip-hop. Tall Black Guy kicks things off with 'One to One,' a jazzy, laid-back track with a smooth groove, followed by 'Solar Coaster For The People,' which ups the energy with its infectious rhythm. Eric Lau's 'Chop For Mr Thing' is a standout, with intricate beats and soulful layers, while Kidkanevil's 'Loopin' Ill' brings playful, quirky melodies. Mr Thing closes the collection with 'Changes,' a funky, groove-driven track that wraps things up on a high note. An essential compilation for fans of soulful hip-hop and jazzy beats.
Review: Widely regarded as the birth of jazz fusion, this release captures Tony Williams leading an innovative trio with John McLaughlin and Larry Young in a groundbreaking exploration of jazz-rock. The opening track sets the tone with a bold fusion of swing, rock, and free jazz, pushing boundaries and creating a template for the genre's evolution. Williams' dynamic drumming drives the interplay, while McLaughlin's guitar and Young's organ add depth and texture. Pressed on 180-gram vinyl at Third Man in Detroit, this reissue highlights the album's enduring influence and its place as a cornerstone of late 60s jazz innovation.
Johnny "hammond" Smith - "Soul Talk - 1970" (6:18)
Sonny Rollins - "Newkleus" (5:07)
Nat Adderley - "Fortune's Child" (6:18)
Gene Ammons - "Cantaro" (3:56)
Vince Guaraldi - "Little Birdie" (3:13)
Chico Hamilton - "Gengis" (4:01)
Catalyst - "Suite For Albeniz" (6:10)
Review: The Golden Hour is a new compilation that blends sunbaked sands with the cool sea breeze and offers a groove-filled journey through jazz and funk. Featuring tunes from iconic artists like Johnny Hammond, Sonny Rollins, Vince Guaraldi, Chico Hamilton and more, this collection captures the essence of floating on a wave while soaking in the final rays of the day. The album's cover art was created by Kamil Czapiga using colour inks reacting to the music, which is a nice touch, while highlights include tracks like Hampton Hawes' 'Web,' Vince Guaraldi's 'Little Birdie' and Chico Hamilton's 'Gengis.'
Review: Heavyweight quattro-techno from A Paul, DJ Dextro, Red Rooms, Ramon Tapia and Arkvs for Planet Rhythm. Each track serving as merciless hoisters in the vein of 'Rough' techno, the A1 is deserving of the name, bringing scraping hi-hat blurs and gulping knocks to a mean mix. Deadened, unfeeling, callous calculation follows on the follower 'Binary Codes', while Tapia tabulates a 'Ratio' on the algo-rhythmic bleeper that ensues on the B1. Finally, 'Decoration Drugs' brings a prime movement, its facelessly numbered breakdowns and shuffles assuring us that there is indeed no end to off-planet production processes such as these.
Review: Portuguese producer A Thousand Details is back on Hayes four years after his 'Mirage' EP and shows a smart evolution in his sound. With releases on labels like Knotweed 51, Tar Hallow and EarToGround, he's built a reputation for blending technique with creative vision and his decade of techno expertise is evident in his production here. He uses hardware like the Digitakt, TR-909 and modular systems to cook up emotive, chord-driven motifs that balance harmony with techno's raw energy. The 'Unrestful Mind' EP blends nostalgia and innovation and draws from Detroit's heritage while introducing fresh, glowy textures to melt body and soul.
Every Pleasure, Every Sin (Ivan Iacobucci's remix) (6:02)
Track 5 (4:03)
Review: Acoustic Vision crafts an exceptional EP bursting with rich techno personality. The opening track, 'Peyote Country Club' grabs attention immediately with its infectious rhythm, sharp percussion, and irresistible flow. A light yet captivating melody hovers over deep, bouncing basslines, building into a perfect storm of dancefloor energy. It's a standout cut that seamlessly blends a cool vibe with driving momentum. 'Human Endeavour' ventures into darker territory, offering a tribal groove layered with eerie, hypnotic elements. The haunting melodies create a sense of being swept into a deep, mystical rave, where the rhythm pulls you in. Subtle house influences sneak in as the track progresses, with distant keys adding a sophisticated touch that leaves an impression on you.
