Review: 4E used to be Khan's apartment number in New York City's East Village back in the late 90's. 4E became the trademark sound for his downbeat acid infused electro work. On his kitchen floor he produced a very unique brand of futuristic funk tracks with only a ROLAND TB-303, SH-101 and the Hip-Hop fundamental SP1200 drum sampler. Besides a couple of 12"s for Force Inc. Music and the "Gentle Killer E.P." on Freddy Fresh's Socket imprint, 4E released the highly acclaimed downbeat electro album "4E4ME4YOU" on German glitch label Mille Plateaux. Back in 1998 4E shared the now legendary 12" with I-F "Space Invaders Are Smoking Grass" on the "From Beyond Series" by Ectomorph's Interdimensional Transmissions. Pills & Thrills" on Temple Traxx is four previously unreleased acid-electro stomper that are as funky and noisy as it can get on an East Village kitchen floor.
Review: Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
Review: Agrippa builds on his previous on the likes of Version and Brotherhood Sound System and takes to the runway with his brand new imprint Par Avion. Flight path set to the darkest corner of the known bass universe as the captain lays down another brutal fractured neck snapper in the form of "U C Me", label mate and compadre Henry Greenleaf flips the coin for a more intergalactic mission before Meta brings us right down to earth with the techno shatter jam "Fault Line" that feels like an appropriately venomous and paranoid update on Woolford's classic "Erotic Discourse". Ready for take off?
Review: Time Horizon's second episode enlists another team of dancefloor snipers delivering 5 brain-dancing tunes crafted appositively for late night use. After his appearance on the first XCPT record, Andrea is back on the label with his unmistakable shuffling drums and a heavy square bassline followed by Anybody Anytime covering the uptempo-zone with a rotative junglistic tool dressed with celestial pads; closing the A side TANS reveals his new robot alias The Sympathizer providing a neurotic electro progression fully based on his modular system. Flipping the records you will find two XCPT homies bringing the audience straight into Matera landscapes: Farron gets a 909 unceasing toms orchestra surrounded by his atmospheric leads while Kreggo illustrates clearly his hypnotic mid-low vision of breakbeat locked by a mystic bass for the whole track.
Review: Gravity Graffiti present more mesmerising sounds from far-flung reaches, this time showcasing the music of debutant Thai producer Anurak Boonliang. According to the label, Boonliang is steeped in classical Thai music training, and now applies his background to drum computers and synthesisers. The results are astounding, characterized by nimble melodic and percussive programming that moves between regimented rhythmic shapes and more free-flowing patterns with grace and elegance. "Reality" brings Boonliang's roots into focus with a field recording of what we assume is a traditional Pi Phat musical ensemble. If you're in the mood for fresh electronics unbound by the familiar structures embedded in Western culture, look no further.
Review: From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat. "Electro In The Key Of Detroit Vol 1" presents 4 proven dance floor dope and record crate staples that provide the hungry ears of masses the groove to move. A Side features two sure-fire steppers - a rare AUX 88 voyage entitled "Phantom Power" and Blak Tony's tempo-pushing "Holla Holla" finally see the light of day on this wax collectable, giving praise to Motor City footwork culture. On the flip, DJ K-1's "Erase The Time" rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure while Posatronix's mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. This collection of re-issued jams and new explorations is the must-have for the electro/techno & bass aficionado.
Review: One of the founders of Uaudio and Sperimentazioni Sonore, Battista has been bouncing his outsider house style around labels such as The Trilogy Tapes and Warm Sounds, sometimes solo and sometimes in tandem with likeminded souls EMG and John Swing. Now he parks up on Florida label SPORTS with some more crooked delights that ably demonstrate the creative potential still to be found in the house realm if you approach it with imagination. "Infinite Possibility" is a weird, jazzy cut that reaches into the cosmos, and it's utterly magnificent. Saverio Celestri does a marvelous job of remixing it too, turning out a smoky, Motor City indebted version. "Let Me See" may have a more forthright beat, but there's still enough individuality in the choice of chords and samples to make this a stand out house record.
Review: The brilliant Chronicle has been quiet for a minute, but comes back in fine form with this keenly curated various artists 12" that re-affirms the label's vision of cerebral, deep and driving techno. Damon Wild shows his tender side on the gorgeous, immersive "Constant Search", while Ben Sims brings a tougher palette to bear on peak time percussive belter "Vicious Cycle". Steve Bicknell summons a fearsome, metallic dervish on the monolithic "Chapter Of Self", and Tadeo takes things bleepy, loopy and uplifting on "X Marks The Spot". It's a 12" of stunning modern techno from start to finish.