Review: Mishell Ivon and Vincent Kwok are back and combining their skills once more with this brilliant bouncy new funk outing on The Sleepers. The first tune on this pocket-rocket of a 7" is 'High', a funky weapon that is high on life and built around well-syncopated drums and a percussive bassline. The icing on the cake is Mishell's vocals which weave in out of the synth stabs and lush keys, all of which are well arranged. Flip it over and you'll get lost in the funk once more with 'In The Dust' with its masterfully rhythmic bassline and more of those buttery Mishell vocals.
Review: 'Girassol' has long been one of the hardest-to-find gems in Brazilian great Marcos Valle's vast catalogue of sun-drenched musical treats. It was initially recorded and released as a promo-only seven-inch, with copies being handed out to customers of a Brazilian supermarket chain. This, then, marks the track's first ever commercial release. In its' original form (side A), 'Girassol' is a lusciously short, soft-focus affair - a two-minute chunk of laidback, jazz-funk influenced South American boogie bliss with the kind of high production values that you'd expect from Valle during his successful post-disco period. As with the original 7", it comes backed with the slightly more elaborate 'Playback' instrumental mix, where gentle, eyes-closed saxophone solos come to the fore.
Review: For the latest volume in their ongoing Brazil 45s series, Mr Bongo has decided to change tack. The two tracks showcased here are from the golden age of Brazilian boogie. On the A-side you'll find Marcos Valle's "A Paraiba Nao E Chicago", a largely overlooked cut from his 1981 full-length Vontade De Rever Voce. While not as instantly as infectious as some of his better-known singles, it's still superb; a breezy, blue-eyed soul cut full of rising horns and sweet Portuguese vocals. On the B-side, you'll find Don Beto's 1978 disco-funk jam "Nao Quero Mais", a superb track that was seemingly inspired by the Doobie Brothers' "Long Train Running".
Review: Two premium Latin funk documents on one limited 45, Mr Bongo deliver once again: Marcos Valle needs no introduction to Brazilian music enthusiasts. "Mentira" is a self-cover as Valle takes his 69 classic "Mentira Carioca" and develops the dynamic with a vocal style that's highly reminiscent of Donovan. Flip for Toni Tornado's Black Rio anthem "Me Libertei". Fusing sleazy rock n roll with jazzy Latin soul, madly this is the first time it's ever graced a 45!
Review: Austin's Vapor Caves enlist funk heavyweights XL Middleton and E. Live for a powerful remix release that brings plenty of dance floor goodness. On the A-side, XL Middleton, who is rightly dubbed the 'Modern Funk King', delivers a high-energy boogie-blast that elevates the original track to new heights. Flip to the B-side and you will find E. Live crafting a smooth, jazz-infused remix with a relaxed, soulful vibe that's sure to win over any right-thinking dancefloor. Star Creature is on a winning streak at the moment and here delivers yet another essential joint for fans of modern funk.
Review: Fans of UK street soul from the mid-80s you need this one in your life as Heels & Souls Recordings returns with its eighth reissue and unveils some treasures by Elaine Vassell and 3rd Zone. In 1993, amidst the rise of house music, UK soul thrived, accompanied by its DIY street soul sibling as perfectly exemplified here by 'Never Give Up' which boasts a raw, breakbeat-driven groove, blending soulful house, hip-hop, and r&b, while 3rd Zone's 'You Stole My Heart' from 1991, later featured on their 1993 EP No Real Reason, offers a tender yet tough underground vibe. Both tracks showcase the era's spirit, proving that creativity trumps big budgets. Each side includes an alternate version for added depth and diversity.
Review: Yet another 12" rarity from the annals of UK funk & boogie history - this time the 1985 cut 'Sexy Lady' from VeiraKrew. Carribean-born and British-raised pianist Elvis Veira moved to England alongside his pianist and music teacher mother at the age of two, quickly becoming proficient on piano, guitar and bass by his early teens. His love for playing music and singing in choirs propelled him on this musical journey, and his late teens to 20s saw him supporting acts such Heatwave, Wham, Katrina and the Waves and more. In 1983 he started working under the alias VeiraKrew, and a couple of years later in 1985 laid down this 12", backed up with the title track's killer instrumental version and the B-side 'Welcome to a Dream'. It was self-released by Veira, quickly becoming a collector's item with clean copies changing hands for up to 150 a piece. The instrumentals are fresh and filled with life, and 'Welcome to a Dream' is an incredible mid-tempo bopper. Well worthy of a repress, and is sure to be in demand - so don't delay!
Review: The moment you put that needle down on "Ye Mele" you will know that you've lit a serious firecracker; that bold piano hook and silver harmonies have that instant classic appeal even if you've never heard it. A bona fide Brazilian classic. It's backed by a 68 track from the Golden Boys. A much more introspective fusion of late 60s American folk, Latin and Ennio-style original score music, full attention is arrested right until the stunning crescendo finale.
