Are You Ready (feat Andy Cooper & Marietta Smith) (3:16)
Working On Me (3:18)
Jumping Off (3:18)
The Beat (3:21)
Up Down Left Right (feat Andy Cooper & Marietta Smith) (3:21)
You (3:45)
Review: Is there a more hard-working pair of party-starters than the Allergies' Rackabeat and DJ Moneyshot? The Bristol-based duo have been prolific over the last few years, yet the quality of their work seemingly hasn't suffered. Promised Land, their fifth album, is another invigorating, thrill-a-minute ride through hip-hop/funk/soul/rock/breakbeat fusion, where almost every cut is ripe for dancefloor plays. Highlights include the bluesy breakbeat bustle of 'Working On Me', the scratch-happy, Fatboy Slim-esque fun of 'Jumping Off', growling Dynamite MC hook-up 'Lean On You' (which reminded us a little of Plantlife), soul stomper 'Love Somebody' and 'Are You Ready', where Ugly Duckling's Andy Cooper and singer Marietta Smith both make their mark.
Review: 'Dreamtime Trance' is a cult gem for those who like to dig deep, and Alston Koch is exactly that person. She is a Sri Lankan-born Australian musician and the mastermind behind the Kookaburra Connection project, a collaboration with Aboriginal musicians, and this track blends indigenous themes with a unique, game-changing beat and infectious groove. It's a pure dancefloor revelation and this reissue includes a new extended version with a longer intro buildup that adds depth to the track. On the B-side, the heartfelt ballad 'Midnight Lady' offers a contrasting mood that is perfect for after-hours relaxation with PiNa Coladas. Remastered and re-issued with the original artwork, this EP is a must.
Review: Fresh from inspiring the global disco community with a tasty debut 7", Portuguese duo the Bam Jam band (AKA Pedro Teneiro and Sergio Alves) return with a similarly impressive sequel. A-side 'Keepin' On' is a genuinely killer workout - a low-slung bass guitar-propelled chunk of revivalist dancefloor disco-jazz rich in sustained organ chords, funky Clavinet licks and restless, Latin-influenced piano riffs and solos. The duo's love of memorable basslines comes to the fore once more on 'Something About Love', a more languid, picturesque and bittersweet affair in which slow, eyes-closed piano patterns and squelchy synths stretch out across a relaxed mid-tempo groove. An artist to watch in 2025 for sure.
Review: Casual-T's 1982 release is a vibrant exploration of funk and boogie that captures the energy and creativity of its time. Basslines pulse with confidence, while bright keys and crisp guitars drive the rhythm forward, creating tracks that feel alive and full of movement. Vocals are delivered with flair, matching the music's sense of fun and immediacy, while the production keeps everything taut and focused. The reissue gives new life to a record that's equal parts groove and heart and is the perfect addition for fans of soulful, rhythm-driven sounds.
Review: While this fabulous album may sound old - as if it was an obscure, jazz-funk-tinged Italian disco release from 1982 - it is in fact brand, spanking new, making it the first new LP of original material released by legendary Italian imprint Best Record in over four decades. Created by Raffaele 'Whodammy' Arcella and Cosimo Cosmo Mandorino, it offers the same kind of boundary-blurring fusion of early '80s boogie, electro, low-tempo Italo-disco, jazz-funk, disco, Afro-cosmic and colourful Balearic pop (with a few cheeky raps and spoken word vocal passages thrown in) as the Neopolitan albums of the early-to-mid 1980s that inspired them. It's a brilliant set all told - one that authentically pays tribute to their influences and inspirations while offering something genuinely new and exciting.
Review: This newly reissued classic is the iconic debut album by the legendary French jazz-funk band Cortex, first released in 1975. The group was initially formed only a year earlier by Alain Mion, Alain Gandolfi and Jeff Huttner, but Cortex quickly became a favourite among funky jazz collectors. Recorded in just two days, the album blends a unique mix of flavours and has a rather unclassifiable and stunning electric groove. With its fresh, warm and funky vibes, Troupeau Bleu has been a timeless LP for many years and one that has been influencing producers worldwide ever since its release: it's been sampled by renowned artists like Rick Ross, Madlib, DJ Day and DJ Cam, thereby cementing its status as must-have.
