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Eight Weeks: Studio Equipment

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Studio Equipment

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AKG
Cat: 761994 Rel: 12 May 20 • View all Studio-Kopfhörer
 
Bluetooth studio headphones
Notes: Great all-rounders from AKG, designed primarily for studio use but serving double duty as everyday headphones thanks to built-in Bluetooth streaming. Great sound and clean, stylish design.

Supplier's notes:
Whether you're an artist, engineer, podcaster, video editor or content producer, you're always in creative mode. AKG K371-BT Professional Studio Headphones strike the perfect balance between studio-quality sound, Bluetooth functionality, plush comfort and a sleek, sturdy design that stands up to your mobile lifestyle.

K371-BTs are precision-engineered to match AKG's Reference Response acoustic target to reproduce natural, balanced audio in extraordinary detail, so you can make more confident decisions when you're mixing and editing. They deliver deeper bass and higher highs than any other model in their class, with a stunning frequency response of 5 Hz to 40 kHz. K371-BTs offer the convenience of switchable Bluetooth wireless and wired connectivity; a built-in microphone allows two-way Bluetooth communications. Plush, ergonomic earcups cradle your ears in supreme comfortibecause once you hear how amazing your K371-BTs sound, you won't ever want to take them off.
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 3 in stock $156.94
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quote 761994
Cat: 773940 Rel: 01 May 20 • View all Synthesizer
 
modular synthesiser
Notes: Brilliant new complete system based around ALM classics like Pamela's New Workout, Squid Salmple and Quaid Megaslope. Brilliantly creative setup. Full review coming soon.

Supplier's notes:
The system coupe is a modern modular groove box combing both digital and analog technologies. It features various sound sources, innovative pattern creation and sequencing, modulation, sampling, processing and integration with external equipment.

Use the Coupe as a creative tool to sketch new original musical ideas and phrases, an enjoyable persuit to take on travels, a flexible instrument for live sets or imaginative first, or ongoing steps into modern modular synthesis. The System Coupe works great on its own or in partnership with your existing set up.

The Coupe consists of a powered case populated with a curated set of ALM modules - some new, some staples, some proven classics - all very functional and fun. All the modules are special editions, with grey panels, white screens, magenta and blue knobs and a custom powered compact aluminium 84hp case.

At the core of the system is the Squid Salmple, a powerful sampler capable of the recording and playback of up to 8 channels of both audio and CV. It can be used simply as a percussive voice but is extremely flexible as a sampler. Take advantage of its flexibitliy to create polyphonic voices, a super controlled delay or even a CV sequencer.

The Squid Salmple comes with an extensive royalty free sound library of over 700 carefully curated samples created specifically for the module.

The system's VCO is the small but mighty MCO, a morphing wavetable oscillator with 3 simultaneous outputs. It features a normal wave output, octave down sub oscillator output and a special pulse width modultion wavetable output. There are 4 PWM types which can be applied to all 10 wave shapes.

The four transparent & clean summed VCAs of the Tangle Quartet allow you to mix, shape and route audio from these sources. The MCF multi mode filter allows for further sculpting with 3 simultaneous outputs under full voltage control.

The Coupe features 3 new modules available for the first time as part of the system; the Milton, the MCF, and a basic mult, all designed primarily with the Coupe in mind.

The Milton is a utility module that provides amplication for external line level sources, a 1 in 3 out buffered mult, an attenuator and 4 input fixed gain mixer. It was designed specifically for the Coupe system - providing some very useful functionality on a small space.

The MCF is a classic analog multimode filter with resonance featuring hi, band and low pass outputs wth voltage control of both frequency and resonance. It can be used as a sine wave oscillator at higher resonance settings with v/oct tracking over pitch.

The basic mult allows signals to be duplicated to multiple destinations.

The classic Pamelas NEW Workout & Quaid Megaslope provide numerous sequencing and endless modulation oppertunities.

Pam is a staple in the Eurorack world. Use for synced triggers, gates, envelopes and quantised CV sequences all rythimcally synced to a core BPM. Patterns can be based on euclidean rules, then looped on beats for a repeating structure or not, if preferred.

The Megaslope can be used as an advanced multi stage envelope, an LFO and step sequencer with programmable slides. The sequencer is limited to 5 stages but when combined with Pam's flexible CV and gate outputs it is capable of great variation. Unlike many sequencers, the level of each step and slide times may be voltage controlled.

The mmMidi and expander provide the means for more convenetial Midi sequencing and can fully drive the system with multiple CV, gate and trigger outputs.

The adventurous types may even want to sample CV patterns into the Squid Salmple for playback and saving to the USB memory.