The Vision - "Heaven" (feat Andreya Triana - Danny Krivit edit) (6:21)
The Dangerfeel Newbies - "What Am I Here For?" (original NDATL vocal - Danny Krivit edit) (8:45)
Review: Since the 1970s Danny Krivit has been a prolific re-editor. We're used to him cutting up classic cuts - think disco and soul, in particular - but he's never been afraid to turn his talents to contemporary cuts. That's what you get on this surprise Defected release. On the A-side he turns his attention to "Heaven", the killer gospel-inspired modern disco single from The Vision and Andreya Triana, turning in a version with plenty of drops, instrument solos and more emphasis on the righteous, life-affirming vocals. He's in a smoother mode on side B, extended and rearranging the rich and soulful dancefloor treat that is Kai Alce's Original NDATL vocal mix of The Dangerfeel Newbies' "What Am I Here For?" - a gem from 2016 that has previously been criminally overlooked.
Review: Sounds like it came out of Lagos in 1971, actually written and recorded in Lyon in 2015: Voilaaa is the brainchild of Bruno Hovart whose long relationship with Favorite goes way back to his days as Patchworks, Mr President and The Dynamics. Recording on a whole host of vintage machines and calling upon local African singers both cuts have a real authentic sense of realness; "Spies Are Watching Me" drives with big horns and swooning strings which isn't dissimilar to the work of The Movers, while the TY Boys-esque "Le Disco Des Capitales" is a heavier, more concentrated slab of floor-minded disco where the groove takes more of a forefront role. Apparently there's a whole album of this cooking... We can't wait to hear it.
Tu Mens Devant Moi (feat Ramatou Traore - Voilaaa remix) (4:08)
Spies Are Watching Me (feat Sir Jean - Patchworks remix) (7:50)
Review: It's a while since we last heard from Bruno 'Patchworks' Hovart's Afro-disco focused Violaaa project, so this surprise set of remixes of back catalogue tracks is more than welcome. Fittingly, three of the versions come from Hovart himself under different aliases. There's a fine, tropical-tinged, sun-splashed Violaaa revision of 'Tu Mens Divant Moi' that doffs a cap to zouk music, and two deep house-tinged Patchworks versions of classic cuts. The mix of the outfit's underground hit 'Spies Are Watching Me' is a brilliant alternative take on a familiar favourite (it certainly breathes new life into the track), while the samba-house-in-Ghana revision of 'Ben Bene La' is brilliant. Throw in a quality J Kriv deep nu-disco version of 'Ku La Foon' and you have an excellent EP of tasteful, club-ready cuts.
Review: A warm welcome back to Bruno Hovart's Voilaaa project, traditionally a revivalist Afro-disco vehicle best known for 2015 dancefloor smash 'Spies Are Watching Me'. 'Fache', featuring Pat Kalla, explores similar sonic territory, with punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. It comes accompanied by a fine, effects-laden instrumental dub and a trio of similarly tasty bonus cuts: the warming, early garage-house and deep house influenced 'Trouble Travel' (featuring Jai-Nah), the languid, soulful and Latin-influenced 'Too Young To Die (featuring Olivia)' and the Afro-speckled disco-goes-jazz-funk loveliness of 'Trop Jeune Pour Sa'.
Elvira Voca - "Drugo Vrijeme (The Second Time)" (3:46)
Opatijski Suveniri - "Vamos A La Playa" (3:28)
Roman Butina - "I'm Gonna Get Your Love" (3:52)
Review: This limited gatefold edition compilation, curated by Leri Ahel & Zeljko Luketic, brings together 18 rare disco tracks from Yugoslavian artists, pressed on 2 x vinyl. Featuring the likes of KIM Band, Gabi Novak, Arian, Ljupka Dimitrovska, and more, the collection is sourced from original master tapes, ensuring pristine audio quality. Disco, a Trojan horse in Yugoslavia's pop music scene, thrived for an unexpectedly long time. Influenced by American and European disco acts like Boney M and Amanda Lear, Yugoslav producers and record companies like Jugoton and PGP RTB embraced the genre's vibrant energy. The scene fostered a unique blend of genre hybrids, electronic experimentation, and bold themes, with artists creating memorable and innovative disco music. This compilation captures the spirit of that era, shows both chart-toppers like Zdravko Colic and experimental gems. It highlights the creativity and freedom that disco provided, allowing musicians to push boundaries and deliver unforgettable tunes.
Americo Brito & Djarama - "Rapaz Novo E Malandro" (7:32)
Cabo Verde Show - "Terra Longe" (3:30)
Elisio Vieira - "Tchon Di Somada" (4:20)
Vlu - "Rua D'Lisboa" (5:45)
Galaxia 2000 - "Coracao Dum Criola" (3:55)
Mendes & Mendes - "Mitamiyo" (5:24)
Danny Carvalho - "Roncanbai" (4:37)
Mendes & Mendes - "Walkman" (4:50)
Jose Casimiro - "La Mamai Ta Bem" (5:01)
Elisio Vieira - "Bem Di Fora" (5:35)
Zeca & Zeze Di Nha Reinalda - "Mocinhos" (4:24)
Review: Rotterdam is one of the many big port cities around the world that welcomed a high number of Cape Verdean immigrants. In the 1970s, Americo Brito was one of them and he soon got involved with the local music scene and found an ever larger community of likeminded talents. He took to the stage with his band and made for a buzzy little scene that found them tour with their own sound system. Here he works with Rotterdam local Arp Frique to serve up Cape Verdean music old and new with plenty of traditional Funana and Coladeira sounds next to jams influenced by wave, disco and funk, jazz, reggae and Latin pop.
