Studio Equipment charts

Notes: Since its release, d+classB series has become a world-wide standard cable series for DJs and music producers due to its solid and reliable sound and build quality. In Summer 2018, with a newly-designed 3.5mm stereo angled plug, "d+MYR classB" was developed to meet the needs of existing d+cable users.

This new option is suitable for gadgets like synthesizers, or tablets/smart-phones, to LINE IN of a DJ mixer for real-time performance with gears, or an audio interface for recording sounds into your DAW sessions, or to powered speakers with RCA inputs.

The flat type cable of d+series analogue cables is designed and constructed by considering each combination of materials and simple structure by eliminating unnecessary objects. The classB series includes thick 18AWG hi-purity Oxygen-free copper for its conductors, which creates clear stereoscopic and well-balanced sound images. The flat type cable structure helps to avoid interferences between cables and its green and white colouring helps to distinguish LR channels in dark venues.

Notes: 100 of Befaco's unique screws designed specifically for Eurorack. These M2.5 screws can be secured by hand, all common screwdrivers and Allen Key. These are great for saving time when rearranging your synth.

Each Knurlie comes with a fitted plastic washer to prevent rack rash.

Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.

Notes: Synthesists beware, there's a new menace in towniand much to the chagrin of it's older sibling, this one doubles down on its Banzai Rush. The Piston Honda mk3 maintains the character of its previous incarnation, while incorporating some punishing new combos. Where the infamous Piston Honda mk2 features a single oscillator consisting of 4,096 8-bit waveforms organized across a 16x16x16 "cube", the mk3 houses 512 16-bit waveforms arranged in an 8x8x8 configuration. Just like its predecessor, the waveforms operate at full resolution and can be manipulated manually with sliders or remotely via CV. Unlike the mk2, which only accepts CV in the range of 0-5v, the mk3's CV inputs accept both positive and negative voltages. Another welcome upgrade is the module's preset manager, which is operable via CV. This enhancement pulls all the punches by allowing users to store and recall specific configurations then morph between those presets! Who knew the fourth dimension was so unabashedly infernal?

The Piston Honda Mark III is a dual morphing wavetable oscillator with waveshaping audio inputs and unison detune. The three axis sliders create a waveform for each selected oscillator to play from the internal "cube" of 8x8x8 16-bit waveforms, morphed at full resolution in all three dimensions (the oscillators may each play a different waveform). The voltage-controlled preset manager stores a bank of these settings to be recalled at any time, with a virtual fourth dimension of morphing when the manager is in "continuous" mode. An orange 128x32 OLED display displays the current waveform for the selected oscillator in realtime, its frequency, and the selected preset and wave selection. The rotary encoder changes system settings on the display, but it's not necessary to interact with the display menus for any performance purpose.

Every suggestion about the previous MK II generation has been taken on board, and the design has been fully modernised, now operating as a dual oscillator in the same 17HP space. The infamous aggressive character of the Piston Honda is fully present, with the added clarity of the 16-bit wavetable engine. The second oscillator's frequency controls can be slaved to the first. Each oscillator has its own unison detune function as well, for a maximum of four stacked oscillators sounding at once. The oscillator can alternatively run as a nonlinear waveshaper, processing a dedicated audio input through the selected wavetable with voltage-controlled drive. When running in its normal oscillator mode, this input instead provides thru-zero frequency modulation.

In terms of visual apprehension, the mk3 adds even more precision to its ilk's well-documented cruelty with the addition of a 128x32 OLED display. More than a mere window into Cocytus, the display provides immediate visual indication of the selected waveform and its frequency, as well as preset and wave selections. When used in tandem with something like Argos Bleak, tuning and executing become insidiously simple. Another malevolent modification is the inclusion of a micro-SD slot, which offers users a quick and effective means of loading their own 16-bit waveforms into the module (much more convenient than the esoteric ROM burning ritual). The module is compatible with files created via the Synthesis Technology WaveEdit program.