Included modules:

ALM023 / mmMidi & mmT expander
ALM017 / Pamela's NEW Workout
ALM020 / QUAID MEGASLOPE
ALM027 / MULT NEW!
ALM022 / SQUID SALMPLE
ALM024 / Milton NEW!
ALM021 / MCO
ALM025 / MCF NEW!
ALM009 / Tangle Quartet
ALM019 / HPO
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MRP:$2,337.67 SAVE 17%
 1 in stock $1,947.04
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quote 773940
Notes: Very, very nice high-end over-ear headphones from a company we expect to hear a lot more of in coming years. Closed-back design with great build quality and sound.

Supplier's notes:
The Hi-X55 circum-aural closed-back headphones provide over-the-ear comfort as well as portability with the foldable hinge design. Metal parts are used for all critical elements in order to guarantee long durability even under rough conditions be it in studios or tour buses.

Developed from scratch, the all new 44mm Hi-X driver features a ring magnet system - a home-grown technology which has been incorporated into various award-winning headphones in the past by our engineers. It allows improved air-flow and the strongest magnetic field in its class. This ring magnet structure coupled with a copper-clad aluminum voice coil reduces the weight of the membrane and voice coil that sits on it allowing it to move or change direction faster providing a better impulse reac- tion, highly desired for contemporary as well as traditional music production.

A double acoustic wall was designed to achieve the best damping results, to support this and in- creased comfort, the form factor of the earpads has been rethought completely, giving more room for the ears without enlarging the earcups, reducing fatigue from long listening sessions.

Engineered and manufactured in Austria, the Hi-X55, and its on-ear brother the Hi-X50, are tailored to suit the demanding production conditions of today. With the all-digital signal chain, using 24bit or even 32bit, the dynamic depth of contemporary source tracks puts engineer and material at the mix- ing desk to the test.
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MRP:$306.52 SAVE 17%
 2 in stock $254.40
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quote 762355
Cat: 767536 Rel: 28 May 20 • View all Synthesizer
 
analogue synthesiser
Notes: The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
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 1 in stock $3,743.26
Notes: IK Multimedia has added a white colour option for its iLoudr MTM, a compact reference monitor designed to deliver pristine sound and unprecedented accuracy for the modern professional and home studio. It provides innovative features not found elsewhere, and sound quality that rivals monitors several times the price.

iLoud MTM delivers unsurpassed accuracy, power and bass, 100W RMS power, and a class-defying 40 Hz to 24 kHz frequency response for a "firm", balanced and defined low end, to surpass the sound of speakers twice its size.

IK's advanced DSP expertise was leveraged to offer an ultra-flat frequency response, but more importantly, a truly linear phase response - a premiere feature in this price segment available only on a handful of products costing considerably more. This provides a natural, true-to-life sound made possible by IK's advanced DSP expertise.

The symmetrical MTM (midrange-tweeter-midrange) design provides point-source performance for superior imaging, even at close distances, so users can create mixes that will translate across multiple playback systems, with no ear fatigue. The design's exceptional, controlled sound dispersion enhances the transparency and neutrality by minimizing the impact of room acoustics, for truer monitoring.

iLoud MTM also offers one-touch, acoustic self-calibration derived from IK's award-winning ARC System, with an included reference microphone to easily adjust to any room's acoustics.

Additional features include: 103dB SPL maximum sound pressure; Audiophile-grade, high resolution algorithms and top-of-the line A/D converters; Off-axis response management to minimize the effects of room reverberation; and IK's patent-pending Physical Response Linearization (PRL™) system that corrects the system's performance in real time.

iLoud MTM also comes with a tilting isolation mount that adjusts from 0- to 20- for a wide range of setups, a rubber base for horizontal shelf-placement, and a bottom thread for mic stand mounting.

Incredible accuracy and transparency, deep and defined bass, precise stereo imaging at any distance, and automatic room calibration - all in a monitor that's small enough to fit on any desktop - make iLoud MTM deal for nearfield work or as a workhorse monitor in a home or project studio.
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 4 in stock $352.88
Cat: 774602 Rel: 07 May 20 • View all Vocal microphones
 
recording bundle
Notes: The bundle PODCASTER-1 is the perfect entry-level set for your first very own home recording studio. With the USB recording interface MX-1IO, the high-quality large diaphragm condenser microphone ECMS-70 as well as the matching microphone pop filter KM-23956 from Konig & Meyer, the PODCASTER-1 stands for real plug and play: setting up, connecting and getting started straightaway.

Components: 1 x ECMS-70, 1 x KM-23956, 1 x MS-12, 1 x MECN-200/SW, 1 x MX-1IO

Recording bundle for podcasters, consisting of:
1 x large diaphragm condenser microphone ECMS-70
1 x microphone pop filter KM-23956
1 x microphone floor stand MS-12
1 x XLR cable MECN-200/SW, 2 m, NEUTRIK connectors
1 x 1-channel USB recording interface MX-1IO
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MRP:$215.43 SAVE 23%
 1 in stock $166.17
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quote 774602
Cat: 761104 Rel: 16 Apr 20 • View all Synthesizer
 
digital synthesiser
Notes: KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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MRP:$860.47 SAVE 17%
 2 in stock $717.06
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quote 761104
Cat: 762185 Rel: 12 May 20 • View all Studiomonitore
 
studio monitors
Notes: Beginner-friendly multimedia monitors offering punchy, clear sound at an affordable price. Good entry-level option for anyone starting out working with audio.

