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Startseite  Equipment  Drum machines | Buy analogue and digital drum machines
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Drum machines | Buy analogue and digital drum machines

Drum machines are essentials for most electronic music producers. House, techno and hip-hop rely on synthesised and sampled kicks, snares, claps and hi-hats to give them their signature sound. Some of the best and most creative drum machines are now at the more affordable end of the market, thanks to brands like Korg, Teenage Engineering and Roland. Whether triggered by MIDI or a built-in sequencer, these cheaper models still work well as part of any hardware studio or live performance setup. Lots of modern drum machines are based on classic vintage models like the Roland TR-808 and TR-909, but in addition to clones of old-school analogue classics you can also find digital and analogue offerings from the likes of Moog, Erica Synths and Vermona. The line between grooveboxes and drum machines is blurred, with Akai MPCs and Roland MCs allowing you to mix drums and sampled instruments all in one box.
Drum machines
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Akai Professional Force Standalone Music Production Centre
Cat: 716904 Rel: 01 Apr 21
 
Standalone sampler/sequencer with Ableton Link compatibility
Notes: A standalone alternative to the clip-and-scene production workflow of software like Ableton Live. Huge production and performance potential with built-in synths, effects and sampling power.

FORCE 3.2 is the MOST POWERFUL STANDALONE music production system for studio production and live performance. Now, FORCE 3.2 delivers even more inspiring plugin FX, sounds, creative editing, arranging and vocal effects processing as well as award-winning mixing and mastering plugins from world-renowned AIR Music Tech.

MPC Plugin Instruments
New Sounds Mode
New AIR Effects
Probability & Ratcheting
Automation Snapshots | Track Reorder
FORCE Tuner

Supplier's Notes:
Introducing Force, the ultimate in standalone end-to-end production workflows, complete with every tool you need to produce, remix, mashup and perform your tracks live. Fusing clip-launching, a linear arranger, MIDI Multi capability, step sequencing, sampling, synth engines, tactile touch screen control and much more, all in a singular standalone device, Force is primed for any setting, from the studio to the mainstage - no computer needed.

Launch Clips, browse your sounds, edit MIDI data, manipulate samples, arrange your composition, apply XYFX, sculpt synth sounds and much more, all from Force's 7-inch, full-color, capacitive multi-touch display.

Find your creative flow with Force's arsenal of tactile controls. Trigger scenes/clips, step sequence, finger drum and play note data with an expandable 8x8 clip launch matrix. Discover new ways to supercharge your performance via 360-degree rotary encoders with OLED feedback for immediate real-time access to all core controls or any assignable parameter. Fast-track your workflow with Force's collection of smart controls for navigation, playback/recording control, note expression, crossfading and much more.

Load your samples from a USB thumb drive or SD card, or expand Force's storage with the SATA drive bay. Capture audio with (2) XLR/14-inch combo inputs with phantom power, switchable to line/instrument level. Route your audio to two stereo 1/4-inch outputs, selectable per track within Force's UI. Use the headphone out as a cue bus to audition clips/scenes. Take control of your modular gear with four independent CV/Gate outputs and unite your peripheral MIDI equipment courtesy of MIDI In/Out/Through ports and USB via Force's unprecedented MIDI Multi capability. Connectivity and storage restrictions are things of the past!

From sparking that initial idea to arranging and final mixdown, everything your production demands is here. Record, program and sequence with multiple track types including Plugin Tracks with MPC-style Drum Tracks, Audio Tracks, Keygroup Tracks, MIDI tracks and CV tracks. Sketch out song sections in performance mode, then arrange these on Force's linear arranger. Add the final polish to your track using dozens of processors and effects from the AIR FX suite, all controllable via smart assignments on the rotary encoders or the displays on the touch user interface.

For the DJ, Force immediately connects to your live rig either as a feature-rich side-cart or a solo centerpiece. Remix and mashup tracks on Force's 8x8 clip matrix. Import multiple stems, then time-stretch and pitch-shift your content all in real-time. Assign tracks to Force's crossfader and load full tracks, stems or loops to Force's 8x8 matrix. Add an extra dimension to your performance with tactile XYFX. Connect Force to your wireless network and sync your project with any Ableton Link compatible application or hardware device. The creative possibilities are only as limited as your imagination - adding an extra dimension to your DJ performance has never been simpler.

KEY SPECS:

Pads:
(64) velocity- and pressure-sensitive pads, RGB-backlit

Knobs:
(8) 360- touch-sensitive Knobs
(1) 360- encoder for display navigation and selection via push
(5) 270- knobs for gain, mix & level adjustment

Buttons:
(56) dedicated function buttons; red-, amber-, or green-backlit

Display:
6.9" / 176 mm (diagonal)
5.9" x 3.7" / 150 x 93 mm (width x height)
Full-color LED-backlit display with touch interface

Connections:
(2) XLR+1/4" (6.35 mm) TRS inputs (Input 1/2)
(4) 1/4" (6.35 mm) TRS outputs (2 stereo pairs)
(1) 1/4" (6.35 mm) stereo headphone output
(1) 1/8" (3.5 mm) MIDI input
(1) 1/8" (3.5 mm) MIDI output
(1) 1/8" (3.5 mm) MIDI thru port
(4) 1/8" (3.5 mm) CV/Gate outputs
(1) Ethernet link port
(2) USB Type-A ports
(1) USB Type-B port
(1) SD card slot
(1) power adapter input

Power:
Via power adapter: 19 V, 3.42 A, center-positive, included

Dimensions (width x depth x height):
13.8" x 15.3" x 2.85"
350 x 389 x 72.5 mm

Weight: 8.53 lbs./3.87 kg
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Akai Professional MPC Live II Standalone Music Production Centre
Cat: 817846 Rel: 15 Jul 21
 
Music production centre with studio-grade monitors
Notes: Akai's mid-range MPC features full-size pads plus a built-in rechargeable battery and speakers. Integrated phono stage makes it easy to sample from vinyl. A hugely capable studio centrepiece.

Supplier's Notes:
Meet MPC Live II, the full MPC experience in its most portable configuration yet. Everything you need to make music, anywhere, right at your fingertips.

There's no need to compromise for portability. MPC Live II is the complete MPC experience without missing a step. A rechargeable lithium-ion battery means you can work anywhere for hours. Full-size MPC pads give you the ultimate in drum performance and the expanded function buttons allow for quick editing on-the-fly so you never miss a beat.

For the first time ever, you now have studio-grade monitors built-in directly to your MPC. No need to waste precious time looking for your headphones, untangling cables or powering up external monitors. These full range stereo monitors deliver low end thump along with tight top end to make portable beat-making the sonic experience you need to feel your music.

MPC Live II integrates into your creative space with all the ports, jacks and connectivity you need. USB 3.0, 2x2 MIDI, CV/Gate, 3 stereo outs and more. WiFi and Bluetooth connectivity make for a completely wireless workflow. No matter the device, MPC Live II is ready to get connected!

MPC Live II will super charge your production. With MIDI performance to tap in to as many devices as you need, an intuitive and streamlined layout not to mention the MPC workflow features you need; 16 Levels, Note Repeat, Auto Sample, Chords & Notes More and so much more. Get ready to level up to the MPC Live II.

KEY SPECS:

Pads:
(16) velocity and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push

Buttons:
(27) dedicated function buttons; red, amber, or green backlit

Display:
6.9" / 176 mm (diagonal)
5.9" x 3.7" / 150 x 93 mm (width x height)
Full-color LED-backlit display with touch interface

CPU: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB, expandable via SATA connections

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(6) 1/4" (6.35 mm) TRS outputs (3 stereo pairs)
(1) 1/4" (6.35 mm) stereo headphone output
(2) RCA inputs (1 stereo pair)
(2) 5-pin MIDI inputs
(2) 5-pin MIDI outputs
(4) TRS CV/Gate jacks, 8 outputs total
(1) Ethernet link port
(2) USB Type-A ports
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Power:
Via power adapter: 19 V, 3.42 A, center-positive, included
Via battery: Up to 5 hours of battery life

Dimensions (width x depth x height):
16.2" x 9.6" x 1.8"
411.5 x 243.8 x 45.7 mm

Weight:7.45 lbs/3.38 kg
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MRP:$1,056.00 SAVE 16%
 5 in stock $892.32
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Akai Professional MPC One+ Standalone Music Production Centre
Cat: 946894 Rel: 30 May 23
 
Standalone MPC with 7" touchscreen, WIFI & Bluetooth.
Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg
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MRP:$707.52 SAVE 14%
 3 in stock $611.42
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Alesis SR-16 24-Bit Stereo Drum Machine (black)
Cat: 358660 Rel: 22 Jun 09
 
24 bit drum machine, dynamic articulation, stereo samples & preset patterns.
Notes: As one of the most popular drum machines ever made, the Alesis SR-16 has been used by everyone from songwriters to live performers to remix engineers as their drum machine of choice. The reason is simple, it features a great selection of 233 realistic, natural drum sounds, offered both in dry form and sampled with our incomparable digital reverbs.

