Studio Equipment charts

Notes: A standalone instrument to get you into the world of analogue synthesis. Hand-built, simple to use and capable of some excellent drones and tones. Just add headphones.

Supplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.

OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.

OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.

OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: The mmMidi is a simple & compact MIDI to CV interface for your Eurorack synthesiser. It translates both MIDI clock and 2 Channels of MIDI note, velocity and gate information to corresponding voltage control signals. The mmMidi is quick to set up and requires minimal configuration.

Notes: PRO Expanders:

Extra Pam Outputs.

ALM034-EX

PPEXP1 & PPEXP2 are two expander modules for Pamela's PRO Workout that both offer additional dedicated fixed clock, Din Sync & MIDI clock outputs.

Extend Pam as a master to clock external gear with super solid dedicated MIDI & Din Sync clock outputs. The Din Sync clock (x24) and Run outputs can also be patched into a 2nd Pam to easily sync it.

Use the extra fixed clocked gate outputs to free up Pam's main outputs for unique sequencing or complex modulation duties.

Connects directly to and is powered by the 'MIDI-EX' expander header on rear of Pamela's PRO Workout.

Only a single output expander is supported at any time but either can be used alongside an AXON-1 CV input expander.

A MIDI adapter cable and a Din Sync adapter cable are both available for connecting to 5 pin 'Din' type connectors. The PPEXP 1 includes a MIDI Din adapter cable.

Technical Specifications

Power: Additional approx +12V 40mA (PPEXP1) / 20mA (PPEXP2)
Size: 4HP & 2HP
Depth: 32mm

Notes: Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).

The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.

Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.

Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.

Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.

The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.

The attached USB MIDI device MUST be 'Class Compliant'.

The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.

Attractively finished in brushed aluminium with black screen print

Dimensions: 110mm x 55mm x 32mm

Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.

It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.

Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.

If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.

Power

It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.

Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.

If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.

The following Yamaha keyboards ar known to be class compliant and therefore should work OK:

PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255

The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:

Korg Microkey 61
Korg Microkey 49
Korg Microkey 37

Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).

This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.

Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: Another intriguing experimental offering from Soma Labs. ROaT is a digital synth inspired by 80s video games. Four oscillators combine with a sequencer to create drones, soundscapes and glitchy loops.

Supplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.

The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.

The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.

Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!

In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.

So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.

Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.

Specifications:

Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!

Notes: As one of the most popular drum machines ever made, the Alesis SR-16 has been used by everyone from songwriters to live performers to remix engineers as their drum machine of choice. The reason is simple, it features a great selection of 233 realistic, natural drum sounds, offered both in dry form and sampled with our incomparable digital reverbs.

The Alesis's exclusive Dynamic Articulation features enables a drum sound to change its tonal content as it's played harder for truly realistic performances. The SR-16 features 50 preset patterns that were actually played in by top studio drummers, not just programmed and quantized. You'll find enough built-in rhythmic variations (with A, B and 2 x fill sections) for composing complete arrangements, and you can create and save your own customized patterns and songs.

Plus, the SR-16 also provides complete MIDI implementation, a footswitch input, flexible programming and editing features and velocity-sensitive pad buttons. Plus, it's so easy to use that you'll be up-and-running and composing new music in minutes. Whether you need a songwriting partner or an accompanist for live performance, turn to the all-time world standard in drum machines: the SR-16.

Notes: The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)

Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.

The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.

Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.

Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm

Notes: Arturia serve up a stylish black look for the KeyStep as part of the limited edition Black Range. One of the best value controller/sequencers on the market, whichever colour you prefer.

Supplier's Notes:
The Arturia KeyStep Black Edition is an essential tool for the modern musician, and ideal for performance as well as studio experimentation. Create polyphonic sequences on a virtual instrument in your DAW, sync with a modular drum machine using its CV connectivity, and play a melody at the same time through an outboard analog synth.

EXCLUSIVE! This limited edition version includes 3 CV patch cables, Analog Lab Intro, and Ableton Live Lite.

The perfect small-format sequencer

Featuring a great-feeling 32-key keyboard, Arturia's own small format "Slim keys" give you more range than regular small MIDI controllers do, and have a nice professional feel that's often missing in budget MIDI keyboards. KeyStep has two switchable modes: arpeggiator and sequencer. As an arpeggiator, KeyStep lets you play arpeggios in multiple modes and time subdivisions, and in perfect sync with your DAW or other gear. As a sequencer, it totally redefines what's possible with a small-format MIDI controller. Create and tweak huge patterns of up to 64 steps, and up to 8 notes of polyphony deep, all with the same controls as the arpeggiator.

Get your vintage gear and modern tech working together KeyStep features multiple outputs, including 3 CV outs, sync in & out, MIDI in & out, as well as MIDI over USB, letting you synchronize practically any music tech gear whether vintage or modern, and have everything performing in harmony.

The professional's choice

Whether it's the sleek, contemporary look, the massive functionality, or even the fact it can be used with an iPad via the camera connection kit, the Arturia KeyStep is seen in studios everywhere. Massively affordable, yet hugely versatile. No simple MIDI keyboard; KeyStep is a controller that truly puts you in control.