Supplier's notes:
The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

Designed for premium sound that won't break the bank, CR Multimedia Monitors deliver the performance you expect from a Mackie studio monitor in designs ideal for home studios, multimedia creation, AV post-production and broadcast. Plus, with user-friendly front panel features and two models featuring Bluetoothr for music streaming, they are great for any desktop in any situation.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.
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 1 in stock $175.42
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quote 762185
Cat: 762128 Rel: 11 May 20 • View all Ohrhörer
 
in-ear monitor headphones
Notes: Mackie MP BTA is a Bluetooth Adapter - Replace the cable on your MP Series IEMs for untethered listening freedom.
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 1 in stock $81.04
Cat: 762122 Rel: 11 May 20 • View all Ohrhörer
 
in-ear monitors
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-120 houses a single large dynamic driver. This is a high-quality component chosen for its ability to supply plenty of bass without sacrificing high-frequency articulation and vocal detail. This model offers a balanced sound that performs great across the entire spectrum.
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 1 in stock $132.33
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quote 762122
Cat: 762125 Rel: 11 May 20 • View all Ohrhörer
 
in-ear monitors
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-220 steps up the count with two dynamic drivers in each monitor. In addition to offering cleaner performance at higher levels, it allows the monitor to achieve higher efficiency evenly across the entire frequency range. Because you have twice the drivers taking care of the same job, they can resolve details and nuance in the sound much better, this also means increased bass which dynamic drivers are particularly good at.

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 1 in stock $173.36
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quote 762125
Cat: 762126 Rel: 11 May 20 • View all Ohrhörer
 
in-ear monitor headphones
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-240 keeps the same driver count but reaches the next level of detail and clarity thanks to its hybrid configuration. Instead of two dynamic drivers like the MP-220, this monitor swaps one out for a balanced armature driver and a custom crossover that splits the frequencies between the two drivers.

Hold on just a second, what does balanced armature mean?

This is a unique type of driver that is ultra-compact and offers incredible efficiency especially with mid to high frequencies. To keep the ample bass response while enhancing the clarity, we went with the hybrid design for the MP-240. This is the perfect combination. Punchy, accurate bass and beautiful mids and highs.
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 1 in stock $184.12
Notes: The Mackie Performer Bundle is a great choice for vocalists, karaoke, solo artists, and others who need straightforward mixing and reliable, great-sounding mics. The Performer Bundle is centered around Mackie's popular ProFX6v3 6-channel analog mixer, which features 2 ultra-low-noise Onyx mic preamps, 24 built-in effects, and 2-in, 4-out, 24-bit/192 kHz USB recording and playback. The Performer Bundle also provides two EM-89D dynamic vocal microphones, Mackie's MC-100 professional headphones, and the same powerful software suite as the Producer Bundle and Studio Bundle. From stage to home studio, the Mackie Performer Bundle gives you the tools to always sound your best.
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MRP:$324.98 SAVE 18%
 1 in stock $265.69
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quote 762542
Notes: All you need to get started recording instruments and vocals: two mics, an interface, headphones, software and all necessary cables. Just add a computer and start making music. Also great for recording podcasts or voiceovers.

Supplier's notes:
The Mackie Producer Bundle provides everything you need to get your home studio up and running with professional-quality sound. The Producer Bundle includes Mackie EleMent Series condenser and dynamic microphones; Mackie MC-100 Professional Headphones; and Mackie's popular Onyx Producer 2o2 USB interface, including a full software suite.

With two different types of cardioid microphones in the Producer Bundle, you're ready to record virtually anything. Mackie's EM-91C large-diaphragm condenser microphone is great when you want warmth and brilliance for vocals, to capture the nuances of stringed instruments, and much more. It's also an excellent choice for live streaming, voiceovers, and many other types of content creation. Mackie's EM-89D dynamic vocal microphone is extremely versatile. Primarily designed for stage use, it also makes a fine addition to a studio microphone collection. It's an excellent handheld vocal microphone and also excels as an instrument and amplifier microphone, thanks to its ability to capture loud sources.

The hub of your Producer Bundle setup is the Onyx Producer 2o2, a 2-in, 2-out, bus-powered USB interface that records up to 24-bit/192 kHz audio. The Onyx Producer 2o2 furnishes two XLR/TRS combo mic/line/instrument inputs with Mackie's renowned Onyx preamps for class-leading fidelity and dynamic range. Compatible with all major DAWs for macOSr and Windowsr, the interface comes with AVID Pro Toolsr | First and Waveform OEM recording and production software. You also get the Musician Collection for Pro Tools | First, with 23 plug-ins, including BBD Delay, Eleven Lite, 304E EQ, and 304C Compressor; and The DAW Essentials Bundle for Waveform OEM, which provides 16 powerful plug-ins, including Equaliser, Compressor, Reverber8, and Limiter. With Onyx Producer 2o2 and this powerful software suite, you'll be ready to produce a wide variety of music and other audio projects.

