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Startseite  Equipment  Effects pedals
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Effects pedals

There are thousands of effects pedals on offer, with something to suit every budget and every sound. Effects pedals – sometimes called stomp boxes or FX – were originally targeted at guitar players, but now there are options for everyone, including pedals designed specifically for bass guitars, synths and vocals. Old-school effects pedals were typically simple analogue effects like distortion, overdrive, fuzz, wah and flangers. Modern pedals might also include digital processing, unlocking complex reverbs, delays, loopers and modulation effects like chorus. Electronic producers should look out for pedals which can handle line-level signals, making it easier to hook up synthesisers, modular synths, drum machines, samplers and other pro studio equipment. Some pedals even offer stereo inputs and outputs, meaning you can use them on true stereo signals. Whether you’re looking for a cheap, high-quality distortion or a boutique multi-effects unit, there’s something for everyone.
Effects pedals
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FORTHCOMING
All-Pedal Galactavise Intergalactic Compression Effects Pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 31 May 24 $220.52
(No payment required now - pay when released)
All-Pedal Microdose Advanced Analogue Optical Phaser Effects Pedal
Cat: 973354 Rel: 13 Oct 23
 
Advanced analogue optical phaser effects pedal.
Notes: Allpedal Microdose

Advanced Analogue Optical Phaser The Microdose is an optical, stage selectable analogue phaser, handcrafted with our hyper-detailed approach to usability, and tone. The Microdose is the first phaser launched by AllPedal, sometimes liquid-y smooth, sometimes chewy and lush.

Beginning with the Level control, you can always dial in the perfect volume for your phase tone. It also gives you the ability to mix in additional dry signal for a pleasant, subtle phasing effect. This control can also take you into pitch modulation territory when set to 100% wet. Res adds feedback, which makes for those over-the-top phase tones we all know and love. The Depth control adjusts the intensity of the effect, giving you everything from vintage 70's phase tones to sounds from a sci-fi soundscape. The wide range Rate control allows for both extremely slow and extremely fast modulation. Coupled with the Multiplier knob and the Tap Tempo switch, getting your effect locked in to the beat couldn't be easier. Sixteen wave shapes are available via the Waveform control and the Wave Set selector switch. Lastly, the Microdose includes an Exp pedal input for controlling the Rate. It works with many instruments including electric guitar, synthesizers, and bass.

Microdose is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.
Read more
 1 in stock $315.46
Beetronics FX Seabee Analogue Multi-Chorus Effects Pedal
Cat: 934389 Rel: 03 Apr 23
 
A multi-chorus pedal that delivers the finest analogue bucket brigade chorustones.
Notes: The Seabee is a multi-chorus pedal that delivers the finest analogue bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.

Three Chorus modes provide the classic, lush chorus and vibe sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.

Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

No matter which mode you choose, the Seabee will navigate you to inspiring and creative places.

Its simple layout with only three knobs hides a multitude of possibilities with alternate controls, three ramp shapes, tap tempo, a 4-way tone filter, feedback control, and a rate that ranges from very slow to ultra-fast waves, even reaching ring modulator ranges.

There are two stereo output options, 16 onboard presets, full MIDI control, expression in, external tap and 4 input level options so you can process guitar, bass, all kinds of active pickups or synthesizers and still keep the bucket brigade in its sweetest spot?

It's hard to believe that an analogue chorus can be so complete, versatile, unique and intense - all at the same time. But get ready, because Tone Fishing is about to beecome a thing.

Analogue sound path with the finest bucket brigade chorus tones.
3 Chorus modes / 3 Harmochorus modes
Never before heard pitch shifting chorus with arpeggios and random patterns.
Truly expressive ramping gives you musical control.
16 Onboard presets, Tap Tempo, MIDI, Expression and more.
Selectable input level (supports guitar, bass, active pickups, synthesizers and more)
Hand-assembled in Los Angeles, CA.

Packaging Dimensions: 15.2 x 13.7 x 7.6 cm
Weight: 0.49 kg
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 1 in stock $418.86
Click for better price!
or call +44 20 7424 1960
quote 934389
Beetronics Nectar Tone Sweetener Overdrive & Fuzz Effects Pedal
Cat: 978350 Rel: 06 Nov 23
 
Overdrive & fuzz effects pedal
Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA
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MRP:$238.45 SAVE 12%
 3 in stock $211.01
Click for better price!
or call +44 20 7424 1960
quote 978350
FORTHCOMING
BOSS AW-3 Dynamic Wah Effects Pedal
Cat: 996670 Rel: 30 Apr 24
 
Dynamic wah effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$161.43 SAVE 14%
est. release 30 Apr 24 $138.21
(No payment required now - pay when released)
BOSS CP-1X Compressor Effects Pedal
BOSS CP-1X Compressor Effects Pedal (dynamics effects pedal)
Cat: 996672 Rel: 16 Feb 24
 
Compressor effects pedal
Notes: Next-Generation Guitar Compressor for Expressive Players

Powered by BOSS's MDP technology, the CP-1X is a new type of multiband compressor for guitar that preserves the character of your instrument and technique for unlimited musical expression. Intelligent processing analyses your signal in multiple dimensions as you play, providing advanced dynamics control that never colours or muddies your tone like typical stompbox compressors can. The simple, four-knob interface makes it easy to dial in sophisticated results, while the handy gain reduction indicator always shows you how much compression is being applied. Optimized for all types of guitars, the CP-1X offers next-generation performance for every style of music.

Intelligent Processing for Natural Sound

When you first plug into the CP-1X, you're in for a totally new guitar compressor experience. Typical stompbox compressors colour and restrict your sound, and are hard to dial in for various playing styles. The innovative CP-1X eliminates these drawbacks and more, opening up a world of expressive potential. The powerful MDP engine analyses your guitar's many different tonal elements in real time, providing natural compression that intelligently follows and adapts to your playing. With this high-tech approach, your true tone and technique always comes through, even when using aggressive settings for that effected "squish."

Tap Into New Levels of Musical Expression

No matter what kind of guitar or style you play, the CP-1X always delivers rich, musical tone. From mellow phrases and arpeggios to heavy rhythms, fast solos, and beyond, every playing nuance remains detailed and defined. The pedal also provides superior performance for chicken pickin' country licks, funky rhythm grooves, and other standard guitar compressor applications, and works great as a booster thanks to its punchy, transparent sound. On seven- and eight-string guitars, the CP-1X easily controls upper-range dynamics without compromising your powerful low-end tone. And when used with acoustic-electric guitar, the natural, lush overtones are fully preserved as you go from gentle fingerpicking to full-chord strums.

Studio-Level Results with Simple Controls

With the knobs on most pedal compressors, what you see is what you get. Not so with the CP-1X, as the pedal's controls interact with each other at a highly detailed level. When you turn a knob, numerous interlocked parameters are adjusted under the hood at once. This gives you dynamics control and tone shaping ability that far exceeds standard compressor pedals, providing results previously attainable only with high-end studio processing. The good news is that you don't need to be a sound engineer to use the CP-1X-its sophisticated MDP processing has been meticulously fine-tuned by the BOSS engineers to let you dial in ultra-polished tone with familiar stompbox controls.

High-End Features for Pro Performance

The CP-1X features pro-level 18-volt input circuitry that provides ample headroom for the hottest guitar pickups, ensuring exceptional clarity with any instrument. A 16-segment gain reduction indicator clearly displays the compression amount, making it easy to see what the pedal's doing. The CP-1X's noise performance is also extremely low in comparison with other compressors, another huge benefit brought by BOSS technology.

MDP: Advanced Tech, Superior Tone

Leveraging decades of research and development, BOSS's proprietary Multi-Dimensional Processing (MDP) technology offers a fresh approach to achieving exceptional guitar tones. In real time, MDP analyses the various elements that make up the sound, including frequency, overtones, dynamics, pickup response, and more. Various playing characteristics are analysed as well, such as note register, single notes vs. chords, bends, vibrato amount, and others. Each individual element is then processed in unique ways to produce optimized tones as you play. With its ultra-detailed, high-tech approach, MDP delivers tone quality and playability that reaches far beyond the limits of traditional effects processing.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
BypassL Buffered bypass

Controls:
Pedal switch
COMP knob
RATIO knob
ATTACK knob
LEVEL knob

Indicators: CHECK indicator (Serves also as battery check indicator), GAIN REDUCTION indicator
Connectors:
INPUT jack
OUTPUT jack
DC IN jack
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Working Voltage: 18 V
Current Draw90 mA

Expected battery life under continuous use: Alkaline: Approx. 2 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9V, 6LR61)
Option (sold separately) AC adaptor (PSA series)

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
Read more
MRP:$171.98 SAVE 12%
 1 in stock $150.87
Boss CS-3 Compression Sustainer Effects Pedal
Cat: 996673 Rel: 19 Feb 24
 
Compression sustainer effects pedal
Notes: Improves your overall tone

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: SUSTAIN knob, ATTACK knob, TONE knob, LEVEL knob, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 20 mA

Expected battery life under continuous use: Carbon: Approx. 10.5 hours, Alkaline: Approx. 26 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery/9 V type (6F22)
Options (sold separately) AC adaptor: PSA series
Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 380 g / 14 oz
Read more
MRP:$113.95 SAVE 21%
 1 in stock $90.21
FORTHCOMING
BOSS DD-200 Digital Delay Effects Pedal
Cat: 996860 Rel: 30 Apr 24
 
Digital delay effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $221.57
(No payment required now - pay when released)
BOSS DD-3T Digital Delay Effects Pedal
Cat: 996027 Rel: 16 Feb 24
 
Digital delay effects pedal
Notes: BOSS's iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we've updated the classic stomp with enhanced functionality while fully retaining the original's sound and control layout. It's now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.