Included Software:

Arturia Analog Lab Intro
Ableton Live Lite
Arturia MIDI Control Center

Notes: MOOER is proud to announce their first standalone drum machine pedal as part of the ever-growing X2 lineup of enhanced classics. The Drummer X2 is a powerful practice and live performance tool that provides players with a fully customizable groove station featuring 121 different drum grooves, 11 song banks, and a full array of EQ and parameter adjustments that can be made on the fly.

The Drummer X2 let guitarists employ the popular drum grooves from 11 different genres of music, with 11 different groove variations from each genre. Favorite grooves and tempos can easily be saved in one of the 11 song banks, each with 7 customized rhythm slots so they can quickly be recalled later. For fast cycling through presets, the Drummer X2 also supports external footswitches. In addition to the SPEED, GENRE, LEVEL, and PATTERN knobs, the Drummer X2 also boasts an EQ knob for making quick adjustments on the fly and for increasing compatibility with FRFR and non-FRFR devices. Timing can also alternatively be adjusted by utilizing the TAP TEMPO function with the right footswitch or external footswitch.

The Drummer X2 features a two-footswitch UI for fast toggling on/off, scrolling through drum grooves, and queuing up a fill using the FILL function, triggered by the right footswitch, all handled comfortably while playing. Specialized editor software is available to easily manage presets and update firmware and can be downloaded from the official MOOER website. Like with other X2 devices, the Drummer X2 includes Stereo I/O and a 14" External Control out for connecting a footswitch.11 different musical genres with 11 different grooves from each style.

Specifications:

Input: 2*1/4" mono audio input jack (impedance value 1Mohm)
Output: 2*1/4" mono audio output jack (impedance value 510ohm)
Num. of saving slot: 77
Num. of groove: 121
Power requirements: 9V 300mA, center negative (Original power supply is recommended, to avoid unexpected noise)
Dimension: 75mm(D) * 115mm(W) * 33mm(H)
Accessories: Power supply, USB-C to USB-A cable, Quick Guide, LOGO Sticker

Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.

For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.

Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese

DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.

Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.

Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.

Notes: Analogue delay with extensive controls and tap tempo all in an affordable package!

The EHX Deluxe Memory Boy Analog Delay's Quality ICs deliver warm and organic analog tones while "tap tempo" allows you to always be in sync with the groove. Choose five note divisions for metronomic variances. Sweet modulations can add lush ambience while the expression pedal input gives you external control. The Deluxe Memory Boy is the most flexible, affordable analog delay ever designed.

Tap Tempo
Tap Divide timing subdivisions
Expression pedal input for flexible control
Triangle and square wave modulation with adjustable rate and depth for superior chorus, vibratos and sweeps
Total analogue bucket brigade design
Built in EFX loop
Total Analog bucket brigade design
Power adapter included

Specifications

Circuit
Analogue: Analogue w/ Digital Control
Bypass: True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2010

Notes: The modDemix music synthesizer module features 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplication, Voltage Controlled Polarization, Attenuation and more.

Features

Unique balanced modulator circuit turns OFF around zero volts at the Carrier/ Control INput, making the circuit behave well as a VCA.

STRENGTH is a Combo Knob, with nothing patched to STRENGTH CV IN, it works as a standard panel control, setting Level. With signal patched to STRENGTH CV IN, it works as an attenuator, setting the strength of the modulation.

Both circuits feed a summing stage, allowing the module to be used as a voltage controlled mixer.

AUXiliary IN allows for the stacking of multiple modDemix and/ or Optomix to create larger mixes.

Part of a decentralized mix console integrated throughout the system along with Optomix, X-PAN, Dynamix, and RxMx.

Able to introduce warm distortions to audio signals, sounds like no other VCA or Ring Mod.

MAX BLINKENLIGHTS, 8 LEDs packed into a small 6hp module.

Pairs well with MATHS and Optomix.

Specifications

Width: 6hp
Max Depth
(incl. power cable): 32mm

Power:
30mA@ +12V
30mA @ -12V

Notes: Desktop enclosure case for the Empress Zoia Euroboro- 12v power supply included. Euroboro not included- picture shown for demonstration purposes only.

Notes: Simple, solid performance is the order of the day with this MIDI controller from ESI. 16 pads, six rotary encoders and plug-and-play USB compatibility all housed in a classy aluminium unit.

Supplier's Notes:
Developed for Beat Makers, Finger Drummers and DJs

The Xjam is a small, full-fledged plug-and-play MIDI controller. Due to its solid aluminum chassis, the Xjam is wonderfully portable and ideal for use outside of the studio on mobile devices.

With a 4x4 pad matrix, the 6 endless encoders and the smooth 16 pads, it provides a pleasant and expressive playing experience. In addition, the Xjam offers 48 configurations instead of the usual 16 scenes to save.

Its smooth and ultra-sensitive pads with polyphonic aftertouch are as versatile as the Xjam is in general. The 16 RGB pads also send MIDI CC, MIDI Program Change or MMC messages. There are also 6 high-quality endless encoders on board, which can be used in a variety of ways. In addition to controlling MIDI CC messages, the encoders can be assigned to send pitch, MIDI program change messages or even aftertouch messages. The Xjam comes with a powerful editor software for perfect adaption to your needs. There is also a TRS-MIDI Out socket to send signals to external sound generators.