To monitor everything, the Mackie Producer Bundle provides Mackie's MC-100 Professional Headphones, which deliver clear rich lows and highs and very good noise isolation. They're excellent for tracking and referencing your mix.
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MRP:$324.98 SAVE 18%
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quote 762547
Cat: 763205 Rel: 11 May 20 • View all Synthesizer
 
desktop synthesiser module
Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$614.27 SAVE 19%
 More than 10 in stock $495.48
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quote 763205
MXL
Cat: 767782 Rel: 01 Apr 20 • View all Vocal microphones
Notes: The popular MXL 770 is a high quality multipurpose condenser mic that vocalists gravitate to for its solid low frequency response and clear high end. To achieve this MXL uses a high-quality FET pre-amp and transformerless balanced output for wide dynamic range and low noise. Features include a low frequency roll-off to reduce unwanted rumbling and a 10db pad to facilitate a wide variety of sound sources. The 770 comes with a shockmount to reduce mechanical vibrations and a rugged carrying case. The MXL 770 is a perfect combination of quality, flexibility, and value for both professional and home recording studios.
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MRP:$121.87 SAVE 31%
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quote 767782
Notes: A professional alkaline battery from Philips Industrial, long lasting, reliable power and superb performance.

High quality performance for a range of applications
Long lasting reliable power
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 2 in stock $3.59
Cat: 772281 Rel: 16 Apr 20 • View all Taschenlampen & Batterien
 
Type C batteries
Notes: A professional alkaline battery from Philips Industrial, long lasting, reliable power and superb performance.

High quality performance for a range of applications
Long lasting reliable power
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 1 in stock $12.83
Notes: Nicely priced bundle of Toraiz Squid sampler and AS-1 analogue synth, designed to hook up neatly with Pioneer CDJs and controllers.

Supplier's notes:
This package includes:
1x Pioneer TORAIZ AS-1 Synthesiser
1x Pioneer TORAIZ SQUID Sequencer

Pioneer TORAIZ AS-1 Analog Synthesiser:
The second musical instrument in the TORAIZ range, the AS-1 is a monophonic analog synthesizer that brings new creative possibilities to the studio and the stage. Its intuitive controls include parameter knobs that let you make both subtle and dramatic changes to the tone of your music to create your own personalised sound. Plus you can use the touchpad-style keyboard and slider to manipulate sounds during performances.

The TORAIZ AS-1 is driven by a fully programmable, true analogue synthesis engine based on the discrete analogue circuitry in Dave Smith Instruments' Prophet-6 synthesizer. It also inherits 7 on-board effects from the Prophet-6 synth as well as a brand new digital distortion. Working closely with Dave Smith himself, the results are a synth that produces powerful analogue sound. The TORAIZ AS-1 is an ideal addition to the setups of professional and aspiring producers.

The AS-1 is based on the same analogue filters as Dave Smith's renowned Prophet-6 synthesiser. It has 2 voltage-controlled oscillators (VCO) with continuously-variable triangle, sawtooth, and pulse wave shapes. Sculpt your sound using the 2 voltage-controlled filters (VCF), a 4-pole, resonant low-pass filter that can self-oscillate, and a 2-pole, resonant high-pass filter.

Use the TORAIZ AS-1 to create one-of-a-kind sounds using 2 VCOs, 2 VCFs, and VCA, 2 EGs and 1 LFO, then save each sound and its parameter settings as a program so you can instantly access it later.

The inspiring 495 preset programmes each have a different sound and 64-step sequence that can be edited separately. You can also save up to 495 of your own programmes in the 5 user banks.

Be creative with the Prophet-6-derived dual FX engine and use a single effect or pair 2 together to add extra texture to your sounds. FX includes Bucket Brigade Delay, Distortion, Ring Modulation, Chorus and Maestro Phaser.

The TORAIZ AS-1 will make sure your performance is in perfect harmony as you perform the sounds you create with the touchpad keyboard or change the notes assigned to the keys with Scale Mode.

Add dynamic changes to your performance by using the slider to manipulate.

Pioneer TORAIZ SQUID Sequencer:
Unlock limitless creativity with the SQUID multitrack sequencer. Part of the TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Have fun creating phrases by tapping the 16 multicolored LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.
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MRP:$1,069.74 SAVE 17%
 2 in stock $891.45
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quote 776173
Cat: 772445 Rel: 21 Apr 20 • View all Vocal microphones
 
USB microphone
Notes: The spoken word has moved to the web. With the Reloop s-Podcaster it is possible to produce audio files and offer them to the podcast community. Whether broadcasting one''s oown radio show via the internet, promoting one''s own music or publishing audio newsletters - with the sPodcaster condenser microphone one is equipped and ready for the future. Thanks to the high-speed USB 2.0 technology, all connections are as easy as they have never been - plug-n-play for PC and Mac. The latency-free transmission, 16 bit resolution and the 48 kHz A/D converter promise brilliant sound quality and playback that can be presented to the public.

