Review: Many Hands is a fresh label helmed by Jona Jefferies and Kava that here kicks out an eclectic EP with four tracks from various members of its musical family. Dan Aikido opens with '0800 TXT4 Herb,' a smooth fusion piece that builds a laid-back groove, blending fretless bass, jazzy keys and soulful vocals all reminiscent of Rare Silk's 'Storm.' Ernie Ruso's 'Stroke It' offers slow, sensual r&b infused with P-funky wah-wah effects while DJ Nomad's 'African Boy' brings upbeat pop house next to funky organ and a female reggae MC.Jefferies' closer 'A Change Will Come' samples Dr. Martin Luther King Jr with a rave-inspired beat and soulful piano. Cracking stuff.
James Brown - "Funky Men" (Dimitri From Paris Special version) (6:13)
The JB's - "Just Wanna Make You Dance" (feat Maxxi - Dimitri From Paris Special version) (6:48)
Review: Dimitri From Paris returns with a fresh installment of his celebrated DFP Vaults series, highlighting deep cuts that reinforce his status as a top-tier remixer, DJ, and a true connoisseur of dance music's hidden gems. This release holds particular significance for Dimitri, as it pays homage to the legendary James Brown, a figure whose influence in music is beyond measure. The release features Dimitri's 'Special Version' of 'Funky Men,' a track from James Brown's Soul Syndrome. Originally overlooked by Dimitri in 1981, it now shines with a unique disco beat that he's reimagined using both vintage and modern editing techniques. The track has already proven its power on the dance floor. On the flip side, Dimitri revisits 'Just Wanna Make You Dance' by The J.B.'s, featuring Maxxi. This rare disco track, with its Caribbean flair, gets Dimitri's expert touch, enhancing its dancefloor appeal. DFP Vaults, the sister label to Le-Edits Records, presents this release with meticulous attention to detail, featuring state-of-the-art mastering and vintage-inspired packaging.
Review: This latest is a reissue of a Congress Productions EP featuring their seminal 'Neptune'. The much-sampled early 80s jazz-funk classic comes in original form next to two unreleased cuts. The first is a rare boogie cut 'Live It Up' that has been extended for more dancefloor heft having first been dropped under the D'aile' alias as a B-side. Then comes 'Kevin's Funk' which is named in reference to Incognito trumpet player Kevin Robinson, who played as part of a Congress-associated line-up for this session.
Review: The soul, funk and disco 7" community is a strong one. Besides garage rock and psychedelic rock, there might not be another genre that is so beloved on the small but mighty 45rpm format. So, it completely makes sense if you are a newer producer releasing music in these genres then definitely know your fan base. Cool Million is a Danish and German duo doing just that. Their track 'Stronger' is the track and the title of their sixth full length album from 2019. The album has gained such strong reviews that they put it now as a single along with the Dub version on the reverse side. 'Stronger' is a positive and upbeat anthem that is sure reign in the innocent bystanders to party. The Dub is a super-cool alternative version that reminds of us classic roller-skating funk track from Midnight Star or Kool & The Gang. Need a party starter? Get this!
Review: Conceived for maximum floor-lift, Daje Funk is the namesake of both artist and label; here the elusive but fun-loving moniker brings another four whopper disco edit-remixes to vinyl, further charging the collective body with a haul of kitsch spirituals. Three out of four tracks here are "lovely edited" - intentional or not, we can't resisting stealing such brilliant turns of phrase - by longtime Roman disco purveyor Les Inferno, with the support of a cracking cadre made up of fellow producers and engineers Max Pottini, Emiliano Patrick Legato and Dom Scuteri. Stefano Fusco also handles the B1; and though we don't know the original IDs of any of the tracks here, the vibe is consistently spirited, and the artists only carefully betray their access to the original stems (made eventually obvious by faint vocal delays, extra-thwacking kick EQs, etc.).
Review: The Brazil 45s / Mr Bongo outlet is back with its classic moves, coming through with some truly special soul blends out of the Brazilian golden era. Dalila and Neyde Alexandre feature in this latest 7", the former with 1968's "Canto Chorado", a slow-burning bubble of funky exotica - surely impossible to find in its original shade - and the latter with a funky little bomb from 1971 by the name of "Perplexidade" - surely the smoothest, sexiest soul number out this week! Lovely stuff.