Lifetime - "I'll Bet You Thought I'd Never Find You" (4:21)
Tres Men - "Samba De-La Cruz" (4:32)
Miho Nobuzane - "Ponteio" (6:52)
El Caballo Y Su Orquesta - "Mambo De Papi" (3:05)
Review: The Jazz Dance Fusion series is a compilation-based series collecting some of the finest songs in the Jazzdance, Latin Jazz and Fusion. Each volume is careful cultivated by the well-known British DJ Colin Curtis. After the first three successful editions, the fourth boasts tracks like 'Mother Of The Future" by Venus Dodson, 'I Face East' by Mary Greer Mudiku and 'Ponteio' by Miho Nobuzane, to name but a few. Volume Four Part 2 is spread across two pieces of vinyl housed in a beautiful gatefold vinyl. If you are a jazz fan looking for a compilation to expand your knowledge and love the style, then look no further than this one here! Thanks ro Colin Curtis for continuing to curate such a great series!
Review: Dallas based singer-songwriter Derek Damian recorded the gloriously life-affirming soul nugget 'Watcha Wanna Do' a decade ago. It has lost none of its charm or magic all these years later as this new pressing attests. The rolling grooves, the effortlessly epic vocals and the serene string all ooze class. On the flip, he gets more romantic with the perfectly tender and intimate 'Never Felt So Good.' It's beefed up by bold baritone vocals, contemporary R&B production and gooey bass. A killer 45 for sure.
Review: Mr Bongo restock a brilliant 7" in their signature Brazil 45s series. The nineteenth to grace it, this blue-starred slice of small wax shone a light on Wilson das Neves' brilliant cover of Average White Band's 'Pick Up The Pieces' on the A, as well as a Mr Bongo fave on the B, Som Tres' potent samba-funk overflow 'Tanga'. The former flexes the historic muscles of a mythic Brazilian percussionist and vibesman, lending fidgety soft feels to AWB's already lull-lifting concoction; then 'Tanga' contrasts to this sense of measuredness with pure animal verve, as Tres' calls out to his bandmates commandingly amid whirlwinds of piano and drums.
Review: Flour Flies embarks on a new series of releases entitled Italian Library Songbook where contemporary artists put their spin on great soundtracks of theist. First to add their own new reinterpretations are Neapolitan producer pAd and London singer-songwriter Jessica Duncan. They tackle Alessandro Alessandroni's 'Philadelphia' and turn out something brilliantly soulful: 'Do You Wanna Get Close' is a lush and club ready sound that is backed with the glorious original on the flip side. This is a promising start to what is sure to be a much loved series.
Review: ** PPU REPRESS ** Following the killer Moon B album II, the peerless Peoples Potential Unlimited wind back the clock to bring us some unreleased late '80s material from Evans Pyramid. The alias of Boston musician Andre Evans, the disco and boogie project was the subject of an extensive retrospective a few years ago, but PPU have managed to uncover these two further gems regardless. "Where Love Lives" is the killer cut here, an "accelerated funk anthem" whose vintage synth bass sounds particularly relevant in today's retro-obsessed musical climate. On the B-side is "I Want Your Body", from Evans' side project Royale, a more classic disco number that still hits all the right notes.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Intro (1:08)
The Herald (3:46)
Palm Wine (5:14)
God Gave Me Feet For Dancing (feat Yazmin Lacey) (4:11)
Ajala (0:42)
The Traveller (4:48)
N29 (3:56)
No One's Watching Me (feat Olivia Dean) (4:57)
Hear My Cry (3:31)
Shaking Body (3:14)
Expensive (6:10)
Streets Is Calling (feat Manifest & Moonchild Sanelly) (3:08)
Why I Smile (5:20)
Have Patience (2:35)
Everybody (4:01)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Dance, No One's Watching is a joyous celebration of the unifying power of dance. Written during Ezra Collective's world tour in 2023, which also saw them become the first jazz act to win the Mercury Prize, this album is full of vibrant energy, a complete sonic journey through a night out in the city, this album succeeds from the opening anticipation to the dawn's quiet conclusion. Recorded at Abbey Road Studios amidst a live communal celebration, Dance, No One's Watching resonates with love, music, and the infectious spirit of dancing. The band's dynamic compositions and rhythmic power are showcased in every track, making it a powerful addition to contemporary British music. The Deluxe 2 LP set on black vinyl, housed in a gatefold jacket with exclusive artwork and a fold-out poster, makes this limited edition the copy to have. Ezra Collective's are innovative with a unifying musical vision.