Johnny Hammond - "Los Conquistadores Chocolates" (6:01)
Bill Summers - "Brazilian Skies" (4:30)
Roy Haynes - "Quiet Fire" (8:11)
Willis Jackson - "Nuther'n Like Thuther'n" (7:27)
Louie Bellson & Walfredo De Los Reyes - "Sentido En Seis (Six Feeling)" (7:33)
Flora Purim - "Vera Cruz (Empty Faces)" (4:12)
Lonnie Liston Smith & The Cosmic Echoes - "Visions Of A New World (Phase II)" (3:41)
Pleasure - "No Matter What" (4:49)
Fatback Band - "Njia Walk" (4:07)
Johnny Lytle - "Gunky" (4:31)
Patrice Rushen - "Jubilation" (5:54)
Cal Tjader - "Mambo Mindoro" (3:46)
Tania Maria - "Yatra-Ta" (4:21)
Dom Um Romao - "Braun-Blek-Blu" (4:50)
Review: Chris Bangs' varied and eclectic musical journey is a key reason he was chosen to curate a compilation for Ace. With a background ranging from space rock with The Mighty Om to DJ residencies across London, Bangs' career spans numerous genres, from jazz, funk, to soul. Bangs' DJ sets and parties - in such time-honoured venues as Special Branch in Brentford, London - were seminal in the evolution of the acid jazz genre alongside Gilles Peterson, where "acid jazz was never meant to be more than a pisstake". His foray into production, such as the proto-acid jazz classic 'Psychedelic Jack' with Peterson on vocals, cemented his legacy, but it's curation highlights such as this that really get our gears going. Hold tight as we scour early acid jazz brilliants from Gunky to Vera Cruz to Brazilian Skies to Jubilation.
Joe Bataan - "Latin Soul Square Dance" (alternate version) (5:24)
Joe Bataan - "(Goodbye Adios) Roberto Clemente" (4:19)
Eddie Lebron - "My Vows To You" (feat Little David) (2:31)
Eddie Lebron - "Sigue Tu Vida" (3:42)
The Edwards Generation - "Someone Like You" (2:59)
The Edwards Generation - "School Is In" (2:57)
One Sy Mack - "Never Listen To Your Heart" (2:39)
One Sy Mack - "A Part Of A Fool" (3:00)
Review: Previously unreleased, Joe Bataan (real name Bataan Nitollano) recorded the bulk of the material making up Drug Story in 1972. This new, highly limited box set hears seven revered, rarely-heard gems of Latin jazz, deep soul, raucous boogaloo, and heavy salsa by the legend, most of which were largely salvaged from his very own self-run Ghetto Records vaults. Drug Story was inspired by true events, and hears Bataan croon graciously over themes of destitution, lost family members and friends, and addiction. One of three definitive reissues of Bataan's greatest works, licensed from Bataan himself, with his oversight and input into a 15 page oversized book by Pablo Yglesia,s that details Bataan's larger-than-imagination life and his little Latin label that could.
Nzimande All Stars - "Sporo Disco" (Woody Bianchi edit) (7:02)
The Firebolts - "Firebolt Hustle" (3:12)
Aggression - "Tag" (Woody Bianchi edit) (6:06)
The Movers - "Onthekele Beer (Jwala)" (3:11)
World - "You Got The Power" (3:49)
Joe & Lee - "Black Gold Disco Moving Machine" (4:30)
Joe Pugliese - "Plie & Isolations" (5:21)
The Family Tree - "As" (4:27)
Pressure Point - "Straight To The Point" (3:21)
John Blair - "Momma Said Shut Up" (5:25)
The Headquarters - "Sweetie" (7:08)
Wylie - "Fan-Tasy" (Woody Bianchi edit) (5:12)
Cania - "Visions" (4:04)
Montreal - "Nite People" (2:45)
Review: Woody Bianchi, renowned funk digger and DJ, embarks on yet another archaeological record collection excavation, unearthing yet another volume of badass funk from the adjacent era of disco that emerged in the 70s and 80s. This is an in depth compilation series to say the least: the tracks are all examples of funk greats which reflected certain motifs from the disco explosion that came after it - even "James Brown had to take notice of the Saturday Night Fever". Several hard-to-find gems appear among ubiquitous classics, among extensive liner notes by Woody himself.