Review: Boom! Ultra rare outernational funk reissue action by the new Habibi Funk imprint! Dalton were a late '60s soul band formed in Tunis by a group of American music enthusiasts, and their one and only LP under the Dalton name was independently released and super rare until now. "Alech" nears psychedelic territories thanks to its echoing vocals and trippy percussion, whereas "Soul Brother" is more of a classic soul ballad, but filled with the band's own native roots, of course. Be sure to check, this is hot and recommended for the diggers.
Review: An instantly recognisable voice in the funk sphere for over 60 years, you can't talk about Togolese music with mentioning the funkmaster and 'King of Gazo' himself Roger Damawuzan. Containing an unreleased single from his upcoming album 'Seda', this double single is funk so heavy it'll weigh you down. 'Fine Fine' is a slick and fast-paced track of contentment - leave the man alone he said he's fine! - and 'Red Light' is a squeaky clean showcase of what made Damawuzan so popular in Togo with his carefree and charismatic attitude. All you funk lovers out there have got to give this a spin.
Review: Bowie is a new label that says it intends to "dig deep into the unreleased sides of pop superstars material from the past." The opening gambit is a strong one that should hook you in for more as it comes in the form of a 7" with two fine funk instrumentals, neither of which have been put out before. 'Golden Years' has lovely live drums and meandering guitar licks for some carefree listening, while 'Fame' has a deep cut groove that rises and falls in dramatic fashion with more neat and tidy riffs adding the detail next to the big licks.
New Sound Quartet - "Bass Construction" (Marc Davis edit) (5:47)
The Saucer Planes - "Straight To The Point" (Marc Davis edit) (8:13)
Review: Producer, DJ, and revered collector Marc Davis returns to his Chi-Talo series with a much-anticipated second volume. The Chi-Talo series deals in split EPs; each entry draws on an ultra-rare Chicago house gem and an Italian disco record respectively (one for the A and one for the B), re-working both into an enduring dialectal retelling of each city's contemporaneous come-ups in the 1980s and 90s. This time around, we're met with a reconstruction of 'Bass Construction', first heard on the Italo disco album Crazy Colours by New Sound Quartet (1979). Then comes a wonky, handclapping rendition of The Saucer Planes' 'Straight To The Point', the original of which can hardly be found on the net at all, even now. Both are huge but humble versions, marking out the guidelines for yet more editors to come.
Review: In 1977 in Portland, writer Ron Stassens assembled members of Pleasure and Transport around Slickaphonic frontman Milton Davis and the result was an album's worth of amazingly soulful disco-funk, re-released in July 2023 under the Albina Music Trust label... However, here for the first time ever, on Soul7/Jazzman records' picture sleeved 7" 45, Milton Davis returns home in this most apt of formats, on only 500 numbered copies with the stand out 'Headed For The Disco'. A gorgeously sweet solid gold soul track that ventures into jazz funk at the beautifully timed electric guitar and organ breaks where the 'get down' is inevitable but satisfyingly returns to the repetitive refrains of the melody. Joyously extending what disco truly means, be that a hustle or a step back, here the breadth of this uplifting genre is celebrated, concluding in a lush decrescendo 'aaaahhhh...'. Add this to the more mid-tempo classically soulful smoochy B-side 'All I Want To Do' and you won't want to hang around, as Soul 7/Jazzman singles whilst applauding rarer grooves notoriously become collectables in themselves.
Review: The Extra Soul Perception label held a first ever writing camp in Nairobi in 2019 and Lynda Dawn was one of the pupils. She has already released 'Roses' on the label's New Tangents...Vol. 1 EP with other music from the UK, Kenya and Uganda. But this was the standout track so now it makes its way to its own 7". It is the sort of heart achingly beautiful slow motion disco-soul that will be perfect end of the night send home or early evening warm up for more cosy dance floors. There is a slightly more beefed up version from XL Middleton to complete this tidy 7".