Specs:
2x Digital Oscillator - 8 octave tuning range (C0~C7)
512 16-bit waveforms (8 waveform collections)
Micro SD card slot for loading user waveforms.
Graphic OLED display (128x32 in size, orange in color)
CV inputs accept +/- 10V.
Colorblind-friendly interface. No color codes.
8 preset slots with nonvolatile storage of all parameters (morphable)

Waveforms are selected from the internal memory of 8 collections:
* additive harmonic structures
* harsh LFSR progressions
* restored waveforms inspired by classic synthesizers
* special content from my favorite modular artists

You can load user wave data (16-bit WAV format) using the front-panel microSD card slot.

Factory waveset instructions:

Equipment needed: MicroSDcard.

Notes: The Meng Qi DPLPG is a Dual Passive 1-pole vactrol based Low Pass Gate/VCA in modest 2 HP. No power is required as the design is completely passive.

Handpicked components ensure that the modules will be musical.

Feed it a trigger and enjoy the natural smooth decay of a vactrol.

Notes: The EBS new flat design patch cables make possible to tighten up your pedal board and feature as many pedals you need.

Notes: The Morphagene music synthesizer module is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Features
New revision Morphagene firmware MG204 adds great functionality.
Voltage control over all sound manipulation parameters
Stereo I/O with Input Gain Selection, works with line- or modular-level signals
Recording Reel can be up to 2 minutes 54 seconds long
Record/ create up to 99 Splices per Reel
SD Card stores multiple Reels
Sound On Sound allows for layering sounds
Playback and Recording independent, like having two machines
Vari-Speed range 12 semitones up and 26 down, over 3 octaves
24-bit codec, creates 48k 32bit WAV files
Back up Reels on computer with SD Card
Share and download Reels at freesound.org! [see how]
includes blank SD Card

Specifications
Width: 20hp
Max Depth
(incl. power cable): 45mm
Power:
165mA @ +12V
20mA @ -12V

Notes: Space is essential when building a pedalboard. With the new Premium Gold Flat Patch Cables, EBS pushes the limits of how much space the choice of patch cables can save. The performance is improved as well, compared to EBS popular PCF-patch cables.

The tiny contact housing is made of 24 Carat Gold plated die cast Zink wrapped in a PVC sleeve for optimal protection and isolation. The flat angular double shielded cable is super flexible while wrapping the leads safely. Very low resistance and capacitance keeps your sound clean without signal loss.

EBS Premium Gold Flat Patch Cables are available in four different lengths; 10, 18, 28 and 58 cm

EBS Professional Patch cables are designed and developed by EBS in Sweden.

Notes: Single cross head M6 screw - 30mm long

Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.

Notes: The Subsequent 37 is a (2-note) paraphonic analogue synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analogue sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.

The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer's newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analogue compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.

"We are really excited to incorporate community feedback into the evolution of an instrument. Adding CV interconnectivity was the starting point, but we have also increased the headroom in the mixer and significantly extended the range of Multidrive, giving the Subsequent 37 CV expanded sonic capability and modular control." - Cyril Lance, Moog Chief Engineer

In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.

Specifications

Sound engine: Analogue
Polyphony: Selectable monophonic or paraphonic (can be poly-chained)
Keybed: 37 note semi-weighted with after pressure
LCD: 128 x 64 pixel LCD with white backlight
Controllers: Pitch bend, mod wheel, after pressure, velocity
Sound sources: 2 variable waveshape oscillators, 1 square wave sub oscillator, 1 analogue noise generator, 1 external input/filter feedback
Oscillator calibration range: 22hz-6.8khz. Note range at 8' = 18 - 116
Glide module: Assign to osc1/osc2/both. Type - LCR, LCT, EXP, gated, legato

Notes: Gorgeous analogue goodness in this all-rounder, featuring overdrive, filter, envelope, LFO and a nice retro spring reverb among others processing options. Tons of character.

Supplier's notes:
Today's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analogue effect-processors are yet to beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system - it is an analogue multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and of course reverb.

The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.

The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.

The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.