Connectors & Functions

CTRL BANK let you control up to 18 independent parameters
360- ENCODER knobs to send continuous controller messages to your software or external MIDI device
SCENE BANK let you access up to 48 different scenes
PAD BANK let you access up to 48 different pads
PADS polyphonic aftertouch and velocity
USB-C port connects to the computer or mobile device and used to send and receive MIDI data
MIDI OUT for connection and transmission of MIDI data to an external device
FOOT SWITCH input for sustain pedal
EDIT each pad and encoder can be edited independently
SETUP adjust the global settings and the repeat parameters
TYPE allows to choose from different types (MIDI CC, PITCH, PROGRAM, AFTERTOUCH)
REPEAT with two different modes available, temporary and static

Portable

Great for the road & any mobile applications or where space constraints are an issue. Play drums & control effects with the Xjam. Everything's right there for building any style of track, anywhere you feel the inspiration.

Great For Live Shows

The velocity & pressure-sensitive pads are great for playing virtual instruments live onstage. Plus, the pads offer aftertouch that adds a whole different level of expression & control for that extra element to live or studio performance.

Bundled Software

In order to get you started right out of the box, Xjam ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included:

Bitwig 8-Track

Bitwig Studio 8-Track - the trim and effective DAW to start producing, performing, and designing sounds like a pro for use on up to eight tracks of audio / MIDI, incl. the Bitwig Essentials Package, a versatile selection of handpicked presets and sounds. Record instruments, create your arrangements, design new sounds, or just jam - every feature has been developed by musicians, for musicians!

Steinberg Cubasis LE

Cubasis LE is the compact version of Steinberg's mobile multitouch sequencer, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze, no matter where you are, right there on an iPhone or iPad when connecting Xjam.

Steinberg WaveLab LE

Whether you are a hobby musician, home studio owner, freelancer or podcaster - WaveLab LE helps you to bring your music, voice and sound recordings to a more professional level. This easy-to-use mastering and audio editing software from Steinberg turns your computer with Xjam into an audio analysing, editing and publishing studio.

Specifications

MIDI Pad controller
6 velocity-sensitive pads
3 colour pad indicators for velocity and edit/setup operation
6 MIDI encoder knobs, all programmable
Sustain pedal input
48 user-programmable scene presets, available for instant recall
Sends and receives MIDI data
Bus powered: needs no batteries or AC adapter
Size: 200mm (7.87 in) x 135mm (5,3 in) x 23mm (0.59 in)
Weight: 371g (0,8 lb)
3.5mm TRS jack to female 5-pin DIN MIDI cable available separately

Notes: AIAIAI's affordable XE range might just offer the best value studio headphones around. Balance S01 drivers and comfortable E04 ear pads are paired with a slim headband for great sound at a reasonable price.

Supplier's Notes:
Modular studio headphones.

Balanced and detailed sound
Enhanced comfort over-ear cushions
High sound isolation
Weighing only 190g
Modular headphone design

Modular studio headphones with highly detailed sound and full bass extension, balanced for music production. Comfortable PU leather over-ear earpads provide high isolation, reducing surrounding noise when creating on the go. Weighing only 190g for enhanced comfort over extended periods of time.

Balanced detailed sound

Critically acclaimed sound stage specifically designed for studio use with a clear and highly detailed sound representation.

The speaker unit contains a bio-cellulose diaphragm made from bacterial cellulose, an organic compound grown using certain types of bacteria. The precision-grown diaphragm from bio-cellulose is stiffer, lighter, and stronger than regular PET speaker units, allowing the sound-producing diaphragm to vibrate without the levels of distortion found in other speakers.

Each of these qualities results in more accurate and detailed sound from the speaker with the ability to retain clarity of sound at high volumes.

With a minimal and lightweight construction of only 190g, the TMA-2 Studio XE is ideal for the flexible, versatile and dynamic workflow of modern music makers.

Lightweight & comfortable

High grade over-ear memory foam cushions covered in resilient and soft PU leather, for enhanced comfort during long creation sessions or live performances. The over-ear cushion design provides high sound isolation when creating in noisy environments.

Headband made from high grade nylon combined with durable PU leather earpads, results in a total headphone weight of only 190g.

In the box

S01 . Balanced sound - Bio-diaphragm

Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose to reduce distortion and increase transparency. Tuned for a balanced, accurate sound. Balanced sound - Bio-diaphragm.

H01 . Slim - PU foam

Slim and lightweight polycarbonate headband with soft, durable PU foam padding.

E04 . Over ear - PU leather

Soft over-ear memory foam cushions covered with PU leather. The thickness and materials provide better comfort and excellent isolation. Adding a low end boost for a warmer sound with powerful dynamics.

C05 . Straight - 1.5m - Adapter

Straight black 1.5m thermo plastic cable with soft touch surface. Comes with 1/4 to 1/8 screw-on adapter.

Headphones for life

As a music creator, you need headphones that can keep up with your evolving needs and styles. These TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

By investing in this modular headphone system, you're not just buying headphones - you're investing in a long-term solution that evolves with your music. This reduces electronic waste while ensuring that you always have the optimal headphones just for you.