Beggar & Co - "Somebody Help Me Out" (Boogie Back radio mix) (4:55)
Sai Galaxy - "Rendezvous" (feat Vanessa Baker) (5:55)
Dave Lee & Omar - "Starlight" (radio edit) (3:50)
Kylie Auldist - "LYB (Love You Better)" (The Waz Exclusive Trunk Of Funk remix) (4:26)
Lexsoul Dancemachine - "I Don't Mind" (Mr Lex Trunk Of Funk remix) (5:13)
Sunlightsquare - "I Thought It Was You" (live) (4:11)
The New Mastersounds - "Watchu Want" (Exclusive Trunk Of Funk vocal version) (2:41)
The Harlem Gospel Travelers - "God's In Control" (2:38)
Sister Cookie - "Ain't No Good (But Its Good Enough For Me)" (Feat.Spencer Evoy) (2:53)
Sugaray Rayford - "Gonna Lift You Up" (3:29)
Kaz Hawkins - "Shake" (4:40)
The Nextmen - "Big Time" (feat Kiko Bun) (3:17)
La Rochelle Band - "Prophet" (3:36)
The Niceguys - "Power" (feat Bobby Saint - A Skillz remix) (3:22)
Sly Johnson - "Trust Me" (3:08)
Cotonete - "Day In Day Out" (feat Leron Thomas) (4:24)
Roy Ayers - "Tarzan" (4:14)
Review: Craig Charles, renowned for his soulful groove, presents The Craig Charles Trunk Of Funk Volume 3, a collection of 19 tracks that epitomize his passion for soul, blues, disco, and funk. This compilation, curated with long-time collaborator Greg Boraman, showcases Charles' lifelong dedication to soul music. With a career spanning poetry, acting, and television hosting, Charles' love for soul and funk has remained constant. His BBC 6 Music shows and global DJ sets have solidified his reputation as a premier ambassador for these genres. Volume 3 is a blend of club classics, contemporary hits, and timeless soul tunes. The collection, available in double LP gatefold sleeve and CD, is a testament to Charles' ability to seamlessly blend old-school classics with modern beats, creating a dynamic and infectious musical experience. Whether you're a long-time listener or a newcomer to his trunk of funk, this album will make you a fan.
Dip In The Dub - "La Cumbia Del Sufi Que No Sabia Baila" (5:16)
Chupame El Dedo - "Metalero" (3:45)
Guess What - "Stickle Bricks" (1:48)
Candeleros - "El Bravo" (4:16)
Iko Cherie - "Lepidoptera" (3:16)
Ronald Snijders - "Off The Groove" (3:46)
Raz Olsher - "Vamonos Cocos" (1:02)
Review: Back in 2021 Coco Maria announced her arrival as an authority on Latin music to the wider world with the release of the first Club Coco compilation. Carried by Les Discuss de Bongo Joe and Worldwide FM alike, it served as an insight into the Mexican-born, Amsterdam-based DJ's tastes, but more importantly it provided a portal into the best new music coming out of Latin America right now. This second volume goes even further, widening the sound without losing sight of the dancefloor and throwing up some truly astounding sounds across all kinds of tempos, styles and grooves. The unifying quality is that indelible Latin heritage which powers these infectious, addictive and effervescent tunes.
Lifetime - "I'll Bet You Thought I'd Never Find You" (4:21)
Tres Men - "Samba De-La Cruz" (4:32)
Miho Nobuzane - "Ponteio" (6:52)
El Caballo Y Su Orquesta - "Mambo De Papi" (3:05)
Review: The Jazz Dance Fusion series is a compilation-based series collecting some of the finest songs in the Jazzdance, Latin Jazz and Fusion. Each volume is careful cultivated by the well-known British DJ Colin Curtis. After the first three successful editions, the fourth boasts tracks like 'Mother Of The Future" by Venus Dodson, 'I Face East' by Mary Greer Mudiku and 'Ponteio' by Miho Nobuzane, to name but a few. Volume Four Part 2 is spread across two pieces of vinyl housed in a beautiful gatefold vinyl. If you are a jazz fan looking for a compilation to expand your knowledge and love the style, then look no further than this one here! Thanks ro Colin Curtis for continuing to curate such a great series!
Take Three - "Tonite's The Night (All Right)" (7:22)
Brandon - "Suzy Hijack" (6:37)
Henning - "Arrival/Departure" (4:22)
Dam Funk - "Believer" (7:51)
Moon Moon B - "Oof"
Nicci Gable - "Close To Who?"
Randell & Schippers - "Love Jam"
Verticle Lines - "Theme From Beach Boy"
Brandon - "Suzy Hijack"
Take Three - "Tonite’s The Night (All Right)"
Index - "Starlight"
Uncle Jams Army - "Dial-A-Freak"
Gemini - "Log In"
Nexus - "Stand Up" (instrumental)
Reggie B - "Poison Candy"
L33 - "Keepin It Tight"
Gaussian Curve - "Broken Clouds"
Tony Palkovic - "True To Yourself"
Henning - "Arrival/Departure"
Nite-Funk - "Can U Read Me?"
Dam Funk - "Believer"
True Design - "I Wanna Break"
Crystal Winds - "Funk Ain’t Easy"
Review: Dam Funk has been foundational in crystallising Stones Throw's undisputed leadership in the nu-school funk and boogie scene, and he's up there with the great J Dilla in our books. Naturally, he's been asked to mix up the latest series of DJ Kicks and, ladies and gentlemen, it's a real masterclass - one of those comps you can safely leave on and let it do its thing on you. The mood is personified by a fine blend of electronics and tougher, funkier rhythms by artists such as Index, Moon B, and Dam himself. There are also a few rare cuts by Chicago house legend Gemini that fit in perfectly, and a whole heap of wavy, Cali-inspired electronic funk. Badass.