Features
Professional USB microphone for podcasting
Condenser microphone with one-sided directional characteristics
USB 2.0 technology
Latency-free transmission
16 bit resolution
48 kHz A/D converter

Technical Data
Voltage: USB feed, 5.0 V
Sensibility: -65 i5 dB @ 1 kHz
S/N ratio: -59 dB
Frequency range: 50 Hz - 18 kHz
Plug&Play compatible with Windows Vista, XP, 8 and Mac OS X
Connection: USB
Dimensions: 148 x 65 x 56 mm
Weight: 350 g
Incl. USB cord, table stand and software
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MRP:$80.02 SAVE 12%
 1 in stock $70.68
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quote 772445
Cat: 761833 Rel: 05 May 20 • View all Audio- & MIDI-Interfaces
 
Portable USB MIDI & gate hub
Notes: Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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MRP:$178.50
 More than 10 in stock $173.36
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quote 761833
Cat: 778146 Rel: 05 May 20 • View all Audio- & MIDI-Interfaces
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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 1 in stock $163.10
Notes: Building on the success of previous versions, Cubase Artist 10.5 includes a redesigned channel strip, designed to optimise your workflow. Also included is Groove Agent SE 5,the latest edition of the highly versatile virtual drum emulator and soundbank. It also provides exceptional audio fidelity thanks to the improved resampling quality.

Cubase Artist 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 1 in stock $127.20
Notes: Cubase is one of the most powerful music creation software packages in the world. With it's unrivalled range of flexible tools, you can create any kind of music quickly and intuitively. It comes packed with a wide range of virtual instruments, effects and thousands of sounds.Whether you're a professional composer or a music production beginner, Cubase provides you with everything you need for turning your ideas into music.
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 1 in stock $81.17
Notes: The award-winning music production software just got better. Steinberg Cubase Pro 10.5 is the most comprehensive version of Cubase 10.5, providing a wide range of exclusive audio tools, effects and virtual instruments.

Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 1 in stock $301.58
Notes: Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 1 in stock $454.13
Notes: Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.
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 2 in stock $249.95
Cat: 768059 Rel: 24 Apr 20 • View all Audio- & MIDI-Interfaces
 
audio & MIDI interface
Notes: Clever interface from Steinberg, designed to work equally as well for DAW use and DJing. Two inputs, four outputs, clear sound quality and a decent bundle of software included for good measure.

Supplier's notes:
Thanks to its 4 outputs, the new unique feature about the UR24C is its switchable monitor modes: DAW and DJ.

In DAW mode - used for producing music with a DAW, such as Cubase - you can adjust the balance of the signals coming from the DAW and from the UR24C's input.

In DJ mode - optimized for performances with DJ software or backing tracks - you can choose to either output the mono master sound to the right side of your headphones, with the mono cue sound to the left, or have both in stereo and mix the two. The monitor mode is switched in the setup window of the dspMixFxUR-C application.

The 2 operations are clearly visible on the interface: In DAW mode the power indicator LED ring is lit white, in DJ mode it is lit red.

The DJ feature is equally useful if you are recording somebody else and need to set-up a separate headphone cue mix, that in addition to the build in DSP effects is a very unique feature at this price point.
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MRP:$263.43 SAVE 29%
 1 in stock $187.53
Notes: 12-channel version of Tascam's modern take on the classic Portastudio concept. Digital recorder fused with analogue mixer and audio interface. Great one-box recording solution.

Supplier's notes:
Integrated production suite for music and multimedia creators, songwriters and performers.

Tascam Model 12 is a compact all-in-one integrated mixing and recording suite designed for music and multimedia creators, songwriters and performers. It consists of a 10-input mixer, a 12-track version of the highly acclaimed Tascam multi-track audio recorder, USB audio interface, MIDI connectivity, DAW control functions, and unique podcasting capability including mix-minus and smartphone input.

Combining the feel of an analogue user interface with the efficient workflow and pristine quality associated with digital recording and production, the compact and affordable Model 12 supports your creative process from start to finish.
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MRP:$701.67 SAVE 17%
 2 in stock $579.59
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quote 762343
Notes: Teenage Engineering go DIY with this kit-build CV/MIDI keyboard, designed to play nicely with Eurorack gear, Pocket Operators and the brand's own modular range.

Supplier's notes:
The POM-16 is a home-build stand-alone keyboard with individual tuneable keys and a programmable step sequencer.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: The unit is designed to send CV, Gate, MIDI, and PO Sync to control the POM-400 or other synthesizers. These signals do not make sounds.

