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Coming Soon: Studio Equipment

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FORTHCOMING
4ms Pod 20 Powered Eurorack Enclosure
Cat: 706834 Rel: 01 Nov 18
e-mail me when released
coming soon $TBA
FORTHCOMING
4ms Pod 20 Unpowered Eurorack Enclosure
Cat: 706833 Rel: 01 Nov 18
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coming soon $TBA
FORTHCOMING
4ms Pod 26 Powered Eurorack Enclosure
Cat: 706837 Rel: 01 Nov 18
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FORTHCOMING
4ms Pod 26 Unpowered Eurorack Enclosure
Cat: 706836 Rel: 01 Nov 18
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FORTHCOMING
4ms Pod 32 Powered Eurorack Enclosure
Cat: 706840 Rel: 01 Nov 18
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FORTHCOMING
4ms Pod 32 Unpowered Eurorack Enclosure
Cat: 706839 Rel: 01 Nov 18
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coming soon $TBA
FORTHCOMING
Abstract Data ADE21 Multimode VCF Module
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FORTHCOMING
Adam SP5 Studio Pro Headphones
Cat: 705853
 
Closed-back headphones with S-LOGIC Plus technology
Notes: ADAM Audio is renowned worldwide for its industry-leading professional studio monitoring technology. Introducing the Studio Pro SP-5 extends its expertise to the studio headphones product category. The SP-5 is a closed-backed, circumaural headphone manufactured to exacting standards, delivering a smoothly balanced sound across a broad frequency spectrum from 8 Hz to 38 kHz. Its sound characteristics are best described as analytically precise, being developed to satisfy the exacting demands of pro audio monitoring and mixing.

This premium headphone integrates Ultrasone's S-LOGIC technology, employing transducers spatially arranged to exploit the natural form of the human ear and utilizing the natural acoustics of the wearer's pinna to channel sound into the ear canal. The result is a superbly natural sound experience with startlingly realistic spatial imaging of a quality typical of a stereo monitoring system installed and calibrated by experts. This system makes mixing on the SP-5 easier than on traditional headphone designs that simply point directly at the ear canal.

Another advantage of headphones deploying S-LOGIC technology is that they require less SPL to deliver the same subjectively experienced volume. This reduces distortion artefacts and avoids listening fatigue, making the SP-5 an excellent choice for long mixing sessions. Great care has been taken to ensure that this headphone is comfortable to wear for extended periods.

ADAM Audio developed the SP-5 in collaboration with the Bavarian company Ultrasone, a manufacturer famed for its decades of experience in first-class quality headphones 'Made in Germany'. ADAM Audio's speaker technology experts put the transducers selected for the SP-5 through an intensive re-voicing process to give the SP-5 its own special character that mirrors the unmistakably precise ADAM Audio sound.

ADAM Audio CEO Christian Hellinger explains: "We're very pleased to have worked with such a renowned industry partner to offer our first ADAM Audio headphone. Our collaboration has produced a headphone that fits perfectly into ADAM Audio's range of reference-class monitors and follows the same objectives of providing ultra-precise reproduction of audio material while avoiding hearing fatigue.
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coming soon $539.50
FORTHCOMING
AJH Synth Fixed Filter Bank 914 Inductor Based Bandpass Filter Array Module (black)
Cat: 708095 Rel: 31 Oct 18
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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coming soon $TBA
FORTHCOMING
AJH Synth Fixed Filter Bank 914 Inductor Based Bandpass Filter Array Module (silver)
Cat: 708102 Rel: 31 Oct 18
 
14 band inductor based fixed filter bank - silver, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
Read more
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coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Glide + Noise MK2 Module (black)
Cat: 708115 Rel: 31 Oct 18
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coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Glide + Noise MK2 Module (silver)
Cat: 708117 Rel: 31 Oct 18
e-mail me when released
coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Sample Hold & Slew Module (black)
Cat: 708087 Rel: 31 Oct 18
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Sample Hold & Slew Module (silver)
Cat: 708090 Rel: 31 Oct 18
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Read more
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coming soon $TBA
FORTHCOMING
AJH Synth Next Phase Analogue Multi Tap Phaser Module (black)
Cat: 708079 Rel: 31 Oct 18
 
12 stage multi tap stereo phaser - black, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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coming soon $TBA
FORTHCOMING
AJH Synth Next Phase Analogue Multi Tap Phaser Module (silver)
Cat: 708085 Rel: 31 Oct 18
 
12 stage multi tap stereo phaser - silver, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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coming soon $TBA
FORTHCOMING
AJH Synth V Shape Wave Twist & Distort Module (silver)
Cat: 698448
 
Wave twister/distortion module - silver, 10HP
Notes: The V-Shape is two modules in one, a wave twister and a distortion/wavefolding module. Both sections of the module are all analogue in design, and both can be used independently, or they can be normalised together in series, so that a waveform can be twisted first and then distorted and wavefolded.

The wave twister can take (for example) a saw tooth waveform as an input and shape it, under manual or external voltage control, through to being a triangle waveform and on to being a ramp waveform, and produces a sound similar to PWM for sawtooths. It will also work with symmetrical waveforms such as triangle and sine waves, again producing PWM like tones.