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
You're The Man
The World Is Rated X
Piece Of Clay
Where Are We Going?
I'm Gonna Give You Respect
Try It You'll Like It
You Are That Special One
We Can Make It Baby
My Last Chance
Symphony
I'd Give My Life For You
Woman Of The World
Christmas In The City (instrumental)
You're The Man (version 2)
I Wan't To Come Home For Chistmas
I Going Home (Move)
Checking Out (Double Clutch)
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
In 1972, Marvin Gaye set to work recording what was scheduled to become the follow-up to his greatest single studio album, the previous year's "What's Going On". In the end, only one single from that mooted set ever appeared - "You're The Man", a weary assessment of that year's U.S Presidential Election - and Gaye's bitter arguments with Motown continued. This intriguing album tries to set the record straight, gathering together work completed for the shelved album with newly mixed songs based around previously unfinished works. There's much to admire throughout, with the material flitting between the kind of lusciously orchestrated, conscious songs featured on Gaye's previous set and more commercial-sounding Motown pop (much of which was produced by Willie Hutch).
Jacob Velez & La Mambanegra - "Manana" (feat Nidia Gongora) (2:46)
Tonada - "Manezco" (3:17)
El Hijo Del Buno - "La Danza Del Espiritu" (feat Los Gaiteros De Pueblob Santo) (3:32)
De Mar Y Rio - "Bailen Y Gocen" (3:52)
Umu Obiligbo - "Udemba" (3:35)
Amadou Balake - "Massa Kamba" (4:33)
Joi N'juno - "Samemala" (5:18)
Conjunto - "Koemanoe Sani" (3:44)
Mendes Brothers - "Balumuka Palops!" (5:15)
Gaby Moy - "Ene Alengue" (5:53)
Poirier - "Teke Fren" (feat Waahli) (2:59)
Timothee Et Pot & Co - "Rentre Dans Ton Hlm" (5:24)
Locobeach - "Idea Desesperada" (4:05)
Review: This latest offering is a testament to Guts' curatorial flair, stitching together rhythms from across the globe. Each track is carefully chosen to highlight soulful grooves and infectious melodies, all while maintaining a sense of discovery. The release moves effortlessly between vibrant Afrobeat, laidback funk, and hypnotic Caribbean influences, creating a natural flow that feels like an intimate DJ set. This is music with heart and authenticity, a celebration of the dancefloor's rich diversity.
Review: Classic jazz funk album from the legendary Johnny 'Hammond' Smith with a special version with six previously unissued bonus out-takes. Released in 1975 and his 32nd long player, it heralded a fresh chapter in his career that saw him exploring more electronic instrumentation and deeper shades of funk in a similar way to Roy Ayers or Bob James. The result was a timeless document that carries motifs of many of today's artists; the harmonies of "Can't We Smile?", for instance, smack of Plantlife while the punctuated piano work and mirrored squiggling synths on "Song For The Family" echoes with Flying Lotus-style whim. Also a key source of breaks for many junglists, Gears is a historic document that's not only played a strong role in electronic music but still sounds incredible today.
Review: Miami's legendary TK Disco label has swung open the doors to its vital back catalogue and allowed some of the most golden gems to be reissued here. These are two stone-cold breakbeat classics and b-boy delights that come kissed by the sun and ready to get your party started. 'Dance To The Drummer's Beat' opens up with plenty of joyous vocals and loose percussion over fresh and funky breaks. On the flip of this 45rpm is 'Do The Handbone', a hard-hitting and raw cut with big vocals and plenty of lively trumpet action. Both are surefire winners.
Review: Linda Muriel is an acclaimed lead vocalist best known for her work with Acid Jazz and Talking Loud acts like The Brand New Heavies, Incognito, Galliano, and JQT. For this one she has joined forces Fitzroy Facey, director of The Soul Survivors Magazine, to craft a fusion of old and new funk and soul sounds. Linda's distinctive voice shines in the infectious track 'Treat Me Right' who has wowed audiences in live performances and featured on the Luxury Soul Weekend 2024 box set. It soared to the top of the UK Soul Breakers Chart on December 31, 2023 and this must cop tune has the instrumental flip side 'Mo Ghetto Bluez' with Maurice Brown, which is perfect for those who appreciate a blend of old-school with a touch of new cool.