Diaphragm: Bio-cellulose
Driver diameter: 40 mm
Impedance: 32 Ohm
Magnet: High-grade Neodymium
Max power: 100 mW
Rated power: 40 mW
Resonance freq: 80 Hz

Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
The LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New aluminium knobs on the black module version

Power consumption:
240 mA +12V
75 mA -12V
0 mA 5V

Dimensions:
6 HP
38 mm deep

Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!

The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.

Three Modes Packed Into 1U:

- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.

The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs

The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.

Notes: Compact but powerful all-rounder for control over software, plugins and hardware. Typical high-quality Akai build, with a combination of keys, pads, rotary controllers and transport controls for versatility.

Supplier's Notes:
37-key MPK Mini keyboard with advanced connections and controls

The MPK Mini keyboard line revolutionized portable music-making for producers and beat makers all over the world. The new MPK Mini Plus builds on that innovation by empowering musicians with full creative control that delivers ultimate feel and expression, along with next generation performance tools. Advanced connectivity easily and fully unites all your favourite studio devices for complete and expanded hardware integration in a compact 3-octave design.

Full Portable Creative Control

While maintaining its compact footprint, MPK Mini Plus offers extensive controls providing deep command over a wide range of features. 8 velocity-sensitive RGB-backlit MPC drum pads are the backbone for not only playing dynamic beats and programming drums, but for also assigning pro-gram changes and triggering additional CC parameters. Dial in effects with the 8 assignable 360-rotary knobs for every function including filters, automation, pan controls, and more. For the first time on any MPK Mini, enjoy dedicated Transport controls for total integration into your DAW. Eliminate needless back-and-forth from your QWERTY keyboard or mouse and stay engaged in the creative workflow with dedicated Play, Stop, Record, Loop, and Locator buttons.

Ultimate Feel and Expression

As with all MPK Mini controllers, performance starts with the keys. MPK Mini Plus features 37 keys with the Gen 2 Dynamic Keybed for expanded melodic and harmonic creation. 3 full octaves mean more room for two-handed chords, arpeggiation, and laying down solos or soundscapes. The Gen 2 Dynamic Keybed features incredibly playable keys with a wider velocity range, delivering a world-class level of note dynamics and response. With more keys, your music will need new ways to add feel and expression, so the MPK Mini Plus adds dedicated Pitch Bend and Modulation Wheel controllers to help all keyboard performances truly come alive. Alongside the iconic Joystick Controller, there's no shortage of tactile interaction for near limitless expression.

Advanced Connectivity and Standalone Operation

For those spontaneous creative moments or quick jams sessions, MPK Mini Plus can operate with standalone functionality. The new polyphonic Step Sequencer is convenient for capturing new ideas on the fly. Record notes and drum patterns simultaneously for some serious standalone music creation. Connect to any Class-Compliant USB or 5-pin MIDI device and use the CV/Gate connectors to plug into your rack and other modular synths. The MPK Mini Plus is versatile enough for the serious beginner looking to grow their creative space, and also for those seasoned pros who want to get the most out of their studio gear.

Includes MPC Beats DAW for Mac and PC

The bundled MPC Beats software DAW for Mac and PC offers the iconic MPC workflow right on a desktop or laptop computer, and also includes thousands of sounds, drum samples, loops, and plugin instruments to create your next hit song. With more keys on the 37-note Gen 2 Keybed, MPC plugin instruments like Electric and Tubesynth will come alive with extended sonic range. Set the MPK Mini Plus on a desktop and connect with standalone MPC devices to control Mellotron and Hype plugins.

Even with 3 octaves, MPK Mini Plus will fit in your gig bag to easily transport alongside everyday music production items. It's simple math; adding MPK Mini Plus to any workflow equals expressive creativity and intuitive control for modern music creation and beat making.

Connectors
USB Type-B port
(5) 1/4" (3.5mm) CV Outputs
(2) MIDI DIN In/Out Ports
(1) Sustain input
Power Via USB type-B (bus powered or connected to wall adapter).

Dimensions (width x depth x height)
17.76" x 7.08" x 2.04"
45.11 cm x 18.0 cm x 5.2 cm

Weight
2.78 lbs.
1.26 kg

Notes: A studio monitor is no ordinary loudspeaker. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. It has to tell you, the music producer-dependably and unquestionably-exactly what is or is not in your recording. In a studio-grade monitor speaker, there is no place for the usual list of speaker colorations and limitations prevalent in conventional loudspeakers. Response peaks\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance.

Introducing M-Audio's BX8-D3 monitors-the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio's BX monitors guarantee absolute surgical precision and repeatable engineering excellence.

Listen with confidence: with M-Audio's BX8-D3 studio reference monitors, you'll hear everything in lifelike detail, so your mixes and recordings will sound their best!

A monitor's drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3's 8-inch military-grade Kevlar woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted 'cone breakup'. BX8-D3's treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.