'Every Pleasure, Every Sin' shifts gears, delivering a refreshing blend of ambient house that feels like a breezy summer afternoon. The track is pure elegance that harkens back to the vintage early 90s. The remix of the same track turns things on their head, adding a wicked bassline, playful breakbeat, and a more ominous vibe. The inclusion of an acid line gives it a nostalgic, classic feel, ensuring this version stands out with its playful edge.
Definitely an artist to watch in the future."
Review: 'Dreamtime Trance' is a cult gem for those who like to dig deep, and Alston Koch is exactly that person. She is a Sri Lankan-born Australian musician and the mastermind behind the Kookaburra Connection project, a collaboration with Aboriginal musicians, and this track blends indigenous themes with a unique, game-changing beat and infectious groove. It's a pure dancefloor revelation and this reissue includes a new extended version with a longer intro buildup that adds depth to the track. On the B-side, the heartfelt ballad 'Midnight Lady' offers a contrasting mood that is perfect for after-hours relaxation with PiNa Coladas. Remastered and re-issued with the original artwork, this EP is a must.
Review: The cult Pillz label returns hot on the heels of a sold-out 12" last time around. For their next drop, they welcome Argentinian talent Stefano Andriezzi who is known for bringing great colour to his beats. This 'Elektronico' EP showcases his skill with four tracks that explore diverse underground moods with take cues from ravey electro, techno and hints of house. 'Elektronico' opens with turbocharged pads and bass making of an upright and urgent future tech house beat. 'Raves Weekend' is more fluid with a bouncing bassline and old-school rave sirens to get things going and 'Acid Computer' then pairs things back to a lovely organ line and 90s house vibe with colourful daubs of synth. 'Get Fanki' shuts down with a nice fist-pumping thump.
Review: Joe Armon-Jones brings a fresh layer of depth to his ever-evolving sound with 'Sorrow', a track that takes its time to breathe, much like a slow unfolding narrative. The piece moves with a deliberate grace, weaving together his distinctive jazz-infused piano work with an underlying electronic pulse. It starts subtly, slowly layering textures that push the track into deeper emotional terrain. The interplay between live drums and ambient synths creates a fluid yet focused atmosphere, reflecting the introspective mood the title suggests. With 'Sorrow', Armon-Jones proves once again that he is unafraid to let his ideas mature at their own pace, leading listeners through a rich, captivating experience.
Review: Indonesia-based Babon was founded in 2023 by longtime friends Wahyudi T. Raupp and Rayi Raditia and craft instrumentals addressing environmental issues. Their sound fuses Melbourne's vibrant music energy with dangdut rhythms, gamelan percussion, and melodic keroncong folk styles. Here they debut on Batov Records with the wonderful 'Tropical Desert Music' which blends Indonesian traditions with Afro-Latin funk, Morricone-inspired grooves, Bollywood breaks and blues. It's the sort of sound that is perfect for fans of Khruangbin or Sababa 5. The A-side 'Desert Rose' is a spaghetti blues anthem, while the flip 'TNT' tells a miner's tragic tale through cinematic, explosive instrumentation.
Review: Cheb Bakr's latest release reflects the rich interplay of North African tradition and modernity. Rooted in rhythmic Arabic melodies, the tracks blend warm, soulful instrumentation with a contemporary edge. The production draws from Libyan pop's energetic pulse, merging traditional sounds with subtle nods to r&b and hip-hop. This is a striking example of how regional influences can be reinterpreted for new audiences while retaining their cultural depth and vibrancy.
Review: A thrilling ride through energetic and innovative techno. Opening with 'Funken', the track delivers hi-tech funk with stomping melodic work, driven by vibrant chords and an uptempo, atmospheric vibe that sets the tone for the release. 'Groove Constructor' follows, offering a playful, creative take on techno with infectious grooves and clever sound design that keep the energy flowing. On Side-2, 'Quartz' brings high-energy tech house, perfectly suited for peak-time moments, with a relentless beat and captivating rhythms that propel the track forward. Closing with 'Liebherr', the track incorporates fast tribal beats and melodic breaks, expertly building tension before releasing in powerful, dynamic moments. This release showcases Baugruppe90's ability to blend energy, creativity and rhythm into a cohesive, exciting listening experience.