In continuous production for over three decades, the DD-3 has been the go-to delay stomp for countless players. Based on the DD-2-the world's first digital delay pedal from 1983-the DD-3 is revered for its warm, round delay tone and simple controls that let you dial in sounds fast. The DD-3T's sound circuitry and controls are identical to the DD-3, delivering every drop of that classic vibe you know and love.

A key addition the DD-3T brings is tap tempo, an essential feature for creating the rhythmic delay effects at the heart of many guitar styles. In delay mode, hold the pedal switch for two seconds to toggle between bypass and tap operation. And for on-demand tap control, simply connect an external footswitch. When the DD-3T receives tap input, up to 800 ms of delay time is available, and the Mode knob sets the tap subdivision (quarter-note triplet, dotted-eighth note, or quarter note).

The DD-3T features a direct output jack like the DD-3, but it's been moved next to the main output jack to make connections easier. Plugging a cable into the direct out converts the main out to delay only, allowing you to send wet and dry signals to different amps for wide, immersive sounds. And if your amp or switcher has a parallel effects loop, just connect a dummy plug to the direct out to mute the dry sound for effect-only blending.

The original DD-3 (and DD-2 before) included a forward-thinking Hold function, which allowed you to capture a sound up to 800 ms long, play it continuously, and jam over the top. Many years later, BOSS further developed this creative concept with the successful Loop Station products, which helped spawn the new musical style of live looping. The DD-3T includes the same Hold function as the DD-3, but it's been renamed "Short Loop" to reflect today's common usage.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
TEMPO jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 70 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")

Alkaline battery (9 V, 6LR61)

Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 420 g / 15 oz
Read more
MRP:$154.04 SAVE 16%
 1 in stock $128.72
FORTHCOMING
BOSS DD-8 Digital Delay Effects Pedal
Cat: 996038 Rel: 30 Apr 24
 
Digital delay effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$180.42 SAVE 19%
est. release 30 Apr 24 $145.60
(No payment required now - pay when released)
BOSS DS-1 Distortion Effects Pedal
BOSS DS-1 Distortion Effects Pedal (distortion effects pedal)
Cat: 996884 Rel: 15 Feb 24
 
Distortion effects pedal
Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz
Read more
MRP:$78.08 SAVE 15%
 1 in stock $66.46
Boss GT-1 Multi-Effects Processor Pedal
Cat: 997467 Rel: 15 Feb 24
 
Multi-effects processor pedal
Notes: Premium tone for players on the go

Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.

Exceptional Sound

Thanks to its Premium BOSS sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There's a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there's even a looper to enhance your practice sessions and stage performances.

Portable Tone Partner

The GT-1 was designed for musicians on the move. It's surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag's accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.

Easy Patch Selection and Sound Creation

With the GT-1, it's simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.

BOSS Tone Central and BOSS Tone Studio

At BOSS Tone Central, you'll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialled-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.

Maximum Control in a Small Space

The GT-1's three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there's even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1's USB jack lets you record tones with your favourite DAW.

Specifications

Sampling Frequency: 44.1 kHz
AD Conversion: 24 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 24 bits
Effects: 108 types
Patches: 99 (User) + 99 (Preset)
Phrase Loop: 32 sec
Nominal Input Level: INPUT: -10 dBu, AUX IN: -20 dBu
Maximum Input LevelINPUT: +7 dBu, AUX IN: 0 dBu
Input Impedance: INPUT: 1 M ohm, AUX IN: 27 k ohms
Nominal Output LevelOUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater
Controls: DOWN switch, UP switch CTL1 switch, EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)
Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type, CTL2, 3/EXP2 jack: 1/4-inch TRS phone type, AUX IN jack: Stereo miniature phone type, PHONES jack: Stereo miniature phone type, USB COMPUTER port: USB type B, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw: 200 mA

Expected battery life under continuous use:
Alkaline: Approx. 7 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet "USING THE UNIT SAFELY", Alkaline battery (AA, LR6) x 4

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression Pedal: FV-500L, FV-500H, Roland EV-5

Size & weight

Width: 305 mm / 12-1/16 inches
Depth: 152 mm / 6 inches
Height: 56 mm / 2-1/4 inches
Maximum height: 74 mm
2-15/16 inches
Weight (including battery): 1.3 kg / 2 lbs 14 oz
Read more
MRP:$247.94 SAVE 20%
 1 in stock $198.46
FORTHCOMING
BOSS GT-100 COSM Amp Multi-Effects Processor Pedal
Cat: 997471 Rel: 31 May 24
 
COSM amp multi-effects processor pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$483.23 SAVE 22%
est. release 31 May 24 $378.89
(No payment required now - pay when released)
FORTHCOMING
BOSS MD-200 Modulation Effects Pedal
BOSS MD-200 Modulation Effects Pedal (modulation effects pedal)
Cat: 996868 Rel: 30 Apr 24
 
Modulation effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$272.21 SAVE 21%
est. release 30 Apr 24 $215.22
(No payment required now - pay when released)
Boss ME-90 Multi-Effects Processor Pedal
Cat: 997470 Rel: 15 Feb 24
 
Multi-effects processor pedal
Notes: Dial in Professional Sounds in Seconds

The BOSS ME series has been a favourite of performing guitarists for over three decades, combining multi-effects power with intuitive hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this versatile all-in-one processor makes it easy to build customized sound setups for every playing situation.

Fast Sound Creation

With its knob-driven interface and diverse effects selection, the ME-90 lets you build configurations and tweak tones with the ease of a stompbox-filled pedalboard-without the hassle of fastening tape, power distribution, and multiple connection cables. Just dial up an amp model or effect type within a category and turn the knobs to get the sound you want. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing your custom creations.

Flexible Real-Time Control

The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Use Memory mode to call up complete patch setups with the footswitches, and then switch to Manual mode for direct on/off control of each effect category within the patch. The footswitch LEDs light in different colours for quick identification in the heat of a performance. It's also possible to set all LEDs to light in a fixed colour for each mode if desired.

High-Quality BOSS Effects

The ME-90 puts a massive library of BOSS effects at your command, offering seven different categories filled with selections derived from the flagship GT-1000. Everything you need is here, from overdrives and distortions to pitch/mod effects, delays, and high-quality reverbs. You also get 11 dedicated Pedal FX, a looper, and specialized effects such as acoustic simulation and down tuning. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.

Premium Amp Sounds with AIRD Technology

Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by our advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo sounds to punishing high-gain stacks, and you can access more selections in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and you can load three of your favourite speaker IRs to personalize sounds to your taste.

Edit, Customize, and Expand

BOSS Tone Studio for macOS and Windows extends your creative range, allowing you to edit tones and change out some amp and effect types with alternate selections. In addition, you can save and organize patches for different gigs, download pro setups at BOSS Tone Central, and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 also supports the optional Bluetoothr Audio MIDI Dual Adaptor, enabling you to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.

Light, Durable, and Ready to Travel

The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for.