The Alesis's exclusive Dynamic Articulation features enables a drum sound to change its tonal content as it's played harder for truly realistic performances. The SR-16 features 50 preset patterns that were actually played in by top studio drummers, not just programmed and quantized. You'll find enough built-in rhythmic variations (with A, B and 2 x fill sections) for composing complete arrangements, and you can create and save your own customized patterns and songs.

Plus, the SR-16 also provides complete MIDI implementation, a footswitch input, flexible programming and editing features and velocity-sensitive pad buttons. Plus, it's so easy to use that you'll be up-and-running and composing new music in minutes. Whether you need a songwriting partner or an accompanist for live performance, turn to the all-time world standard in drum machines: the SR-16.

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MRP:$142.56 SAVE 12%
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Erica Synths/Sonic Potions LXR-02 Digital Drum Synthesiser & Sequencer
Cat: 835701 Rel: 30 Jul 21
 
Digital drum machine with an integrated sequencer
Notes: Not just a drum machine but a drum synth, the LXR-02 combines the best analogue and digital sound design options to great effect. Six drum voices each with over 30 adjustable parameters.

Supplier's Notes:
Two companies - Sonic Potions and Erica Synths joined efforts to develop a drum machine that would stand apart from the masses and the LXR-02 was born. The LXR is a full-fledged digital drum machine with an integrated sequencer. Its sound engine provides 6 different instruments, each with over 30 parameters to tweak, producing sounds from classic analog emulations to crunchy digital mayhem, thus offering some of the most extensive sound design capabilities found on a drum synthesizer. Its compact, durable design and clear user interface make it ideal for live gigs.

Features
6 drum voices
Powerful sound design engine
Over 30 adjustable parameters per voice
Voice volume sliders
Insert FX section
4 assignable 6,3" jack outputs (2x stereo or 4x mono)
Full-size MIDI in/out
Flexible, performance-oriented 64 step sequencer
Performance mode with mutes, rolls, master bitcrush, and kit morphing
Kit, Pattern, Performance, and Song memory
SD card for easy FW updates and Project backup
USB MIDI
Headphone output
Extensive MIDI implementation
Durable and compact aluminum casing
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 2 in stock $504.76
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quote 835701
Jomox Alpha Base Analogue Drum Synthesiser
Cat: 648368 Rel: 09 Nov 17
 
Versatile analog drum machine
Notes: A modern classic. Analogue-focused drum machine with a few nice digital features for good measure. Proper weighty sound and huge sound-sculpting options for live or studio use.

Supplier's notes:
True analogue. Eleven instruments. Sequencer. MIDI/USB/SD-Card. Samples. Sampling inputs. Balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years - they've simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox have ever built.
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MRP:$1,960.99 SAVE 16%
 1 in stock $1,641.02
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Jomox MBase 11 Analogue Bass Drum Module
Cat: 458818 Rel: 25 Jul 12
 
Full MIDI controlled analog bass drum module
Notes: The MBase11 can do only one thing, but it does it right, and it does this even better than in the past.

The MBase11 is the logical follower of the MBase01 and offers even better performance, more versatility and an even phatter sound. It generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And also, the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply kicks, this turns out to be a bass drum synthesizer.

The MBase11 has a compression parameter to vary the thickness of decaying sound. It offers a variable gate time to to create very different sounding attacks. It also has a metalise parameter to have hundreds of variations on the attack noise.

For more intuitive editing, JoMox have added an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.

The MBase11 purposefully sounds a bit different to the XBASE 999/888, making it a great sounding expansion for our other drum products and other analog percussion.

The kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.

The MBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.

The kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.

Last but not least: one of the most convincing arguments for the MBase11 is the price: This is an inexpensive tool that helps you to create great kick sounds, without the time-consuming searching associated with mostly not satisfying samples. You save time and energy while reaching the sound quality you always imagined.

Tweak the sound you need. Everything is real.

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MRP:$281.95 SAVE 22%
 1 in stock $218.58
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Korg Drumlogue Hybrid Drum Machine (black) (B-STOCK)
Cat: 930182 Rel: 01 Jan 90
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide
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 2 in stock $422.40
FORTHCOMING
Korg KR-11 Compact Rhythm Box
Cat: 994386 Rel: 30 Apr 24
 
Compact rhythm box
Notes: The perfect practice partner

The Korg KR-11 offers a comprehensive rhythm experience, perfect for musicians refining their skills. It boasts a wide range of patterns, 14 user programs, and 16 velocity-sensitive pads for custom beats and finger drumming. Its optional pedal switch allows hands-free control, essential for guitarists and ukulele players.

Compact and battery-powered, the KR-11 is ideal for both indoor and outdoor practice. Equipped with a built-in speaker system, it ensures quality sound in any setting, making it a valuable tool for musicians of all levels.

Rhythms at your fingertips

Immerse yourself in a diverse range of rhythm patterns, suitable for various musical styles from Blues/R&B to Country and Island tunes. The KR-11 also includes 3-, 5-, and 7-beat patterns, ensuring the right rhythm for any piece. With 14 user programs and 16 velocity-sensitive pads, the KR-11 invites you to customize and save your own rhythms, adding a personal touch to your practice sessions.

Finger drumming fun

Elevate your rhythm practice and performance with the KR-11's finger drumming feature. The 16 pads, assigned with a variety of drum sounds, respond to your touch, allowing you to create dynamic and authentic drum patterns. This feature is perfect for developing your rhythm skills and adding a hands-on, interactive element to your practice.

Portable simplicity

The KR-11, designed for the mobile musician, offers unparalleled ease of use and portability. Its lightweight, battery-powered design allows you to easily transport it to various practice locations, whether indoors or outdoors. The built-in speaker system ensures your rhythms are heard loud and clear in any setting. Enhanced with Korg's innovative Acoustage Bass technology, the KR-11 delivers depth and richness in bass tones that are impressive for its size. This works by virtually expanding the sound field, creating a fuller, more resonant bass experience. The headphone/line-out jack is a practical addition, offering connectivity for private practice or linking to external amplification systems during group sessions or performances.

Hands-free control
With the optional pedal switch, the KR-11 becomes even more versatile, especially for stringed instrument players. This feature allows for hands-free control over rhythm changes, perfect for integrating the KR-11 seamlessly into your practice routine.

Specifications

Jacks: Headphones/line out jack, FOOT SW 1 jack, FOOT SW 2 jack, DC 9V jack
Power supply: Four AA-size alkaline batteries (sold separately) or AC adapter (DC 9 V, sold separately)
Battery life: Approx. 18 hours (varies depending on the batteries used and on the conditions of use)
Consumption: 1300 mA (peak value)
Dimensions (W × D × H): 160 × 115 × 44 mm
Weight: 279 g (not including batteries)

Included items
Quick Start Guide
Accessories (sold separately)
AC adapter (DC 9V, Centre Plus), pedal switch (PS-1, PS-3)
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coming soon TBA
Korg Volca Beats Analogue Rhythm Machine
Cat: 488449 Rel: 06 Sep 13
 
Vintage style analogue drum machine
Notes: Peerless beats generated by solid analog drum sounds and an Electribe-style sequencer.

A vintage-style analog drum machine from Korg's recently announced Volca series. The Volca Beats includes a 16-step sequencer and 6 x editable analog parts including kick, snare, Hi/Lo toms and open & closed Hi-Hats designed to provide sounds reminiscent of classic 80s drum machines. It also has an additional PCM engine which is said to produce 4 x Lo-Fi percussion sounds including clap, claves, agogo and crash sounds.

There is one-knob-per-function parameter control for crafting each of the six analog sounds including click, snappy, pitch, decay and grain. The PCM sounds have control over pitch and speed. There is also a Level knob allowing volume adjustment of each part.

The 16-step LED-lit sequencer has 8 x memory locations for saving patterns. It includes a recordable stutter function for generating repeated triggers (or drum rolls) and delay effects, an active step feature for quickly adding or removing individual steps, and a step jump function that will instantly play any step. Notes can be entered live as the sequencer is running.

You can also wirelessly synchronise playback of all of the units in the Volca series with any iOS music app that support Korg's Wireless Sync-Start Technology (WIST) using their SyncKontrol iPhone app. This also allows control of the swing settings and fine control of the tempo (including tap tempo).

The Volca Beats is battery powered (with optional AC power) and includes a built-in speaker. It weighs in at only 372g with dimensions of 193 × 115 × 45 mm (W x D x H).