The Retroverb Lancet offers 3 internal modulationGorgeous analogue goodness
in this all-rounder, featuring overdrive, filter, envelope, LFO and a nice retro spring reverb among others processing options. Tons of character. sources:

Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.

The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.

Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

Notes: Custom engineered in the UK for the Arturia Keystep Pro Keyboard Controller, Decksaver's super durable polycarbonate shell protects against dust, liquid and accidental impact. Precision trimmed for an exact fit whilst accommodating cables, your MPC can sit ready for operation. Slides straight into a flight case or bag ready for transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: A Digital DJ/ Producer looking for a professional, durable case solution for your Universal Audio Apollo X4? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Universal Audio Apollo X4, these cases are perfect for the travelling DJ/ Producer that needs to protect their equipment.

Color: Black
Weight: 0,77 kg / 1.694 lbs
Outer Dimensions (W x H x D): 27.8 x 20.2 x 7.6 cm | 10.9 x 7.9 x 2.9 inch
Inner Dimensions (W x H x D): 23.8 x 16.2 x 6.6 cm | 9.4 x 6.4 x 2.6 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits Universal Audio Apollo X4

Please note: The Audio Apollo X4 is not included in this purchase, it is shown for demonstration purposes only.

Notes: A Digital DJ looking for a professional, durable case solution for your Akai MPC One+ controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Akai MPC One+ controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 0,56 kg / 1.232 lbs
Outer Dimensions (W x H x D): 38.3 x 28.6 x 6.7 cm | 15.1 x 11.2 x 2.6 inch
Inner Dimensions (W x H x D): 37.3 x 27.6 x 5.7 cm | 14.6 x 10.8 x 2.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior

Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits: Akai MPC One+, Akai MPC One, power adapter & extra cables

Please note: The Akai MPC One Controller is not included in this purchase, it is shown for demonstration purposes only.

Notes: UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

Notes: UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

Notes: Sarajewo is an analog delay module based on old school (but newly manufactured) BBD (Bucket Brigade Delay) chips. It features three delay taps, an external clock input with various tempo sync factors, and a wide range of settings controllable via CV. It is based on high quality components with maximum effort put towards the highest sound quality possible, while still preserving the charm of the BBD technology. The module offers a clean and warm analog sound with tons of character and a comfortable user interface with a tap tempo button, signal level indicators, sync and CV inputs, four signal outputs, and an adjustable feedback filter.

TECHNICAL DETAILS:
Eurorack synth compatible
12hp, skiff friendly
Current draw: +180mA / -120mA
Reverse power protection

Notes: Erica Synths Black VCO2 is an analogue VCO with built in SAW waveshaper and two modulation LFOs.

Features
Simultaneous sine, triangle, saw and pulse wave outputs
-1 octave suboscillator
Highly accurate and stable tracking across 8 octaves
Saw waveshaper with manual and CV control
Manually adjustable and CV controlled pulse width
Exponential/Linear FM input with an attenuator
2 built-in modulation LFOs
Synchronization input
Octave switch - 7 octaves
Skiff-friendly design
Erica Synths Black VCO2 is all analogue, highly accurate and stable VCO with four simultaneous waveform outputs, one octave down suboscillator and some unique features. Unlike harsh, logic divider based sub-oscillators, Black VCO2 transistor-based suboscillator generates distinct, rounded squarewave. Furthermore, the Black VCO2 has built in SAW waveshaper and two modulation LFOs. Together with Black VCO Expander - waveform mixer you get massive analogue sound source with plenty of patch points for modular use.

Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired over-voltage. Erica Black Series consist of range of modules that are needed to put together entire synth.

Technical specifications:
Audio output amplitude: 10Vptp
Octave range: C0 - C8
Panel width: 12HP
Module depth: 35mm
Power consumption: 71mA@+12V, 62mA@-12V
Power consumption w. Expander: 102mA@+12V, 87mA@-12V

Notes: Banana cable for modular systems, as used by companies such as Buchla. The length is 101,6 centimeters.

Patch cable with banana plugs.