Review: Twilight is the latest piece by long time DJ, producer and remixer, Dominic Dawson. The Japanese label Flower, has released this single to 7" complete with a remix for the second side. The title track is a catchy and funky house track that while the remix is a bit more Balearic and beachy. Both versions have their place in any house setlist and will set the tone for any eclectic DJ set. With the DJing background Dominic has, he is a great guide to setting the mood with music. Like the title artwork suggests, this is perfect music to watch the sun go down to.
Review: Dayton were an Ohio-based band who named themselves after their hometown, and for the first half of the 80s they were enjoying a prolific run of original funk and boogie jams including five studio albums. This single on Expansion leads with their misty-eyed 1983 groover 'Promise Me' - a smooth-as-silk cut with not a lick out of place. On the flip, Expansion have dialled back to the band's self-titled debut album from 1980 and the noticeably more organic sound of 'Eyes On You'. If you simply love great 80s soul tunes or want to get to know Dayton a little better, this is a 7" well worth your time.
Review: As far as the Juno Records review team care, the DC based Peoples Potential Unlimited have been on a run of 100% boogie heaters roughly since their inception in 2008. The latest transmission from Andrew Morgan's label sees a 12" presentation of disco funk holy grails from Milwaukee act Dazzle ahead of a PPU released long player Made In The Shade. Not to be confused with the Patch Adams and Leeroy Burgess fronted group of the same name, Dazzle was the work of Donald D. Smith and this 12" presents three tracks originally recorded in 1981. "Explain" is the outright jam here, heavily stacked with thick analogue leads and brisk funk riffs. All hail PPU!
Equipe Radio Cidade - "Bons Tempo Sao Paulo (Good Times)" (3:38)
Review: Sandra de Sa's 'Olhos Coloridos' and Equipe Radio Cidade's 'Bons Tempos Sao Paulo' bring vibrant Brazilian boogie back to life in this remastered reissue from Mr Bongo's Brazil 45's series. Sandra de Sa's track, from her 1982 self-titled LP, is a brilliant example of '80s MPB and boogie, featuring the iconic collaboration of Lincoln Olivetti, Robson Jorge, and members from Banda Black Rio. Funky basslines, dreamy Rhodes and jubilant horns complement Sa's outstanding vocals, making it a joyous, danceable piece reminiscent of Tim Maia and Marcos Valle's best. On Side-2, Equipe Radio Cidade's 'Bons Tempos Sao Paulo' transforms Chic's 'Good Times' into a Brazilian boogie delight. Originally a rare promo-only release from 1980, this version infuses the classic melody with samba rhythms, clavinet grooves, and cuica percussion breaks. Voiced by Sao Paulo radio DJs with festive greetings, it adds a unique local flavour to the familiar tune, reminiscent of the era's vibrant Brazilian music scene.
Review: Rome's contemporary jazz maestro Stefano De Santis is back with his 'New Beginning' EP on the esteemed Quattro Bambole Music. Across four stunning tracks, Stefano's musicianship shines as he explores jazz-infused broken beat, boogie, deep house and lo-fi hip-hop. Highlights come thick and fast and include the mellow jazz landscapes of 'Roy,' the lush blend of slow-motion house and broken beats on 'Lie#3', the emotive, piano-driven 'Paths' and the 80s boogie vibe of 'Tokyo 80.' UK producer Sean McCabe mastered the EP but also delivers a deep house dub of 'Lie#3.'
Review: Over the last couple of years, Matasuna Records has developed a tried-and-tested formula. It revolves around finding and licensing killer cuts - think funk, Afrobeat, tropical flavours and Latin beats - and then pairing them with a fresh, floor-friendly re-edit. Their latest find is something of an overlooked gem: a gorgeously sunny 1983 number from Ghanaian musician Mawuli Decker that's piled high with infectious, EWE-language vocals, Highlife guitars, spacey Moog sounds and cute electric piano solos. The accompanying Renegades of Jazz re-edit is pleasingly faithful to its source material, deftly showcasing Decker's brilliant music while beefing up the bass, subtly tightening up the drums and layering on some complimentary hand percussion.