The Volca Beats editable controls include:

Kick (click, pitch, decay, level)
Snare (snappy, pitch, decay, level)
Hi/Lo toms (hi pitch, low pitch, decay, level)
Open/closed Hi-Hat (closed decay, open decay, level)
PCM sounds (pitch, speed, level)
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 2 in stock $134.22
Korg Volca Drum Digital Percussion Synthesiser
Korg Volca Drum Digital Percussion Synthesiser (drum machine/percussion synthesiser)
Cat: 715951 Rel: 21 Mar 19
 
Drum machine with 16-step sequencer, 6 dual-layer drum parts, MIDI input & sync I/O
Notes: Killer value as usual from Korg's consistently reliable Volca range. Here the focus is on digital drum synthesis, offering a range of conventional percussion instruments plus creative options including basic synth sounds.

Supplier's notes:
Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.
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 1 in stock $134.22
Korg Volca Kick Analogue Kick Generator
Cat: 624272 Rel: 14 Nov 16
 
Analog synthesiser optimized for kick drum & bass sounds
Notes: An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.
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 2 in stock $134.22
Landscape Noon Passive Analogue Drum Synthesiser
Landscape Noon Passive Analogue Drum Synthesiser (passive analogue drum synthesiser)
Cat: 860834 Rel: 21 Oct 22
 
Passive analogue drum synthesiser
Notes: WHO? Noon

WHAT? An 8 channel powerless instrument which is activated and modulated using voltage from external sequencers.

HOW? Analog circuits are powered momentarily by incoming gate and control voltage signals causing them to oscillate and breath naturally. When these circuits are linked together they can grow, inform and process one another in complex rhythmic ways.

WHY? This technique increases the unstable properties of analogue circuits, causing increased organic textures and movement. The simple controls are provided to ensure immediacy and access to rapidly alter sounds and movement without patching.

WHERE? The simplicity of the interface was designed with live performance in mind. The number of internal and external variables (control voltage types, linked channel behaviour plus external audio input) create lots of room for studio exploration.

WHEN? Pre-orders are expected to be open by the end of January 2022.

IN-DEPTH

NOON is a passive analogue drum/synthesizer. Each of the eight channels uses a unique analogue circuit with its own characteristics. No power supply is needed. Each circuit is triggered and powered individually from incoming gates or control voltages provided by voltage sequencers or modular systems. By using this unique method, we can increase instability and magnify organic aspects of traditional analogue electronic instruments. The sound of analogue, at its core, is the sound of sculpted electricity. By removing the stabilizing elements of a constant power source, we can listen to the sound of electronic circuits loading and unloading, powering up and powering down, and we can increase the natural chaotic movement of electricity. The loading of circuits creates natural ways to access swing and groove or ways to deconstruct a programmed rhythm sequence to make surprisingly new ideas.
Each channel is represented by a tuning fork. Incoming voltage can be thought of as a way to "strike" each fork with momentary voltage. Between every channel there are Link buttons which allow voltage sharing between channels. Linking them provides a wide mix of results depending on incoming voltage, active or inactive channels, slider settings, gate lengths and multichannel linking. The results can be described as cross modulation, growth (creating a larger and more complex circuit), or processing (filtering, distortion). Due to the cycles of voltage and this inherent instability, a definition of what is actually occurring between channels can be hard to pin down. The eight Mod buttons, which are located at the bottom of each tuning fork, change the behaviour and sound of each circuit. The eight latching CV buttons along the top allow the "?" Even and "?" Odd CV modulation inputs to route to even and odd channels. When incoming CV is unmuted, a channel's behaviour can change drastically and this behaviour can change further when channels are linked. These CV inputs are a way to add microtonal pitch changes and/or large textural movement to voices. The Even and Odd CV inputs are summed to their respective channels to provide a rhythmic modulation reference between multiple channels.

Limitations & Recommendations

A voltage sequencer, modular system or some form of external control voltage is required for use. This is a powerless instrument which relies upon receiving voltage and control from external sources.
Using sequencers which have the ability to vary gate length is highly encouraged due to the increase in sound possibilities and rhythmic movement.
Each model of voltage sequencer can have slightly different effects on the tonality of the instrument due to variations between manufacturers and feature sets.
Given the passive design of the device the reaction of the touch plates will vary greatly based upon what voltages are being received in which channel, if channels in are being touched in tandem, skin moisture and gate lengths. Using only trig signals can significantly lessen the touch plate response.
Channels 7 & 8 (Larynx & Bacid) will give best results being fed gate and cv voltage simultaneously. Sending trigs instead of gates to these channels may have less interesting results than found in other channels.

Specifications

Dimensions: 32cm x 18cm x 2.5cm / 12.5" x 7" x 1"
Materials: Gold plated PCB (2mm fiberglass) / routed Birch plywood case with clear coat / metal shaft sliders with rubber caps / concave and dual LED latching push buttons
Weight: 0.9 kg. / 2 lbs.
CV Inputs: 10 x 3.5mm jacks
Audio Input: 1 x 3.5mm jack
Audio Outputs: 10 x 3.5mm jacks
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MRP:$812.06 SAVE 15%
 2 in stock $693.78
Michigan Synth Works SY-1 Analogue Drum Synthesiser With Expanded I/O Configuration
Cat: 919929 Rel: 04 Apr 23
 
A full size, exact replica of the Pearl SY-1 Syncussion.
Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other osciIIator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The Michigan Synth Works SY-1 is available in 3 different versions:

Expanded I/O Configuration: The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is open for user modification, factory mods will be available. Please contact for details.

Trig 1,2 In - Mod 1,2 In - Mute - Tune 1,2 CV in - Output 1, 2

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

What's included:
SY-1 Synthesizer
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone
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 2 in stock $633.59
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quote 919929
Michigan Synth Works SY-1 Analogue Drum Synthesiser With MIDI Equipped I/O Configuration
Cat: 919935 Rel: 04 Apr 23
 
A full size, exact replica of the Pearl SY-1 Syncussion.
Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other osciIIator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.

MIDI equipped I/O Configuration: This is the same as the expanded i/o configuration but adds MIDI in place of the MOD input. The MIDI responds to velocity to gate level and pitch for each channel. 2 TRS-TS and TRS MIDI cables are included

Trig 1,2 In - MIDI In - Mute - Tune 1,2 CV in - Output 1, 2

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

What's included:
SY-1 Synthesizer
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
MIDI I/O: 2x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone, 1x 1.5M 3.5mm TRS to MIDI, 1x TRS 3.5mm to 1/4" TRS Adapter
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 1 in stock $737.08
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quote 919935
Michigan Synth Works SY-1 Analogue Drum Synthesiser With Original I/O Configuration
Cat: 919921 Rel: 04 Apr 23
 
A full size, exact replica of the Pearl SY-1 Syncussion.
Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other osciIIator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The Michigan Synth Works SY-1 is available in 3 different versions:

1. Original I/O Configuration: The inputs and outputs use regular 1/4" Mono phone plugs:

Trig 1 In - Trig 2 In - Mute - Tune (via Tune pedal) - Mixed Output

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

What's included:
SY-1 Synthesizer
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
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 2 in stock $606.14
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quote 919921
Modbap Modular Trinity Mini System Semi-Modular Drum Machine
Cat: 955532 Rel: 10 Jul 23
 
Bundled system includes Trinity, modbap20 case and micro usb cable.
Notes: A powerful drum machine in a compact modular format, racked here in its own mini case with power supply. The Trinity digital drum synth generates three drum voices with excellent programming options.

Supplier's Notes:
Trinity Mini System is a powerful and adaptable semi-modular drum device that provides all the tools necessary to create innovative electronic music. With three distinct voices, including analogue-inspired(Block), additive (Heap), FM (Neon), and noise (Arcade)synthesis, you can easily create a vast array of traditional and non-traditional drum sounds.

The Modbap Pod20 case powers the Trinity Mini System and provides a convenient and compact modular synthesis platform. With a width of 20HP, perfectly suited for Trinity 20hp width, and a depth of 34mm, the Pod 20 is ideal for constructing a self-contained mini system that is suitable for both studio and live use.

The Trinity Mini System is the ideal all-in-one semi-modular drum synthesis solution for sound design, percussion design, sample creation, and electronic music production, regardless of whether you are producing techno, hip-hop, or experimental electronic music. Its small dimensions and versatile sound make it a must-have for any electronic music producer seeking to take flight with drum synthesis in their craft.

A power brick and the following products are included in the bundle.

Trinity

Trinity is a 3 channel Digital Drum Synth Array packed into a 20hp eurorack synthesizer. Effectively, Trinity performs as 3 powerful drum voices packaged into one beastly drum module with a few tricks up its sleeve.

Modbap20 Case

The Modbap20 Powered Eurorack Case can be your on-ramp to eurorack, a great option for a focused mini system, or a live control surface, or the perfect way to expand a larger system. TheModbap20 is 20HP in width, and 34mm deep with 4ms power bus boards. The included power brick and your favourite combination of up to 20HP modules are all you need to get started with your new mini system, control pod, performance pod, effects pod, or whatever you so desire. More on Modbap20 Case here.