Length: 101,6 centimeters

Color: Violet

Notes: Banana cable for modular systems, as used by companies such as Buchla. The length is 12.7 centimeters.

Patch cable with banana plugs.

Length: 12.7 centimeters

Color: Violet

Notes: Banana cable for modular systems, as used by companies such as Buchla. The length is 50,8 centimeters.

Patch cable with banana plugs.

Length: 50,8 centimeters

Color: Green

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Notes: Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: Tiny little low-pass gate in Intellijel's compact 1U format. Great value approach to this west coast classic module, based on a vactrol for that natural, organic sound.

Supplier's Notes:

Drop this module (or a few of them) into your 1U row, patch in some sound sources, and then ping them with gates and CV to get some instantly pleasing results. So simple and fun!

Natural dynamics with the magic of vactrols.

In general, low pass gates (LPGs) control the amplitude and timbre of a signal by opening and closing a low pass filter. When the gate is closed, no frequencies are allowed to pass through (and no output is heard). As the gate begins to open, the lowest frequencies pass through to the output. As the gate opens further, the output grows louder and its high frequency content increases.

Traditional Low Pass Gates use vactrols to control the opening and closing of the filter. Encased within a vactrol is both a light source and a light detector. Applying a control voltage to the vactrol lights its internal LED i the brightness of which is measured by its detector. What makes vactrols particularly unique (and well-suited to musical applications) is their non-linear response to voltage - in particular, the way in which the internal LED slowly dims (rather than shutting off instantly) when the control voltage is removed. This sonic coupling of timbre and volume, along with the circuit's natural decay, makes the low pass gate particularly adept at producing tones associated with struck objects, like hand drums or marimbas. Indeed, low pass gates are the main ingredient of the so-called Buchla Bongo sound.

The Intellijel Passive Low Pass Gate 1U is a simple, vactrol based, 1-pole, passive low pass gate, which is controlled by an external CV input. Without positive control voltage, the gate is completely closed and none of the LPG's input signal is passed through to the output. Increasing amounts of positive CV open the gate i making the output signal both louder and brighter. At +5V, the gate is fully open and the input signal is passed through to the output.
This makes LPGs sound very different (and more acoustic) than the traditional complement of envelopes, VCFs and VCAs that are employed in most subtractive synthesizers. Exciting the vactrol (via the CV input) with a trigger, noise blast, or short envelope will result in a very natural sounding filtered envelope that's reminiscent of the sonic characterics of struck objects, which are allowed to decay naturally.

In addition, because this is a passive circuit (no power is applied to it), its sonic characteristics are somewhat dependent upon the audio signal you feed into it, making it a very natural and organic way to shape a signal's volume and tone.

Pairs very well with the intellijel Shifty module to derive polyphony out of a only a few HP of modules.

Width: 6HP
Depth: 19mm

Notes: A multi-VCA module on steroids, the Morph 4 is designed as a modulation hub for an entire Eurorack system, capable of working in coutnless different ways. Proper versatile business.

Supplier's Notes:
Modulation is the core concept of modular synthesis: parameters changing over time, adding movement and musical interest to what would otherwise be merely static sounds. Being able to control the amplitude of signals throughout a patch is therefore essential, and one can never have too many voltage controlled amplifiers (VCAs).

Designed as a fully-featured modulation hub for Eurorack synthesisers, Morph 4 takes the basic concept of the multi-VCA module to the next level.

Four linear amplitude modulators are controlled by a master 'morph' parameter. The response of each modulator to this parameter is completely variable, both manually and under voltage control, and can be overridden if desired. Each response is triangular, with the 'position' parameter setting the maximum point along the morph axis, while 'span' determines the width of the triangle's base.

In addition to separate signal inputs and outputs, a variety of combined outputs is available as well: A+B, C+D, add (unity gain) and averaging mixes, and instantaneous minimum and maximum. Input normalisation makes it easy to send the same signal to multiple modulators, while output and modulator response LEDs provide essential visual feedback.

