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Startseite  Two Weeks  Studio Equipment  Studio Equipment
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New releases last two weeks: Studio Equipment

Studio Equipment vinyl released in the last two weeks
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1010 Music USB-B Splitter Cable For Bluebox
Cat: 1000427 Rel: 05 Mar 24
 
USB-B cable splitter designed to be used with the Bluebox mixer & recorder
Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in
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MRP:$10.61 SAVE 15%
! low stock $9.01
4ms Catalyst Controller 8-Channel Macro Controller Module
4ms Catalyst Controller 8-Channel Macro Controller Module (controller/function generator/sequencer module)
Cat: 995953 Rel: 11 Mar 24
 
8-channel macro controller module - 20HP
Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer
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 2 in stock $358.55
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4ms Catalyst Sequencer 8-Channel Clock & Phase-Based CV/Gate Sequencer Module
4ms Catalyst Sequencer 8-Channel Clock & Phase-Based CV/Gate Sequencer Module (controller/CV modulation/sequencer/utility module)
Cat: 995961 Rel: 11 Mar 24
 
8-channel clock & phase-based CV/gate sequencer module - 20HP
Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller
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 1 in stock $358.55
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After Later Audio 15cm Double-End Stackable Patch Cables (6", pack of 5)
Cat: 1004656 Rel: 14 Mar 24
 
15cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).
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MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 15cm Gold & Black Braided Patch Cables (6", pack of 5)
Cat: 1004592 Rel: 12 Mar 24
 
15cm gold & black braided patch cables, pack of 5
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Read more
 1 in stock $10.60
After Later Audio 15cm Right Angle Patch Cables (6", pack of 5)
Cat: 1004684 Rel: 13 Mar 24
 
15cm right angle patch cables, pack of 5
Notes: These are 6" (15cm) right angle patch cables for Eurorack. Colour is pink, pack of 5 cables.
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 1 in stock $10.60
After Later Audio 15cm Single-End Stackable Patch Cables (6", pack of 5)
Cat: 1004667 Rel: 13 Mar 24
 
15cm single-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).
Read more
 1 in stock $15.65
After Later Audio 15cm Skinny Patch Cables (6", pack of 5)
Cat: 1004676 Rel: 13 Mar 24
 
15cm skinny patch cables, pack of 5
Notes: These are skinny (sometimes called noodle) patch cables for Eurorack. This is a pack of five cables, size 6", pink in colour.
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 1 in stock $10.60
After Later Audio 30cm Double-End Stackable Patch Cables (12", pack of 5)
Cat: 1004659 Rel: 14 Mar 24
 
30cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Read more
MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 30cm Gold & Black Braided Patch Cables (12", pack of 5)
Cat: 1004603 Rel: 12 Mar 24
 
30cm gold & black braided patch cables, pack of 5
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Read more
 1 in stock $10.60
After Later Audio 30cm Right Angle Patch Cables (12", pack of 5)
Cat: 1004687 Rel: 13 Mar 24
 
30cm right angle patch cables, pack of 5
Notes: These are right angle patch cables for Eurorack. Size is 12 inch (30cm), colour is green.
Read more
 1 in stock $10.60
After Later Audio 30cm Single-End Stackable Patch Cables (12", pack of 5)
Cat: 1004670 Rel: 13 Mar 24
 
30cm single-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).
Read more
 1 in stock $15.65
After Later Audio 30cm Skinny Patch Cables (12", pack of 5)
Cat: 1004677 Rel: 13 Mar 24
 
30cm skinny patch cables, pack of 5
Notes: This is a pack of five, 12" skinny patch cable for Eurorack. Colour is green.
Read more
 1 in stock $10.60
After Later Audio 45cm Double-End Stackable Patch Cables (18", pack of 5)
Cat: 1004660 Rel: 14 Mar 24
 
45cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).
Read more
MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 45cm Right Angle Patch Cables (18", pack of 5)
Cat: 1004688 Rel: 13 Mar 24
 
15cm right angle patch cables, pack of 5
Notes: These are right angle patch cables for Eurorack. Colour is blue, pack of 5 cables.
Read more
 1 in stock $10.60
After Later Audio 45cm Skinny Patch Cables (18", pack of 5)
Cat: 1004680 Rel: 13 Mar 24
 