Features:

Trinity
Power brick
Modbap20 powered case
USB cable (for use as midi over USB device with DAW or Midi-Host)
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quote 955532
Modor DR-2 6-Instruments Digital DSP Drum Synthesiser
Cat: 800419 Rel: 17 Nov 20
 
6-instrument digital drum machine
Notes: Killer digital drum machine from the excellent Modor. Six instruments, 128-step sequencer and some of the freshest, most innovative drum sounds we've heard in a long time.

*** New upgrade - July 2023 ***

Introducing this new upgrade for the DR-2, OS010. Built in cooperation with Berlin-based Canadian electronic music artist Nicolas Bougaieff!

Bougaieff frequently uses polyrhythmic structures, dividing bars or musical phrases of different instruments into different numbers of steps. Have one instrument play 17 steps in the time another instrument plays only 16 steps, or 8 steps in 5 steps, or... Like stretching N steps of one instrument over M steps of a second one, giving them an N:M speed ratio.

He felt that there were only rather limited possibilities in hardware sequencers and drum machines to achieve this.

The process of achieving this was quite challenging, but the result was worth it! This is a very intuitive way to work with polyrhythms, making use of stretched clocks. It is ready for download now on Modor's download page on their site!

Apart from the main sequencer clock, the DR-2 now has 2 polyrhythmic clocks (or 'polyclocks'), called polyclock A and B. Each of these 2 clocks relates to the regular 'main' clock with a certain N:M ratio. The polyclock takes N steps in the time the main clock takes M steps.

Next, every instrument can separately choose a clock:
the main clock,
the A polyrhythmic clock,
or the B polyrhythmic clock.

This means, you can let, for example, a snaredrum play 7 steps while the rest of the instruments plays 8 steps. The 7 steps are stretched equally in time over the 8 steps of the other instruments.

How is this done?

Keep the A or B button down, and set the N:M ratio using the SELECT/BPM (for N) and VALUE/SWING (for M) knobs.

Keep an instrument button A...F down and hit the A or B button to assign that instrument to one of the polyrhythmic clocks. Hit it again to return to the main clock.

Supplier's Notes:

The DR-2 is a 6 instrument digital DSP drum synth, with a built-in 128-step drum sequencer. At first sight, it will feel recognizable in some ways. There are sounds that will remind you of the good old classic drum machines, and the step sequencer will get you building drum riffs from the first second you touch it. But Modor uses digital sound synthesis to get beyond the possibilities of a classic drum machine, and the step sequencer does more than just hitting drums...

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not built to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound.

The DR-2 has 6 drum 'channels', drumsets made of 6 drum instruments. These channels don't have predefined instruments. You can choose freely which instruments you want in your 6-channel drumsets. The DR-2 works with drum 'models', of which you can pick one for every channel. You can consider these 'models', or synthesis algorithms, as a collection of small but dedicated drum synthesizers, of which you can pick 6 to form a drumset. There are models for bass drums, snares and cymbals, but also for some more unusual drum sounds, clicks and ticks.

Every model has up to 12 sound synthesis parameters: Pitch with pitch decay, curve and amount, amp volume with panning, amp decay and curve, and parameters X, Y, Z and T that have a different function in every model, see the table below.

The DR-2 has an output jack connector for each of the 6 channels A-F, and 2 master L/R outputs. If there's no cable connected to a channel output, the corresponding channel is sent to the master L/R outputs. The individual channel outputs are mono, but have a panning parameter to give it a stereo position in the master mix.

But there is more! The A-F output connectors are actually insert points, you can use 6.35mm (1/4") TRS jack connectors to route a channel out of the DR-2, and send it back in if you want. This way, you can use external effects, equalisers, compressors, ... on each of the 6 channels individually, and still have them panned and mixed in the master outputs of the DR-2.
Next to the audio connectors, the DR-2 has 6.35mm (1/4") TS connectors for 24PPQN clock input and output, and has classic din-5 MIDI IN, OUT and THRU connectors.

The sequencer of the DR-2 has a lot more options than just the classic 16-step sequencer. First of all: you can use 32nd notes, so the DR-2 doubles the resolution of a classic 16-step sequencer. The DR-2 has 16 step buttons but you can see 32 step leds on the front panel. Keep the '16/32'-button pressed to access the steps-between-the-steps.

A pattern can use up to 4 of these 16/32-step pattern parts, these can be accessed with the 1-16/17-32/33-48/49-64 buttons. Using SHIFT + one of these buttons sets the pattern length. So, it's actually a 4x32 or 128-step sequencer.

But there's more: each instrument has it's own Accent, Flam, Tuplet, Break and Reverse patterns. Keep the ACC, FLAM, SHIFT+FLAM, BREAK or REV button pressed while using the step buttons.

MEASUREMENTS
Width: 440mm without rack ears, 480mm with rack ears (19")
Height: 267mm (10.5"/ 6U)
Depth: 40mm (front) - 80mm (back)
Weight: +/- 6kg

CONNECTIONS
9V, 600mA adapter connection, positive voltage on center pin
MIDI IN/THRU/OUT connections, 3x 5-pin DIN connection
Clock In/Out connections, 2x 6.35mm mono jack
Audio Instrument Outputs/Inserts, 6x 6.35mm TRS or mono jack, unbalanced
Audio Left/Stereo output, 6.35mm TRS or mono jack, unbalanced, capable of driving headphones
Audio Right output, 6.35mm mono jack, unbalanced
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MRP:$1,953.60 SAVE 18%
 2 in stock $1,593.50
Modor DR-2 6-Instruments Digital DSP Drum Synthesiser (B-STOCK)
Cat: 993692 Rel: 01 Jan 90
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Killer digital drum machine from the excellent Modor. Six instruments, 128-step sequencer and some of the freshest, most innovative drum sounds we've heard in a long time.

*** New upgrade - July 2023 ***

Introducing this new upgrade for the DR-2, OS010. Built in cooperation with Berlin-based Canadian electronic music artist Nicolas Bougaieff!

Bougaieff frequently uses polyrhythmic structures, dividing bars or musical phrases of different instruments into different numbers of steps. Have one instrument play 17 steps in the time another instrument plays only 16 steps, or 8 steps in 5 steps, or... Like stretching N steps of one instrument over M steps of a second one, giving them an N:M speed ratio.

He felt that there were only rather limited possibilities in hardware sequencers and drum machines to achieve this.

The process of achieving this was quite challenging, but the result was worth it! This is a very intuitive way to work with polyrhythms, making use of stretched clocks. It is ready for download now on Modor's download page on their site!

Apart from the main sequencer clock, the DR-2 now has 2 polyrhythmic clocks (or 'polyclocks'), called polyclock A and B. Each of these 2 clocks relates to the regular 'main' clock with a certain N:M ratio. The polyclock takes N steps in the time the main clock takes M steps.

Next, every instrument can separately choose a clock:
the main clock,
the A polyrhythmic clock,
or the B polyrhythmic clock.

This means, you can let, for example, a snaredrum play 7 steps while the rest of the instruments plays 8 steps. The 7 steps are stretched equally in time over the 8 steps of the other instruments.

How is this done?

Keep the A or B button down, and set the N:M ratio using the SELECT/BPM (for N) and VALUE/SWING (for M) knobs.

Keep an instrument button A...F down and hit the A or B button to assign that instrument to one of the polyrhythmic clocks. Hit it again to return to the main clock.

Supplier's Notes:

The DR-2 is a 6 instrument digital DSP drum synth, with a built-in 128-step drum sequencer. At first sight, it will feel recognizable in some ways. There are sounds that will remind you of the good old classic drum machines, and the step sequencer will get you building drum riffs from the first second you touch it. But Modor uses digital sound synthesis to get beyond the possibilities of a classic drum machine, and the step sequencer does more than just hitting drums...

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not built to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound.

The DR-2 has 6 drum 'channels', drumsets made of 6 drum instruments. These channels don't have predefined instruments. You can choose freely which instruments you want in your 6-channel drumsets. The DR-2 works with drum 'models', of which you can pick one for every channel. You can consider these 'models', or synthesis algorithms, as a collection of small but dedicated drum synthesizers, of which you can pick 6 to form a drumset. There are models for bass drums, snares and cymbals, but also for some more unusual drum sounds, clicks and ticks.

Every model has up to 12 sound synthesis parameters: Pitch with pitch decay, curve and amount, amp volume with panning, amp decay and curve, and parameters X, Y, Z and T that have a different function in every model, see the table below.

The DR-2 has an output jack connector for each of the 6 channels A-F, and 2 master L/R outputs. If there's no cable connected to a channel output, the corresponding channel is sent to the master L/R outputs. The individual channel outputs are mono, but have a panning parameter to give it a stereo position in the master mix.

But there is more! The A-F output connectors are actually insert points, you can use 6.35mm (1/4") TRS jack connectors to route a channel out of the DR-2, and send it back in if you want. This way, you can use external effects, equalisers, compressors, ... on each of the 6 channels individually, and still have them panned and mixed in the master outputs of the DR-2.
Next to the audio connectors, the DR-2 has 6.35mm (1/4") TS connectors for 24PPQN clock input and output, and has classic din-5 MIDI IN, OUT and THRU connectors.