Soul Iberica Band - "I'm Looking For Jeremy" (3:36)
La Boca - "Laugh (The Longest Laugh In The Disco History)" (5:14)
The Lovelets - "Midemman" (Theme Midem 74) (2:39)
Yamasuki - "Kono Samourai" (2:43)
Ami Stewart - "Rocky Woman" (12" version) (4:40)
Who's Who - "Palace Palace" (12" version) (5:41)
The Great Disco Bouzouki Band - "Greek Girls" (4:16)
Vicky Edimo - "Let Me Love You Tonight" (3:09)
Gibson Brothers - "Come To America" (instrumental Disco version) (3:48)
Black Blood - "AlE (A Mwana)" (2:53)
La Compagnie Creole - "La Nuit Des Requins" (5:16)
Ottawan - "Qui Va Garder Mon Crocodile Cet Ete?" (extended) (3:20)
Rocky & Vandella - "Des Que T'as Dit Disco T'as Tout Dit" (extended) (4:06)
Francois Patrice - "Le Contrat" (3:33)
Daniel Vangarde - "Une Comete Va Rencontrer La Terre" (4:17)
Review: Few people are aware that Daft Punk's fame can at least, in part, be chalked up to the wealth of opportunity inherited by one half of the electronic music pair, Thomas Bangalter, by virtue of his dad being the late great Daniel Vangarde. It's no wonder Vangarde came to be known as 'the secret father' of French disco. A titan of the genre's cosmic and funky strands in France, Vangarde's numerous instrumental recordings saw him eventually rub shoulders with many other great contemporaries such as Petula Clark, Sheila and Joe Dassin. Zagora Records was his home turf; a short-lived record label that housed his only ever album in 1975. This compilation by Because Music hears a depths-plunging of the Zagora Records vaults, unearthing a slew of never-heard-before recordings to the public, and shedding light on his various production credits and monikers.
Review: Andy Smith's Reach Up - Disco Wonderland Vol. 3 continues his exploration of the "Discosphere" with 16 more and one again carefully curated tracks. Featuring artists like Buscrates, Trailer Limon, and Rena Scott, the compilation also includes stellar edits and remixes by Full Intention, Yam Who, and Skratch Bastid. Initially curated during pandemic lockdowns and inspired by virtual DJ sets, Andy continues to share his superb collection via the legendary BBE Music label and once again this triple vinyl LP offers a treat for DJs, collectors and audiophiles alike.
Please Don't Break My Heart (DJ Andy Smith Reach Up Disco Wonderland re-edit)
I Like Funky Music (Skratch Bastid Turntable mix)
Black Water Gold Part 2 (DJ Andy Smith Reach Up Disco Wonderland extended mix)
Disco Hi-Life
Lovin' You (Smoove Disco dub)
Change
Free Yourself (Full Intention extended remix)
Bad Times (Yam Who extended vocal remix)
Body Work
The Big Throwdown
Losers & Fools (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Beyond The Clouds
You're So Far Away (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Five Days (CD2: Unmixed)
Love Don't Pay The Bills
Make It Alright
Please Don't Break My Heart (DJ Andy Smith Reach Up Disco Wonderland re-edit)
I Like Funky Music (Skratch Bastid Turntable mix)
Black Water Gold Part 2 (DJ Andy Smith Reach Up Disco Wonderland extended mix)
Disco Hi-Life
Lovin' You (Smoove Disco dub)
Change
Free Yourself (Full Intention extended remix)
Bad Times (Yam Who extended vocal remix)
Body Work
The Big Throwdown
Losers & Fools (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Beyond The Clouds
You're So Far Away (DJ Andy Smith Reach Up Disco Wonderland re-edit)
Review: Bristolian turntablist and crate digger Andy Smith has long been renowned for the depth of his funk, soul and hip-hop selections, though it's only in recent years that we've discovered the quality and diversity of his disco collection. He continues to flex those credentials on the third instalment in his Reach Up - Disco Wonderland series. While there's plenty of obscurity on show, as you'd expect, Smith has chosen to include contemporary nu-disco cuts and fresh re-edits alongside vintage picks. So, while we cuts from The Sunshine Band, the disco-highlife of Orlando Julius and some late 70s electro-disco courtesy of French outfit Quartz, we're also treated to fresher tracks and edits from BB Soul, Birdee and Nick Reach Up, Yam Who and Full Intention. Throw in a killer DJ mix of the same material by Skratch Bastid and you have a genuinely essential collection.
Review: DJ Notoya returns with another expertly curated selection of Japanese gems, this time delving into the funky, soulful, and city pop sounds of King Records. Spanning the years 1974 to 1988, this compilation is a treasure trove of forgotten classics and hidden gems, a sonic time capsule that transports listeners back to the neon-lit streets and vibrant nightlife of 1980s Japan. Buzz's 'Garasumado' kicks things off with an infectious groove and funky guitar riffs that could rival any Western funk classic. Mami Ayukawa's 'Sabita Gambler' adds a touch of soulful sophistication, her smooth vocals gliding over lush instrumentation. Keiko Toda's 'Fade In' is a city pop gem, its dreamy melodies and catchy hooks evoking a sense of carefree optimism and urban cool. Elsewhere, Johnny Yoshinaga's soulful ballad 'The Rain' provides a moment of introspection, while Kumiko Sawada's disco-infused 'Your Love's Away' will get you moving and grooving. The compilation closes with the feelgood sounds of Masatoshi Kanno's 'Day By Day', a perfect encapsulation of the city pop aesthetic.