With M-Audio's BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX8-D3 monitors have a rear-mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX8-D3's tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency 'scatter', whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy location of the optimum listening position, the BX8-D3's front-mounted positioning LED shines brightly when you're located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX8-D3's iconic design on the front panel M-Audio's famous 'keyhole' shape is more than just an attractive look: This special 'fastenerless' design ensures so there are no driver attachment screw heads to interfere with the sound coming from the drivers.

Efficient and accurate: Driving the BX8-D3 monitors are two Class A/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX8-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.

No two listening spaces are the same. Therefore, the BX8-D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX8-D3's special Acoustic Space control for precise adjustment of BX8-D3's sound output in line with your studio space.

Whatever your needs, the BX8-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1/4-inch balanced inputs, BX8-D3 connects to virtually all studio equipment including mixers, interfaces, DJ gear and more.

M-Audio's BX8-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardized connection facilities, BX8-D3 delivers sound quality you can trust.

Notes: ZED-6 has been created for musicians, singer / songwriters and venues seeking Allen & Heath's renowned build and audio quality in a compact, portable format. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZED-6 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6 features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: The Oxygen Pro 25 is a powerful, 25-key USB powered MIDI controller that allows you to create the music you want to make even easier! The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music- not programming your software. It doesn't matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.

It's simple to use the Oxygen Pro 25 controller with any DAW with the Oxygen Pro 25's automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro 25's and select the correct configuration in your DAW, and the Oxygen Pro 25's controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro 25's (Velvet, Mini Grand, Vacuum, Boom, DB33, Xpand!2). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro 25's and used in real-time as you create and mix your music.

With Smart Chord and Smart Scale technology, creating music and transferring what's in your imagination to what you hear coming out of your computer has never been easier!

With Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord's properties (Major, Minor, and Voicing - 1,3,5; 1,3,7; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro 25!

The Oxygen Pro 25 also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any "wrong" notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.

Built into the Oxygen Pro 25 are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.

Note Repeat allows you to hold down any of the custom-made M-Audio performance pads and you'll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.

The built-in Arpeggiator Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator's timing and rhythm is based on the keyboard's time division setting and either the keyboard's or your DAW's tempo setting. Each note in the arpeggio will be the length you've selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.

What's In The Box:
Oxygen Pro 25
USB Cable
Software Download Card
Quickstart Guide
Safety & Warranty Manual

Dimensions: 10.4" x 19.3" x 3.3" / 264.1 x 490.2 x 83.3 mm
Weight: 5.4 lbs / 2.46 kg

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod34X is 34HP wide and has extra room to fit even the deepest modules (2.16" / 55mm of available module depth). The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

This Pod requires a power brick (not included).

Or, if you already have a Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain power supplies.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod typically will house one or two modules, but three or more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

34 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:
34HP Pod, black anodized aluminum
Extra deep (2.16"/55mm) fits virtually every Eurorack module
Built-in power supply with four Eurorack power headers
M3 x 8mm pan-head screws, stainless steel (10)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:
Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.65A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 177.3mm (6.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 34HP
Weight:
0.3 kg = 10 oz

Notes: Befaco's new Output Module is designed to be the master output for your modular system, providing an extra Cue Input to monitor any signal.

Left IN is routed to both channels when no Right signal is present. Both Outputs are TRS balanced.

A Headphones out is available. You can route Headphone OUT to the main out or an independent signal with CUE switch. Like this you can either pre-listen your sounds with the CUE Input or listen to your main out without disturbing your neighbours!

Level LEDs are available to monitor levels of each signal on the module.

Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

- Level (manual control of the VCA amplification), small rubberized knob (L1...L4)
- Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker
- Signal Input
- Signal Output
- All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)
- The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).
- The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

- Two outputs ("Selected" and "All")
- Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.
- All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs
- The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixers (selectable by internal jumpers):

- Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4, the control units of VCA2 and VCA4 are out of operation
- Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.
- Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).

Notes: Module A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:

- VCLFO: voltage controlled low frequency oscillator
- VCA: voltage controlled amplifier, switchable to voltage controlled polarizer
- VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato/tremolo)

LFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset/Sync input. Triangle/Sine and Rectangle are displayed by means of dual-colour LEDs (probably red/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V.

The CV control can be switched to attenuator or polarizer ("CV Mode" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the centre position. In the centre position CV has no effect and right from the centre the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per period) to 200 Hz (with external CV max. frequency about 1kHz). In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the "LFO CV" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible. For this a jumper has to be installed on the pin header JP6. In the factory a dummy jumper is installed on the pin header JP7 "Dummy". JP7 has no function and is used only for "parking" of the jumper. Simply remove the jumper from JP7 and plug it on JP6. JP6 is located behind the CV control.

VCA: This is a linear VCA that can be switched to "normal" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer ("VCA Mode" switch). In the "normal" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).

The VCA of the A-147-2 has three sockets available: "In" (signal input), "Out" (signal output) and "CV" (control voltage input).

The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the "VCA In" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the "VCA In" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator/attenuator A-183-2).

Attack/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter "Delay" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage ("Delay CV" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a green LED and available at the "Delay Out" socket.

The manual Delay control ranges - without external "Delay CV" - from about 5ms (fully CW) up to 2 minutes (fully CCW). By means of an external voltage applied to the "Delay CV" socket this range can be extended. A rising CV shortens the delay time (behaviour like a VCO)!

