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New releases last four weeks: All genres
All genres vinyl released in the last four weeks
Artikel 1 bis 44 von 44 auf Seite 1 von 1 anzeigen
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Review: The ASHPPE series has been nothing if not unhurried. It started several years ago but always results in essential outings when they do come. The fourth transmission from the techno talent emerges from subterranean shadows with three tracks aimed squarely at the club. 'Judge' is tightly looped and edgy without letting you settle and 'Deeper' then brings muscular broken beat patterns, glitchy textures and raw hits into a futuristic techno soundscape. 'The Box' brings bright and shimmering synth smears to more contorted and twisted drum patterns that demand your more inventive moves.
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Cat: BNS 090. Rel: 02 Apr 25
Techno
Review: Aural Float's 'South Of The Clouds' first evaporated, then fell as rain in the form of a two-parter progressive trance track released on a wider EP out on Elektrolux Records in 1995. Said to have effortlessly captured the feel and fervour of the Frankfurt trance zietgeist, the creative trio of Alex Azary, Gabriel Mastichidis and Pascal Dardoufas were over the moon to have heard their EP opener claimed as a scene favourite. Now after almost 30 years of cloud residence time do we hear two further precipitations of the already 26-minute (in total) track, by Gregor Tresher and Extrawelt respectively.
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Review: We shall never apologise for our love for the work of Steve O'Sullivan. His contributions to the world of dub techno are second to none. They are also mad consistent both in style and quality which means they never age. Here he steps up to Lempuyang with his Blue Channel alias alongside Jonas Schachner aka Another Channel for more silky smooth fusions of authentic dub culture and Maurizo-style techno deepness. Watery synths, hissing hi-hats with long trails and dub musings all colour these dynamic grooves. They're cavernous and immersive and frankly irresistible and the sort of tracks that need to be played loud in a dark space. In that context, you'll never want them to end.
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Review: Bristol label-turned-blog Innate launches a new sub-label, Innate Editions, which it says is dedicated to timeless UK techno, IDM, electro and ambient music, and it'll all come on heavyweight vinyl to boot. The first release revives Connective Zone's Palm Palm, a millennium-era cult classic and Ben UFO favourite that first came out on Mark Broom and Dave Hill's Unexplored Beats in 2001. Now, this long-out-of-print, expensive and hard to find gem has been remastered by Jamie Anderson and so sounds superb with many lavish electronic layers, richly emotive melodies and dynamic drums that lean on UK techno, IDM, and deep electro. Sounds as good now as it ever did.
… Read moreGespielt von: Lexx, Owain Kimber (Owain K), Shadow Dancer, Mark Broom, Gilbert - (Innate/MOS), Danijel Kevic, Mihail P
in stock $14.65
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Review: Patrick Conway is back on ESP Institute for a third time and the returns are as brilliant as the first two outings with plenty of emotional depth on display. Opener 'Loss' sets a melancholic tone with a repeating high piano note guiding a poignant chord progression, angelic voices and a modulating synth all sinking you in. That contrasts with a gritty rhythm section made from corroded dancehall elements all bathed in saturation for added authenticity. On the B-side, 'Silencio' explores negative space and rhythmic dialogue using anthemic synth stabs to unify the more meandering melodies. When chaos and order synchronise with force like this, there is fun to be had.
… Read moreGespielt von: Alexis Le-Tan
in stock $14.11
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Review: Techno doesn't come much more pure and effective than when it is served up by the Planet Rhythm label. At the helm of this fresh serving is Creznight. He goes straight in at the deep end with the muscular drum funk and tightly lopped vocal fragments of 'With You' which soon get you banging the walls. 'March on Mars' is just as direct but funky with warm and punchy kicks triggering percussive rolls and smeared synths. 'Backstab' shows no let up in the drum pressure but does have a more deft melodic touch that allows in some light and 'Instinct' shuts down with more well designed loops, a hint of 90s minimalism and a taught bassline that keeps things moving at pace.