Specifications
Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 97 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN: -10 dBu
Maximum Input Level: INPUT: +7 dBu, RETURN: +7 dBu
Input Impedance: INPUT: 1 M ohm, RETURN: 1 M ohm
Nominal Output Level: OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu, SEND: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater, SEND: 10 k ohms or greater

Controls:BANK DOWN/AMP switch, BANK UP/EQ switch, CTL/REV switch, MEMORY/MANUAL switch, 1/COMP switch, 2/OD/DS switch, 3/MOD switch, 4/DELAY switch, PEDAL FX switch, Gt. AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, GAIN knob, BASS knob, MIDDLE knob, TREBLE knob, LEVEL knob, REVERB knob, COMP/FX1 TYPE knob, SUSTAIN/SENS/-1OCT knob, ATTACK/TONE/-2OCT/DEPTH knob, LEVEL/PEAK/DIRECT knob, OD/DS TYPE knob, DRIVE knob, TONE knob, LEVEL knob, MOD TYPE knob, RATE/KEY knob, DEPTH/HARMONY knob, E.LEVEL/RESONANCE knob, DELAY TYPE knob, TIME knob, FEEDBACK knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob, PEDAL FX pedal
Display: 7 segments, 2 characters (LED)

Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adapter
Current Draw: 190 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 6.5 hours
* This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"

Options (sold separately)
AC adaptor: PSA-S series
Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL
Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb / 7 oz
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MRP:$328.13 SAVE 10%
 1 in stock $294.37
FORTHCOMING
BOSS OD-200 Hybrid Drive Effects Pedal
BOSS OD-200 Hybrid Drive Effects Pedal (distortion effects pedal)
Cat: 996875 Rel: 30 Apr 24
 
Hybrid drive effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$272.21 SAVE 20%
est. release 30 Apr 24 $218.40
(No payment required now - pay when released)
FORTHCOMING
BOSS PH-3 Phase Shifter Effects Module
BOSS PH-3 Phase Shifter Effects Module (pitch/frequency effects pedal)
Cat: 996379 Rel: 30 Apr 24
 
Phase shifter effects module
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$151.93 SAVE 21%
est. release 30 Apr 24 $119.43
(No payment required now - pay when released)
Boss RC-1 Loop Station Effects Pedal
Cat: 996011 Rel: 19 Feb 24
 
Loop station effects pedal
Notes: The BOSS RC-1 is Boss' simplest and most user-friendly Loop Station ever, and it's a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they've been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Maximum Recording Time: Approximately 12 minutes

Controls: Pedal switch, LEVEL knob
Indicators: CHECK indicator, LOOP indicator

Connectors:
INPUT A (MONO) jack: 1/4-inch phone type, INPUT B jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, STOP/UNDO jack: 1/4-inch TRS phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 430 g / 1 lb
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MRP:$123.44 SAVE 16%
 1 in stock $104.19
BOSS RC-5 Loop Station Effects Pedal
Cat: 996020 Rel: 15 Feb 24
 
Loop station effects pedal
Notes: Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-5 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.

The RC-5 features the most advanced interface available in any compact looper pedal. The LCD lets you keep an eye on loop status as you perform, with a backlight that changes colour to indicate recording, overdub, and playback states. And coupled with the multi-function parameter knob, it's quick and easy to navigate rhythms, kits, system settings, and more in the heat of the moment.

The RC-5's versatile pedal switch controls all looping functions-record, overdub, play, stop, and undo/redo. But deeper control is also supported if you need it. Connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. Players with advanced systems will love the TRS MIDI I/O, which saves space and enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.

With 57 preset rhythms and seven different drum kits, the RC-5 is ready to elevate loop and practice sessions with inspiring grooves for any style. For each rhythm, A/B variations can be selected from the panel or controlled via MIDI while performing. The RC-5's looper engine also includes a cool reverse function that's great for infusing your music with fresh sonic colours.

The RC-5 provides 99 phrase memories, letting you store loops as fast as you create them. In addition to audio, a phrase memory includes the selected rhythm and kit, so it's ready to go when you call it up. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-5 becomes a pedalboard playback hub for lesson material, jam tracks, or backing music for your next gig.
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MRP:$226.84 SAVE 22%
 1 in stock $177.53
Boss RE-2 Space Echo Effects Pedal
Cat: 996050 Rel: 19 Feb 24
 
Space echo effects pedal
Notes: Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behaviour of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint-realized in flawless detail by the company that designed the original.

When tape-based echoes were standard in the music world, the RE-201 was a leader in its class. Equipped with three evenly spaced tape heads and a spring reverb tank, it could produce everything from clean, single delays to dense, rhythmic echoes and ambient washes. The RE-201's appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Last but not least, analogue preamp circuitry was a key ingredient in the Space Echo's rich sonic recipe.

In developing the RE-2 and its big brother, the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. We carefully analysed several vintage RE-201s, including a pristine original unit from the BOSS and Roland factory archive. Everything that influences the sound has been recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, spring reverb character, and more.

The RE-2 squeezes the complete sonic character of the RE-201 into the classic BOSS compact pedal format. The 11-position mode selector lets you dial in different virtual tape heads with or without spring reverb, and you can balance the echo/reverb blend with independent level knobs. Every behaviour is accurately replicated, such as the gradual pitch change that occurs with Repeat Rate tweaks and the runaway feedback that happens when maxing the Intensity knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-2 takes the Space Echo experience further with versatile features for today's music. Delay time has been doubled and tap tempo control is supported, and there's a cool Twist function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available, and it's possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

Modes: 11 modes
Nominal Input Level: INPUT A(MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A(MONO), INPUT B: +7 dBu
Input Impedance: INPUT A(MONO), INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A(MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A(MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A(MONO), OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A(MONO), OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass

Controls: MODE knob, REPEAT RATE knob, WOW & FLUTTER knob, INTENSITY knob, TONE knob, ECHO knob, REVERB knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT A(MONO) jack, INTPUT B jack, OUTPUT A(MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 75 mA

Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: (including battery)450 g / 1 lb
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MRP:$234.23 SAVE 19%
 1 in stock $188.86
FORTHCOMING
BOSS RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 31 May 24
 
Space echo effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$376.66 SAVE 22%
est. release 31 May 24 $295.05
(No payment required now - pay when released)
Boss RV-200 Reverb Effects Pedal
Cat: 996857 Rel: 19 Feb 24
 
Reverb effects pedal
Notes: Ambient Bliss

The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types-including the newly developed Arpverb-provide everything from subtle spatial colour to complex, dreamy textures for ambient explorations. Quickly dial in sounds with the fast-access interface. Save favourites in 127 memories. And take performances to the next level with flexible onboard footswitches, deep external control support, and head-turning creative tools like Warp, Twist, and more.

Studio-Grade Processing

The RV-200 features a powerful reverberation engine with class-leading sound quality, backed by custom BOSS DSP, 32-bit AD/DA, 32-bit floating point processing, and a 96 kHz sampling rate. Every algorithm offers true studio-grade performance, with exceptional detail and definition from the shortest early reflections to long, floating tails spanning multiple seconds.

Twelve Distinctive Reverbs

From essentials like Room and Hall to deeply immersive reverbs like Shimmer, Slowverb, and the cool new Arpverb, the RV-200 gives you the ambient colours you need for every song and style.

Room

Simulates the reverberation characteristics of a small room. Select from four room sizes with the Param knob.

Hall

Simulates the reverberation characteristics of a concert hall. Select from three hall sizes with the Param knob.

Plate

Simulates the reverberation characteristics of a studio plate reverb. Balance the high and low damping of the reverb with the Param knob.

Spring

Simulates the distinctive sound of the hardware spring reverb effect found in guitar amplifiers. Select the number of springs with the Param knob.

Shimmer

Creates long, dreamlike reverberations rich in harmonic content. Adjust the harmonic character and diffusion with the Param knob.

Arpverb

A newly developed BOSS reverb that creates an arpeggio type of sound with evocative pitch-shifted tails. Use the Param knob to adjust the attack of the arpeggio sound.

Slowverb

A sweet ambient reverb with gentle attack and soft harmonics. Param adjusts the amount of direct sound blended with the reverb, allowing you to create deep, immersive tones.

Modulate

Adds a modulation effect to a rich hall reverb sound. Adjust the modulation depth with the Param knob.

+Delay

Combines a delay with reverb, with the length of both effects controlled with the Time knob. Use the Param knob to adjust the delay level.

Lo-Fi

A specialty reverb with limited bandwidth and added distortion. Adjust the distortion amount with the Param knob.

Gate

A distinctive reverb effect that abruptly cuts off the reverb tail. Use the Param knob to control the timing of the gate effect.

Reverse

Plays the reverb sound in reverse. Adjust the high-frequency character with the Param knob.

Instant Sound Creation

Like all 200 series pedals, the RV-200 offers a powerful yet intuitive panel that lets you realize great sounds with minimal effort. Along with core parameters such as reverb time, effect level, and pre-delay, there are variable high and low filters to perfectly balance the verb for your application. You also have a density control to adjust the weight of the sound, plus a parameter knob with access to multiple sound-shaping tools that are unique to each type.

Expressive Performance Control

The RV-200 includes memories for storing 127 reverb sounds, so your favourite setups are always ready to go. Two onboard footswitches pack a lot of performance versatility, with numerous options to reassign their targets to suit your needs. For example, you can bypass the effect, scroll through memories, and activate a Hold function to carry on the reverb effect for as long as the switch is pressed. It's also possible to assign powerful performance effects such as Warp, Twist, and Fade.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes- ROOM, HALL, PLATE, SPRING, SHIMMER, ARPVERB, SLOWVERB, MODULATE, +DELAY, LO-FI ,GATE, REVERSE
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohms
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/HOLD switch, MODE knob, TIME knob, PRE-DELAY knob, E. LEVEL knob, PARAM knob, LOW knob, HIGH knob, DENSITY button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: DENSITY indicator, MEMORY (MAN, 1--4) indicators

Connectors
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type, CTL 1, 2/EXP jack: 1/4-inch TRS phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type, DC IN jack, USB port: USB2.0 micro B (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adapter (sold separately)
Current Draw: 260 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height(including rubber feet): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz
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MRP:$273.27 SAVE 10%
 1 in stock $245.83
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quote 996857
Boss RV-6 Reverb Effects Pedal
Boss RV-6 Reverb Effects Pedal (time effects pedal)
Cat: 996376 Rel: 19 Feb 24
 
Reverb effects pedal
Notes: Infinite inspiration, ready to play

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Simply Great-Sounding Reverbs

Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb + Delay modes.