The combination of master control, fully flexible modulators and multiple combined outputs creates a module truly embodying the spirit of 'patch programmable' modular synthesis. Use Morph 4 as a voltage controlled mixer, dual crossfader, dual panner, interpolating scanner, interpolating distributor, quad VCA, quadraphonic controller, slope modifier, rectifier, complex waveshaper or something in between any of those- the choice is yours.

Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.

Version 2.0 of the free Firmware update (July 2021) has these enhancements:

Global transpose - Transpose multiple melodic tracks at the same time

Global value offset - Apply a relative offset for any of the 5 main controls for every step across the selected track pattern

Recording Arpeggios in sequences - You can now record arpeggios into a sequence

Recording Chord Mode - You can now record 'Chord Mode chords into a sequence

Arpeggios while stopped - You can now create and play arpeggios while KeyStep Pro isn't playing

MIDI Thru - MIDI Out 2 can now be set to Thru mode

Mono Mode: The mono mode has been refactored for a smoother experience

Arpeggio swing - You can now add swing amount to arpeggios using Shift

Step Listen - Trigger sequence steps without playing a sequence so you can preview your notes

Various workflow and UX improvements

Bug fixes - Various improvements to workflow and functionality

Notes: Z-Rails Brackets are used to attach Z-Rails to wood cases without having screws visible on the exterior for a clean, professional finish. Z-Rails Brackets have two holes for wood screws and two holes for Z-Rails screws. Z-Rails Brackets come supplied with both types of screws and no additional screws are required for assembly.

Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.

Notes: Since its release the d+ Class B series has become a worldwide standard for DJ's, Musicians and Producers due to its solid and reliable sound and build quality.

The reliability of the d+ Class B series is proven by the fact that it has been installed worldwide by numerous clubs, festivals and professional studios.

The d+ Class B Series brings the highest quality and a cool design to DJ gear, audio interfaces, speakers, mixers and other sound gear. The best combination of materials and structure is utilised to enhance sound systems and live experiences.

Proudly designed and produced in Japan by Oyaide.

FOR DJING AND SOUND PRODUCTION. The d+ USB range aims to provide the best environment to DJ's and Artists who pursue the highest sound quality in their performance.

FOR HI-FI AUDIO. The most important factor for digital audio is lossless speedy and accurate data transmission. The d+ USB range delivers clean and stable data for a USB DAC.

FLAT DESIGN. The flat designed cable prevents signal loss caused by cable bends and allows for safe, simple coiling and storage.

SIGNAL PROTECTION. With an analogue like approach which helps protect the digital signal from internal/external noise and electromagnetic wave by use of TPE outer sheath and double shielding.

CONNECTORS. USB A-Male to USB B-Male connectors are made of bronze alloy with 24K gold plating which enhances durability and stability.

USB 2.0 (HI-SPEED) COMPLIANT.

INDUSTRY STANDARD CABLES. Installed in some of the best clubs and studios worldwide including Space Ibiza, Watergate Berlin and the Dance Valley Festival.

ENDORSED BY: Carl Cox, Dubfire, Loco Dice, Diplo, Dave Clarke, Sasha, Orbital and many more.

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Audio cables.

This USB 2.0 cable with a streamlined design helps DJ’s and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Audio Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official. For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Custom wrench for 3.5mm jacks, designed for Bananuts or other slotted round 3.5mm nuts.

Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good analogue synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Grandmother can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. This cover is designed with 50mm clearance for patch cables, meaning you can leave your cables in place when travelling or protecting your modular setup in the studio. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Deluge can sit ready for operation. Our Deluge cover features Soft-Fit technology, providing extra protection to vulnerable wooden cheek panels that often adorn synthesizers. Slides straight into a travel bag for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: Clep Diaz is a handy and small step CV and LFO generator. In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further. CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output. Unipolar and bipolar outputs allow maximal control.

Dimensions
4 HP
26 mm deep

Current Draw
44 mA +12V
10 mA -12V
0 mA 5V

Notes: Korg is a household name in the music industry and it's unsurprising when you see devices such as the Microkorg and Microkorg S.