FEATURES
Powder-coated Aluminium Chassis
Keyboard and Sequencer
Stores up to 64 patterns
Battery power option
Power supply sold separately
Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm
Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-16 chassis
1 x Keyboard
16 x Trim Knob
1 x Value Knob
4 x Rubber Foot
4 x Chassis Screw
1 x Screwdriver
1 x User's Manual
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MRP:$244.97 SAVE 25%
 2 in stock $184.64
Notes: 20 pack of purple 6", white 12", blue 12", and black 24" patch cables for modular synths. 3.5mm mono jack connectors.
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 8 in stock $36.41
Cat: 774014 Rel: 13 May 20 • View all Synth modules
 
VCF module
Notes: This product is an analog filter that processes -5v/+5v synth level audio signals. This particular product is using a 10 stage diode ladder circuit influenced from a classic Steiner filter.

Width: 10hp
Current: +16mA,-15mA

16 mA +12V
15 mA -12V
32 mm deep
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MRP:$158.80 SAVE 17%
 2 in stock $132.33
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quote 774014
Cat: 774002 Rel: 13 May 20 • View all Synth modules
 
bass drum module
Notes: This module use the classic 'twin T' circuit to generate a sine wave for percussion and drum duties. This particular module has an additional accent circuit. The accent circuit allows for volume changes when two trigger sources are used. This module covers a good spectrum of possible classic drum sounds : 808, 909, Gabber, wood blocks, etc.

There is a boost circuit to push the sine wave into a square wave shape.

Control: Tune knob, Sweep (like a fine knob), Tone knob (muffled or pop sound), Decay knob, accent knob, and boost knob.

Jacks: Accent trigger input, Trigger input, and BD output.

Operation is straight forward. You patch a trigger signal into the trigger input and use the Out jack to hear the drum sound. The toggle switch allows for long 808 style drums, middle position for shorter drums, and toggle right for shorter stuff.

For default position sound exploring have the tune knob fully clockwise and sweep knob in the middle. Then use the fine knob to fine tune the pitch. If you require a lower range then turn the tune knob a bit counter clockwise, and use the Sweep knob to again fine tune.

When using the Accent circuit, you will hear better results when the accent knob is middle position. If the accent knob is fully clockwise the effect is less noticeable.

32mm deep.
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MRP:$163.72 SAVE 17%
 1 in stock $136.43
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quote 774002
Cat: 774006 Rel: 13 May 20 • View all Synth modules
 
envelope generator module
Notes: Module: Accented Percussion Envelope Module (APE)

envelope generator, percussion, vca

Width: 6hp

Depth: 32mm , 1.26 inches clearance

Current: +19mA, -32mA

Circuits: Attack Decay Envelope Generator, and VCA's.

What does this module do?

This module allows you to add that dynamic 'accented' sound found in vintage gear like the Pearl SY-1 without having to build one of those kits, or hunt down the original. This module was influenced by such gear, but with modern parts. The goal was not to clone, but to get you really close results.

-There is a vca on the envelope output (DEPTH) with it's own CV Level input. This Dynamic Envelope has it's own output to give external vco's a 'pitch' ability. To do Disco 'POW' for example.



-There is another vca set up with CV Accent control just for the audio input.


If you patch up a sequencer, you can get very close results to the DFAM envelope portion.

*Gate or trigger input mode.

*3 modes for envelope time: Long, Perc (middle), and Short.
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MRP:$109.56 SAVE 17%
 1 in stock $91.30
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quote 774006
Cat: 773978 Rel: 13 May 20 • View all Synth modules
 
quantizer module
Notes: This is a quantizer based on the Michael Barton simple quantizer firmware PIC. There are two identical circuits found on this module. You can select two modes using the toggle switch. The 'Stand' mode is the standard mode which includes the follow scales:

STANDARD BANK

1.Bypass - Inputted voltage is outputted

2.Major - Root, 2nd, 3rd, 4th, 5th, 6th, 7th

3.Minor - Root, 2nd, flat 3rd, 4th, 5th, flat 6th, flat 7th

4.Major Pentatonic - Root, 2nd, 3rd, 5th, 6th

5.Minor Pentatonic - Root, flat 3rd, 4th, 5th, flat 7th

6.Blues Scale Root, flat 3rd, 4th, flat 5th, 5th, flat 7th

7.Whole Tone - Root, 2nd, 3rd, flat 5th, flat 6th, flat 7th

8.Chromatic - All 12 notes



The 'OCT' mode is the Octave BANK, which includes the following:

OCTAVE BANK

1.Bypass - Inputted voltage is outputted

2.Octave - Root

3.Octave and Fifth - Root, 5th

4.Octave and Flat Fifth - Root, flat 5th

5.Major Arppegio - Root, 3rd, 5th

6.Minor Arppegio - Root, flat 3rd, 5th

7.Dominant Arppegio - Root, 3rd, 5th, flat 7th

8.Chromatic

You use the knobs to select the different scales.
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MRP:$129.26 SAVE 17%
 2 in stock $107.71
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quote 773978
Cat: 775759 Rel: 27 May 20 • View all Synth modules
 
synth module
Notes: The module has two filters, and two OTA-based VCAs. Most of the controls are setup to control both filters with one set of parameter knobs. There is a spread knob that separates the resonance peaks between both filters. You can get cool vocal and nasal filtering with careful adjustment. The filters self resonate. There is a trimmer for each filter which allows you to adjust how much feedback you want.