Review: Spanish label NeighbourSoul bring a heraldic design sensibility to wildout disco edits on 12", with this latest record taking on a leonine art direction on the inner label and sleeve. A top-up to their enduring vinyl-only series, this one hears a resident editor arride four more most-pleasing disco loops, believably emulating a bygone time in which DJs would sticker and knife their records to create workable tools, in the absence of software.
Review: Ron Hardy's legacy lives on though stories of his legendary DJ sets but also his seemingly endless catalogue of edits and reworks of the tunes he played in his heyday. Here we have another such exhibit in which he flips some classic disco. The original version of 'No Way Back' is riddled with picked guitar licks and dreamy keys while a funky low end moves on this disco-rock gem as brass bursts out for added oomph. Hardy ups the pace, twists it beyond this realm and adds big drum breaks that are Prue bit for dancers. It's a classic in its own right that gets regular plays by more bold and eclectic DJs.
Review: William DeVaughn hears two cuts from his classic D.C. album Be Thankful For What You Got reissued for the first time on 12" since 1974. A rare ode to gratefulness in a world of material gratuitousness, but two lines from the title track of the original eight-track opus resound, and capture the sentiment perfectly: "you may not own a car at all... but remember, brothers and sisters, you can still stand tall!" As sampled by N.W.A, De La Soul, Outkast, Ludacris, Big Tymers, Rihanna, Hip Club Groove and L'Imperatrice, the A-sider is a historical record; its strength lies in its affecting singularity of theme and moral sway, and, on the instrumental side of things, we can say the same of its tight playing and serene sound. Backed by the cream of Philadelphia session groups MFSB (Norman Harris, Vince Montana, John Davis), DeVaughn wax continues to wax poetic over themes of inheritance, love, and compersion; a great foundation laid for the gangster rap that would follow from it.
Review: Thanks to their superb collaborative album "Atemporal", many are now fully aware of the joint musical explorations of French band Cotonete and Brazilian singer Di Melo. That wasn't the case in early summer 2018 when their first single, "A.E.I.O.U", landed in stores. The record became a sleeper hit, was later remixed by Dimitri From Paris and is now given the re-press treatment. The original version (side A) is an inspired fusion of warm, breezy Brazilian disco and jaunty jazz-funk with one of the strongest, catchiest choruses we've heard in years. It's utterly ace all told, as is the more spacey and synth-laden B-side "Dub" mix. If you don't already own a copy, do yourself a favour and grab one of these.
Review: For the 83rd release in their Brazil 45 series, Mr. Bongo presents yet another a gem in the form of two classic tracks by Brazilian soul legend Roberto De Melo Santos, also known as Di Melo. Born in Recife in 1949, Di Melo is celebrated as an icon of Brazilian funk despite a limited discography. His 1975 self-titled debut is a prized collector's item that is widely loved by Brazilian funk fans, breakbeat enthusiasts and sample seekers. This release revives two standouts from that cult album in 'Kilario,' which is a smooth, soulful masterpiece, and 'Pernalonga,' a feel-good tune featuring catchy guitar, horns and a memorable drum break that was famously sampled in 2009's 'The People Tree.'
Review: Although not widely known, Daniel Dimbas's 1985 album "La Diferencia" is regarded in some circles as one of the greatest Caribbean zouk records of all time, and certainly the heaviest. Rush Hour co-founder Antal is a fan, and here heads-up a double A-side of fresh edits of key cuts from the sought-after set. First up Antal expertly rearranges "Carnaval Soca", delivering a warm, humid and sweaty interpretation rich in driving soca-disco grooves, punchy horns, heady harmony vocals and mazy, Zouk style analogue synthesizer solos. Palms Trax takes a similarly light-touch approach on his edit of the breezier and more sun-kissed "La Musique", occasionally opting for filter trickery on an otherwise traditional style scalpel edit.