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Review: The Crime Partners duo from Nantes, French, are no strangers to this label, having dropped plenty of heat here before. This new EP is another one primed and ready for the club: 'Pumping Bush' bursts out of the blocks with musical drum funk and classic dub chords smeared over the top. 'Raindrops' is a grainy and monochrome dub techno driver with endless reverb to get lost in and 'Deep Cover' is an unsettling pumper that keeps you on edge with its nervy synth loops. There is more upright and punchy techno fun on 'You Got Our Vibe' and 'Keep Pushing' while 'One More' is a great and gritty warehouse banger.
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Review: Death, taxes and quality techno from Planet Rhythm are the three sureties of life. The label that maintains a high laity output and never strays from its blueprint is back with more functional and well-formed sounds, this time from Mattia Dambrosio. He opens with a cut doused in static, fizzing synth lines and with a funky, mid-tempo beat on 'Spring.' 'Ossidiana' dials it back to allow the dub chords and deep roaming bassline room to lure you in then 'Domani' mesmerises with silky synth sequences that glow bright above an implied rhythm. 'Stabs' is an upright and warm techno pumper with Detroit chords and 'Warmer' then takes you way down deep into cavernous underground dub worlds.
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Review: Drei Vinyl launched back in 2023 and has slowly but surely amassed a respectable catalogue of various artists' releases. This sixth outing is the most straight-up techno offering yet and it opens with one of Spain's finest in Eduardo De La Calle. 'Deva5Vyasa' is heady and otherworld loop techno perfection with synth daubs and conscious vocals peppering the rubbery kicks. DJ Shufflemaster brings more texture to the raw, percussive madness of 'Axiom' and Tensal layers up unsettling and anxious synth murmurs with rising drum tension on 'Thermal Cycler.' Pergo's 'Lume' is a brash, industrial closer full of urgency.
… Read moreGespielt von: Carlos Nilmmns
in stock $14.93
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Review: Karol Mozgawa is Polish techno talent Deas, and he brings his class to Planet Rhythm here, although it's Ferdinger remix of 'Dissociation' which gets things underway. It's a speedy and supple techno pile-driver with euphoric chords sure to elevate the 'floor. '8 AM' is much more mechanical and industrial with unrelenting drums and textured hooks peeling off the beats. 'Dissociation' in original form is a classic bit of soulful hi-tek Motor City goodness and 'Error' closes with some raved up synth madness and super-sized hi hats.
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Review: Binar's fifth outing looks to a selection of talented remixers to add their own spin to some stylish techno originals. First, it is Decka's 'Alignment' that gets reworked by Efdemin, who we haven't heard from for a while but are glad to do so now. He flips it into a straight-up and smooth techno pumper with fuzzy pads softening the edges. Next, Amotik brings some urgent synth pulses and hunched-up drum funk to 'Remains Mystery' and The Lady Machine remix of 'Run' is all fat, drunken synths tumbling about with jacked-up drums and analogue hits. Jeroen Search brings some signature future cosmic energy to his take on Border One's 'Organoid.'
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Review: French techno innovator Laurent Garnier, Berlin's shape-shifting DJ Gigola and German house mainstay Gerd Janson each put their own spin on 'Miss Suave', a cult favourite from Swiss producer Deetron from the early 2000s. Garnier twists it into a deep, acid-tinged Detroit workout, layering hypnotic synth cycles over rolling percussion. DJ Gigola dials up the tension with a stripped-back rave approach, sharpening the groove into something raw and propulsive. Janson, known for his disco-inflected touch, injects a dose of swing and warmth, transforming the track into a fluid, floor-ready mover. Three distinct takes from three essential names, each pushing the original into new territory.
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Review: Releasing techno that's built for both deep listening and the cavernous expanse of a warehouse dancefloor is something Tresor has prided itself on for over three decades now. The latest release delivers a powerhouse of raw, underground energy with 'Life' by DJ Plant Texture from Bari, Italy, a release that feels perfectly at home on the label. Side-1 opens with 'Ripetitivo' (Stretch Mix), a frantic, sci-fi-infused cut driven by intricate percussion and a relentless tribal groove. 'Seq21' follows with hypnotic, heavy underground techno, pulling the listener into its deep, looping vortex. Closing the side, 'Cycles' introduces a rolling bassline and ravey intensity, demanding attention while maintaining a deep, driving rhythm. On Side-2, 'WTT' (Dub Mix) stands out as a massive bangerideep, tribal and hedonistic with an incessant pulse that locks dancers into its grip. Finally, the title track Life delivers a pounding finish, embodying the raw, uncompromising energy that defines this release. An intense experience that balances hypnotic depth with peak-time firepowerianother essential entry in Tresor's legacy of underground techno.