Dialled-In Sounds at Your Command

The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy- just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting.

Analogue Dry Tone and Versatile I/O

While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analogue as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.

Reverb Modes

+DELAY - This is reverb combined with delay. The synergistic effect provides rich reverberation.
SHIMMER- This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones.
DYNAMIC- This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing.
ROOM- This reverb simulates the reverberation of a room. It produces warm reverberation.
HALL- This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation.
PLATE- This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range.
SPRING- This simulates a spring reverb built into a guitar amp.
MODULATE- This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Specifications


Reverb Modes:

8 modes- HALL, PLATE, ROOM, SPRING, MODULATE, +DELAY, SHIMMER, DYNAMIC
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E.LEVEL knob, TONE knob, TIME knob, MODE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors: INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, EXP jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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MRP:$186.75 SAVE 21%
 1 in stock $146.61
BOSS SL-2 Slicer Effects Pedal
BOSS SL-2 Slicer Effects Pedal (modulation effects pedal)
Cat: 996671 Rel: 16 Feb 24
 
Slicer effects pedal
Notes: Fresh-Sliced Inspiration

Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colourful sonic grooves. This BOSS original chops your sound into unique percussive patterns-including many processed with internal filters and effects-and provides multiple output options that bring grooves to life across the stereo field.

Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Grab the knobs to tweak audio slices on the fly and sync to songs with tap tempo and MIDI. Fun and easy to use, the SL-2 brings fresh musical power to all types of creators, from guitarists and keyboardists to loop performers, DJs, beatmakers, and beyond.

Compact Audio Adrenaline

The SL-2 brings massive sonic groove muscle to the compact pedal format. Modern DSP takes the BOSS Slicer engine further than ever before, delivering rich, animated sounds via single and dual paths chained with multiple internal effects. Eight pattern types-each with 11 variations-will keep you armed with creative firepower for a long time. When you're ready for more, connect to BOSS Tone Studio over USB to audition and load alternate patterns into the pedal and organize memory setups for different songs.


Pre-Loaded Pattern Types:

Single (1 and 2)-Rhythmic patterns that use a single Slicer effect.
Dual (3 and 4)-Rhythmic patterns that use two Slicer effects.
Tremolo (5)-Patterns with a traditional tremolo effect.
Harmonic (6)-Rhythmic patterns with pitch-shifting effects.
SFX (7 and 8)-Rhythmic patterns with different effects applied.

Shape Your Groove

With the SL-2's efficient interface, you can dial in sophisticated textures in seconds. Use the Attack control to shape the edge of the waveform for everything from hard-chopped slices to soft, fluttering movements. Then tweak the waveform's length with the Duty control, going from sharp, percussive transients to longer, fuller audio blocks. Adjust the tempo with the dedicated knob or hold the pedal switch to engage tap tempo mode for hands-free control. And with the Balance knob and +/-12 dB of output level adjustment, you always have complete control of the mix.


Set the Stage

The SL-2 dishes up loads of impressive sounds with a standard mono setup. But things get even better when using the two outputs and seven different output modes. Send direct and effect sounds to different destinations for recording and performance. Or surround yourself and listeners in animated movement using a variety of stereo and 3D processing options. You can also feed the SL-2 with your favourite stereo pedals to bring further magic to your grooves.


Stereo Output Modes:

Fixed (Default)-Sends the same direct/effect mix to both outputs.
EFX/Direct-Sends the effect sound to Output A and the direct sound to Output B.
Random-A stereo effect that randomly outputs the Slicer sound to the left, right, or center.
Ping-Pong-A stereo effect that alternately sends the Slicer sound to Output A or Output B.
Auto-A stereo effect that smoothly pans the Slicer sound between Output A and Output B.
3D Cross-Advanced spatial processing moves the Slicer sound in left/right and forward/back patterns in 3D space.
3D Rotation-Advanced spatial processing rotates the Slicer sound in 3D space.


Expand Your Creative Flow

With its generous external control options, the SL-2 flows with your creative needs. Plug in an external footswitch to instantly tap in the tempo or engage the effect with momentary presses. Or connect an expression pedal to control knob parameters or the overall level as you perform. With the TRS MIDI input, you can sync your SL-2 grooves to a drum machine, DAW, or any other device that sends MIDI clock. It's also possible to control expression, tempo, and bypass functions via MIDI CC messages.


Specifications
Sample Rate: 48 kHz

AD Conversion
24 bits + AF method
AF method (Adaptive Focus method)
This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion: 32 bits
Patterns: 88
Nominal Input Level: INPUT A (MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu
Input Impedance: INPUT A (MONO), INPUT B: 1 MO
Nominal Output Level: OUTPUT A (MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A (MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A (MONO), OUTPUT B: 1 kO
Recommended Load Impedance: OUTPUT A (MONO), OUTPUT B: 10 kO or greater
Bypass: Buffered bypass
Controls: TYPE knob, VARIATION knob, ATTACK knob, DUTY knob, TEMPO knob, BALANCE knob, Pedal switch
Indicator: CHECK indicator (Used for indication of Tempo and check battery)

Connectors:
INPUT A (MONO) jack
INPUT B jack
OUTPUT A (MONO) jack
OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
MIDI IN jack: Stereo miniature phone type
USB port: USB B
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22, commercially available), AC adaptor (PSA series: sold separately)
Current Draw95 mA

Expected battery life under continuous use: Alkaline: Approx. 2.5 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Dry battery (9 V, 6LR61 or 6LF22)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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MRP:$163.54 SAVE 19%
 1 in stock $133.04
BOSS SY-1 Synthesiser Effects Pedal
BOSS SY-1 Synthesiser Effects Pedal (synthesis effects pedal)
Cat: 996674 Rel: 16 Feb 24
 
Synthesiser effects pedal
Notes: Journey to New Sonic Frontiers

With the SY-1, it's never been easier to infuse your creative arsenal with BOSS's legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it's as simple to use as a standard stompbox, so you don't need any background in synth programming to bring a new world of sonic textures to your music.

SY-1 SYNTHESIZER Sound Tryout

Get interactive with Boss' custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

Expressive Synth Sounds, No Programming Needed

The SY-1 transforms any guitar or bass into a versatile synthesizer that's fun, inspiring, and ready to play. Backed by advanced tech first developed for the SY-300, this super-cool pedal delivers a huge selection of analogue-style synth sounds while occupying minimal space on your board. What's more, all the sounds are polyphonic, allowing you to play both single notes and chords.

Plug-and-Play and Latency-Free

The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. Thanks to custom DSP and the latest BOSS innovations, the SY-1 offers latency-free performance that's a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way.

A Universe of Synth Sounds Inside

With its 11 categories and 121 total sounds, the SY-1 puts an enormous array of synth colours at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone/Rate and Depth knobs, you're able to adjust any synth voice just how you like, including changing the pitch on some sounds.

At Home in Any Rig
As a standard BOSS compact, the SY-1 drops into a serial pedal chain like any other stomp. But with the send/return loop and dedicated mix controls, it's also possible to blend one or more pedals in parallel with the SY-1's synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations.

Enhance Performances with Real-Time Control
The SY-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. You can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone/Rate control.

SY-1 Sound Types

LEAD 1/2 - A wide range of sounds suitable for single-note soloing.
PAD - Full tones that work great with chords, from layered pads to synth brass and more.
BASS - Fat synth bass sounds, including filtered and sub-octave tones.
STR - Classic analogue-style strings, including layered voices and sweeping textures.
ORGAN - A large selection of organ sounds, including many with rotary-style modulation.
BELL - Percussive synth sounds with metallic resonance.
SFX 1/2 - A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ 1/2 - Pulsating sounds with rhythmic pitch or filter changes.

