Defected Schallplatten & CDs

Review: Get ready for a rush-inducing dose of proper soulful vocal house from the mighty Dames Brown. On this record for Defected, Detroit's foremost trio of Athena Johnson, Lisa Cunningham and Teresa Marbury linked up with the mighty Amp Fiddler and Andres for a rip through house music as real as it gets. The original 12" mix of 'What Would You Do?' is hard to beat for raw, heavy-hitting groove and production, but there are some choice remixes included here for those who have different needs, whether it's the bouncy jazz funk of Two Soul Fusion's version or the smoother sound of Folamour creating a sleek disco house variation for the peak time crowd.

Review: When it comes to gospel-powered 21st century dance music, Detroit trio Dames Brown have been involved in many of the most memorable records - not least Sophie Lloyd anthem 'Calling Out' and Horse Meat Disco hook-up 'Message To The People'. Here they join forces with fellow Motor City musician Waajeed for another arms-aloft classic in the making. In its original form, 'Glory' blurs the boundaries between gospel disco and gospel house, with the trio's powerful vocals rising rubbery bass guitar, loose-limbed beats and riotous organ licks aplenty. It comes accompanied by two fine remixes: a stomping, piano riff-powered gospel house take from Rob and Lyric Hood's Floorplan project, and a stomping, thickset gospel disco 'dancing club dub' courtesy of Kelly G.

Review: Todd Edwards is affectionally known as Todd the God because of his skills. Those skills are two fold - he famous fomented this own style of garage with quick beats and cut up vocals used like an extra instrument in the mix. But he is also a badass DJ who can slam through house and garage with high energy and plenty of charger. As such, he is rightly celebrated here with an overdue entry into Defected's long running House Masters series. All his most famous joints make the cut, from the bumping remix of St Germain to the lively vocal soul of his dub of Kim English via originals like his jazzy, chord laced anthem 'Push The Love.'

Review: Though mostly known for their colourful and soul-drenched house, Defected can also do more physical and tech-leaning sounds as exemplified on this new EP. It features a mix of new school tastemakers with Jansons opening up with the old school breaks and bars of 'Hypnotic' (feat Dope Earth Alien) then American star LP Giobbi layers up the freewheeling melodies and punchy drum loops on 'Giodisco.' Sam Divine gets for a deep and driving house sound on 'Take My Hand' (feat Josh Barry) and Oden & Fatzo X Camden Cox close things out with a more light and airy vocal sound on 'Lady Love.' Some useful variation here.

Review: Defected needs no introduction, simply a reiteration that its no secret its one of the most influential house labels around today. Jamie Jones made a huge splash at Ibiza's 2022 season with this track, receiving support across the board from underground tastemakers to daytime radio. Bolstered by the remixes of Brazilian icon Vintage Culture and the alchemist himself, longtime Ibiza master Damian Lazarus on this rolling feel-good house groove. It's easy to see the mass appeal of such a sunny track.

While Jamie explored disco influences with his signature high-energy groove on the original, Vintage Culture's clear-cut trademark sound gives a distinctly tougher feel, a chugging bassline and rolling synths giving it that dark club side. Lazarus, the soundshifter that he is, reshapes the track in his image. Culminating in a more abstract, chopped-up house entry, undeniably funky with some synths and keys that sound like they shouldn't work - but by God do they.

Review: Defected's House Masters series tribute to Frankie Knuckles is being released as two double LPs, but it could have easily been four or five, such is the quality of the tracks and remixes that the 'Godfather of House' produced during his lifetime. Naturally this second and final part is full to bursting with colourful, tactile and wonderfully saucer-eyed classics - many familiar, some slightly less so - which deserve a place in your collection. Picking highlights is naturally tough, but for proof of Knuckles' unassailable musical majesty and dancefloor magic it's hard to beat the Sound Factory mix of 'The Whistle Song', the low-tempo house bliss of his remix of Inner City's 'Whatcha Do With My Lovin', the Satoshi Tomiie/Robert Owens hook-up 'Tears' and his incredible revision of Electribe 101's 'Talking With Myself'.