There is a CMOS based logic control system to select the state variable outputs. DG412 modern analog switch is used internally. This analog switch is made for audio (-5v / +5). There is a 'reset' button to quickly go back to LP flavor.
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MRP:$338.53 SAVE 22%
 1 in stock $264.67
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quote 775759
Cat: 774012 Rel: 13 May 20 • View all Synth modules
 
stereo delay module
Notes: This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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MRP:$216.66 SAVE 17%
 2 in stock $180.55
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quote 774012
BLM Europa VCO Module (synth module)
Cat: 775763 Rel: 13 May 20 • View all Synth modules
 
VCO module
Notes: Alan R. Pearlman inspired system. Part of the BLM7200

The system only mimics the collection of sections from the 2600 to make a complete instrument.

(Discrete Tri Core) sine, ramp, square, triangle waves
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MRP:$294.21 SAVE 21%
 1 in stock $232.87
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quote 775763
BLM Hermippe VCF Module (synth module)
Cat: 773986 Rel: 13 May 20 • View all Synth modules
 
analogue filter module
Notes: This is an analog filter with a lot of low end. The design uses a JRC 13700 OTA dual vca chip to produce 12db Low pass and 12db high pass filtering. The module can easily self oscillate. There is a trimmer to adjust how much sine wave you want. There is a 2 channel internal mixer, so that you can patch two sound sources. There is a bi polar FM input, and a 'MOD' input with level control. These are used to voltage control the Cutoff knob.

The 'ping' input is a unique trigger conditioner that will send a spike to the filter. This is used to produce percussion type sounds from the output. This is used in combination with the Rez knob. The cutoff knob determines the sine wave frequency.
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MRP:$134.18 SAVE 17%
 2 in stock $111.81
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quote 773986
Cat: 773976 Rel: 13 May 20 • View all Synth modules
 
ADSR module
Notes: A Simple Envelope Generator that produces an Attack, Decay, Sustain, and Release voltage output. This product only produces voltage. You will need an external VCA module for you to complete the common Envelope + Amplifier Patch. This module can also be used to modulate for example a vco. This is a digital product. There is positive CV control for the output,amplitude level of the envelope.
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MRP:$104.64 SAVE 17%
 1 in stock $87.19
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quote 773976
Cat: 774000 Rel: 13 May 20 • View all Synth modules
 
VCO module
Notes: Typically excellent stuff from Blue Lantern Modules. Proper versatile VCO that also goes slow enough to handle LFO duties, with a wealth of FM, sync and modulation options plus sub-osc output.

Supplier's notes:
This product produces continuous wave forms that can be used as an LFO or audio rate VCO. There are 11 possible wave form outputs. This is a discrete, triangle core design based on the Bergfotron 'Advanced' VCO. This particular version uses a VCA based exponential converter for the core 1v per octave converter.

11 Wave Form Outputs: Ramp, Double Saw x2 Frequency, Sine with Level Out, Triangle, Saw, Even Harmonic, Pulse with PWM, Falling Stairs, Folded Triangloid, Pulse Train, Sub Generated Pulse Output (Divider)

Model: BLM Lunar Modulation Lab VCO
Analog Oscillator, LFO,VCO
Width: 18hp
Current: +91mA,-61mA


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MRP:$380.38 SAVE 17%
 2 in stock $316.98
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quote 774000
Cat: 774004 Rel: 13 May 20 • View all Synth modules
 
metallic generator module
Notes: Freshly updated to a more user-friendly and versatile MK2 form, this percussion module was always a great value and now even better. MK2 introduces layout changes, FM and easier tuning.

Supplier's notes:
There are 3 square wave oscillators that ring mod each other twice to produce 'shimmery' sounding tones or drones. The internal sound does not stop. When you patch from the 'drone' jack it is a constant sound. You use the A, B, and C knobs to tune each individual oscillator. Then you use the 'Tune' Knob to adjust all of the oscillators when you find that perfect sound. There is a TR influenced circuit that uses the abrupt dirty transistor vca to produce hi-hats or metallic percussion. I added the essential accent control to vary the amplitude. You need a gate or trigger signal from an lfo, etc, to activate the TR VCA portion of the module.

Otherwise if you want clean hi-fi sounding percussion from this unit, you patch from the 'Drone' jack to your hi quality ssm2164, or cool audio v2164 vca.