Specifications

Nominal Input Level: INPUT, RETURN: -20 dBu
Input Impedance: INPUT, RETURN: 2.2 M ohms
Nominal Output Level: OUTPUT, SEND: -20 dBu
Output Impedance: OUTPUT, SEND: 1 k ohms
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass

Controls: Pedal switch, GUITAR/BASS switch, TYPE knob, VARIATION knob, TONE knob, DEPTH knob, EFFECT knob, DIRECT knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
EXP/CTL jack: Stereo 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 115 mA

Expected battery life under continuous use: Alkaline: Approx. 2 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9 V, 6LR61)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Heigh: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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MRP:$219.46 SAVE 15%
 1 in stock $186.75
FORTHCOMING
BOSS SY-200 Synthesiser Effects pedal
BOSS SY-200 Synthesiser Effects pedal (synthesis effects pedal)
Cat: 996878 Rel: 30 Apr 24
 
Synthesiser effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$332.35 SAVE 18%
est. release 30 Apr 24 $273.26
(No payment required now - pay when released)
Boss TE-2 Tera Echo Effects Pedal
Cat: 996061 Rel: 19 Feb 24
 
Tera echo effects pedal
Notes: Make your playing soar with majestic ambience

Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb.

Multi-Dimensional Processing for Superior Tone

Roland's innovative Multi-Dimensional Processing (MDP) analyses audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

TE-2: Inspirational Echo

Thanks to MDP, the TE-2 delivers an amazing new ambience effect that satisfies and inspires. Complex internal processing produces an incredibly deep and spacious sound, dramatically enhancing the straight guitar tone without overwhelming it. Through the TE-2's simple, familiar stompbox controls and incredible sensitivity to your playing dynamics, an extremely wide range of sounds can be achieved. And with the expressive Freeze function, you can hold the current effect sound to create rich soundscapes for lead playing and sonic exploration.

The 100th BOSS Compact Series Model!

The TE-2 Tera Echo represents a milestone as the 100th model in the long history of the BOSS compact series. Starting with the release of the OD-1 Overdrive in 1977, BOSS' legendary stompboxes have been integral tools of artistic expression for millions of players around the world. Fuelled by a spirit of dedication and innovation that began nearly four decades ago, the TE-2 carries on the BOSS legacy of bringing inspiring, leading-edge technologies to musicians everywhere.

Specifications:

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E. LEVEL knob, TONE knob, FEEDBACK knob, S-TIME (Spread Time) knob
Indicator: CHECK indicator (Used for indication of HOLD, and to check battery)
Connectors:, INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 90 mA

Expected battery life under continuous use:
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options: (sold separately): AC adaptor (PSA series)

Size & weight (including battery)

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 435 g / 1 lb
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MRP:$190.97 SAVE 20%
 1 in stock $152.98
Chord CH-50 Chorus Effect Pedal
Chord CH-50 Chorus Effect Pedal (modulation effects pedal)
Cat: 965845 Rel: 03 Oct 23
 
Chorus effect pedal.
Notes: A chorus effect pedal to give a lush, ringing effect to any guitar line. This process especially lends itself to clean arpeggios and jangly chord sequences, giving the impression of width and spread. The CH-50 provides this across many settings to suit various guitar styles.

Adjustable Depth, Speed and Volume settings
9V battery or optional DC adaptor operation
Power supply: 9V battery (PP3 included) or optional DC adapter
Construction: Aluminium housing with rubber base
Controls: Depth, Speed and Volume
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the box

The box for this item contains :

CH-50 chorus effect pedal
PP3 battery
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MRP:$36.93 SAVE 14%
 1 in stock $31.64
Chord DL-50 Delay Effects Pedal
Chord DL-50 Delay Effects Pedal (time effects pedal)
Cat: 965846 Rel: 03 Oct 23
 
Delay effects pedal.
Notes: A delay effect pedal for guitar or bass (or other instrument) with Time, Feedback and Level controls. A wide range of possible settings provide anything from quick doubling and slap-back effects to longer delay times for spacey echo overlays.

Adjustable Time, Feedback and Level control
9V battery or optional DC adaptor operation
Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Time, Feedback and Effect Level
Dimensions: 115 x 68 x 47mm
Weight: 271g

In the box

The box for this item contains :

DL50 delay effect pedal
PP3 battery
Read more
 1 in stock $36.40
Chord EQ-50 5-Band Graphic Equaliser Effects Pedal
Cat: 965844 Rel: 03 Oct 23
 
5-band graphic equaliser effects pedal.
Notes: A 5-band graphic equalizer pedal for powerful and accurate tone shaping of clean or distorted guitar tones. This unit shines when used for pre-gain mid boosting to give a more focussed overdrive or post-gain scooping to sit heavy riffs back in the mix. Clean signals can benefit from cutting harsh frequencies or as a tone-dependent lead boost.

5 frequency + 1 master volume sliders
9V battery or optional DC adapter operation
Power supply: 9V battery (PP3 included) or optional DC adapter
Construction: Aluminium housing with rubber base
EQ controls: 100Hz, 300Hz, 1kHz, 3kHz, 5kHz, Volume
Dimensions: 115 x 68 x 47mm
Weight: 279g

In the box

The box for this item contains :

EQ-50 guitar EQ pedal
PP3 battery

Read more
Tags: EQ pedal
 1 in stock $36.13
FORTHCOMING
Collision Devices Singularity Black Hole Symmetry Fuzz Effects Pedal (black)
Cat: 971914
 
The fuzz effects part of the Black Hole Symmetry pedal.
Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $178.30
(No payment required now - pay when released)
FORTHCOMING
Collision Devices Singularity Black Hole Symmetry Fuzz Effects Pedal (white)
Cat: 971917
 
The fuzz effects part of the Black Hole Symmetry pedal.
Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $178.30
(No payment required now - pay when released)
FORTHCOMING
Collision Devices TARS Fuzz Effects Pedal With Analogue Filter (black on white)
Cat: 971909
 
Fuzz effects pedal with analogue filter.
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$357.67 SAVE 12%
coming soon $315.47
(No payment required now - pay when released)
FORTHCOMING
Collision Devices TARS Fuzz Effects Pedal With Analogue Filter (silver on white)
Cat: 971912
 
Fuzz effects pedal with analogue filter.
Notes: The TARS is a concept pedal combining the guitar and synth worlds this time not throwing you into a black hole ! It rockets through the Ergosphere and Horizon to disintegrate directly in its center, the Singularity.

Derived from the flagship Black Hole Symmetry, the TARS is inspired by its Singularity fuzz section and adds a gain setting allowing it to go from grainy low-gain sounds to round and powerful fuzz/distortion tones.

It also offers a filter inspired by the legendary Korg MS-20 in order to create fuzzy-noisy textures and cut through the mix. The filter is controlled via 2 faders for a unique tweaking experience by hand as well as with the expression input to sweep through the frequency range of your vertiginous dive into the Singularity!

Controls

Gain: Fuzz level.
Master: Master volume.
CutOff: Cutoff frequency of the MS-20 style low-pass filter, from 15Hz to 44kHz.
Res(onance): Intensity of signal at cutoff frequency.
LPF VOL: VCA - Filter volume.
2P/4P switch: Attenuation curve - 2P at -12dB/octave or 4P at -24dB/octave.
Add Fuzz switch: Add an extra unfiltered fuzz signal.
Serial switch: Puts the fuzz through the filter or use both effects in parallel.
EXP/CV input: For controlling the CutOff fader externally.
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$357.67 SAVE 12%
coming soon $315.47
(No payment required now - pay when released)
Colortone Lo-Fi Delay Dual Channel Delay Effects Pedal
Cat: 966192 Rel: 30 Aug 23
 
Dual channel delay Effects pedal.
Notes: Re-Built from the ground up - a complete redesign of the original Lo-Fi Delay.

Enter the realm of sonic exploration with Colortones LO-FI DELAY. Featuring three distinct delay voicings, the LO-FI DELAY is a grainy lo-fi, old-school analogue tape sounding dub style delay engine with momentary oscillation feedback and speed switching options.

At its core the LO-FI DELAY is a tempo synchronized dual channel delay with each channel having independent Regen and Time controls.

Controls include Delay Time, Regen, Feedback, Mix and a 'Splash' footswitch to momentarily send the delay into a predetermined amount of regenerative feedback and or Tempo Change.

The SPLASH footswitch also acts as a Tap Tempo control requiring at least 4 quick taps to calculate a new tempo.

Controls

Wet | Dry Switch

Wet Mode acts like a normal delay where the delayed repeats can be mixed against the Dry Signal with the decay time set by the Regen knob. When the SPLASH Footswitch is momentarily pressed the decay time switches to the Regen+ knob setting allowing for more or less regenerative delays while the footswitch is pressed.

Dry Mode is designed for running in a quite mode and only activating the delay while the SPLASH footswitch is held down. Great for adding dub style accents to certain stabs / phrases or adding splashes of ambient delay or moments of crazy feedback to an otherwise Dry signal.

Hi-Fi | Lo-Fi Switch

Hi-FI mode has a crisp hi-fidelity non-destructive repeated delay.

The centre and down positions are Lo-Fi modes where the resulting delay repeats are a little darker like a tape delay with a slight hint of mechanical tape warble. The Centre position uses a Lowpass filter in the delay feedback line where as the Down position uses a HighPass filter.