Review: Wonky meets jazz in this impressive new jazz mini-LP from Japan. Takuya Kuroda is a highly respected trumpeter and arranger born in Kobe, Japan and based in New York City. 'Midnight Crisp' is Takuya's seventh studio album, entirely self-produced and following 2020's highly acclaimed 'Fly Moon Die Soon'. Learning jazz in a higher education environment, he's reapplied his skills to a new solo outing here, blending with his one true loves, afrobeat and hip-hop. The ensuing album is one of myriad midnight moods, tempered by many a virtuosic and mournful piano, digitally-edited drum brush, and trilling trumpet from the mouth of Kuroda himself.
Review: Featuring the world famous London Community Gospel Choir (LCGC) remixed here by Ayce, 'Rather Be' is a masterpiece, blending soul, funk and house with gospel-tinged vocals from Annette Bowen. The mix elevates the original, adding a contagious funk groove that brings joy to every beat. The uplifting choir harmonies, sublime horns and heavenly pads are joined by wicked guitar riffs, creating an infectious rhythm that will have you dancing all night. The eight minute instrumental version allows the music to shine with its vibrant keys and dynamic production. LCGC, Europe's premier contemporary gospel choir, brings their signature power and positivity, while Ayce's remix takes it to the next level, blending soulful house with funk and r&b. With a rich history of collaborations with major artists like Madonna, Elton John and Jessie J, LCGC's performance here is nothing short of electrifying.
Review: This long-overdue 7" reissue breathes new life into a rare Latin funk treasure from the golden era of the genre. The A-side, 'Together People (Pamoja Watu),' delivers a fiery blend of James Brown-style grit and Manu Dibango-inspired groove, complete with driving rhythms and infectious energy. On the B-side, 'It's Your Thing' reimagines the Isley Brothers classic as a bold instrumental, packed with Hammond organ flourishes and raw Latin funk swagger. Originally a Bobby Marin studio project featuring Chico Mendoza and members of Ocho, these tracks are essential for DJs and collectors, preserving the spirit of New York's vibrant Latin music scene.
Review: This forthcoming 7" pairs two fiery cuts from the Latin American underground, capturing the raw energy of a transformative musical era. Los Pambele's 'Cannabis' layers cumbia rhythms with swirling, reverb-soaked guitars, creating a trance-inducing groove that feels both earthy and psychedelic. On the flip, Los Darlings de Huanuco's 'Marihuana' cranks up the intensity, delivering a garage-tinged anthem brimming with jagged riffs and spirited vocals. The sound is unpolished yet electrifying, a snapshot of a time when regional traditions collided with bold experimentation, leaving behind something truly timeless.
Review: Los Angeles' producer Luxxury has long specialised in the kind of opaque, warming, stylish and melodious fare that tends towards the timeless - retro-futurist, yacht-rock-tinged fusions of disco, AOR, synth-pop, boogie and blue-eyed soul that sounds like it was tailor-made to listen to while cruising down the Pacific highway in an early '80s convertible. Alright, his latest album, sees him subtly tweak that sound further and in the process deliver his most consistently entertaining full-length excursion to date. Our picks of the plentiful standouts include the slap-bass propelled dreaminess of 'Somebody Tonight', the radio-friendly dancefloor delight that is 'Be Good 2 Me', the yacht disco goodness of 'I Need Somebody' and the kaleidoscopic, filter-sporting lux-pop of 'Alright'.
Review: Funky Africa is an album that, as the title suggests, totally embodies the sound of Africa. Composer, guitarist, and producer Almon Memela imbues his sounds with everything that makes Afro music great from the wild trumpet lines to the throbbing rhythms and spiritual vibes that run through each tune. It first came in 1975 and has long been one of those cornerstone albums for those in the know. It has been ultra rare since first issue and packs in romantic sounds next to dance floor bait, all with great style and showmanship.
Review: Twinkly funk and soul master-workings from Mind & Matter, the Minneapolis band whose initial 1977 hit flew under the radar only to be plucked back up by the fandom at large in the early 2020s. A few follow-up singles and an album followed, but 'I'm Under Your Spell' will likely never be topped as the falsetto-harmonising, soulful layer-cake that only latently put the band on the map, like a dream. Clavichord and reverent held notes abound on this resplendent sonic jewel, both of which elements were surely fleshed out by the producer only known back then as "The Magician".
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