Review: Rhode Island post-metal avant-garde duo The Body have made a name for themselves due to their caustic maelstrom of harsh, brutalist experimentalism as well as their prolific output and collaborative nature, releasing collab albums with the likes of Full Of Hell, Thou, Uniform, and most recently, Dis Fig. Their latest endeavour sees the pair link up with another duo of musical extremity, Toronto, Canada's recently reformed industrial two-piece Intensive Care. Was I Good Enough? has been on the cards since the artists first began making plans as far back as 2018, trading, warping and ruining mutual sessions with layers of loops, distortion, samples and even dubs, constantly striving to find the ideal haunting balance between both of their sonically hideous, oppressive worlds. For all of our ears' sakes, they just might have succeeded.
Review: Following on from 2021's hard left turn into dream-pop territory on Infinite Granite, San Francisco blackgaze legends in the making Deafheaven return with a work that they've always been striving towards. Their sixth full-length, Lonely People With Power, takes lessons from the saccharine shoegaze of their previous outing and injects it directly into the veins of their heaviest material since 2015's New Bermuda, culminating in a deft balancing act that finally combines vocalist George Clarke's shrieking, inhumane howls with his recently discovered crooning lilt, exuded as such on the beautiful warring of styles that is 'Heathen'. Elsewhere, 'Magnolia' provides a cataclysmic beast of proggy black metal akin to latter-day Emperor whereas 'Doberman' goes full euphoric blackened shoegaze reminiscent of 2013's breakout sophomore triumph Sunbather. Striking a unique chord between their equal and effortless understanding of black metal malevolence and the ethereality of cinematic post-rock, the album sees a notable trade off from their their usual smaller collection of lengthy, grandiose tracks that all clock in at over ten minutes a piece in favour of a more varied, yet succinct and instantaneous batch of cuts, 12 in total, marking the most that any Deafheaven project has ever offered.
Review: A true classic, British Steel would serve as the sixth full-length from British metal titans Judas Priest and is often considered to be their crowning achievement. Referred to by Max Cavalera (Sepultura, Soulfly) as the "essential thrash metal; I'm sure you can ask Metallica, if it wasn't for British Steel they wouldn't be here", and with notable footage of the aforementioned Metallica members James Hetfield and Kirk Hammett rocking (nerding) out at a recent Priest headline show, it's really no big secret how lofty of regard this razor-riffed gem is still held today. Boasting their iconic hit single and easily one of the best metal openers of all time with 'Breaking The Law' (which due to the lack of digital sampling at the time the band had to use analogue recording of smashing milk bottles for the desired sound effects), as well as mammoth cuts such as 'Metal Gods' (a subtle omen), and 'Living After Midnight', British Steal still breathes the like giant it is that welcomes all subsequent thrash metal acts to rest on their intimidating shoulders. Repressed on limited lush black and white splattered vinyl for National Album Day 2024.
Glorious Liberation Of The People's Technocratic Republic Of Vinnland By The Combined Forces Of The United Territories Of Europa (1:07)
Wolf Moon (Including Zoanthropic Paranoia) (6:37)
Haunted (10:08)
Track 15 (0:10)
Review: Originally released in 1996, October Rust would serve as the fourth full-length from gothic metal legends Type O Negative, as well as the highly anticipated follow up to their 1993 career-height Bloody Kisses. Known for its markedly less gloomy doom metal approach when compared to prior and subsequent projects, the album has grown a devout cult following due to the extensive number of unabashed ballads and compositionally accessible goth rock bangers (reliably shrouded in their own sonic malaise). Boasting the hit single 'My Girlfriend's Girlfriend' as well as their much-adored cover of Neil Young's 'Cinnamon Girl', many could consider October Rust to be the most accessible entry point to those intimidated by the prowess, hair or jawline of the incomparable visionary Peter Steele. Now almost 30 years young, this long overdue reissue comes spread across a limited green & black marbled vinyl 2xLP pressing.
Review: The God Machine were one of the hottest bands of the 90s. They were signed to Fiction records (home to The Cure) and released two astounding albums of dark and industrial-sounding alternative rock. This is the second and final album from the San Diego/London band, whose history has been blighted by grief. Shortly after completing this album, their bassist Jimmy Fernandez suddenly died from a brain hemorrhage, brining an abrupt, unexpected and tragic end to the band. However, their legacy lives on thanks to the power of the music they've left behind. Highlights from this staggering album include 'Tremolo Song', which has a punishing, dark, swaggering, Stone Temple Pilots-esque feel. And the pulsating, tense cut, 'The Love Song' and the stirring 'The Devil Song', with its post-rock finale, are gripping reminders of the band's superior quality.
Review: Yet another addition to Rhino Records’ Start Your Ear Off Right series hears a reissue of prog metal band Dream Theater’s fifth studio album and first ever concept album. A sequel to the thrillingly titled Metropolis-Part I: The Miracle and the Sleeper, this record builds an intensive recollective sonic theatre out of the mosaic themes of memory and depersonalisation. Themed around the subject of a young man undergoing past life regression therapy, the record is a compelling, initially psychotic howl into the night, and yet it proves an ultimately integrative, recursive experience, adding themes of murderousness and prophetic fate.
Review: This unmissable two-disc bundle nets Metallica's explosive live performances at the Seattle Center Coliseum on 29-30 August 1989, during their legendary Damaged Justice Tour. Widely regarded by fans as among of the band's finest shows, this tearout time capsule boasts a stellar setlist, including 'Seek & Destroy’, 'For Whom the Bell Tolls’, 'Creeping Death’, ‘Battery’, 'Master of Puppets’ and 'The Thing That Should Not Be'. Unleashed to the world like a cageful of batwinged, sledgehammer wielding demons, it came right after their fourth LP release And Justice for All, which in turn set the Damaged Justice tour in motion; these menacers will always come back to haunt us through the tube amps.
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