… Read more in stock $12.99
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Review: American label Communique Records is the parent of the iconic sublabel Country Western which it has now revived for a series of cultured reissues. This one comes from Brian Douglas whose Singularity EP from 1996 has been re-sourced directly from the original DAT tapes and carefully remastered. For those who have dug deep enough, this one has long been a favourite that brims with hi-tek machine soul. 'Torn Apart' is a hurried deep techno cut marbled with squiggling electronic sounds and smeared pads, while 'Rising Sun' is more manic thanks to the unhinged acid line that busies about the mix. 'Magic' is a raw, hard-edged stomper and 'First Time' brings some tripped-out and pixel-thin synth whispers next to chords that could well have inspired Omar S.
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Review: Detroit Assembly Line kicks off with a powerful statement of intent, delivering four tracks of raw, intense techno from two key figures in the Detroit underground scene. A-side, Drivetrain opens with 'People!'ia relentless track that drives forward with uncompromising energy, followed by 'Notech,' which layers intricate rhythms with a futuristic edge. Over on the B-side, Antwon Faulkner brings the deep, dubby feel of 'The Dub,' before turning up the heat with 'Cyber War,' a hard-hitting track that packs all the urgency of Detroit's signature sound. This is the first release in the Detroit Assembly Line seriesia collection built to showcase the unfiltered, authentic noise of Detroit's techno legacy. It's a no-nonsense manifesto, made to remind the world of the city's continuing influence on the global underground.
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Review: Lost in Music: Post Industrial Dreamscape is a powerful film made by British artist Jermaine Francis. This is its soundtrack and it is a collaboration between Tony Bontana and Francis himself. The soundscape mirrors the film's moody and smoky dissonance as it delves into Post-Industrial Britain's social and political landscape through Francis's life. After being inspired by seeing the film, Full Circle saw potential in the track and remixed it into a loose yet mechanical sound with trippy synths and churning bass, while Ukrainian artist Shjva added her own interpretation that is a much more heady and dee bit of techno with cosmic synth overtones and an otherworldly feel.
… Read moreGespielt von: Alexis Le-Tan, Tom Drew
in stock $13.83
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Review: Known for his meticulous sound design and trippy, psychedelic approach, the Japanese producer gets key tracks from his 2023 Agartha album remixed with contributions from Kompakt veteran Michael Mayer and rising talent Philipp Stoffel. Opening the selection, 'Agartha (Wata Igarashi Sorcery Acid Mix)' plunges into heavy analog territory, channeling old-school acid trance with pulsing basslines and swirling synth layers. It's a trip that maintains a relentless and hypnotic momentum. In contrast, 'Floating Against Time (Wata Igarashi Shimmering Mix)' leans into atmospheric techno, unfolding with a celestial, meditative quality. The track's ethereal pads and evolving textures create a sense of weightlessness, staying true to Igarashi's deep, transportive aesthetic. Michael Mayer steps in with his version of 'Ceremony of the Dead', infusing it with an upbeat vintage techno feel. His remix brims with Kompakt's signature warmth, blending ravey elements with a steady, driving groove. Closing the set, 'Abyss II X Darkness (Philipp Stoffel Fusion Mix)' picks up the pace with rolling basslines and dubby, melodic layers. Stoffel's take is fast and fluid, balancing deep, introspective elements with club-ready energy. A refined touch for floor or sofa alike.