Review: How-it's-done deep garage house and more from Berlin's Marc Brauner, who rejoins the Shall Not Fade posse for a bustling new four-tracker. The city's resident DJ's fourth record for the UK label, Brauner here trains his hand on melodic major synth toplines and smartly timed dotted rhythms, producing a vibe of the utmost slickness and finesse. The leitmotif is obviously street smarts, as indicated by the loiterer on the front cover, and 'Sketchy Sidewalks' before 'Ghetto Birds' both give this off as much, through their faint hip-hop sampleage and rubbery sound-sprays. 'So Hot' and 'Breakthrough' shunt things up a few modes, into relatively minor-keyed crystalline waters on the former, and soul-feeding breaks choppage on the latter.
Review: Liverpool's own Brent delivers HMND 005 on Humanoid Recordings, infused with deep synthwave aesthetics and pulsating basslines that drive this LP from start to finish. This fifth release from Humanoid captures Brent's unique touchia high-energy blend of retro-futuristic synths and a richly layered soundscape that take listeners on a cinematic journey through neon-lit atmospheres. The tracks unfold like scenes from a late-night film, with rhythmic depth and melodic synth lines that immerse you in a sleek, immersive audio experience.
Review: Beretta Music has long been a breeding ground for new talents emerging on the Detroit scene. It has platformed the likes of now global stars such as Seth Troxler and Ryan Crosson and it carries on that fine tradition here with new music from 313 native John "Zoetic" Briggs. He has already landed on the likes of Atjazz Records and here offers the Spirit World EP, which blends funk, jazz, techno and house. 'This Spirit World' is a vibrant and colourful jumble of Afro drums and percussion with fleshy synth bass. 'Innerspace' brings more worldly melodies and dusty deep house beats and label co-founder Ryan Sadorus remixes 'This Spirit World' into a smooth and dubby cut before 'Para Dice VII' shuts down with a late-night sound imbued with some pensive synth work.
Review: DJ A.D.S. keeps it real with some classic hip-hop remixes that rework timeless joints which always wried back in the day, continue to work now, and are sure to never go out of favour. The first one on this new 7" is 'Get UR Freak On' which becomes a slow-motion joint with whimsical Middle Eastern melodies and a snaking baseline topped with some fine bars from Missy Elliott. On the flip is Snoop and Pharell's 'Drop It Like It's Hot' reworked into a sultry boom-bap joint. Two stone cold weapons.
Review: The eleventh in an ongoing series from Rotterdam's Echo Ltd., these numbered 7"s bring together many an unknown artist - the crucial factor being whether said artists can muster the subtlety of a highly particular, brilliantly beatific brand of dub techno via dubstep. Another link in the chain of a serial concatenation of steppers stamps, Dutch analog dub producer and label owner Frenk Dublin joins the ranks of SND, RTN and many more unknown artists here for a four-song sea's worth of salubrious texturisers, all duly marked by the patented heat-knifed hazes first deployed in the dance by Maurice Von Oswald and company. Dublin moves increasingly exploratory here, with closer 'The Ancient Order' sounding like the polyatomic movements of a probing deep-sea vessel sent to explore Atlantis.
Review: First released way back in 1982 on Greensleeves, Eek-A-Mouse's 'Ganja Smuggling' is a towering example of early 80s "singjaying", a style of reggae vocal improv made popular by its combination of toasting and singing. Here we open with an asphyxial, spitballing steppers sound, as 'Mouse is heard scatting and bidi-bonging in his signature opening style, shortly before launching into a cautionary tale about working as a border lines marijuana smuggler. The track deals in a stoic, forborne whimsy, comically scatting and riff-licking through what is implicitly portrayed as an otherwise thankless and unforgiving task. This 7" reissue marks an important milestone in Greensleeves' release catalogue, harking back to one of Eek's earliest cuts laid down with kingpin producer Henry "Junjo" Lawes, the association with whom helped fuel Eek's early celebrity.
Review: Francesco Farfa's iconic 1991 club EP is reimagined three decades later here with fresh remixes by four of Berlin's top DJs and producers. Their various different takes make for a versatile selection of dancefloor tools crafted by DJs, for DJs, ensuring it fits a variety of occasions. The A-side features Trent's deep, big-room darkness, complemented by Juan Ramos' trancey rework which mixes in key elements from the original. On the B-side, E-talking delivers an uplifting progressive remix while Hamsa strips it down for a more minimalist, enhanced version of Farfa's classic theme. A must-have selection of reworks here.