Division Knob

The Div knob sets the alternative delay speed when Splash is pressed while in Wet Mode. At 3 O'Clock Repeats are at Unity 1:1. Turning anticlockwise the repeats are Multiplied (Faster) in by either x2 or x3. Turning Clockwise from unity the repeats are divided (slower) by either 2 or 3.

Tech Specs:

True Bypass
Current Draw: 145mA
Input Voltage: 9V DC (center negative)
external power supply not included
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 1 in stock $296.47
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quote 966192
Colortone Roundhouse Multi-Mode Modulation Effects Pedal
Cat: 966196 Rel: 30 Aug 23
 
Multi-mode modulation effects pedal.
Notes: Embark on a sonic journey of modulation with the RoundHouse, Colortones luscious multi mode tremolo pedal featuring three tweakable Modulation Modes, Reverb, Drive, Tap Tempo and Momentary Speed Multiplier

Modulation Modes

Optical Tremolo
Harmonic Tremolo
Vibe

Choose the Optical Tremolo mode for a classic, vintage tremolo sound with warm and smooth waveforms. The Harmonic Tremolo mode adds a more complex and modern sound that adds depth and dimension to your playing. Finally, the Vibe mode emulates the classic psychedelic sound of a rotating speaker, perfect for adding a unique flavour to your guitar sound.

With the addition of Tap Tempo and a Momentary Speed Multiplier, you can easily dial in the perfect tempo and add creative rhythmic variations to your playing.

The Reverb and Saturation (Grain) controls at the input of the modulation engine can be dialed in to excite the pulse and sustain of the effect.

Additional controls include: - Mode - Speed - Depth - Boost - Reverb - Grain - Phase - Waveshape Select - Momentary Speed Multiply and Tap Tempo.

Controls

Modulation mode switch

Select between:
Optical Tremolo
Harmonic Tremolo (Magnatone style Harmonic Tremolo)
Vibe

Wave shape switch

Select between Triangle, Sine and Square Wave. (Square is not selectable in Vibe mode)

Speed

Adjust Speed of the modulation

Mix

Adjust the Mix / Depth of the effect with the Dry signal

Reverb

The Reverb knob controls the intensity/mix of reverb added to the input feeding the modulation circuit. It is a classic Silverface amp style reverb with a static decay time.

Grain

Increasing the Grain amount adds an analog tubelike pre-saturation to the effect. At max it boosts/compresses the level slightly adding a soft overdrive.

Phase

Adjusting the Phase knob from its center position will change the duration of the 'on time' either towards the beginning or end of the wave cycle resulting in the modulation 'pulse' feeling more asymetrical or staccato.

Boost

Add or Cut the output Level by +- 4db

Tap

Manually set Tempo with by Tapping the Footswitch. Set to 1:1 Tempo.

A sustained hold on the Tap switch activates the Speed multiplier which, while depressed, ramps the speed up to a multiple of the current setting. At slower modulation speeds the ramp time is relatively slow, emulating a mechanical rotary speaker changing speed.

Bypass

Activates Relay Based Soft Touch True Bypass

Tech Specs:
True Bypass
Current Draw: 140mA
Input Voltage: 9V DC (center negative)
external power supply not included

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 1 in stock $296.47
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quote 966196
Colortone Spring Reverb II Tri Mode Reverb & Modulation Effects Pedal
Cat: 966189 Rel: 30 Aug 23
 
Analogue-voiced vintage reverb effects pedal.
Notes: Colortones SPRING REVERB II is an expressive, analogue voiced, vintage reverb engine hosting 3 versatile recreations of classic Reverb Units together with 2 independent modulation filters - Vibrato and RotoTrem.

Reverb Modes

STUDIO - Modern 90's Rack Reverb - A Warm and Natural studio reverb

TANK - 70's Electromechanical Reverb Tank with bright, wet acoustic room reflections

ECHOVERB - Based on the 90's Princeton PT2399 Echo Chips with pronounced delayed reflections/echoes.

The MOD knob adds an additional depth control for subtle Vibrato and RotoTrem FX adding a spatial dimensionality to the acoustic characteristics of the Reverberation.

Spring Reverb II captures the essence of iconic Reverbs while adding its own sonic characteristics. Whether you're looking to add a subtle touch of reverb to your playing or create expansive soundscapes, the SPRING REVERB II pedal is the perfect tool to take your playing to the next level.

Controls

Reverb Mode Switch

Select between : Classic 80's Studio Rack, 70's Tank, EchoVerb

Decay

Adjusts the decay time of the reverberation tail

Blend

Adjusts the Mix / Depth of the reverb effect with the dry signal. Noon / 12 O'Clock is 50/50 Wet Dry Mix, beyond noon edges toward a wet only sound

Tone

Tilt EQ style reverb tone control. Does not effect the dry signal tone. Noon / 12 O'Clock is unity

Mod

Adjusts the Depth of the vibrato like modulation within the Reverb engine, adding complex harmonics and spatial depth

LEDs

The Left LED indicates INPUT CLIPPING and will illuminate when the input signal is too hot. It also indicates when the SECOND LAYER of knob functions is active

Bypass LED indicates when the effect is active

Bypass

A short tap on the Soft touch footswitch activates True Bypass.

A Long press (500ms) tap will initiate the Layer 2 controls

Secondary layer controls

Micro tune delay time - EchoVerb mode only

Controls the master Speed/Time for the delay in the background of the EchoVerb Reverb engine

Boost

Allows for -+6dB output Boost. Noon is Unity

RotoTrem speed override

Controls the master Speed/Time for the RotoTrem Modulation. Add just a little to expand the depth of the Reverb or more to get a faster modulation

RotoTrem depth

Adjust the amount of the RotoTrem applied post Reverb.

Tech Specs:
True Bypass
Current Draw: 145mA
Input Voltage: 9V DC (center negative)
external power supply not included
Read more
 1 in stock $197.30
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quote 966189
Crazy Tube Circuits Golden Ratio Phi V2 Multi-Mode Analogue Compressor Effects Pedal
Cat: 850761 Rel: 03 Dec 21
 
Three fully analogue compressor circuits in one unit.
Notes: The updated Golden Ratio now offers three separate analogue compression circuits in one. Choose from FET, OTA and optical modes at the flick of a switch. Fat tones with simple controls.

Supplier's Notes:
Phi has been updated to include 3 separate compressor circuits at a flip of a toggle switch.

An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1

Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style.

FET compressor: This is a feed-back detector / control compression circuit that relies on a FET transistor for gain reduction. It adds a distinctive color to the signal and can be set for super-fast response, but it may also introduce a bit of musical distortion.

OTA compressor: The majority of guitar compressors use this technology. Our interpretation uses a feed-forward detector circuit thus being able to "squeeze" things harder, ideal for catching fast transients and limiting. It is the most controllable circuit with punchy and direct sound.

OPTO (Optical) compressor: A hand selected photocell combined with a feed-back detector circuit offer smooth attack and release characteristics resulting in very musical and organic compression even on extreme settings. It can also be set very neutral so that you won't be able to tell when it's on but you sure going to miss it when it's gone.

Phi will fatten up your tone even with no compression added. With the parallel compression technique of blending the compressed signal with the original - uncompressed signal, you will experience clarity and precision only found in studio recordings.

An internal switch selects between 9 or 18V DC of operation from a standard 9V DC power supply via an internal voltage multiplier. Use the 18V setting for increased headroom and enhanced compression characteristics.

Features superb low-noise floor performance and full frequency response making it ideal for guitar, bass and virtually every instrument either on studio or stage.

Dimensions: 125 (l) x 72 (w) x 55 (h) mm
Weight: 350 g
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 1 in stock $207.84
Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal
Cat: 986581 Rel: 02 Jan 24
 
Pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium
Notes: HI POWER is Crazy Tube Circuits' next endeavour in pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium.

It was inspired by the sonic combination of two British tone machines. The almighty Colorsound Power Boost meets the blistering high-headroom Hiwatt amp.

While the combination of these two units directly hints at the gear setup of David Gilmour and especially the gear used on Pink Floyd's album: Wish You Were Here (think the guitar solo sounds of "Shine on you Crazy Diamond", "Have A Cigar") the sonic options are endless.

The orange enclosure silicon transistor circuit (Colorsound Power Boost) can deliver from a transparent clean boost to an all-out fuzz driving a tube amp to sonic bliss. Crazy Tube Circuits set out to clone the original unit featuring the true-to-the-original spec BC184 transistors running on 18V DC (via an internal voltage booster circuit).

The ultra-flexible 2-band Baxandall EQ circuit can add bite and low-end rumble to any setup. Crazy Tube Circuits used a reverse log gain pot (labelled as volume), compared to the linear taper pot found in the original units and acted as an on/off switch, to be able to set the amount of boost/overdrive more precisely. While the earlier units didn't feature a master volume control (only as an aftermarket mod - Pete Cornish made an external unit master volume for David Gilmour's Power Boost) Crazy Tube Circuits chose to include one that is setup in a way so that when it is all the way clockwise it is bypassed. Later versions of the Power Boost had 9V power supply and were renamed as the "Overdriver" due to the lower headroom and their ability to drive the signal earlier. They were offered in a grey enclosure and can be seen in the gear setups of Jeff Beck, Marc Bolan, etc. Crazy Tube Circuits chose to incorporate this version as well with a flip of a toggle switch (PWR-ODR toggle switch).