The Delay output voltage ranges from about 0V to +5V. The rising edge of the gate, clock or trigger signal applied to the "Delay Reset" sockets resets the Delay output voltage to 0 V.

"Delay Out" is normalled to the VCA CV input by means of the switching contact of the "VCA CV" socket and consequently controls the Triangle level provided that no other patch is made. A typical example is the usage of a Gate signal (e.g. from a USB/Midi-to-CV/Gate interface) as Delay Reset. That way a delayed vibrato or tremolo can be realized if the VCA output is patched to the frequency CV input of a VCO (or VCF), or the CV input of a VCA.

Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.

Notes: The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

http://www.youtube.com/watch?feature=player_embedded&v=7rbcYJ326EI

Notes: Pairing an adjustable carrier signal with a revamped distortion circuit, the DOD Gonkulator essentially brings two effects into one chassis with controls for ring, frequency, gain and distortion. Capable of all the weird modulation goodness of the '90s original with the added ability to cover distorted experimental ground, this pedal pushes boundaries and makes statements with modulating effects limited only by imagination. From bell-like clangs to spastic robotic breakdowns, the Gonk demands attention.

General Specifications
INPUT

1 x 14" instrument
OUTPUT

1 x 14" instrument
CHASSIS MATERIAL

All Metal
POWER SUPPLY

9V Alkaline Dry Battery or Optional Power Supply
Dimensions
HEIGHT

2.25" (5.71 cm)
WIDTH

2.63" (6.68 cm)
LENGTH

4.68" (11.88 cm)
WEIGHT

0.62 lbs. (0.281 kg.)

Notes: Loci Tripl3

A Tripl3 is a combination of a Classic and Doubl2 stands allowing 3 angled tiers
Can be used as separates, flipper over for other options or combined with additional stands.
Assembled in seconds
Super strong
Precision laser cut from 6mm oak veneer
Non-slip bands
Packs flat to slide in your case.

Notes: The Wireless ME is an ultra-compact wireless microphone system targeted towards a more entry-level consumer audience.

With intelligent GainAssist technology that automatically controls audio levels, auto-paired RX and TX out of the box, seamless compatibility with cameras, smartphones and computers (cables included), and microphones built into both the transmitter and receiver, the Wireless ME makes capturing crystal-clear wireless audio in a wide range of content creation applications incredibly easy.

Harness the Freedom of Wireless

The Wireless ME utilises RODE's state-of-the-art Series IV 2.4 GHz digital transmission with 128-bit encryption to deliver incredibly stable wireless audio at a range of over 100m. Simply connect the receiver to your camera, smartphone or computer, attach the transmitter to you or your talent and hit record to capture pristine audio for your content - hands-free, no wires!

Get Recording in Seconds

With the Wireless ME, you can be recording pristine audio in seconds. The transmitter and receiver are automatically paired out of the box, and with in-built microphones, convenient clips for attaching to clothing or your camera, and all necessary cables included, you can start creating right away.

Perfect Audio, Every Time

The Wireless ME features broadcast-grade omnidirectional microphones for capturing high-quality sound for your videos. It also features our groundbreaking GainAssist technology to make capturing crystal-clear audio easier than ever before.AThis utilises intelligent algorithms in the Wireless ME's audio processor that automatically control your audio levels to ensure they are perfectly balanced and to prevent your audio from clipping.

Wireless You and Wireless ME

The Wireless ME is the first wireless microphone to feature microphones built into both the transmitter and receiver, allowing you to capture audio from in front of and behind the camera - ideal for recording everything from two-way interviews to voice overs for video content.

Pro Audio, Pocket-sized

Its convenient in-built clip design allows it to be attached to clothing and mounted onto your camera with ease, no extra gear required. The ultimate grab-and-go microphone.

Everything You Need to Start Recording

The Wireless ME comes with everything you need to start recording right away. This includes four cables for connecting to phones, tablets, cameras, computers and more, as well as two furry windshields for recording outdoors and in windy conditions. It also comes with a handy pouch for safely storing your Wireless ME.

Specifications

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Dynamic Range: 100dB
Max SPL: 122dB SPL
Equivalent Noise (dBA): 22dBA
Analogue Inputs: TRS (lavalier microphone Input)
Output Connection: 3.5mm TRS USB-C
Computer Connectivity: USB-C
Bit Depth: 24-bit
Sample Rate: 48 kHz

Minimum Operating Systems Requirements

macOS 10.15 above
Windows 10 and above
iOS 14
Android 11

Power Requirements: In-built rechargeable lithium-ion battery charged via 5V USB

Operating Time: 7 hours

Transmission Range: 100m

Mechanical Specifications
Weight (grams)
TX 32
RX 32

Weight (grams): TX 32 RX 32

Dimensions (millimetres)
TX: 44mm x 45.3mm x 18.3mm
RX: 44mm x 45.3mm x 18.3mm

Box contains:

1 x Receiver, 1 x Transmitter
1 x USB-C to Lightning cable (SC21)
1 x USB-C to USB-C cable (SC22)
1 x 3.5mm TRS to TRS cable (SC2)
1 x 3.5mm TRS to TRRS cable (SC7)
2 x Furry Windshields
1 x Carry Pouch

Notes: The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest. Seven pitch selections - 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch. The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.