Model: Mini Shimmery Module MK2
Percussive Metallic Generator
Depth: 2.5 inches
Width: 10hp
Current: TBA
Colors: Matt Black
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quote 774004
Cat: 775747 Rel: 13 May 20 • View all Synth modules
 
mixer module
Notes: Alan R. Pearlman inspired system- part of the BLM7200
The system only mimics the collection of sections from the 2600 to make a complete instrument.

Audio Mixer, Noise Generator, Sample and Hold, Ring Mod (633 chip)

32 mm deep
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quote 775747
Cat: 773981 Rel: 13 May 20 • View all Synth modules
 
LFO module
Notes: This module contains about 5 modules in one. You get a lot of features. This is using a Phase Lock Loop based internal patch to create the oscillation (LFO). I then give you access to the clock divider used in the Phase Lock process.

This LFO can go audio rate or really slow using the toggle switch to decide LFO/HFO mode. There is an internal CV switch for you to select from 6 wave forms. The special wave form is the step generated wave. It sounds like a quantized ramp wave, and moves at half the overall internal lfo rate. There is a nice Level out knob to control the LFO wave output. This LFO has very HARD sync, that will reset the LFO.

The other half of this module contains a clock divider that also uses a CV selectable output. The clock divider can also go audio rate and sound like a sub harmonic generator when in audio rate. At very high frequencies (FREQ knob fully clockwise), the clock divider will lock up, this is due to the cmos chip.

The clock divider can be used with internal clock or external clock.

This is a fun performance type of lfo with just about all the features an LFO should have. There is 1v/ octave tracking of about 4 octaves when used as an oscillator. This product is for most part more of an LFO. The best patch one can do with this product is a 'cross' patch from the Phobos Lunar LFO, and have it patched to your Oscillator module. Then patch your oscillator to the CV waveform select on the Phobos.
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quote 773981
BLM Simple VCLFO Module (synth module)
Cat: 775771 Rel: 13 May 20 • View all Synth modules
 
LFO module
Notes: This is another analog lfo made specifically for those who may be on a really tight budget- this particular module is good for modulating your filter module or VCO module.
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quote 775771
Cat: 773975 Rel: 13 May 20 • View all Synth modules
 
generator module
Notes: This is a vco add on or helper. You patch a saw, square, triangle , or sine wave into the input jack. Now patch the output jack to a mixer module. For example you can use the Blue Lantern modules: Sir Mix Alot, Mix Em Up, or other third party mixers. You also patch one of the original waves from your vco (this is optional as you will still get audio results).

What you will hear with your gear is one supper fat mixture of harmonics. You have 4 knobs to mix in each harmonic.

The module can handle a full wide frequency spectrum.

The module is using CD4013 Flip Flop IC to do its 4 divider break down- there is no latency, no Atmega or STM issues
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quote 773975
BLM TW DCO Module (synth module)
Cat: 773991 Rel: 13 May 20 • View all Synth modules
 
DCO module
Notes: This is a digital vco with on board wave table and sub oscillator outputs that are audible.

The Tune Knob Parameter is Quantized. As you turn the knob it locks to musical chromatic scale.

This is an analog vco based on the Bergfotron Advanced VCO. It has heavy modification compared to other buchla vco's. It will track much better than other modules because this is using a VCA based tracking system instead of the matched transistor system. The 'Lock' switch allows for setting up your favorite reference Frequency. For example you can set it up on Zero Volts equals low Note 'C'.

You use this as a sound source.
You use this as a precision LFO.
You get a bonus analog sample and hold.

There are two possible sound source outputs:
-Wave Out. This has 8 possible wave shapes: Triangle, Saw, Double Saw, Pulse Width, Sine, Ramp, Even Harmonics, and Double Pusle wave. All of this is selected by push button. The selector circuit is using a Precision DG412 IC chip, so there is no bleeding. There is of coarse CV input for the selector (by Triggering).
All 8 waves are roughly -5/+5.

-(Positive) Static Square Wave Out. This is a great clock source, it is also a great sync source for other products.

The analog sample and hold is using the internal VCO as the 'clock'. You simply patch a sound source on the 'input' and use the output to monitor the result. The (red knob) Tune knob above is used to control the S&H rate.

This product is the evolution of the 'Transistor Pyramid Core' saga.

MODULE: TW DCO
DIGITAL OSCILLATOR, SOUND SOURCE

WIDTH: 6HP

CV Input sources:
Wave table CV
Sub Wave Selector CV
Detune CV
1v / Octave Pitch input CV

Outputs: Wave out, Sub out.
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quote 773991
Cat: 775779 Rel: 13 May 20 • View all Synth modules
 
velocity amplifier module
Notes: This module contains everything you need to complete an analog voice- all you need is a VCO for example. There is CV velocity for the filter, and CV velocity for the amplifier. You can create very dynamic sounding accents, and percussion sounds with this module.
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Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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Cat: 771733 Rel: 06 Apr 20 • View all Synth modules
 
VCO grpahic series module
Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V
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