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Review: Emmanuel's ARTS is a Rotterdam-based indie techno label that quietly pushes at the boundaries. Introversion has released here before with his 'Hush' 12" back in 2022 and since then has landed on the likes of Fundaments and Makatoo, always adding to his reputation. This one opens with 'Laeddis', which is cantering, full-throttle techno funk with big, oversized hi-hats. 'Found Footage' is a scruffier cut with underlapping kicks and muffled trance chords up top, then 'Tesseract' gets slicke and turbocharged for a fresh future assault. 'Signs' closes with supple, mind-melting synth patterns that intertwine with wispy percussion and thudding rubber kick for pure techno perfection.
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Review: Four percussive techno workouts drive this EP, each pushing rhythms and atmosphere alike into forward-thinking territory. Side-1 starts with 'The Cult', a relentless, bass-heavy force built for peak-time energy. The low-end hits hard, while futuristic elements keep it fresh. 'Charm' follows with a rhythmically adventurous approach, weaving breaks and deep bass into the techno frameworkiperfect for DJs looking to push boundaries. On the flip, 'Jungle Curse' layers pounding drums, looping percussion and crisp production into a hypnotic groove. Its weighty bass and driving structure make it an essential tool for deep, rolling sets. Closing out the record, 'Wild Nights' goes full tribal, locking into a hedonistic pulse that feels primal yet otherworldly. If you're looking for different rhythms in techno while still keeping the energy high - plus a heavy dose of futurism - these are well worth checking out.
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Review: Returning with their second EP on their self-named label, the Kilotoni series is said to be the work of renowned techno artists, plucked from the archives, but whatever, it's a a fierce resurgence of headstrong acid techno that feels both classic and vital. Side-A opens with 'Track , a minimal yet powerful stormer driven by a thick, rolling acid bassline that commands the floor. 'Track 2' follows up with a heavier, more stomping affair i a dangerous, sci-fi-inflected ride where the acid line buzzes with an incessant, hypnotic edge, pushing the energy to the brink. Turn to Side-B and 'Track 3' hits with alien sound design and raw 90s acid techno energy. It's a slice of nostalgia, yet the strong modern production keeps it razor sharp and club-ready. Closing things out, 'Track 4' shifts gears into a groovy, fun techno jam that retains the otherworldly atmosphere but brings a lighter, more playful bounce to the mix. A heavyweight EP that perfectly captures acid techno's gritty essence while pushing it into new, futuristic spaces.
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Review: LDS - or German producer Luca Daniel Schwarz - builds techno like a machine whisperer, programming intricate rhythmic structures that breathe with an uncanny human feel. Stadion Progg is a showcase of his algorithmic finesse, where probability-based sequencing drives hypnotic, shifting grooves that evolve in real-time. 'Pow' and 'Diff, Block Mix' weave dubby textures into pulsating frameworks, while 'Zipp Prompt' jolts forward with clipped vocal stabs and needle-sharp synths. The title track stretches into grand, propulsive territory, amplified further in Jean Redondo's remix, which adds extra layers of kinetic energy. The LDS process is equal parts engineering and intuitionimeticulously constructed yet alive with spontaneity. Stadion Progg is proof that machine-driven music doesn't have to feel mechanical; in the right hands, it moves with instinct.
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Review: The Young Hegelians once reparteed that Manchester was the geographical birthing place of the Industrial Revolution. Mysterious Manc monarch Louis The 4th nods at this fact with an express delivery straight from the millworks; even in the most brutal of working conditions, one might find love. 'She's From Manchester' evokes plumes of ashen smog as the waste byproduct of an excessively productive, surplus labourious love affair. Foundries founder, and railway workshops curdle under the weight of mechanical process, as the fast propulsions of 'Sub Genetic' and 'Stuck In The Void' quell the soul as much as they do exhaust the body, outstripping and going beyond the injurious demand to work overtime. 'Suffering Experience' closes on a dulled but continual note, as wan reverberations resound in a now abandoned factory.