General Specifications
ControlsBallistics Control, Pitch Control, Range Switch, Momentary Switch, Effect On/Off
Sample Rate44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
A/D/A Converter24-bit
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power SupplyPS0913DC-01 (US, JA, EU); PS0913DC-02 (AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output1/4" Unbalanced (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input1/4" Unbalanced (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)

Notes: M4U eX is a compact and yet extremely powerful USB 3.0 MIDI interface with 8 MIDI ports.

Each of the 8 ports can either be used as a MIDI input or as a MIDI output, replacing not only traditional MIDI interfaces like it's popular predecessor models with 4 inputs and 4 outputs, but providing also other possible configurations. For instance, you can use up to 8 outputs at a time or up to 8 inputs, or 6 outputs and 2 inputs - to name some examples. And the best feature? This is all handled automatically, simply based on your connection to other MIDI inputs or MIDI outputs and each automatic input / output configuration is displayed via colored LEDs on the front panel.

M4U eX is not only one of the worlds first USB 3.0 MIDI interfaces, it also includes a USB 3.0 hub with 3 connectors for other USB equipment like software dongles or USB keyboards and others. This can literally turn this device into the central hub for your MIDI and USB musical instrument devices. The class compliant device can be bus powered or if needed for other USB devices, be powered by the included DC power supply.

The Windows 7 / 8.1 / 10 / 11 and macOS compatible device provides not only perfect timing and the highest low latency performance of any MIDI interface in it's class on the market today, it can even be used fully standalone without a computer: different operation modes allow you to route input to output signals, merge MIDI signals or use M4U eX as a MIDI thru box. These modes can be selected with the push of a button when needed.

If the 8 ports are not enough, you can connect multiple units to the computer at one time - plus there is also the larger M8U eX available, with 16 ports.

Features/specifications

USB 3.0 MIDI interface
100% class compliant, works without the installation of a driver
USB bus powered
8 MIDI ports, 4 on the front and 4 on the back
Automatic input and output detection, each port works as a MIDI input or MIDI output
Standalone operation possible
Can be used as MIDI Thru box in standalone mode to send one MIDI signal to 7 outputs
Can be used as MIDI merger in standalone mode to merge 7 MIDI signals to a single output
3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
Multiple units can be used with one computer at a time
Downwards compatible to USB 2.0 with a USB 2.0 legacy mode
Optional ESI MIDI Port driver for multi device / multi client operation under Windows available
Dimensions roughly 17.5cm x 12.0cm x 4.5cm

Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.

"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers

The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.

Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.

Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.

Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)

Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023

Notes: WarpEx is an expander module that adds polyphony and MIDI to Warp.

- 4-Voice polyphony
- MIDI input and MIDI Thru
- MPE compatibility (MIDI polyphonic expression)
- Dedicated trigger and V/Oct inputs for each voice
- Illuminated pushbutton to quickly toggle between the MIDI voice modes: Mono, Poly and MPE.

Inputs:

- +/- 8 Volts (V/OCT)
- 0.0 Volts to +5.0 Volts (TRIG and MIDI)
- Overvoltage protection on all jacks.
- 4 TRIG Inputs: Gate inputs for Voices 1-4
- 4 V/Oct Inputs: CV input for pitch of voices 1-4 (i 8V, up to low audio rate ~100Hz)
- 1 MIDI In: Input Type-A for Midi signals. Use provided MIDI-to-DIN adapters.
- Button Toggles between MIDI voice modes: Red = Mono, Blue = Poly, Purple = MPE (Poly)

Outputs:

- Midi-Thru, 5v signal

WarpEx is fully managed by the Warp master

Scope of delivery:

Module, 3mm screws, ribbon cable for connection to Warp, 2 Midi-to-Din adapters Type A

Power consumption: Warp powers this expander via the included grey bus cable
Depth: 30mm
HP : 4

Notes: ST.MAR is a 3-channel Stereo Mixer with individual and master volume controls, CV modulation and mute switches. All the basics to blend your stereo signals in only 8HP.

Voltage controls for each channel.

Modulate the volume of each audio source using external control signals, such as envelope generators or sequencers.

Details

Dimensions 8HP - 40×128,5mm
Current 50 mA +12V / 52 mA -12V / 0 mA +5V
Input & Output Signals +/-10V
Impedance Input 47k - Output 10k
Materials PCB and Panel - FR4 1,6mm
Depth 35mm - Skiff friendly

Notes: Module A-105-2 is a voltage controlled low pass filter with 24dB/octave slope.

It is the successor of the A-105 which had to be discontinued because the obsolete SSM2044 filter circuit. The A-105-2 is based on the SSI2144 which is in turn the successor circuit of the SSM2044. The features of both modules are nearly the same. The main difference is the clearly reduced front panel width of the A-105-2 (4HP instead of 8HP) and the associated changes of the controls and sockets positions. In addition the A-105-2 is equipped with 2 audio inputs.