Review: Francesco Farfa's Learn To Fly delivers a seamless blend of deep house and electronic intricacies. The opener, 'Peace Treaty #1,' sets the tone with a smooth, rolling rhythm that gradually builds into an engaging groove. 'Feel The Run' follows, layering atmospheric synths over a punchy bassline, drawing the listener further into its hypnotic world. The track progression on Side 2 is notable, with 'Fly To Sub-Conscious' guiding the mood into more introspective territory, while the 'File' series offers varying shades of darker, more experimental textures. Farfa's production shines with every track, maintaining a balance of groove and explorationiperfect for both the dancefloor and home listening.
Review: Fata Morgana reissue is here and is a standout progressive house record originally released in 1993. Certainly, a key release from an era when the genre was dominating the electronic club scene. This 12" features four versions of the track, each adding its own nuance to the original's hypnotic groove. Each mix is meticulously crafted, showcasing the complex, layered sound that would define late 90s and early 00s progressive house. Transmigration Records continues its excellent work with this reissue, reminding listeners why Ulterior Motives is often cited as a lesser known gem in the genre.
Review: For fans of classic soul like Lee Fields and Bobby Oroza, Kelly Finnigan's latest 45 is a pure delight. On the A-side, an upbeat Northern soul-inspired track from A Lover Was Born pulses with raw emotionisyncopated guitars and brass-powered intensity back Finnigan's story of a love in crisis. The B-side adds a bonus cut, evoking the 60s soul vibe of Stax Records with a deep, minor-key groove. Here, gospel-tinged harmonies and moody horns underscore Finnigan's heartache, capturing a timeless feel with modern passion.
Review: Hot on the heels of his acclaimed sophomore album A Lover Was Born, Kelly Finnigan makes a quick return with this soul-packed 7". The A-side, 'Get A Hold Of Yourself,' is a Northern soul-inspired stomper that channels the raw emotion of Memphis soul with heavy drums, syncopated guitars, bold horns and Finnigan's impassioned vocals. It tells the story of a rocky relationship where emotional strain disrupts physical connection then the B-side is a fresh bonus cut from the A Lover Was Born sessions inspired by Barbara & The Browns' Stax classic 'Hurts Me So Much'. It's a moody groove with gospel-infused vocals.
Review: GE-OLOGY's 'Freee Man' plays with the soulful richness of disco, reworking its elements into something that feels timeless and bold. The A-side 'LateNight Extended Mix' stretches the groove, balancing its shimmering layers with deep basslines and crisp percussionia track destined for both intimate sets and expansive dancefloors. The B-side 'Streeet Fever (NightSweat Mix)' pulls in funkier elements, fusing tight rhythms and a subtly modernised edge while respecting its vintage roots. Hot Biscuit Recordings presents a release that pays homage to the genre's legacy while sounding unapologetically freshiperfect for selectors who value depth and groove.
Review: Evasive Records proudly returns to vinyl with a dynamic new release featuring two standout tracks from David Gtronic and Brizman. Colombian-born, Berlin-based David Gtronic is known for his bass-driven, percussive style, with releases on labels like Suara and Monique Musique. Teaming up with Tel Aviv's underground sensation Brizman, now also based in Berlin, the pair deliver an exhilarating EP recorded in the heart of the city. Still So Far Away offers deep sub basslines, acid synths, and hypnotic chords, while Your Imagination brings a funky guitar bassline and an infectious groove. Evasive's Rob Pearson takes on remix duties, infusing his South London retro Tech House style into 'Still So Far Away', while transforming 'Your Imagination' into a tech breaks workout primed for the dancefloor. A must-have for vinyl collectors and fans of cutting-edge electronic music.
Review: Eric Hilton's latest release feels like stepping into a hazy, late-night reverie. The track unfolds with a subtle interplay of gently rolling beats and shimmering guitar tones, setting a mood that's as reflective as it is cinematic. Dreamlike vocal layers drift in and out, adding a human touch to an otherwise deeply atmospheric composition. There's a warmth here that recalls the golden era of downtempo, yet Hilton's refined production ensures it feels distinctly modern. It's music for quiet moments, crafted with a level of care and precision that speaks to Hilton's years of mastery in sculpting immersive soundscapes.
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