Takeo Yamashita - "A Touch Of Japanese Tone" (4:21)
Tadaaki Misago & Tokyo Cuban Boys - "Jongara Reggae" (3:38)
Chikara Ueda & The Power Station - "Cloudy" (6:08)
Chumei Watanabe - "Downtown Blues" (3:38)
Kifu Mitsuhashi - "Hanagasa Ondo" (2:51)
Monica Lassen & The Sounds - "Incitation" (5:29)
Norio Maeda, Jiro Inagaki & The All-Stars - "Go Go A Go Go" (3:19)
Akira Ishikawa & Count Buffalo & The Jazz Rock Band - "The Sidewinder" (2:41)
Masahiko Sato, Jiro Inagaki & Big Soul Media - "Sniper's Snooze" (6:42)
Review: Some compilations manage to both educate, inform and educate in equal measure; this fine collection from Japanese crate diggers DJ Yoshizawa Dynamite and Chintam is one such set. Comprising mostly little-known tracks recorded by Japanese artists between 1968 and '70, it offers up a wealth of cuts inspired by American jazz-funk "rare groove". There's much to admire across the ten tracks, from the mazy Rhodes solos, fizzing big band jazz grooves and traditional Eastern instrumentation of Toshiko Yonekawa's "Soran Bushi", and the languidly-slung brilliance of Tadaki Misago and Tokyo Cuban Boys' multi-faceted musical fusion "Jongara Reggae", to the Jimi Hendrix-goes-funk heaviness of "Incitation" by Monica Lassen & The Sounds, and the drums-driven dancefloor madness of Masahiko Sato Jiro Inagaki & Big Soul Media's "Sniper's Snooze". Recommended.
Akira Yasuda & Beat Folk - "Yumura No Obaba" (3:04)
Pinky Chicks - "Tosetsu Donpan Bushi" (3:16)
Review: On the first instalment in the Wamono A to Z compilation series, released in September 2020, dusty-fingered diggers DJ Yoshizawa Dynamite.jp and Chintam focused on Japanese jazz-funk and rare groove gems recorded and released between 1968 and '80. For this speedy sequel, they've narrowed their focus further in order to showcase little-known Japanese funk slammers pressed to wax between 1970 and '77. As you'd expect, there's tons of absolute bangers amongst the 10 tracks on show, with highlights including the Blaxploitation movie soundtrack vibes of Mieko Hirota's 'Theme of Doberman Cop', the fuzzy, Hammond-sporting psych-funk of Fujio Tokita's quirky 'Watashi No Beatles', and the energetic, proto disco-funk of Hatsumi Shibata's 'Singer Lady'.
Hitomi Tohyama - "Sweet Soul Music (Kiss Of Life)" (3:50)
Review: For the latest edition of their essential Wamano A to Z compilation series - the third to date - DJ Yoshiwza Dynamite JP and Chintam have decided to focus on "Japanese light mellow funk, disco and boogie" tracks recorded between 1978 and '88. Like its' predecessors, the eight-track set is heavy on obscurities and little-known cuts, as well as bona fide killer cuts. There's much to savour throughout, from the intergalactic, slap-bass propelled boogie brilliance of Jadoes' 'Friday Night (Extended Mix)' and the laidback funk bliss of Yumi Sato's 'Ame', to the smooth jazz-funk lusciousness of Hitomi Tohyama's 'Rainy Driver' and the Latin-infused, Teena Marie style electrofunk brilliance of Mizuki Koyami's 'Kare Niwa Kanawanai'.
Review: After his hugely well received lovers' rock compilations for this label, Sam Don digs deep into the rich world of UK sweet soul on this - typically - excellent new compilation from the wondrous ashes of the North. He comes up with plenty of mega hard to find and expensive musical treasures that have all been painstakingly researched and tracked down. It was a short lived but fertile scene in the underground back in the 90s and if you didn't; know that already you will after one listen through of this - the sounds are highly danceable with silky, low-lit melodies and steamy and seductive vocals for loved up late night dancing.