The sequencer of the DR-2 has a lot more options than just the classic 16-step sequencer. First of all: you can use 32nd notes, so the DR-2 doubles the resolution of a classic 16-step sequencer. The DR-2 has 16 step buttons but you can see 32 step leds on the front panel. Keep the '16/32'-button pressed to access the steps-between-the-steps.

A pattern can use up to 4 of these 16/32-step pattern parts, these can be accessed with the 1-16/17-32/33-48/49-64 buttons. Using SHIFT + one of these buttons sets the pattern length. So, it's actually a 4x32 or 128-step sequencer.

But there's more: each instrument has it's own Accent, Flam, Tuplet, Break and Reverse patterns. Keep the ACC, FLAM, SHIFT+FLAM, BREAK or REV button pressed while using the step buttons.

MEASUREMENTS
Width: 440mm without rack ears, 480mm with rack ears (19")
Height: 267mm (10.5"/ 6U)
Depth: 40mm (front) - 80mm (back)
Weight: +/- 6kg

CONNECTIONS
9V, 600mA adapter connection, positive voltage on center pin
MIDI IN/THRU/OUT connections, 3x 5-pin DIN connection
Clock In/Out connections, 2x 6.35mm mono jack
Audio Instrument Outputs/Inserts, 6x 6.35mm TRS or mono jack, unbalanced
Audio Left/Stereo output, 6.35mm TRS or mono jack, unbalanced, capable of driving headphones
Audio Right output, 6.35mm mono jack, unbalanced
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MRP:$1,953.60 SAVE 22%
 1 in stock $1,527.90
Native Instruments Maschine Mikro MK3 Music Production & Performance Instrument
Cat: 702731 Rel: 18 Sep 18
 
Maschine Mikro MK3 compact beatmaking instrument
Notes: Already a firm favourite. The third incarnation of NI's mini Maschine is better than ever. Sampling, sequencing, synths and much more in a compact box.

Supplier notes:
Meet MASCHINE MIKRO, your flexible, compact companion for making music with a laptop. Use it to tap out beats, play melodies, and build up tracks fast, fun, and hands-on. Want to start creating right away? We've thrown in everything you need including instruments, sounds, effects, and powerful tools like sampling and drum synths.

MIKRO gives you four different ways of getting hands-on with your music using the 16 pads. Drum beats in Pad mode, with color coding for kicks, snares, and other sounds. Switch to Keyboard mode to play melodies with the pads. In Chord mode, it's easy to lay down inspiring chord progressions. And in Step mode, program beats and patterns visually in a classic step-sequencer style on the 16 pads get exciting musical results quickly.

Find, audition, and swap sounds without stopping the music. Browse through your favorite instruments, and load samples, projects and kits. A compact screen guides the multi-function encoder so you know exactly what you're controlling, while staying in the creative flow.

Found a great sample? Hit the Sample button to quickly load it into your project from the software. Record from your audio interface to capture from vinyl, play in a guitar, or grab any other sound into your track. Shape and refine your samples using the powerful editing tools in the MASCHINE software.

You'll find inspiration using the selection of premium sounds, samples, instruments, and FX included with MASCHINE MIKRO. Plus it comes with full versions the popular synths MASSIVE, MONARK, and REAKTOR PRISM.

MASCHINE MIKRO gives you everything you need to get creating music, and it also works as plug-in in Ableton Live, Logic Pro, Cubase, FL Studio, or any other compatible DAW as a VST or Audio Unit. Use it to build up loops, then work with them in your DAW to quickly flesh out tracks, making it a powerful addition to your setup, however you make music.

Don't feel lost staring at a blank screen. Whether you're making your first track, or wanting to step up your game, we've got you covered. Discover exclusive content from our MASCHINE experts covering everything from your first steps, to diving deep into power features with our popular TruTorials.
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MRP:$231.26 SAVE 18%
 1 in stock $190.12
Native Instruments Maschine+ Standalone Production & Performance Instrument
Cat: 789907 Rel: 16 Oct 20
 
Sampler & drum machine & synthesiser
Notes: Flagship instrument based on NI's excellent Maschine software but presented here in standalone format as an all-in-one groovebox, capable of creating everything from beats to synths and samples.

Supplier's Notes:
MASCHINE+ is a sampler, a drum machine, a synth, and an on-stage superpower. In short, it's whatever you make it. Leave the laptop behind, jam with your other gear, and create beats in minutes with a wealth of on-board sounds, instruments, and effects.

It's the iconic MASCHINE workflow, with fewer strings attached.

Standalone means more focus, more freedom, and more music making. Plug in, power up, and get creating straight away in the embedded MASCHINE+ production environment - from first ideas to finished tracks. Dial in effects to tweak your sounds, or sample audio and make it your own with an intuitive interface designed to keep the creative juices flowing. And if you want to bring your ideas into a DAW, copy them over, and boot up the MASCHINE software on your computer to pick up where you left off.

As well as its classic groovebox workflow, MASCHINE+ includes MASCHINE+ Selection: A dedicated package of nine synths and sampled instruments, 35 effects, and seven Expansions (including two of your own choosing) that work seamlessly in standalone mode. It includes heavy-hitters like MASSIVE, FM8, MONARK, PRISM, the MASCHINE Factory Selection, RAUM, and PHASIS. That means its 16 pads can sound like a dusty vintage drumkit, a warped wavetable lead, or an organic modal synth - pretty much anything you can think of if you flex your sound design skills.

Whether you're digging records or ripping radio edits, record any sound into MASCHINE+ and quickly chop and stretch the results into your own custom kits. Or transform and twist them in real-time with the Audio plug-in. The same goes for guitars, vocals, drums, and anything else - more sounds means more creative ways to make music.

Bring real expression to live performances with intuitive control over your music - tap out beats, run arpeggiators, or tweak synth melodies in real time. MASCHINE+ is an intuitive live sequencer, a fully-fledged groovebox, and a powerful performance synthesizer rolled into one.

Clips let you arrange your ideas with even more freedom. Create transitions across scenes, add unique variation to patterns, record MIDI directly into the full arrangement, and freely add audio wherever you need it. Once you've fleshed out your ideas, you can use MASCHINE+ as a powerful tool to push tracks past the finish line.

Play and sequence outboard gear and capture the results, or manipulate external audio in real time with effects. MASCHINE+ can control, mix, and manipulate the rest of your setup with MIDI, line, and mic inputs to bring everything together instantly. And if you want to work with a computer, it doubles up as a classic MASCHINE controller too.

MASCHINE+ is Wi-Fi enabled, which means you can install new sounds, instruments, and effects at the touch of a button, without a computer in sight. When it comes to jamming with others or playing out live, keep in sync with other music apps, DAWs, and compatible gear with Ableton Link.

Need more sounds? Expansions are great for giving MASCHINE+ some sonic love, with presets for its synths, one-shot samples, loops, and kits.

AUDIO INTERFACE SPECIFICATIONS

Line-In
Full Scale Level: +18,6 dBu
Dynamic Range: 100 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.1 dB
Crosstalk L/R: -96 dB

Mic Input (max gain)
Full Scale Level: -32 dBu
Dynamic Range: 90 dB
THD+N: 0.01 %
Frequency Response:: 20Hz-20kHz +/- 0.4 dB

Mic Input (min gain)
Full Scale Level: -3.4 dBu
Dynamic Range: 102 dB
THD+N: 0.004 %
Frequency Response:: 20Hz-20kHz +/- 0.15 dB

Line Out
Maximum Output Level: +18.0 dB
Dynamic Range: 102 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.5 dB
Crosstalk L/R: -100 dB

Headphone Out:
Maximum Output Level: 29.4 mW @ 33 Ohm load
Dynamic Range: 102 dB
THD+N: 0.007 %
Frequency Response:: 20Hz-20kHz +/- 0.35 dB
Crosstalk L/R: -60 dB

Dimensions: 322 x 301 x 51 mm / 12.68'' x 11.85'' x 2.01''

Weight: 2.50 kg / 5.51 lbs
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 1 in stock $812.06
FORTHCOMING
Nava Extra9 Rhythm Composer Drum Machine
Cat: 973375
 
The clone of the Roland TR-909 who reproduces the sound of the original drum machine, the groove of the sequencer, the shuffle parameter is fully implemented.
Notes: Nava 909 with extra 9 expansion

The NAVA 909 is the only real clone of the Roland TR-909 who reproduce perfectly the sound of the original drum machine, even the sequencer has the same groove, the shuffle parameter is fully implemented.

It has a MIDI interface, Roland Dyn Sync, trigger out, just like the original model.

It replicates so well the sound to the point that it is no more a clone, but an exact replica!

The circuits are 100% analogic and identical to the TR-909 from Roland.

Over 1000 electronic components are soldered by hand.

It contains the exact same ROM samples (Ride, Crash Cymbals and hi-hats).