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Review: UK-based electronic musician Luke's Anger (aka Luke Sanger) is a 20+ year scene veteran who a new four-track electro EP that's both nostalgic and future-focused. Known for his genre-hopping rave output and live experimental techno sets, often gracing stages like Berghain, Sanger returns to his banging roots here. 'Particle Swarm' opens with squelchy synth textures, while 'Threshold Rider' bounces with infectious 808 energy. The title track builds euphoria through fluttering rhythms, and 'Silicon Boogie' closes things with funky digital chaos. With nods to sci-fi electro and UK bleep techno, Ceiling Walker is a tightly engineered ride through bass-driven, mechanical funk built for serious body movement.
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Review: Serious seriality from the OHM Series, an imprint and sole patent owner of the rare, aurally administered chemical known as Omega X. The alphabetic Greek letter ohm determines impedance / resistance in an electrical circuit, and so too do each of the dub techno tracks released on the OHM Series amount to tergiversating transductions, their chillout chord-knocks and hardened beats never quite letting us settle. Though titles like 'Innocence' and 'Downtime' persist here, the tracks perhaps inadvertently prove that flow is impossible without resistance: Separation's track is especially unorthodox in its strange reordering of phaser, pan and saturation effects on the pad-stab, which produces an unusual swirling effect.
… Read moreGespielt von: Owain Kimber (Owain K)
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Review: Merv keeps it super deep here with a trio of supremely tasteful techno cuts doused in dub culture. 'Sliver' is first and awakens the sense with some gentle rattling chords that sound like distant thunder rolling in with a storm. 'Embrace' is airy, with big kicks and frosty pads shimmering across the airwaves and crisp hi-hats cut right through. 'Strain' is last up on the flip and is an elongated journey through some sugary melodic pixelations, a frosty dubscape and hints of melancholia. All are perfect for those late-night and intimate back room sessions.
… Read moreGespielt von: Owain Kimber (Owain K)
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Review: Mesh Convergence is an artist from South Spain and this is his debut EP. But you would not think it because these are some hi-spec and original techno sounds. 'Reflection Of You' blends prickly percussive loops with distant claps, a percolating low end and tense chord work. 'Despite Everything' has a deft rhythm that floats just above the dance floor and is run through with searching synths and 'Before It Fades' gets more deep and minimal with curious synth sounds and sparse open hi-hats held together with a rugged lead. 'Still Not Over It' is gritty, fizzy, evocative techno for large, dark warehouses.
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Cat: SER 007. Rel: 14 Apr 25
Techno
Review: Serenity is a mental health charity label that is now back with more sonic gold, this time in the form of a reissue of Marco Bernardi aka Octogen's 'The Journeyman' from 2008 on Soma Recordings. It is an immersive, emotive sound with lush and ethereal pads and a moody bassline that keeps you locked. The B-side offers two original tracks from Bernardi 'Travelling to the Sun' is one to hypnotise floors with its hypnotic chimes and raw drums, while 'Little Tiny Crickets' delivers a fast-paced IDM twist with some killer synth work. As always, proceeds go to charity this time Papyrus UK who support youth suicide prevention and MusicSpace.
… Read moreGespielt von: Mihail P
in stock $13.26
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Review: Off/Grid has impressed with his ability to cook up tracks that keep the tension going throughout. He's done it before on the likes of Rotterdam's Arts collective and more than once on Planet Rhythm. This one for another Dutch label brings plenty of texture to opener 'Down The Vaults' which has a fizzy lead prying between the sturdy drums. 'The Movement' is much more bouncy - one of those cuts that gets fists pumping and smiles on faces. 'Protect Ya Deck' is precision-tooled, acid-laced peak time gear for when the whole club is on the same vibe and the strobes are flashing, and 'Never Ready For This Shit' shuts down with some pent-up funk and brilliant syncopated drum work.
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Review: Planet Rhythm is a highly prolific label whose quality levels never dip, all while staying true to a signature sound that is classical and fad-free. The SP Series has furthered its reputation and now hits a tenth edition with Portuguese legend and 30-year scene veteran A Paul at the helm. His opening gambit is a mental deep techno workout with prying bass precision, 'Utopia' gets more unsettled with twitchy stabs and FX and 'Hardcell' unfolds at warp speed with tightly woven layers of synth and bass. There is no let up on closer 'Constrain' which balances minimalism with sophisticated sound design for a pure deep techno trip.