Zdravko Colic - "Mujo Kuje Konja Po Mjesecu" (3:15)
Alfi Kabiljo - "Novinar" (Theme) (2:33)
Mladi Levi - "Zaznamovan" (2:41)
Oko - "Tema IV" (5:54)
Pro Arte - "Ko Vjecnu Tugu Nosi Taj Ima Pravo Da Pjeva" (4:03)
Rok Hotel - "Blue Jeans" (4:53)
Durdica Barlovic - "Himna Suncu" (3:41)
Soul Sound Band - "Ja Te Uzalud Ljubim" (2:45)
Kosovski Bozuri - "Artizane E Vogel" (2:38)
Josipa Lisac - "Lezaj Od Suza" (4:30)
Ibn Tup - "Dogadaj U Balkan Expressu" (3:31)
Grupa Rok - "Dva Jarca" (3:08)
Review: Compiled by Dr. Smedi Secer and Viseslav Labos, this essential collection of beats, breaks and rare grooves from ex-Yugoslavia is a real collector's delight. It is part of a new series of releases dedicated to overlook music form the 60s and 870s and features raw funk, orchestral disco, psych, prog rock, big band jazz funk and more with a fanatic remastering job done from original source material found in the vaults. The highlights are plentiful, with obscurities and anthems co-existing and smooth groovers like 'Dzambo' sounding as good as weirder and more experimental cuts like 'Aerodrom'.
Review: Eroya is a Lagos-based collective bridging generations of musicians who trace Nigerian music from the 1940s to today's Naija grooves. Their sound weaves so called styles such as palm-wine, agidigbo, juju, highlife, Afro-funk and Afrobeat traditions. Key members include Sina Ayinde Bakare, son of juju pioneer Ayinde Bakare, juju legend Fatai Rolling Dollar, Afro-funk saxophonist Prince Eji Oyewole and Afrobeat pianist Duro Ikujenyo of Fela Kuti's Egypt 80. Highlights on this album include Alaba Pedro's soulful 'Ekaete', Tejebaby's hypnotic 'Africa', and Oyewole's flute-led 'Experience'. With its bubbling jazz textures and deep rhythmic energy, Eroya is a perfect tribute to Nigeria's enduring musical contributions.
Srirajah Sound System - "Si Phan Don Lovers Rock" (feat Molam Inteng Keawbuala) (4:56)
Perikas - "Laberinto" (4:01)
Mac Thornhill - "No Way To Control It" (5:14)
King B - "Love Is Crazy" (6:48)
L'Innovateur Djoe Ahmed & Le Zoukabyle - "Amek Amek" (4:36)
Champagn' - "Bel Ti Negress" (4:56)
Androo - "Lyriso" (6:30)
Hidrogenesse - "La Carta Era Muy Larga" (5:31)
Kajou - "Tet Chaje" (6:10)
Conjunto Baluartes - "Nira Gongo" (2:56)
Land Shark - "Tie Me Up" (The Nas-T version instrumental) (6:27)
Pellegrin El Kady - "Seiva De Carnaval" (6:17)
Lee Jackson Band - "Call On Me" (6:54)
LTA (Love The Action) - "What Comes To Ya?" (6:59)
Urban Volcano Sounds - "Ame No Uta (Rain Song)" (New extended version) (5:45)
Review: For the last decade, John Gomez and Nick The Record's freewheeling Tangent parties have proved popular in London, offering dancers the chance to shake their stuff to a wide selection of superb (and normally insanely rare) records over a high quality soundsystem. The pair's first Tangent compilation, which arrives via Mr Bongo, naturally offers a superb reflection of their approach and is packed with must-have cuts. For proof, check the proto-house era dubbed-out boogie of King B's 'Love Is Crazy', the sun-splashed Brazilian gorgeousness of 'Laberinto' by PERIKAS, the spaced-out headiness of Hidrogenese's 'La Carta Era Muy Larga (Dub)', the heavy batacuda business of 'Nira Gongo' by Conjuto Baluartes' and the dub disco-flecked, deep house brilliance of LTA's 'What Comes To Ya'.
Srirajah Sound System - "Si Phan Don Lovers Rock" (feat Molam Inteng Keawbuala) (5:03)
Perikas - "Laberinto" (3:59)
Mac Thornhill - "No Way To Control It" (5:09)
King B - "Love Is Crazy" (6:47)
L'Innovateur Djoe Ahmed & Le Zoukabyle - "Amek Amek" (4:39)
Champagn' - "Bel Ti Negress" (5:05)
Androo - "Lyriso" (6:30)
Hidrogenesse - "La Carta Era Muy Larga" (5:33)
Kajou - "Tet Chaje" (6:05)
Conjunto Baluartes - "Nira Gongo" (2:51)
Land Shark - "Tie Me Up" (The Nas-T version instrumental) (6:26)
Pellegrin El Kady - "Seiva De Carnaval" (6:13)
Lee Jackson Band - "Call On Me" (7:01)
LTA (Love The Action) - "What Comes To Ya?" (7:04)
Urban Volcano Sounds - "Ame No Uta (Rain Song)" (New extended version) (5:47)
Review: To celebrate ten years of one of London's most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gomez and Nick the Record, it aims to transmit a taste of Tangent's spirit: a party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties. Spanning live-recorded disco, Brazilian boogie and weighty lovers' rock, this selection of rare sonic meats is a prized procuring, the consistent quality of which you likely won't be able to track down in many other contexts.