Chez Madame La Baronne (Idjut Boys Fazz Junk version)
Review: Earlier this year, French disco and jazz-funk combo Chatobaron joined forces with fellow Parisian Dimitri From Paris for the rather good 'I Like (The Music That You Play)'. While that was a wholehearted disco workout, this speedy sequel sees the band (and their high-profile collaborator) explore their West Coast jazz-funk influences via an inspired workout full to bursting with killer instrumental solos, dusty grooves, memorable motifs and a genuinely killer, cowbell-sporting percussion brerak. This time round, there are no Dimitri From Paris remixes; instead, dubbed-out disco favourites the Idjut Boys are on hand to smother the track in tape echo and dub delay. The result is a typically spaced-out, low-slung affair that naturally makes the most of the band's killer bassline and layered percussion sounds.
I Like (The Music That You Play) (club vocal) (7:30)
I Like (The Music That You Play) (club instrumental) (7:07)
Review: Parisian jazz-funk, disco and boogie band Chatobaron - an outfit helmed by multi-instrumentalist Frank Chatona - have previously worked in the studio with house and nu-disco mainstay Art of Tones, so it's no surprise to see them recruiting the mighty Dimitri From Paris to mix their latest single. His A-side 'Club Vocal' mix is a genuinely riotous and celebratory affair, with strong group vocals (singing about how much they love 'your' music) and heady horns rising a jolly and joyous, piano-sporting disco-funk groove rich in low-slung bass and Cerrone style percussion. It comes accompanied not by one of Dimitri's deconstructed dubs, but rather an equally excitable 'Club Instrumental' mix that boasts all the goodness of his A-side mix minus the vocals.
Never Gonna Fall In Love Again (Like I Fell In Love With You) (feat Vanessa Haynes) (6:25)
Never Gonna Fall In Love Again (Like I Fell In Love With You) (Disco instrumental) (6:13)
Review: This record is a re-make of a Carmen Amez disco and boogie gem from 1983. The original goes for well over L200 and isn't even that good a pressing. This cover first saw the light of day as a 12" in September that was only acquired by certain DJs. It soon started trading for high prices as people wondered what the hell it was, who it was by, and whether it was a shifty bootleg. That's all resolved now as it gets a proper out with a freshly re-recorded version with strings, horns, bells, whistles and Vanessa Haynes on vocals. It's a lush bit of floor filling heart swelling disco, funk and soul gold with soaring strings to boot.
Review: The Samosa label returns with Part 2 of the Re-Funk Head project, once again showcasing top-tier disco grooves. Opening up is Dirty Elements & Drunk Drivers feat. E.M.E with 'Disco Ball,' a sassy, high-energy track featuring a standout brass ensemble, while track 2, 'Ain't No Doubt About It' by Moplen, entices with disco beats, bongo rhythms, and a masterful bassline. Jazzyfunk's 'Sexy Thing' continues the disco theme with soaring strings and a punchy bassline, perfect for any dance floor moment. Closing the EP is DeGama's 'Feel The Groove,' a powerful tune blending house vibes with blues-inspired guitar and sultry saxophone. Re-Funk Head Part 2 is essential for serious funk fans.
Review: We're not going to tell you who is behind the Divine Who project, though if you have a working knowledge about gospel disco DJs and nu-disco producers, you can probably join the dots. Either way, their self-titled gospel rework series is genuinely top-drawer. After a couple of tidy 12" singles they offer up a seven-inch for the first time. A-side 'Weekend (Dubbed Out Mix)' takes a squelchy, joyous and infectious mid-80s electrofunk-gospel number - and subtly touches it up and even more subtly dubs it out for modern dancefloors. On 'Forget Me Nots', they deliver their altar-ation (sorry) of an exquisitely soulful, tactile and loved-up cover version of Patrice Rushen favourite 'Forget-me-Nots' complete with a killer slap-bass breakdown.
Review: DJ Bacon's new edits LP Super Disco Raps takes two forms: firstly as a full-length 16-track LP, and secondly as a selectors' single edition, the latter of which you see here. 'Vol. 2' hears two extra remixes that did make the big disc's cut, but Bacon decided they also suited a limited edition 7" release for good measure. Playability is the implied reason: on the A we've a glossed-out disco scratch-tool remix of Wu Tang Clan's 'Gravel Pit', on which ghostly rap acapellas are laid to a lackadaisical funk beat, and on the B there's a similar version of Ultramagnetic MC's's 'Moe Luv's Theme', which loops and skips about an unmistakable four-beat, wax-scrubbing hook.