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Review: Hard techno bastion Perc has invited a bunch of peers to remix some of his own tackle for his Perc Trax label and the results are as abrasive and arresting as you might expect. 'Full Goblin (Mac Declos remix)' is a fast-paced cut with industrial decay and growling machines keeping you on edge, Peder Mannerfelt remixes 'Static' into mechanical, electro-tech loops with a jarring but beautiful harp loop up top. 'UK Style' gets a Million remix that takes the drums into overdrive and last of all is the big, brash techno throb of a Bad Boy Pete remix lit up with ravey stabs.
… Read moreGespielt von: Dj Hellraiser
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Review: Rico Puestel is a life-long techno veteran but the freshness of his sound wouldn't give that away. He rarely repeats himself but always manages to nail his grooves as this EP shows. 'The Mystery Is Alive' is first up and blends analogue drum programming with dusty and distant synth work that adds in colour and funk. On the flipside, 'The Love Acid' has a more heady feel with some lush chords allowed time and space to really ring out and get your heart fluttering while the cold drums roll below, then the squiggling acid comes in and flips the vibe entirely.
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Review: Milo Raad is back on Rotterdam's finest, Mord Records, with a fine follow-up to his last outing, the 'Blood Pressure' EP. This one opens at pace with 'Bushido' and its rushes of synth and hi hats, which sweep you off your feet in an instant. 'Flash Point' has a more stripped-back sound with a hypnotic meld of drums and kicks that makes for perfect 5am escapism. The deep techno of 'Yawara' is run through with eerie, searching synths that describe a desolate urban scene and 'Detour' is a final assault on both head and heel with its unrelenting drum pressure.
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Review: With over 25 years in the game and a legacy as one half of the revered German electronic duo Wighnomy Brothers, this veteran artist shows no signs of slowing down. His latest EP delivers a slick blend of minimal and tech house flavors with undeniable character. 'Frandga' kicks off with a sultry vocal performance by Delhia, layered over a groovy, addictive minimal tech foundation i funky, hypnoti, and impossible to resist. 'Wortkabular' follows with a more stripped-back micro-tech approach, sharp and precise yet full of subtle movement. On Side-B, 'Beatkutter' flips the energy into a playful, techy party stormer, driven by a nasty, elastic bassline that's pure dancefloor mischief. 'Kopfnikker' closes things out with a surprising twist i a broken IDM-inspired rhythm paired with unique melodic touches, offering a textured and thoughtful finish. This EP proves why his influence still runs deep, blending masterful technique with a fresh, free-spirited edge.
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Review: A poignant and triumphant new chapter for the legendary Brum techno icons, hot on the heels of the reissue of their seminal 2010 album Feed Forward and a year of live shows and archival releases. Its creation is rooted in the tragic passing of Juan Mendez, aka Silent Servant, in early 2024. A founding member and visual artist for the group, Mendez's influence resonates throughout the record, with the title End Beginnings serving as a tribute to his enduring legacy. The eight-track album, crafted by Regis and Function alongside collaborators like Rrose, Rivet, Simon Shreeve and Sarah Wreath, embodies a balance of cinematic depth and dancefloor impact. Tracks like 'Dreaming' weave layered rhythms with atmospheric melodies and elastic vocals, while organic elements peek through Sandwell's signature grit. Rrose's contribution to 'Self-Initiate' amplifies this intensity, with low sirens and urgent percussion creating a bubbling, hypnotic effect. 'Hidden,' is a warehouse anthem, drenched in acid-drenched lines and crisp, menacing percussion. Its dark energy and meticulously fine-tuned production signal the collective's evolved direction while honoring the spirit of innovation and rebellion central to their ethos. End Beginnings is more than an album; it's a moving tribute to Mendez and a new start to Sandwell District's enduring commitment to techno as both an art form and a source of joy.