It can produce a wave twisting effect from most waveforms (with the exception of square waves), whether they are symmetrical or asymmetric. Under many conditions the transfer function is not perfect, so different harmonics may be generated too. The offset control allows a bias to be added to the incoming waveform, either to bias it correctly around zero or offset it for more distortion and harmonics.

The second part of the V-Shape module is a distortion unit, with selectable Soft or Hard Clipping, and the clipping amount can be varied either by a front panel control or an external control voltage with the "Distort" control. The distortion offset control adds or subtracts a bias voltage to the CV signal, to give an extended range of control. There is also a single stage, switchable wavefolder, which can be used with either soft or hard clipped waveforms.
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FORTHCOMING
AJH Synth Wave Swarm Dual 6 Stage Wave Animators Module (silver)
Cat: 698447
 
Analogue waveform animator & dual channel device - silver, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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FORTHCOMING
Akai MPK Mini Play Standalone Keyboard & USB MIDI Controller
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coming soon $118.92
FORTHCOMING
ALM ?????????? Sampler Module
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FORTHCOMING
Arturia Keylab MkII 49 Key USB MIDI Controller Keyboard (white)
Cat: 694339
 
Expressive, versatile & powerful next-generation 49-note USB MIDI controller keyboard - white
Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.
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FORTHCOMING
Arturia Keylab MkII 61 Key USB MIDI Controller Keyboard (white)
Cat: 694340
 
Expressive, versatile & powerful next-generation 61-note USB MIDI controller keyboard - white
Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.
Read more
e-mail me when released
coming soon $TBA
FORTHCOMING
AVP Synth ADS7 Analogue Drum Synthesiser
Cat: 704198
 
Drum synthesiser with built-in 32-step sequencer & MIDI control
Notes: ADS-7 is an analogue drum synthesiser inspired by the drum machines/synthesisers of the 70s-80s with a built-in 32-step sequencer and MIDI control. It has 65 controls, 4 switches and 28 buttons with which you can have a wide control over the sound parameters, sequencer and MIDI. It has individual audio outputs and individual trigger inputs for each of the seven sounds.

Assembled in Moscow/Russia using discrete components and OTA chips.
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FORTHCOMING
Bastl Instruments 1983 Polyphonic MIDI To CV Module
Cat: 688796
 
MIDI to CV module featuring 4 channels of CV & Gate - 7HP
Notes: 1983 is a polyphonic MIDI to CV interface with creative voice allocation and automatic tuning capabilities. There are 4 channels of CV and GATE outputs that can be used in various layouts such as hybrid splits between monophonic and polyphonic voices or velocity, CC, aftertouch, triggers, clock or reset.

Each channel is able to LISTEN to the simple waveforms of the oscillators and with a single press of the TUNE button, it adjusts the CV outputs to the same tuning (such as A = 440 Hz in equal temperament or others). It also maps the response for all 7 octaves so all the oscillators are perfectly in tune with each other (and with other instruments). PURE MAGIC!

When the UPDATE jack is used, it forces the outputs to update only when a trigger is detected.

1983 always stores the notes played in a legato sequence in a buffer and the WINDOW jack allows for selecting which of these notes appear at the outputs.

This way the MIDI keyboard can be used as an input interface for harmonies and note sets that are further creatively processed with triggers and CV in the modular environment.

The TRANSPOSE jack shifts the outputs by semitones, fifths or octaves and the PORTAMENTO jack sets the glide time by CV.
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FORTHCOMING
Befaco Kickall Percussion Voice Module (assembled)
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FORTHCOMING
Befaco M2.5 Knurlies Eurorack Screws (pack of 100)
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coming soon $39.99
FORTHCOMING
Befaco M2.5 Knurlies Eurorack Screws (pack of 50)
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coming soon $24.06
FORTHCOMING
Behringer Arp 2600 Semi Modular Analog Synthesizer
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coming soon $TBA
FORTHCOMING
Behringer K20 Analog Semi Modular Synthesizer
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coming soon $TBA
FORTHCOMING
Behringer LMX Drum Machine
Cat: 688727
 
Classic Digital Drum Machine with 24 Drum Sounds
Notes: LMX - Classic Digital Drum Machine with 24 Drum Sounds, Real-time Sequencer with Step Editor, Wave Designer and Dual-Mode Filter
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FORTHCOMING
Behringer MS101 Analog Synthesizer (black)
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FORTHCOMING
Behringer MS101 Analog Synthesizer (blue)
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FORTHCOMING
Behringer MS101 Analog Synthesizer (grey)
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FORTHCOMING
Behringer MS101 Analog Synthesizer (red)
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FORTHCOMING
Behringer NX1000 Class D Power Amplifier (1000W)
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coming soon $170.82
FORTHCOMING
Behringer NX3000 Class D Power Amplifier (3000W)
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coming soon $271.37
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Behringer NX6000 Class D Power Amplifier (6000W)
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coming soon $393.54
FORTHCOMING
Behringer Odyssey Analog Synthesizer
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coming soon $TBA
FORTHCOMING
Behringer OMX Drum Machine
Cat: 688729
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FORTHCOMING
Behringer RD808 Rhythm Designer Drum Machine
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FORTHCOMING
Behringer RD909 Rhythm Designer Drum Machine
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