On the left side of the HI POWER you will find an all-analogue circuit set out to emulate the sound and feel of a Hiwatt amp. Following the path of the famed British tube amplifier, this circuit offers authentic amp tone and feel resembling guitar tones from guitar greats like David Gilmour, Pete Townsend, Jimmy Page, Noel Gallagher to name a few. From the big bold high-headroom clean sounds to the face-melting crunchy tones.

True to the last detail, Crazy Tube Circuits have included the full EQ section along with a presence control located at the negative feedback of the power amp simulation circuit. A headroom toggle switch selects between the high headroom 100w power section provided by a quartet of EL34s (think Hiwat DR103), or the lower headroom and compression provided by a 50W power section with a pair of EL34s when hit hard (think DR504). Similar in operation to the original amps the master volume was designed to produce more gain at higher settings.

Crazy Tube Circuits taken the design a step further by adding a switch to select between input channels of the amplifier. You can select between the full response of the normal channel of the amplifier, the increased presence and tight low end of the bright channel input or the "Gilmour-ish" enhanced frequency response and added gain of those inputs linked together. This follows the modifications that Pete Cornish did to all David Gilmour's Hiwatt amps.

Like their other dual overdrive/amp-in-a-box designs, Crazy Tube Circuits also included a passive effects loop to give you the option to connect your beloved pedals between your booster/overdrive and amp in a box or use the two sections as separate and independent effects when using an external bypass switcher/looper. Gilmour enthusiasts will love to insert their Big Muff, Tube Driver and Phase 90 in there. Note that all pedals inserted in the passive effects loop are still in the signal chain when any or both sections of HI POWER are in bypass.

HI POWER features a power-up bypass/engage pre-set function for the footswitches. That way you can select which state your pedal will go to when you plug the power supply. This function comes in especially handy to people that use remote pedal switchers / loopers as they only set the state of the pedal once and then operate from the controller.

All-analog dual booster/overdrive - amp in a box.
Recreates the tones of the legendary setup used by David Gilmour in the recordings of Pink Floyd's Wish You Were Here album.
Right side: Faithful reproduction of the Colorsound Power Boost/Overdriver circuits with true-to-the-original-spec BC184 transistors.
Controls: gain, bass, treble, master, voicing toggle.
Wide gain range control: from transparent boost to gnarly and fuzzy overdrive.
Two-band (treble & bass) Baxandall EQ.
Master knob sets overall output. Huge amount of dB boost available.
Toggle switch to select between the 18V Power Boost style circuit or the 9V Overdriver style circuit.
Left side: Hiwatt AMP in a box overdrive.
All analog simulation of the preamp and power amp sound and response.
Controls: gain, bass, middle, treble, master, input channel toggle switch, headroom toggle switch.
Gain control: from clean to big bold British crunch/overdrive.
3-band Hiwatt style EQ (bass, middle, treble).
Presence control follows the original design/is located at the negative feedback of the power amp simulation circuit to control the amount of upper mid and high frequencies.
Master knob sets overall output volume. Designed to respond like the original control producing more gain at higher settings.
Input channel toggle switch selects between normal, bright, or linked input channels of the AMP for different voicing and gain levels.
Headroom toggle switch selects between the high headroom and dynamic response of a 100W amp or the lower headroom and compression of a 50W power amp.
Independent operation of the BOOST/OVERDRIVE and AMP sections
Click-less true bypass design via high-quality relays for each section.
2 Footswitches / 2 Status LEDs - one for each effect section.
Power-up bypass/engage preset function for the footswitches.
Top-mounted jacks
Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.
Power Supply: Use only 9V DC, 2.1 mm x 5.5 mm, center negative (not included).
Runs internally at 18V DC (via voltage doubler circuit) for higher headroom and tube-like performance.
Current consumption: 84mA.
British Racing Green die-cast enclosure with color-coded lettering for the control section (orange for BOOST/OVERDRIVE section, white for AMP section).
Dimensions: (W x L x H): 119 x 97 x 53 mm.
Weight: 444 g.
Made in Greece.
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 2 in stock $247.94
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Crazy Tube Circuits Memphis Real Pitch Shifting Vibrato/Vibe Effects Pedal
Cat: 873662 Rel: 03 May 22
 
Pitch-shifting amp-like vibrato pedal featuring all-analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit
Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.
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Crazy Tube Circuits Sidekick Jr. Time-Based Multi-Effects Pedal
Cat: 969279 Rel: 18 Oct 23
 
Modulation, delay and reverb effect pedal.
Notes: The perfect companion now comes in a smaller package - introducing Sidekick JR by Crazy Tube Circuits!

Drawing inspiration from the original Sidekick pedal released back in 2019, the aim was to create a compact pedal that combines the most widely used time-based effects, suitable for any gear setup seeking 80s tones and beyond.

From the jangly, ambient, and shimmering sounds of New Wave, Shoegaze, and Synth Pop to the wet tones of Hair / Glam Metal. Crazy Tube Circuits' Sidekick JR offers even more sounds / algorithm selections compared to the original unit.

The modulation effects / algorithms take inspiration from classic 80s stompboxes. The "Ensemble" algorithm replicates warm and mild modulated chorus sounds, while the "dimension" algorithm enhances the 3D image of your sound without the typical chorus warble. The "flanger" algorithm draws from a classic flanger pedal set up as a slow chorus with mild feedback added for a more metallic sound.

The Echo / delay section provides the sweet and vibrant sound of a tape echo with a freshly installed tape running through a colourful preamp, or the pristine repeats of an 80s digital delay rack unit.

The Reverb section in Sidekick JR is inspired by definitive examples of 80s reverb rack units and offers two algorithm banks. Bank A includes all-time classic reverb sounds like "plate," "spring," and "hall," while Bank B features signature 80s reverb sounds like "gated," "exciter" (Crazy Tube Circuits' trademark big-hall reverb algorithm with almost infinite reflections and decay), and octave-up "shimmer."

To provide full flexibility in the smallest enclosure possible, Crazy Tube Circuits has devised a smart switching setup. The delay and reverb effect sections of Sidekick JR operate independently from each other, and the modulation is assignable to any of these sections as standard. With the addition of the XT footswitch (available separately), the modulation section becomes entirely independent and can be switched on/off (true bypass) on its own.
Crazy Tube Circuits' Sidekick JR also features a power-up bypass/engage pre-set function for the onboard footswitches. This feature allows users to select the state the pedal will go to when the power supply is plugged in. It's particularly useful for individuals who use remote pedal switchers /loopers, as they can set the power-up state of the pedal once and then operate it from the controller.
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Crazy Tube Circuits Stardust v3 Blackface Overdrive Effects Pedal
Cat: 911534 Rel: 09 Dec 22
 
Stardust V3 was designed to capture the sound and response of 3 distinct maxed out and ready to sing blackface amplifier models.
Notes: Stardust V3 was designed to capture the sound and response of 3 distinct maxed out and ready to sing blackface amplifier models. An all-analogue signal path with discrete gain stages featuring MOSFET transistors, provides juicy overdrive tones with great note separation that clean up to that sparkly sound that we all love and heard in recordings of the past. Set gain and tone and control everything from your guitar. Sparkly clean to crunchy mean are all there.

You can select the blackface amplifier voicing via the onboard toggle switch.
BSM: Voiced after a blackface amp head that was primarily targeted for bass guitar players but got famous for electric guitar classic rock tones.
VLX: Voiced after a chimey 2x10" combo offering the perfect amount of controllable crunch
DLX: Voiced after one of the most popular low wattage 1×12" combo amps that have found their way in countless recording studios and clubs around the world.

Stardust V3 comes with top mounted jacks and soft click true bypass via a high-quality relay. The pedal has loads of output volume and enhanced headroom provided by 18V DC (boosted internally from external 9V DC power supply) so that it can also be used as a preamp / booster.
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 1 in stock $178.30
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quote 911534
Crazy Tube Circuits Stardust v3 Blackface Overdrive Effects Pedal (black) (B-STOCK)
Cat: 920959 Rel: 09 Dec 22
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


Stardust V3 was designed to capture the sound and response of 3 distinct maxed out and ready to sing blackface amplifier models. An all-analogue signal path with discrete gain stages featuring MOSFET transistors, provides juicy overdrive tones with great note separation that clean up to that sparkly sound that we all love and heard in recordings of the past. Set gain and tone and control everything from your guitar. Sparkly clean to crunchy mean are all there.