… Read more in stock $11.61
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Review: Mitsubasa means "three-wings" in Japanese and those wings stand for the soul, the heart and the mind. All of them are taken care of with this new one from the label as SLV taps into Detroit techno heat on the opener. It's awash with textural synths and speedy drum funk. 'Do High' drops in a pitched-up vocal hook that cannot fail to get that extra bit of real iron in the club, especially as the drums surge with such style and euphoria. 'Far From The Madding' is another one wrapped up in synth overloads that build intensely over minimal drums and 'Overcircle' then strips things back to tight, bouncy loops.
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Review: Rotterdam-born but Berlin-based producer delivers a killer techno odyssey, crafting a set of deep, cinematic club tracks with an ominous edge. 'Glimmerfall' beings with a subterranean energy, its pounding German beat driving through layers of dystopian synth textures. The raw, mechanical intensity evokes images of vast, industrial landscapes reminding us of classic Tresor-era James Ruskin. 'The Last Glow' follows with a relentless acid assaultiaggressive, hypnotic and unrelenting, its squelching 303s carving out an electrifying, high-pressure groove. Side-B dives into cinematic realms with 'X1 Shift', a track that feels like the soundtrack to a mysterious alien world. Pulsing bass and intricate sound design create a dramatic, tension-filled atmosphere, as if exploring the depths of an uncharted planet. Closing out, 'Synk C' is a stellar production with a killer groove and immersive depth enhanced by meticulous sound processing. It's a track that feels both expansive and tightly controlled, balancing dancefloor power with artistic precision. A dark, gripping record with serious sonic weight, this is techno built for the late hoursimenacing, sophisticated and ultimately unforgettable.
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Review: First released in 1999, Swayzak's 'Floyd/Doobie' shook the British duo's catalogue. Though it wasn't 'Bueno' or 'Fukumachi', this deep house cut was the next best choice for followers of the then burgeoning tech house circuit. Swayzak were already favourites on this and the deep house scene, and had clawed in acclaim for their involvement in both as early as 1993. One particularly prolix bio deems them the incipients of "1st wave 2000-era progressive deep minimal", which is too analytic even for us manic categorisers. No, we prefer to take these two big-hitters as they are: brimming with enthusiasm for a gadget-packed future, 'Floyd' fizzes and twitches with the pulsing blurts of a saw synth, as if to suggest constant magnetic stimulation from above. 'Doobie', meanwhile, hears our protagonist disrobe the techno utility belt, returning to a wireless home, so to gaze out over a subtly detuned chord landscape set to munching percs.
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Review: French producer Alizee Chelal aka Tauceti's latest offering distills her signature fusion of dense, percussive momentum and textural finesse into four meticulously sculpted tracks. Across this four track release, she refines the balance between propulsion and atmosphere, drawing from the shadowy edges of techno while leaving space for shimmering, almost cinematic detail. 'Aquamarine' opens with rolling low-end and flickering metallic accents, setting the stage for the layered tension of 'Emeraude', where rhythms shift beneath fog-like synths. 'Tanzanite' tightens the focus, its kinetic pulse threaded with ghostly harmonics, while 'Jade' expands outward, its submerged melodies stretching into the depths. As both a DJ and producer, Tauceti has honed a distinct sonic languageione where intricate rhythms meet a deep, almost tactile sense of space. Her work moves fluidly between intensity and restraint, dissolving the lines between the physical and the ethereal.
… Read moreGespielt von: Tom Drew
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Review: Following on from the first various artists E 'Outer Base' on Boomstraat 1818 comes Pollurian, another vital collection of 7 minimal techno tools. There really is something for every occasion here with Casual Treatment one with some mind-melting 90s synth madness and DBFB then laying down quick, urgent and paired-back dub techno that takes you to another level. Itzaac twists squeaky synths and broad synth smears over a linear groove on 'Elasticomanae' and Stefan Vincent & Stroef aim to melt your mind with their percussive and high cerebral workout "2bm1ib1ia'. Jerome From shuts down with a more atmospheric and slower sound that provokes introspection.