Both of these units feature the rare inclusion of a vocoder which is a sight to be heard and seen in itself. These wonderful devices have sat at the heart of many set-ups over the last twenty years and it's not hard to see why.

Even though they are quite small in nature compared to other synthesizers they boast a luscious soundscape of synth sounds that can rival the larger synthesizers. With such power in a compact body, it's essential to keep it protected from any impacts and the ingress of dust, liquids and smoke. This is where Decksaver steps in.

The Microkorg cover is a tough but lightweight polycarbonate shell that protects your device from any mishaps or accidents. It's precision-moulded for an exact fit, while still accommodating cables, so your Microkorg or Microkorg S can sit ready for operation.

With its slim profile, the unit and cover will also slip straight into a flight case or bag ready for transportation, whilst shielding delicate controls and internal components from damage at on the road.

Decksaver have your Korg Microkorg covered.

Light Edition - made from super-durable polycarbonate but reaching you at a more affordable price.

Notes: The SSL SiX may be a compact desktop mixing console, but it packs a real punch and is feature laden whether at a live gig, in the studio or on location.

Decksaver's professional mixer range of mixer covers gives audio engineers peace of mind whatever the scenario.

Designed and engineered in the UK specifically for the analogue SiX, our smoked clear Decksaver cover is manufactured from polycarbonate, a tough transparent plastic made to our own specification.

Each design is rigorously tested before it carries our name so you can rest assured.

Shields faders, buttons, knobs and lights from dust, liquid and accidental impact whilst keeping cables and settings intact.

Recommended by the industry, used by professionals.

Dimensions

Weight: 0.65kg
Length: 32.4cm
Width: 27.5cm
Height: 9.04cm

Material: Smoked clear polycarbonate.

Notes: Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: The Headliner Covina Controller Stand provides two shelves to add gear above your existing DJ or music production setup, or simply to elevate your DJ controller and laptop. It features multiple height and width settings to find the ideal position for any rig.

The bottom shelfs accommodates midsize to larger DJ controllers such as NI Kontrol S4 MK3 and Pioneer DDJ-1000SRT. The top shelf fits any size laptop, or smaller controllers like Ableton Push 2, NI Maschine, or Akai MPK225. The stand's arms and legs are lined with nonslip rubber padding for added stability and reliability.

The Headliner Covina Controller Stand fits perfectly over 12" club mixers and is a practical and convenient way to save space in clubs, studios, or at home.

Fits: Pioneer DDJ-1000SRT, DDJ-1000, DDJ-800, DDJ-400, DDJ-SX3, DDJ-SR2, DDJ-SB3, Denon MC-7000, NI Kontrol S5, Kontrol S4 MK3, Kontrol S2 MK3, Numark NS6II, NV2, Roland DJ-505, DJ-202, Ableton Push 2, NI Maschine MK3, Maschine Studio, Akai Force, MPC-X, MPC Live II, MPK-225, and more.

Features

Strong and durable stand for two devices such as DJ controller and a laptop, or small keyboard and pad controllers.
Ideal to add gear above your existing DJ or music production setup
Multiple height and width settings to find the ideal position for any rig
Arms and legs are lined with nonslip rubber padding for added stability and reliability
Fits all laptop sizes
Controller Arms Depth: 14.5"
Laptop Arms Depth: 11.75"
Min Width: 9"
Max Width: 17"
Weight: 6.4lbs

Notes: The Headliner Mod Riser desktop production stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

Adjustable book-end brackets keep gear from moving around, while a removable center divider can be used to fit 2 small devices side by side. The Headliner Mod Riser is made from solid steel with non-slip rubber pads to keep stand securely in place.

The MOD BASE is the companion stand to the Mod Riser. Use them together to form a solid dual desktop stand with the included joining plates.