It sounds and feel like a Roland TR-909, but it's even better as all the components are new, where the old real TR-909 has most of its components that are tired and often leading to sound problems.

On the top of that, it has a LCD screen and comes with an upgradeable firmware.

NAVA 909 Specs:

128 Rhythm patterns from 1 to 16 steps
"All the sounds generated from from the original Roland TR909 analogue synth: BD, SD, LT, MT, HT, RS, HC & CH
16 tracks of 999 measures
1 external instrument track by pattern that can store 99 notes like SH101 sequencer style.
A Midi keyboard mode allow you to play external Midi device
Multi out for each instruments
Individual accent for BD, SD, LT, MT, HT, RS, HC and CH
A total accent track
Master out (L/R Mono) 6Vp-p 1Kohm
Tempo 30 - 250 Bpm
7 shuffle levels
4 scales (1/8t, 1/16, 1/16t and 1/32)
4 sequencer directions (forward, backward, ping-pong and random)
Easy copy and paste pattern function
Shift left or right the entire pattern or individual instrument
In/Out/Thru Midi
DinSync 24ppqn Out
Trig Out 2ms +5V
And More...

What's in the box
1 x NAVA 909 (V1.02 board)
1 x NAVA 909 Manual (English)
1 x 15V 1000MA PSU
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $1,868.07
(No payment required now - pay when released)
Oficina De Sonido Hanan Cumbia Tropical Drum Machine
Cat: 966681 Rel: 30 Aug 23
 
Drum Machine with sounds and rhythms of Cumbia programmed on the Arduino platform and based on the Bleep Drum from Bleep Labs.
Notes: Collaboration with Yeffry Ruta Mare in graphic design and Los Laberintos in screen printing.
Drum Machine with sounds and rhythms of Cumbia Programmed on the Arduino platform and based on the Bleep Drum from Bleep Labs.

4 Sounds: Kick, Guiro, Cow Bell and Conga
2 with Pitch control (Cow Bell and Conga)
4 sequences of 32 steps each

You can record sequences in real time just by playing them.
Clock input to synchronize with other machines.
Tap Tempo

. Play: starts playing the sequence, if you press it again the sequence stops.
. Rec: start recording what you play, if you press it again, return to play mode
. Ctr + some pad: switch between the 4 available sequences
. Ctr + play: the sequence plays in reverse
. Play + rec: delete the sequence
. Ctrl + tap: puts the battery in sync mode, receives the pulse through sync conector
. Tap: tap tempo

Power (power) You can power the Hanan Cumbia through a micro USB cable and a charger or with a 9-volt power supply (negative tip), the same used for effects pedals.

The project is based on the Bleeplabs Bleep Drum. Hanan Cumbia uses the same Creative Commons Attribution-ShareAlike 3.0 license.

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 1 in stock $267.16
Click for better price!
or call +44 20 7424 1960
quote 966681
Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129 Rel: 28 Jul 21
 
A multi-functional analogue synthesiser and generator of complex rhythmic patterns.
Notes: Typically creative stuff from Soma Lab. Four channels of analogue drum synthesis, unique looping trigger generators, pseudo-random 'Shaos' generator and DSP-based effects.

Supplier's Notes:
Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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 1 in stock $1,893.41
Soma Laboratory Pulsar-23 Organismic Drum Machine (orange)
Cat: 855508 Rel: 23 Nov 21
 
A multi-functional analogue synthesiser and generator of complex rhythmic patterns.
Notes: PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analog FX processor.

The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.

Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.

PULSAR available in orange, black and white colours.

Please note that Pulsar is an experimental analog synth that means that it has some small noise and bleeds that can't affect your studio production or live performance but can be hearable in some modes. If you need a perfect silence and isolation of sound modules, using digital hardware is 100% recommended.

Specs

Range of input and output CV and audio signals: 0 to + 10V
Main output voltage swing: 2V
1/4 inch jack: 7 total
Mini-jack (for Eurorack connection): 8 total
MIDI input: standard DIN socket
Headphone output: 3.5 mm mini-jack
Supply voltage: 12 volts (plus in the center)
Consumption current: 0.3 amperes
Weight: 4 kg
Dimensions: 380 x 280 x 80 mm

What's in the box:

PULSAR-23
PSU
22 multi-colour cables with alligator clips 65cm
8 multi-colour cables with alligator clips 30cm
High-quality handmade bag for transportation
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 1 in stock $1,875.46
Soma Laboratory Pulsar-23 Organismic Drum Machine (white)
Cat: 872583 Rel: 19 Apr 22
 
Pulsar-23 is an organismic drum machine designed by Vlad Kreimer, which has a semi-modular structure and consists of 23 independent modules.
Notes: Arguably the best experimental drum synth in the world. Unique semi-modular, 'organismic' design with over 100 patch points and extensive controls for the four drum channels. Immense.

Supplier's Notes:
PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analogue FX processor.

The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.

Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.

Specifications

Range of input and output CV and audio signals: 0 to + 10V
(Pulsar inputs are protected against overloads and can receive signals in the range of -20 + 20
volts for a long time without problems)
Main output voltage swing: 2V
1/4 inch jack: 7 total
Mini-jack (for Eurorack connection): 8 total
MIDI input: standard DIN socket
Headphone output: 3.5 mm mini-jack
Supply voltage: 12 volts (plus in the center)
Consumption current: 0.3 amperes

Only a well-stabilized power supply must be used! If the supplied PSU is out of order, it is recommended that you modern switch mode power supplies with excellent stabilization for replacement.

Watch the polarity!

Weight: 4 kg
Dimensions: 380 x 280 x 80 mm

What's in the box

Pulsar-23
Power Supply 12V
20x65 cm patch cables with alligator clips
10x30 cm patch cables with alligator clips
Protection and transportation soft bag
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 1 in stock $1,875.46
Soma Laboratory Pulsar-23 Organismic Drum Machine (zanzibar blue)
Cat: 856138 Rel: 24 Dec 21
 
A multi-functional analogue synthesiser and generator of complex rhythmic patterns.
Notes: Blue version of Soma's weird and wonderful 'organismic' semi-modular synth. Ideal for drum and percussion synthesis but also suitable for melodic sounds, FX and more. Unique.

Supplier's Notes:
Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
Read more
 1 in stock $1,871.24
SoMa Laboratory Pulsar-23 Utilities For Pulsar-23 Drum Machine (pin version)
Cat: 951305 Rel: 14 Nov 23
 
A set of simple auxiliary modules to expand the functionality of the Pulsar-23 drum machine.
Notes: *** This version of UTILITIES comes with PULSAR-23 style turrets designed for connecting alligator clips. ***

UTILITIES contains a set of simple auxiliary modules to expand the functionality of the PULSAR-23 drum machine. UTILITIES modules can also be used with any gear that works with CV signals (Eurorack, semi-modular synthesizers, etc.).

The modules included in UTILITIES can be divided into two groups:
1) Passive elements such as switches, resistors, capacitors.
2) Various types of amplifiers and waveshapers, linear, non-linear, controlled and uncontrolled.
Passive elements are designed to expand the possibilities of switching and controlling the PULSAR.

Linear amplifiers are needed when you need to feed a signal from a device operating in a lower voltage format to the PULSAR inputs. For example, it can be a step sequencer with an output voltage of 5 volts, while the PULSAR needs 10 volts to fully trigger the drum modules. Or it could be the output of a cassette tape recorder, which has an output of 1 volt, while for normal operation the PULSAR needs an input level of an audio signal of 5 volts. Non-linear and controlled amplifiers and waveshapers are designed to control the signal level, while simultaneously changing its spectrum, distorting its shape and adding harmonics. The circuitry of these amplifiers is very simple and based on the early developments of the transistor era, with its inherent beauty and grace.

UTILITIES connectors are made in the PULSAR-23 format on pins designed to connect the alligator clips. There are also adapters for 3.5mm Eurorack mini-jacks.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

There are also adapters for 3.5mm Eurorack mini-jacks. The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

Power supply: DC +12 v 5.5 x 2.1 mm center plus
Current consumption: 50 ma max
Dimensions: 288 x 193 x 40 mm
Weight: 0.75 kg
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 6 in stock $467.80
SoMa Laboratory Pulsar-23 Utilities For Pulsar-23 Drum Machine (screw version)
Cat: 981604 Rel: 28 Nov 23
 
A set of simple auxiliary modules to expand the functionality of the Pulsar-23 drum machine.
Notes: *** This version of UTILITIES comes with with screws instead of pins. Also designed for connecting alligator clips, just more affordable. ***

UTILITIES contains a set of simple auxiliary modules to expand the functionality of the PULSAR-23 drum machine. UTILITIES modules can also be used with any gear that works with CV signals (Eurorack, semi-modular synthesizers, etc.).

The modules included in UTILITIES can be divided into two groups:
1) Passive elements such as switches, resistors, capacitors.
2) Various types of amplifiers and waveshapers, linear, non-linear, controlled and uncontrolled.
Passive elements are designed to expand the possibilities of switching and controlling the PULSAR.