Review: DJ Cat comes through on Scruniversal here as the young label continues to go from strength to strength early in its existence. This time he serves up some re-edits and reworks of old and rare records from Scru's friends' collections. Up first is 'Roots & Culture' which is a languid funk workout with Prince style vocals bring some libidinous vibes up top while sci-fi synths and raw claps and perc all flesh out the groove. 'Possibelle' then cuts loose on a much more laid back and steamy summer vibe with the sort of chords that have you laying back in the park and staring up at a cloudless sky.
Review: In a move towards soulful French electro-funk from the duo that brought us 'Caipirnha', comes the latest new single from DjeuhDjoah & Lieutenant Nicholson. The two producers here bring together a vast cast of musicians playing everything from Moog to claviers, culminating in a texturally rich afro-soul single that urges us to "hold our horses" ('Pas Si Vite') in these troubling times.
Review: Those with a deep knowledge of Berlin's Ghanaian ex-pat "burger-highlife" scene may already be familiar with Lee Dodou, a singer who recorded a number of classic singles and albums during the 1980s as part of bands Georg Darko and Kantata. He retired from music in 1991, but has been persuaded to return to action by the Philophon team. This comeback single is pretty impressive all told, with A-side "Basa Basa" - a triumphantly celebratory chunk of 1960s "concert party" highlife rich in punchy horn lines and Dodou's full-throated vocals - being joined on the flipside by the slower, synth-laden "Sahara Akwantou". Brilliantly, the label describes this as "kraut-life" due to its unique (and rather good) fusion of highlife and German kosmiche.
Review: There's no doubt that crate-digger, record collector and renowned Discogs seller Zafsmusic knows more than most about the world of private press vinyl releases. This 12", originally pressed up in super-limited quantities by its' creator, Martin L Dumas Jnr sometime around the turn of the '80s, has long been a must-have for collectors with several thousand dollars to spare. The title track is particularly wonderful - a warm, breezy, loose and fluid chunk of boogie-soul that Zaf has slightly tweaked to suit the needs of modern dancefloors. Flipside "Nonstop To The Top" has a more jazz-funk feel, with intergalactic synths complimenting Dumas Jr's sweet vocal and conscious lyrics.
Review: Selector Series is back with another gem, bringing us a slice of early 80s Detroit boogie with Gene Dunlap's classic tracks. Born and raised in Detroit, Michigan, Gene Dunlap's musical journey began at the tender age of four, thanks to his father's drumming lessons. His talent flourished at Mumford High School and later with jazz legend Roy Ayers. In 1981, Dunlap released two remarkable solo albums, It's Just The Way I Feel and Party In Me. The title track "Party In Me," backed with "Take My Love," was originally issued as a limited 12" promo, making it a rare treasure among collectors, often fetching over L100 on the second-hand market. Now, for the first time in 43 years, this boogie masterpiece has been remastered from the original tapes and is available for fans to enjoy. This reissue offers an opportunity to experience the vibrant rhythms and impeccable drumming of Gene Dunlap as well as Detroit's boogie scene. Don't miss your chance to own a piece of music history, exquisitely revived and ready to reignite dance floors.
Review: Originally released way back in 1978 on a thoroughly obscure seven-inch single, Nina Dunn's sole single, 'If You Want My Love (Do It)' is one of the rarest Canadian disco records around. The team behind the Le Freak label are fans and have delivered this much-needed reissue. The title track (side A) is a righteous slab of funk-fuelled, orchestra-sporting disco built around a typical 'walking bassline', cut-glass strings and a brilliantly sassy, emotion-packed lead vocal from Dunn. Original B-side 'Stay & Dance', meanwhile, is a deeper and more laidback two-step disco affair with warmer horn arrangements, simmering strings and a killer, Clavinet-sporting groove section later in the track. Disco gold all told!
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