Fits compact devices like synthesizers, controllers, drum machines, and effects modules.
Improve your workflow and stay organized while fitting more gear on your production desk
Angled stand makes it easier to reach knobs and view LCD screens
Solid steel construction with non-slip rubber pads keep stand in place
Adjustable book-end brackets keeps gear from moving around
Removable center divider to fit 2 small devices side by side or one larger device
Use with Mod Base to make 2-tier stand
Fits two devices up to 8" x 7.75" or one device 16.25" x 7.75"
Dimensions (WxDxH): 19" x 7" x 10.5"
Riser height: 6.25"
Fits: 1010music Blackbox Studio, 1010Music Bluebox, Akai Fire, Akai LPD8, Akai MPX8, Alesis SR-18, Alesis SR-16, Analogue Solutions Generator, Arturia SparkLE, Arturia Beatstep, Behringer Crave, Behringer TD-3 / RD-6, Boss DR-3 DR. Rhythm, Dreadbox Typhon, Elektron Model, Elektron Octatrack MKII, Elektron Analog Heat, Elektron Digitakt, Elektron Digitone, Korg nanoPAD2, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca NuBass, Korg SQ-1, Korg Volca Kick, Korg Volca Sample 2, Korg KR mini, Korg Electribe, Native Instruments Maschine Mikro MK3, Novation Circuit, Novation Launchpad Mini MK3, PreSonus ATOM SQ, PreSonus ATOM, Roland TB-3 Touch Bassline, Roland Boutique TR-06, Roland MC-101, Roland TR-6S, Roland TR-08, Roland JU-06A, and more.

Notes: XFADE 1U is a classic DJ-style stereo crossfader, with a few extra tricks up its sleeve. The 'A' and 'B' sides both have L+R inputs. The crossfader blends two stereo input signals together - crossfading one into the other depending on the position of the slider and the selected XFADE Shape. The blended output appears at the MIX L and MIX R output jacks.

In addition, XFADE 1U can be used as a modulation source for controlling other modules, since the crossfader also outputs control voltages from the CV A and CV B jacks. A switch determines whether these voltages are unipolar (crossfading from 0V to 5V; and 5V to 0V), or bipolar (crossfading from -5V to +5V; and +5V to -5V). The two LEDs indicate the polarity and relative levels of the CV A and CV B signals.

XFADE 1U uses a precision Innofader crossfader submodule, with moving capacitance technology for smooth and precise control. This is the same part found on many high-end DJ mixers.

Features:

Smooth and ultra-low friction Innofader Mini-Innofader module with moving capacitance technology
Stereo or Mono operation
DC coupled inputs and outputs
Three crossfade shapes: DJ cut, Constant Power and Linear
Unipolar or Bipolar CV outputs

Width: 26HP
Depth: 38mm
Power: 48mA @ +12V / 41mA @ -12

Notes: These high quality braided cables feature multi strand, oxygen free copper wire with a custom space saving compact barrel.

Features:

Pack of six cables
Premium stiff braided cable
Quality nickel plated 3.5mm Mono TS male connection
Custom Synth Cables slim connector barrel
Reliable and robust, designed to be easy to patch
Available in 15 cm, 30 cm, 60 cm and 90cm lengths
Cables built to high specification using high density oxygen free 28awg *1C copper wiring

Notes: These PVC patch cables feature multi strand, oxygen free copper wire with a custom compact barrel. Thicker than your average patch cable with extra shielding for less interference and clearer signals. A standard for all EuroRack systems.

Features:

Quality nickel plated 3.5mm Mono TS male connection
Slim connector barrel
Reliable and robust, designed to be easy to patch
Cables built to high specification 28awg *1C
High density oxygen free spiral copper shielded wire for smoothest signal transfer
Planet friendly recyclable cable
Pack of 5 cables

Notes: These PVC patch cables feature multi strand, oxygen free copper wire with a custom compact barrel. Thicker than your average patch cable with extra shielding for less interference and clearer signals. A standard for all EuroRack systems.

Features:

Quality nickel plated 3.5mm Mono TS male connection
Slim connector barrel
Reliable and robust, designed to be easy to patch
Cables built to high specification 28awg *1C
High density oxygen free spiral copper shielded wire for smoothest signal transfer
Planet friendly recyclable cable
Pack of 5 cables