Linear amplifiers are needed when you need to feed a signal from a device operating in a lower voltage format to the PULSAR inputs. For example, it can be a step sequencer with an output voltage of 5 volts, while the PULSAR needs 10 volts to fully trigger the drum modules. Or it could be the output of a cassette tape recorder, which has an output of 1 volt, while for normal operation the PULSAR needs an input level of an audio signal of 5 volts. Non-linear and controlled amplifiers and waveshapers are designed to control the signal level, while simultaneously changing its spectrum, distorting its shape and adding harmonics. The circuitry of these amplifiers is very simple and based on the early developments of the transistor era, with its inherent beauty and grace.

UTILITIES connectors are made in the PULSAR-23 format on pins designed to connect the alligator clips. There are also adapters for 3.5mm Eurorack mini-jacks.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

There are also adapters for 3.5mm Eurorack mini-jacks. The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

Power supply: DC +12 v 5.5 x 2.1 mm center plus
Current consumption: 50 ma max
Dimensions: 288 x 193 x 40 mm
Weight: 0.75 kg
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 1 in stock $350.58
Click for better price!
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quote 981604
Sonicware Liven Bass & Beats Wavetable Bass Synthesiser & Rhythm Machine
Cat: 920579 Rel: 08 Feb 23
 
Wavetable bass synthesiser and rhythm machine.
Notes: Part of Sonicware's excellent Liven series, the Bass & Beats packs a powerful wavetable synth engine designed for dance music. Presets are classified by genre, making it quick to nail sounds.

Supplier's Notes:
Unleash this wavetable engine to create thick basslines that fit into all genres.

Combine wavetable modulation and our rich resonant filter to create satisfying growls and wobbles.

The bass synth engine includes:
- Two independent Wavetable oscillators with the 64 available wavetables.
- One sub-oscillator
- One noise generator which can create 16 different noise types.

Add even more flavor to your basslines with the built-in LFO, envelope generator, unison control, multi-mode filter, and distortion effects.
A Library of Rhythm Sounds Specialized for Electronic Dance Music

The Liven Bass & Beats is loaded with 350 high-quality rhythm sounds carefully selected for modern and timeless compositions.
The library of drum sounds also include risers and tension releases SFX which are useful tools when transitioning to new sections of your compositions.

Hit the Ground Running With 64 Bass Patches That Cover All Genres

The LIVEN Bass & Beats includes 64 bass presets including battle tested favorites such as the Reese Bass, Future Bounce Bass, Wobble Bass, Growl Bass, Neuro Bass, Deep House Bass, Acid Bass, 808 Sub Bass, and more.
Use these presets to quickly dial in the vibe of a specific genre.

Ready-To-Go Preset Drum Kits

The drum sounds are organized into well balanced kits for specific genres such as: DUBSTEP, HOUSE, HIPHOP, TRAP, TECHNO, EDM, R&B, DOWNTEMPO, CHILL TRANCE, DRUM'N'BASS, JUNGLE, FUTURE BASS, ELECTRO, ELECTRONICA, IDM, DISCO, BREAK BEATS, etc.

You can also mix and match sounds from the drum library to create your own custom kits. Side-Chain Compressor

The LIVEN Bass and Beats has built-in sidechain compression function that ducks the volume of the bass and the line-in audio. The amount of this effect is variable so you can dial it in to taste or turn it off when it is not needed.

Two Performance Knobs Can Be Mapped to Many Parameters at Once

Two ASSIGN knobs are provided for complex multi-parameter control.

Similar to the Turnado1 VST plugin, our "ASSIGN" knobs allow you to map many parameters to a single knob to create powerful effects which transform or mangle your sound with a single twist.

All preset patches include these "ASSIGN" knobs pre-programmed and ready for sonic exploration.

The "ASSIGN" knobs can also be parameter locked to create automated changes to multiple parameters over time.

Quick Muting and Un-Muting for Each Drum Sound

Each rhythm track consists of 16 individual drum sounds. Each sound can be individually muted and unmuted with a single button press. This allows users to introduce drum elements on-the-fly to build energy and create unique breakdowns.

Dedicated Mixer Controls

Dedicated controls for balancing the levels of you drums, bass, and line input. These knobs can be used to create an overall volume balance, or they can be used to create drops and breakdowns during live performances.

Advanced Bass Shaping Tools

The DIMENSION knob increases the stereo width of the bass synth without losing clarity or richness.

The M.Gun effect uses a rapid tremolo to add glitchy grit.

Explore Beyond the Preset Sounds With the Bass Engine Edit Mode Overlay

Build your own bass sounds from scratch or modify the presets.

Every parameter of the bass engine is accessible when the edit mode active.

Slip on the overlay and enter a whole new world of bass sound design.

Synth Engine Basic Configuration

2x Wavetable OSC: Each of the wavetable oscillators can assigned one of the 64 wavetables.

SUB OSC: The sub-oscillator provides solid, foundational bass support.

It can generate sine, triangle, sawtooth, square, LOG, and random waveforms.

NOISE Generator: The noise generator can generate 16 different types of noise, including both white and pink noise. It is a powerful tool for aggressive and industrial tones.

Deep Modulation

Almost all of the internal parameters of this device can be targets for modulation. The LFO, Envelope Generator, and ASSIGN knobs provide a wide range of ways to modulate every aspect of your sound.

For example, the LFO could modulate the settings of the Envelope Generator which is simultaneously modulating the Bass engine's wavetable position.
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Teenage Engineering PO-24 Office Pocket Operator Noise Percussion Drum Machine & Sequencer
Cat: 599822 Rel: 03 Feb 16
 
Pocket-sized percussion/drum machine
Notes: We can't get enough of Teenage Engineering's quirky little Pocket Operators. The PO-24 is an oddball classic, specialising in office-themed percussion. Weird and wonderful stuff as usual from the innovative Swedish brand.

Supplier's notes:
Noise percussion drum machine and sequencer, with parameter locks, solo functionality and punch-in effects.

All pocket operator models perfectly complement each other. From drum machine, bass and lead synthesisers to noise percussion, the six unique units allow you to start a pocket band. Use them separately or connect them together, the choice is yours.

Use the built-in speaker for instant sound, connect a pair of headphones for detailed personal listening, or hook up a speaker system and the club will go boom!

Pocket operators are designed on a single multiple-layer circuit board using high quality components. They all share a compact and durable form factor.

By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Optional extras:
Add the silicone pro case to protect your pocket operator and get anti-slip feet, neck strap, battery protection and pro feel buttons. Use the SP-10 display protection to protect the LCD screen, and start a jam sync session with your friends using the MC-3 mini cables.
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 1 in stock $92.92
Teenage Engineering PO-32 Tonic Pocket Operator Drum Machine & Sequencer
Cat: 638396 Rel: 05 May 17
 
Drum synthesiser and sequencer with parameter locks, punch-in effects and unlimited sounds with microtonic VST through data transfer.
Notes: I'm the operator with my pocket calculator. Which is actually a drum machine. Cult classic digital beatbox which integrates really nicely with the Sonic Charge MicroTonic plugin.

Supplier notes:
Drum synthesizer and sequencer with para-meter locks, punch-in effects and unlimited sounds with micro-tonic VST through data transfer.

Unlimited sounds:

PO-32 is the first pocket operator which allows unlimited sounds. in addition to the 16 preset sounds, you can use sonic charge micro-tonic VST to craft your own unique sounds and transfer them wirelessly to PO-32 with the built-in microphone, or alternatively by using a cable.

Upgraded hardware platform:

PO-32 has a built-in microphone for transferring and receiving data over sound. it also has a removable lock tab for write protection of patterns. the hanger strength is increased for extra durability, and on the backside of unit there are some useful combo reminders.

New pro-case:

CA-X silicone pro-case is the best companion for PO-32. with an updated design, this case includes a hole for microphone, anti-slip feet, neck strap, battery protection and pro feel buttons. it is also compatible with all pocket operator models.
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 3 in stock $81.80
Twisted Electronics Deton8 Sampler & Drum Synthesiser
Cat: 763749 Rel: 27 Jan 20
 
A hybrid sampler/drum synthesizer using a mix of crunchy 8BIT samples and wavetable synthesis. and a plethora of real time fx and tricks.
Notes: deton8 is a hybrid sampler/drum synthesizer using a mix of crunchy 8BIT samples and wavetable synthesis. and a plethora of real time fx and tricks.

Handle-assembled to order in France.

deton8 includes the following kits (but you will be able to upload your own samples):

DETON8 default (big beats, break)
AMY SISTER (jungle break)
HIP08 (for all your 808 hiphop needs)
TEK09 (Rave on)
MINTY POPS (Classic beats)
INDUSTRIAL (exclusive kit by our dear friend NKDM)
14 additional kits, thanks to Electronisounds!
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 2 in stock $289.34
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Twisted Electrons BlastBeats Groovebox
Twisted Electrons BlastBeats Groovebox (drum machine/synthesiser)
Cat: 858514 Rel: 01 Jun 22
 
Drum machine/synthesiser with a vintage FM chip
Notes: A uniquely characterful drum machine, based on FM synthesis inspired by early 90s PC soundcards. Six drum voices and four synth parts can be controlled by a built-in step sequencer or MIDI.