Review: Over the last three years, DJ/producer Mimmo "MoBlack" Falcone has turned MoBlack Records into arguably the World's leading label for African house music. Defected clearly thinks so, because the label has decided to put out this EP featuring tracks from remixes from Falcone and some of his regular collaborators. On side A Falcone joins forces with Armonica to deliver two sparkling, rubbery, positive and heavily electronic reworks of Fela Kuti classic 'International Thief Thief'. Both hit the spot, though it's the Dub, with its extended vocal breakdown and trippy effects, that floats our boat. Over on the flip we're treated to two versions of MoBlack, Emmanuel Jal and Henrick Schwarz hook-up 'Chagu': a bouncy Afro-tech take from Schwarz and a warmer, deep Afro-house interpretation by Falcone.

Review: Defected's numeral EP series is up to a 13th edition but this one is in no way unlucky for anyone. It collects together some of the biggest and most widely heard tunes of 2022 across two sides of wax. First up is the summer banger 'Rise Up' from Harry Romero & Inaya Day which dropped in June and was never far from a big moment. The Deep In Jersey remix of 'Rise Up' is more deep and dubby and then on the reverse Spanish artist David Penn offers 'Push The Feeling' with vocals from Leon Stanford. House hero Mike Dunn then pairs off with LOA for a hip-hop-leaning sound.

Review: Sophie Ellis Bextor got her self back in the headlines during lockdown having hosted a series of live streams from her own home. They reminded people of her happy go lucky and dance floor friendly sound, not least her epic naughties hit 'Groovejet' (If This Ain't Love).' Defected capitalise on this with a massive double pack of remixes from contemporaries like Purple Disco Machine and Riva Starr. The original sits pretty in the middle of them all and frankly still takes some beating but Harvey Sutherland does a fine job of updating it with some cool jazz-funk bass and chords.

Review: Defected gather together some big hitters for this VA release which will appeal to all those who like their house music pitched for the biggest rooms possible. John Summit takes us to the top with 'La Danza' and Dennis Ferrer & Disciples get some epic remix treatment courtesy of Summit once again. Ferreck Dawn and Izzy Bizu face off on the B side with 'Life', which brings some powerful pop hooks into the mix atop a catchy as hell house beat. That leaves it to Dawn to tackle Jem Cooke for a version of 'Back Tomorrow' that's just as anthemic, giving you everything you need to move a massive crowd.

Review: Last time out Andreya Triana and The Vision (AKA KON and Ben Westbeech) took us to "Heaven" and back. For their latest single they've asked us to gape in wonder at some suitably sizeable "Mountains". In its original "Extended Mix" form (side A) the track is soulful, slick and seductive, with Triana's superb vocals rising, mountain-like, above a musical panorama rich in dreamy chords, jazz-funk bass, gospel pianos and club-ready beats that sit somewhere between deep house and disco. Danny Krivit is the man at the controls for the flipside remix. He stretches out the track impressively, making a bit more of the spacey synths, guitars and bass while re-framing the track as a soaring slab of piano house brilliance.

Review: Since the 1970s Danny Krivit has been a prolific re-editor. We're used to him cutting up classic cuts - think disco and soul, in particular - but he's never been afraid to turn his talents to contemporary cuts. That's what you get on this surprise Defected release. On the A-side he turns his attention to "Heaven", the killer gospel-inspired modern disco single from The Vision and Andreya Triana, turning in a version with plenty of drops, instrument solos and more emphasis on the righteous, life-affirming vocals. He's in a smoother mode on side B, extended and rearranging the rich and soulful dancefloor treat that is Kai Alce's Original NDATL vocal mix of The Dangerfeel Newbies' "What Am I Here For?" - a gem from 2016 that has previously been criminally overlooked.