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Review: Greek producer Stelios Vassiloudid has been making techno moves since the turn of the millennium under a range of different aliases. Here he appears as himself with four supercharged dub techno cuts for Dubwax. 'Lie In Wait' is a really tight, taught affair with pinging kicks and icy hi-hat ringlets. 'MIA' is more warm and vibes with a soulful core and underlapping bass waves. There is a more minimal and abstract sound to the curious dub bumps of 'Reverse Engineer' that encourage you to be at your most fluid. 'Grains' shuts down with grainy lo-fi pads, vinyl crackle and sparse kick that soundtrack an underwater jaunt. There is plenty of subtle variation to these rhythms which makes it a dead handy dub EP.
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Review: One of the most dynamic producers in techno brings a fusion of dub techno, atmospheric sound design and poetic experimentation. Now based in Lisbon, the Hanover-born producer crafts a deeply introspective journey that balances weighty rhythms with hypnotic textures. Opening with 'Crystal Cell Energy'. Vril sets a cavernous moodidubby, atmospheric and steadily unfolding, with a slow-burning intro that gives way to a powerful, heavy beat. 'Bruch Im Nullpunkt' follows, a quintessential dub techno cut with deep, resonant chords and a unique rhythmic structure. The first half of the record closes with 'Secondary Devices', where Edward George's spoken-word delivery floats over swelling, sci-fi-infused ambience, creating a thought-provoking and cinematic experience. Side-B plunges deeper with 'Tasche Voller Regen', an otherworldly soundscape draped in deep textures. The mood shifts with the Steve Rachmad's Parallel 9 remix of 'Bruch Im Nullpunkt', injecting a sense of momentum with his signature melodic dub chords and precise, pulsating techno framework. Closing the record, 'Shifting' introduces another poetic collaboration, this time with Riddim Writer, layering evocative spoken-word over an ethereal, ambient arrangement. Vril demonstrates exceptional range, seamlessly bridging techno's club functionality with conceptual depth. This is a record that not only moves bodies but also stimulates the mind, another example to Vril's refined artistry.
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Review: This dynamic UK born producer returns with the third release on Moving Pressure Records, delivering a deeply hypnotic and percussive techno experience. Known for his precise, minimal yet groove-heavy sound, Wise crafts four cuts that are both functional and grooving. On Side-A, 'Relax' is a tribal-tinged stomper, driven by rolling percussion and a stripped-back, looping groove that feels built for the late-night hours. 'Chomp Chomp' follows with a subterranean pulse, where deep basslines and eerie, alien atmospheres create a mesmerising, heady effect. Side-B continues the journey with 'Cave', a pumping, evolving builder that slowly unfolds, layering subtle textures over a locked-in minimal grooveithe kind of track that sneaks up on you. Finally, 'Deep Under' lives up to its name, offering subliminal, well-crafted techno with clean, rolling momentum, perfect for deep dancefloor moments. Rene Wise once again proves why he's one of the most exciting names in stripped-down, groove-oriented techno, delivering a tightly produced, hypnotic collection that will satisfy both DJs and discerning listeners.
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Review: One Eye Witness rounds up another four acts for their periodic V/A series, spewing forth four breaks-driven whooshers crossing into progressive techno territory. The Hague duo Young Adults nod to a 1997 Loveparade anthem with 'It's Only Temporary', while breaks and kick implants converge on Christopher Ledger's 'Change That', a track which sounds like the starting firings of an interplanetary expedition pod after years of disuse. Joely brings cosmic chug on the cocooning B1 'Transitional', while the Samesame closer 'Novel End' is just that, traversing a noxious atmosphere with a flexoskeletal electro beat.
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Review: Eddie Santini and Matthieu-F are have poured years of dedication into Resilient Recordings. Now their second addition to the catalogue appears as a split side shared between Zero Days and Acerbic, two newcomers to the scene, but freshly cut and spruced by their patrons nonetheless. 'War On Drugs' with Casey Hardison hears an expansive likening of the USA's war on drugs to a "war on mental states", suggesting an illiberal attitude which sows a repressive, anti-revelrous hell. Hardcore techno reaches its apotheosis on 'Neurotypical Consciousness', meanwhile, whose stuttering sixteenths and mega-compressed mix brings a decisive ploughing forth.
… Read moreGespielt von: Dj Hellraiser
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