Supplier's Notes:
At the heart of BlastBeats is a vintage FM chip called YMF-262 also known as the OPL3 chip & previously found in computer sound cards of the early 90s.

These chips were notoriously hard to program and were rarely used to their full potential. However, they can produce surprisingly rich beautiful and utterly dirty sounds with a bit of exploring...

By putting so many parameters within easy reach BlastBeasts makes it fun and easy to master the signature sound of the DOS era!

Rhythm & Synth

BlastBeats is a 10 voice groove box offering 6 drum voices and 4 synth instruments.

The many faders offer full control over the parameters of the instruments and can be automated and modulated per step

Beats and melodies are a pleasure to program thanks to the high quality illuminated buttons

Dimensions: 29.5cm x 16.5cm x 4.5cm (11.6" x 6.5" x 1.8")

Weight 944 g ( 2 lb)
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Vermona DRM1 MKIV Analogue Drum Synthesiser With Trigger
Cat: 812236 Rel: 12 Apr 21
 
Analogue drum synthesiser
Notes: Latest update to a modern classic drum machine. Pure analogue sound and rock solid build. Externally untouched but now with revamped internal circuits, USB MIDI and dynamic trigger inputs.

Supplier's Notes:
Introducing the brand new update to the classic drum and percussion synthesizer VERMONA DRM1. The DRM1 is a key part in Vermona's history. Its first generation, released in the 90s as Syncussion DRM1, caught wide attention. The MKII-version then continued and broadened the success and breathed new life into the VERMONA brand at the turn of the millennium. With the DRM1 MKIII, that Vermona have been building since 2006, it has now been a total of 25 years of DRM1! This makes it one of the longest-lived electronic musical instruments. And launching the next quarter-century is this analog drum synthesizer from VERMONA.

DRM1 MKIV: Familiar, yet evolved

At first glance, you may not notice any difference from its predecessor. Indeed, from the outside, there isn't any! The overall concept and user interface have remained the same: There are eight instrument channels, each with nine knobs for sound shaping, pan and volume control. The DRM1 is a musical instrument, a creative tool that wants to be touched and played.

Instead of trying to reinvent or change an already well-proven external design, with this update to version MKIV Vermon decided to focus on the inside. Time was taken to thoroughly listen into the circuits and put energy and care into its details: Thoughtfully tweaking frequency ranges, revamping control curves, adjusting levels and redesigning sub-circuits. The goal was to make the DRM1 MKIV the best drum synthesizer Vermona have ever built!

DRM1 MKIV: Sociable and dynamic

To make integration into your studio more comfortable, the DRM1 MKIV was equipped with USB-MIDI in addition to the standard MIDI connections.

The trigger inputs have been significantly upgraded. Beyond gate pulses, they now also accept different voltage levels for triggering the instrument channels dynamically. The DRM1 MKIV with trigger inputs can also convert the analog signals into MIDI notes via USB or the newly added MIDI OUT connector making it an incredibly versatile MIDI interface.

Whether you're controlling the DRM1 MKIV via a DAW, a hardware sequencer, or a modular system, you'll have the proper connection and further the ability to send the MIDI notes to additional devices.

DRM1 MKIV: More power under the hood

The power supply of the DRM1 MKIV is completely new. It now works anywhere in the world, without having to manually change the mains voltage. This is a huge relief for all of you who use the instrument at live shows. No less important: it works more energy-efficient than the old one!
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Vermona Kick Lancet Analogue Kick Drum Generator
Cat: 420715 Rel: 30 Mar 11
 
Analogue kick drum generator.
Notes: One of the hardest in the game. Dedicated kick drum synth from analogue experts Vermona. Shape your own sounds from scratch. Killer.

Supplier's notes:
The Kick Lancet generator is a handy analogue percussion synthesizer with priority to kick-drum sounds.

The heart of the Kick Lancet's sound structure is an analogue oscillator that produces sine and square waves, which can blend seamlessly from one to the other. 2 independent envelope generators with a decay/release phase can modulate the oscillator's frequency and the VCA. Additionally the VCO pitch can be modulated by the fast LFO (3Hz to 3 kHz, triangle). Noise and a pulse signal can be added in the mixer section. Vermona have a balls-controller for making it really big.

The Kick Lancet can be triggered by MIDI but beside that there are 3 different trigger inputs. A gate trigger, which impulse can trigger the Kick Lancet in normal way with additional accent or completely dynamical depending on the incoming voltage, a simply short current trigger (i.e. momentary foot switch) and an audio input, which offers the possibility to trigger the Kick Lancet by an audio signal statically or dynamically. Drum pads can also be connected here.

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Yamaha FGDP-30 Portable USB MIDI Finger Drum Pad
Cat: 968667 Rel: 08 Sep 23
 
Portable USB MIDI finger drum pad.
Notes: Entry-level model in the FGDP range, billed as the ultimate finger drum pads. The portable, rechargeable FGDP-30 features a built-in tone generator and speaker, all controlled by outstandingly responsive pads arranged in an ergonomic format.

Supplier's Notes:
The ultimate finger drum pad

With ultra-sensitive Pads in an ergonomic layout perfect for finger drumming, the FGDP features a Tone Generator, internal speaker, and rechargeable battery that make it a true all-in-one instrument that you can play anywhere. Let your fingers make the rhythm!

Made for finger drumming

Thoughtfully designed layout and Pads for the ultimate finger drumming performance. From sampled acoustic drums that sound like they're right in front of you to powerful electronic sounds, beloved and curated by top professional artists, covering a wide range of genres. Yamaha promises uncompromising performance.

Optimised layout

Introducing a distinctive Pad layout meticulously designed for optimal finger drumming by prioritizing ergonomic comfort.

With the FGDP, you have the freedom to assign Voices to Pads according to your creative vision, but at Yamaha, we recommend the 3-finger style. Harness the power of your thumb for the kick drum, rely on the enduring middle finger for precise hi-hat control, and let your dexterous index finger bring to life the delicate nuances and intricate phrases of the snare.

The home position enables you to effortlessly execute fundamental rhythms, like 8th notes using just one hand. You can use your other hand to play on the other symmetrically laid out pads to unleash captivating back beats in 16th note or double kick styles.

Equipped with an ample number of Pads perfectly suited for finger drumming, the FGDP empowers you to deliver your finest performances, setting itself apart from conventional Samplers and MIDI Pads.

Expressive precision

Featuring cutting-edge Pads designed to capture every subtle nuance, the FGDP ensures that no detail goes unnoticed. With the powerful combination of the internal Tone Generator, you can deliver delicate performances encompassing ghost notes, impactful accents, flams, and lightning-fast rolls. Moreover, the Pads support Aftertouch, enabling unique drumming techniques such as cymbal choking by applying pressure to a Pad while holding it pressed. With the FGDP, your drumming possibilities are limitless.

Specifications

Size/Weight

Dimensions
Width: 223 mm (8-3/4 in)
Height: 49 mm (1-15/16 in)
Depth: 195 mm (7-11/16 in)
Weight: 1.0 kg (2 lbs. 3 oz)

Packing Box
Width: 282 mm (11-1/16 in)
Height: 108 mm (4-1/4 in)
Depth: 244 mm (9-5/8 in)

Pad section

Drum Pads: 18 pads
Number of Trigger Settings: Preset 12
User: Preset overwrite
After Touch: Polyphonic, Channel

Control Interface
Voice Guide: English

Tone generator
Tone Generator AWM2

Maximum Polyphony: 64 notes
Drum kits: Preset: 39 Kits, User: Preset overwrite
Voices: 1,212
Kit Edit: Yes (only some parameter)
Effects Reverb: 11, Chorus: 10, Variation: 23, Speaker EQ: 5

Click
Tempo: 30 to 300 BPM, Tap Tempo supported.
Beat: 1 - 16
Others: Patterns (1/4, 1/4T, 1/8, 1/8T, 1/16, 1/16T, Clave)

Functions

Registration Memory

Number of Buttons: 2
Preset: 1 Bank, User: Preset overwrite

Amplifiers and Speakers
Amplifiers: 2.5 W
Speakers: 4 cm × 1

Other

Connectors
Headphones: Headphones/Output (Stereo mini jack x 1)
AUX IN AUX IN (stereo mini jack × 1)
USB: USB TO HOST (Micro B)

Power Supply
Power Supply: USB power adaptor 5 V/1.5 A or greater USB BC specification compatible products (Sold separately)
Internal Battery: 1,400 mAh, 4.5 Wh 3 hours
Power Consumption: 4 W

Accessories
Included Accessories: Owner's Manual, USB cable
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