TB Funk - "Free Blow" (the dub version - G&D edit) (5:01)
Kenny Pierce - "Done Been" (5:13)
Those Good Intentions - "We Know How To Boogie" (6:50)
Sherman Hunter - "Dance To Freedom" (8:12)
Gospel Keepers - "Never Gonna Give You Up" (5:38)
Living Color - "Plastic People" (G&D edit) (4:57)
Roller Disco - "Stone Luv" (4:15)
Carol Meriwether - "Love Ain't Just (A Physical Thing)" (9:35)
William Barlak - "Ain't No Doubt About It" (3:42)
Review: The Grasso is greener in Bologna: home to two of the most well-connected collectors in Italy. Suppliers to the likes of Kenny Dope, Phil Asher and Dimitri, Gino and Federico have carved their crate craft to insane levels over the last 30+ years... As shown on this detailed, widescreen boogie, funk and disco collection for BBC. Splattering the vibrant collection with a handful of their own edits (TB Funk's salubrious struts on "Free Blow", fly-by boogie falsettos on Living Color's "Plastic People"), the Grasso bro's have put together a package that's eye-opening, enlightening and damn fine to party to. See you on the other side.
Review: Heavenly Sweetness has always dealt in music for the soul that is drawn from the worlds of funk, soul and jazz. This new collection of such tunes is another testament to that with a heavily international and world bent. Oodles of Latin, hip hop and Afro vibes pervade the tunes by Guts aka Fabrice Franck Henri alongside a whole host of collaborators. He's a super prolific talent who has put out some ten albums in just over a decade and Estrellas is one of his best. It comes on six sides of delicious wax and takes you on a trip to sunny climates from Cuba to Brazil.
Johnny Dynell & New York 88 - "Jam Hot (Rhumba Rock)"
Talking Heads - "I Zimbra"
Art Zoyd - "Sortie 134" (part 2)
Class Action - "Weekend" (Larry Levan mix)
Adiche - "Chuka-Ja (Get Ready)"
The Girls - "The Elephant Man"
The Golden Flamingo Orchestra - "The Guardian Angel Is Watching Over Us"
Gray - "Cut It Up High Priest"
Extra T's - "ET Boogie"
Convertion - "Let's Do It"
Yoko Ono - "Walking On Thin Ice"
Fab 5 Freddy - "Change The Beat"
Review: Curated as part of the iconic street artist's Tate exhibition this year, The World Of Keith Haring unites many of the talented souls Keith knew, or was inspired by, during his prolific rise as one of the most vital cultural spokesmen through the 70s and 80s. Soundtracking the gritty downtown NYC streets he made his first mark on, this limited collection captures the whole melting pot from b-boy culture with cuts such as "E.T Boogie" and "Bump N Grind", raw boogie and soul ("Over & Over") and pure drama ("The Guardian Angel Is Watching Over Us"). A powerful collection as striking and relatable as his own signature.
International Zaistars & Nene Tshaku - "Je T'Aime Au Pluriel" (8:12)
MD Shirinda & Gaza Sisters - "Mabazi" (2:41)
Bwaluka Founders Band - "Kimbera" (5:14)
Review: A Dancefloor in Ndola, curated by East African DJ Kampire for Strut Records' 25th anniversary, is a great example at the broad sounds of classic East and Southern African music. With 13 tracks that span genres like Congolese rumba, South African bubblegum, and Zambian kalindula, the compilation pays homage to the rich musical heritage of the region. Kampire's personal connection to the music, shaped by her upbringing in Ndola, Zambia, adds depth to the compilation. Through her own edit of 'Ririmi Rotsombela' and personal liner notes, she traces her links to the music, creating a nostalgic experience for listeners. The compilation not only celebrates well-known artists but also shines a spotlight on women in African music from the 80s, including legends like Pembey Sheiro, Feza Shamamba, and Princesse Mansia M'bila. It's a testament to the diversity and richness of African music history. With its blend of classic tracks and Kampire's personal touch, A Dancefloor in Ndola is more than just a compilation; it's a cultural journey that highlights the beauty and significance of African musical traditions.
The African House Party Project - "P-Coq" (feat Splash, Patricia Majalisa & Dalom Kids)
V-Mash - "Naughty Boy"
Di Groovy Girls - "Ririmi Rotsombela"
Tshala Muana - "Djepue"
Lady Isa - "Djambo"
Pembey Sheiro - "Sala Ni Toto"
Princesse Mansia M'Bila - "Ngoma Mansia"
Samba Mapangala & Orchestra Virunga - "Mashariki"
International Zaistars & Nene Tshaku - "Je T'Aime Au Pluriel"
MD Shirinda & Gaza Sisters - "Mabazi"
Bwaluka Founders Band - "Kimbera"
Review: Always keen to break new ground, Strut's latest compilation comes not from a well-known European or American crate-digger, but rather Kenyan-born, Uganda-based DJ Kampire. A Dancefloor in Ndola sees her look back to her time growing up in Zambia and specifically the music she heard and loved during these formative years. It's a great idea, executed brilliantly, with Kampire showcasing an enticing and highly entertaining mix of East and South African music from the 70s and 80s, including Congolese rumba and soukous, bubblegum, and kalindula, a guitar-led style native to Zambia. It's a joyous an eye-opening collection all told and notable for - aside from the high quality throughout - Kampire's decision to showcase a high number of tracks from legendary and little-known female artists. A genuinely essential collection all told.
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