The module has these controls and in/outputs available:

Control Frequ: manual frequency control
Control FCV2: attenuator for the frequency control voltage applied to socket FCV2
Control Q: manual resonance control
Control QCV: attenuator for the resonance control voltage applied to socket QCV
Control Input 1 Level: attenuator for the audio input signal applied to socket Input 1
Socket Input 1: audio input 1 (with attenuator)
Socket Input 2: audio input 2 (without attenuator)
Socket FCV1: frequency control voltage 1 (without attenuator, about 1V/oct scale)
Socket FCV2: frequency control voltage 2 (with attenuator)
Socket QCV: resonance control voltage (with attenuator)
Socket Out: audio output
Technical notes:

Frequency range: about 15Hz ... 15 kHz
Resonance up to self oscillation
Max. input voltage at Input 2 without clipping/distortion: about 15Vpp
Max. output voltage without clipping/distortion: about 15Vpp
The signals of both inputs are mixed before they are processed by the filter. This saves an external mixer for small setups.
Depth: 45 mm

HP : 4

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: Zoar is a highly interactive medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that highly sought after touch sensitive amp-like quality.

It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.

From defined sparkle and tightness of an overdrive to low-medium gain fuzz that's perfect for drop tuned guitars and basses, Zoar can do it all. Zoar lets you dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation.

While having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive - yet surprisingly easy to instantly dial in dozens of mind blowing sounds.

Want to elevate your sonic spirit to a higher level? Try running Zoar at higher voltage! Zoar can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, higher frequencies will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers!

This meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls.

The Gain control on Zoar goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as the pickup type and further fine-tuned by the EQ section.

Zoar's 3-Band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. Simply dial in the 3-Band EQ to 12 o'clock and adjust the Weight to see how drastically it dictates your sound. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything.

The Level control hits unity around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in controlling the voice of Zoar. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control.

Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: Want to take more of your gear with you when travelling? UDG presents the UDG Creator Wheeled MIDI Controller Case Black 22" to bring you the perfect solution for flying and travelling with MIDI controller, laptop and any additional hardware.

UDG Creator Wheeled MIDI Controller Case Black 22" means more equipment with no compromise on convenience and protection. Featuring protective padded compartments and padded secure strap. It's the only trolley gear bag available that is large enough to house controllers such as the Pioneer DDJ-FLX4/ REV1/ 200/ 400/ SB3 or NI Traktor S3/ S2 MK3/ S4 MK3. Made of tough, durable black exterior & interior material, sturdy in-line wheels for easy transport and mobility with paddings in all the right places for the ultimate carrier of your valuable equipment.

Specifications
Colour: Black
Weight: 3,90 kg / 8.58 lbs
Outer Dimensions (W x H x D): 67.6 x 43.0 x 25.0 cm | 26.6 x 16.9 x 9.8 inch
Inner Dimensions (W x H x D): 56.0 x 36.0 x 10.5 cm | 22.0 x 14.2 x 4.1 inch
Material: Water resistant Ballistic Nylon 1680D

Protection:

Padded compartment for controller or mixer with padded secure strap
Padded compartment for up to 17" laptop
Padded pocket for up to 9.7" tablet and small accessories
Smooth rolling in-line wheels with high quality in-line skate bearings

Extras

Includes removable paddings to fit various controllers
Rear-access pocket for magazine/document
Retractable handle with 2 stage internal trolley system
Additional cable pouch
Soft padded carry handle

Fits:

Pioneer DDJ-FLX4, DDJ-REV1, DDJ-200, DDJ-400, DDJ-SB3, DDJ-RB, DDJ-SB2, DDJ-SR2, DDJ-RR, DJS-1000,
CDJ-3000, DJM-900NXS2,
NI Traktor S3, S2 MK3, S4 MK3, S5, S4 MK2, S2 MK2, Komplete Kontrol A25, Maschine Studio,
Denon DJ Prime Go, MC3000, MC4000, MC6000 MK2,
Reloop Elite, Beatmix 2 MK2, Beatpad MK2, Terminal Mix 4/ 8,
Akai MPC Live II, APC 40, MPK 25,
Novation AFX, Peak, Nocturn 25, Remote SL MK II, Zero SL MK II,
Numark Mixtrack Platinum FX, Mixtrack Pro FX, Mixtrack, Mixtrack II/ III, Mixdeck Express, Mixtrack Platinum, Mixtrack Pro/ II/ III, NV II,
American Audio Encore 2000, VMS4, VMS5,
Roland TR-808, TR-909, DJ-707M, TR-8, TR-8S, DJ-202, System-1,
Rane Twelve, Seventy-Two, Seventy,
Gemini G2V, G4V, GMX,
M-Audio Exponent,
Hercules DJControl Inpulse 500 DJControl Jogvision, DJControl Inpulse 300,
Korg Minilogue XD,
up to 17" laptop, up to 9.7" tablet, audio interface, books and magazines

Notes: This small utility is the pedal's lover best friend, it allows 2 diferent chains of pedals to be independently connected to your synth.

The Send channels attenuate the synth level to instrument level.

The Return channels amplify the signal from instrument to synth level.

Specs:
- Width: 4 HP
- Depth: 3 cm
- Max current: 10mA