You can select the blackface amplifier voicing via the onboard toggle switch.
BSM: Voiced after a blackface amp head that was primarily targeted for bass guitar players but got famous for electric guitar classic rock tones.
VLX: Voiced after a chimey 2x10" combo offering the perfect amount of controllable crunch
DLX: Voiced after one of the most popular low wattage 1×12" combo amps that have found their way in countless recording studios and clubs around the world.

Stardust V3 comes with top mounted jacks and soft click true bypass via a high-quality relay. The pedal has loads of output volume and enhanced headroom provided by 18V DC (boosted internally from external 9V DC power supply) so that it can also be used as a preamp / booster.
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 1 in stock $153.41
Crazy Tube Circuits TI:ME MKIII Digital Delay Effects Pedal With Tap Tempo
Cat: 838497 Rel: 01 Nov 21
 
Delay pedal with separate analogue and digital paths
Notes: Inspired by the first digital delay rack units introduced at the beginning of the "digital audio revolution" in the mid-late 70's. These units had lower bit resolution and bandwidth compared to today's digital delay standards.

TI:ME is not your typical sterile and ultra clean digital delay. With separate analogue and digital paths to get best of both worlds, this retro inspired echo effect will warm up your tone. An all analogue signal path featuring a high quality opamp is used for the best reproduction of your dry signal. Two digital recording devices, along with carefully tuned filtering, placed in parallel with the dry path give you the most ambient delay unit you have ever heard. Think of a Model 113 rack unit; the repeats are really musical, reminiscent of worn tape echoes.

Each TI:ME unit is hand lacquered in copper colour and one of a kind!
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Crazy Tube Circuits Unobtanium Dual Channel Amp/Overdrive Effects Pedal
Cat: 914768 Rel: 09 Dec 22
 
Dual overdrive with independent operation
Notes: Seeking to recreate the sounds of the Klon Centaur overdrive pedal and Dumble guitar amps, the Crazy Tube Unobtanium combines the holy grails of germanium diodes and all-analogue amp-in-a-box tone. Incredible value.

Supplier's Notes:
Introducing the Unobtanium, a rare sonic element born out of legendary tones.

A mythical overdrive meets the tone and feel of two iconic amplifiers. Crazy Tube Circuits have accurately recreated the circuit of the high headroom overdrive with the magic blend of clean and overdriven tones and added extra features for versatility. The amp-in-a-box section uses an all-analogue circuit to capture the essence of two legendary D-style tube amplifiers. From tube-like compressed fat clean to sweet singing overdrive with blooming harmonic overtones. Combine both sides for near infinite smooth sustain and enter sonic bliss while a passive series effects loop gives you the option to connect your beloved pedals between the overdrive and amp section, building your ideal rig

Right side: K-style pedal overdrive circuit including the fabled germanium diodes
Controls: gain, treble (tone), volume, bypass mode and clipping / compression
Wide gain range control: from transparent boost to high headroom overdrive
Treble control is an active circuit to boost or cut treble
Volume knob sets overall output. Huge amount of dB boost available
Toggle switch to select between the original buffer bypass to add clarity and run long cables or
true bypass
Toggle switch to select between stock clipping / compression or enhanced gain and
headroom/output

Left side: D-style Amp in a box overdrive
Controls: gain, emphasis, tone, volume, amplifier voicing toggle
Gain control: from clean boost to sweet singing overdrive
Emphasis control is a pre-drive EQ to control presence and bottom end response
Tone knob controls the amount of post overdrive high end frequencies
Volume knob sets overall output. Match bypassed volume or use as a clean boost or preamp
Toggle switch selects between 2 distinct D-style overdrive circuits
SSS: clean and transparent overdrive with natural organic compression
ODS: higher gain overdrive with enhanced mid frequencies and harmonic overtones
External footswitch input to select amplifier voicing (bypasses on board toggle switch)
Internal trimmers adjust EQ and volume boost of D-style overdrive voicings

Features:

Dual overdrive with independent operation
Two legendary sonic elements combined in one device
Passive series effects loop to connect other pedals between the two sections or use them separately
Runs internally at 18V DC for higher headroom and tube-like performance
Exceptional pick attack response - almost infinite smooth sustain when both sides are combined
Top mounted jacks
Click-less True Bypass design via high quality relay
Power Supply: Use only 9V DC center negative power supply (not included)
Current consumption 83mA
Pebble grey die-cast enclosure with black ink in old school type print
Made in Greece
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Death By Audio Deep Animation Envelope Filter Effects Pedal
Cat: 889026 Rel: 09 Jan 23
 
Envolope Filter
Notes: Envelope with filter with serious attitude

This mangled, filter-sweeping, abruptly overdriving pedal is designed to respond to your playing. It syncs its wave-thumping movement with the force at which you play. It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. Six selectable frequency ranges mean you're always gonna have just the right quack and oomph for whatever's plugged in! The sounds are wild, the thump is thick, and the animation is deep.

Controls

Input: Plug an instrument in to this jack.
Trig: Plug another instrument in to this jack and use it to trigger the filter sweep.
Out: Connect this to the amplifier.
Sensitivity: Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude.
Intensity: Simultaneously blends in the resonance, amount, and grit of the filter.
Vol: Adjusts the output volume of the DEEP ANIMATION.
Frequency Selector: Selects the frequency range of the filter.
Bypass: True bypass the effect.
Up / Down: Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite.
Additional Features: There is a subtle light to indicate the external trigger behind the main bypass LED.

Specifications

Dimensions: 5.92" x 4.72" x 2.34" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 18 mA.
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Death By Audio Disturbance Lockable LFO Modulator Effects Pedal
Cat: 944528 Rel: 05 Jun 23
 
A lockable LFO filter/flanger/phaser effects pedal.
Notes: The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

DISTURBANCE's controls allow for a wide range of sounds to be sculpted perfectly to your needs. The 'Tensity' knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options.

The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other.

But that's not all - the pedal introduces a brand-new way to control an effect: The custom designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in.

Go forth and DISTURB and bend, break, and twist your sound!
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Death By Audio Disturbance Lockable LFO Modulator Effects Pedal (B-STOCK)
Cat: 977102 Rel: 01 Jan 90
 
B-STOCK: Box opened, light surface marks, product in perfect working condition
Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

DISTURBANCE's controls allow for a wide range of sounds to be sculpted perfectly to your needs. The 'Tensity' knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options.

The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other.

But that's not all - the pedal introduces a brand-new way to control an effect: The custom designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in.

Go forth and DISTURB and bend, break, and twist your sound!
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 1 in stock $247.03
Death By Audio Echo Dream II Modulated Delay & Echo Effects Pedal
Cat: 888705 Rel: 21 Oct 22
 
Modulated delay & echo effects pedal
Notes: An 'otherworldly' take on the classic delay pedal from Death By Audio, with the addition of a fuzz circuit allowing you to dial in grit and texture as well as ethereal atmospheres with shimmering feedback.

Supplier notes:
Lush Modulating Echo

A powerful, ethereal, and nuanced delay pedal with otherworldly controls. Push the feedback for vast worlds of colourful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly contorted, turn up the fuzz and pulverize it into repeating, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. From delicate, beautiful sounds to yawning voids of fuzz and feedback, the Echo Dream II is ready to transform anything you throw at it.

Controls

Master: Sets the overall volume.
Fuzz: Sets the amount of gain, from clean to fuzzed-out bliss.
Delay: Sets the volume of the delayed signal.
D Time: Controls the delay time (numbers shown in milliseconds) between 20 ms and 1 second. Long delay times can create flutter, noise, and distortion.
FBack: Controls the feedback of the delays, from slapback to wild runaway oscillation.
Left Toggle: Up for clean blend, down to kill the dry signal and hear only the repeats.
Speed: Controls how fast the modulator runs.
Depth: Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones!
Right Toggle: Up for a smoother modulator waveform, down for a sharp, square-shaped wave.

Specifications

Dimensions: 5.87" x 4.72" x 2.35" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 40 mA.
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 1 in stock $286.97
Death By Audio Echo Master Lo-Fi Analogue-Tape-Style Vocal Delay/Echo Effects Pedal
Cat: 888700 Rel: 21 Oct 22
 
Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback.
Notes: Psychdelic Vocal Trip

Designed for vocals, the Echo Master is a lo-fi, analogue tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use with any of your favourite effects pedals on your vocal sound without any adapters.

The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.

Controls

Time: Controls the delay time, with numbers labelled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases.

F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation.

Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix.

Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals as well as the delay generated by the Echo Master.

*Alternate Backplate: Back in stock baby! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. This recently upgraded V3, comes with a handgrip screw for more torque (although it resembles the V1, this is a much sturdier model). **Please note- cords, microphone, and stand are not included.

Specifications

Dimensions: 6.09" x 3.45" x 2.75" (including hardware).
Weight: 16oz. (w/ Alternate Back Plate 30oz.)
Power: 9V (runs on standard 2.1mm negative center 9V adapter).
Current Draw: 25 mA.
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 1 in stock $301.75
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