45cm skinny patch cables, pack of 5
Notes: This is a pack of five, 18" skinny patch cables for Eurorack. Colour is blue.
Read more
 1 in stock $10.60
After Later Audio 60 cm Double-End Stackable Patch Cables (24", pack of 5)
Cat: 1004661 Rel: 14 Mar 24
 
60cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).
Read more
MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 60cm Gold & Black Braided Patch Cables (24", pack of 5)
Cat: 1004611 Rel: 12 Mar 24
 
60cm gold & black braided patch cables, pack of 5
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Read more
 1 in stock $10.60
After Later Audio 60cm Right Angle Patch Cables (24", pack of 5)
Cat: 1004689 Rel: 12 Mar 24
 
60cm right angle patch cables, pack of 5
Notes: These are right angle patch cables for Eurorack. Colour is black, pack of 5 cables.
Read more
 1 in stock $10.60
After Later Audio 60cm Skinny Patch Cables (24", pack of 5)
Cat: 1004681 Rel: 13 Mar 24
 
60cm skinny patch cables, pack of 5
Notes: This is a pack of five, 24" skinny patch cables for Eurorack. Colour is black.
Read more
 1 in stock $10.60
After Later Audio Cast Iron Voltage Controlled Panner Module
Cat: 1004354 Rel: 11 Mar 24
 
Voltage controlled panner module
Notes: A simple VC panner with CV-controlled level. The left input normals to the right input to give an easy way to add panning to a mono signal.

Expandable

Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4hp
12V: 40mA
-12V: 40mA
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 1 in stock $78.51
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After Later Audio M2.5 x 8mm Thumb Screws (tin of 30)
Cat: 1004693 Rel: 14 Mar 24
 
M2.5 x 8mm stainless steel screws come with black nylon washers in a silver tin.
Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Special Size M2.5 X 8mm stainless steel screw comes with a black nylon washer in a silver tin.
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 1 in stock $13.53
After Later Audio M3 x 8mm Thumb Screws (black, tin of 30)
Cat: 1004696 Rel: 14 Mar 24
 
M3 x 8mm black steel screws come with black nylon washers in a gold tin.
Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Standard Size M3 X 8mm black steel screw comes with a black nylon washer in a gold tin.
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 1 in stock $13.53
After Later Audio M3 x 8mm Thumb Screws (silver, tin of 30)
Cat: 1004697 Rel: 14 Mar 24
 
M3 x 8mm stainless steel screws come with black nylon washers in a silver tin
Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Standard Size M3 X 8mm stainless steel screw comes with a black nylon washer in a black tin.
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 1 in stock $13.53
After Later Audio Mingles Dual 3-Channel Mixer & Voltage Controlled Panner Module
Cat: 1004349 Rel: 11 Mar 24
 
3-channel mixer & voltage controlled panner module
Notes: Dual three channel voltage controlled panning mixer

Mixer section

Channel 1 and Channel 2 are three channel mixers with potentiometers to control level of three different inputs for each channel. Each channel then has a potentiometer to control panning as well as CV control for panning and level control

Panning and VCA

The VC panners are equal loudness panning and the VCAs for each channel are linear response.

Built-in LFO

There is a built-in LFO that is normalled to the panning CV input of each channel. CH1 gets the standard LFO and CH2 gets an inverse, enabling alternating channel panning. The default is to use a TRI wave for the LFO, but there is a jumper on the back to switch it to SQU.

Width: 12hp
12V: 140mA
-12V: 120mA
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 1 in stock $173.45
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After Later Audio Send VCA Expander Module For Bartender & Barback
Cat: 1004338 Rel: 11 Mar 24
 
Expander module for Bartender & Barback - 2HP
Notes: This is an expander for Bartender and Barback, enabling CV control of the level of the send bus of up to 8 channels.

Each section of four jacks has a cable to connect to the mixer modules. To get 4 channels to work with Barback you want to connect it to the last Barback in the chain of two. It will then pass along channels 3 & 4 to the next Barback.

Dimensions
2 HP

Current Draw
Module does not draw current
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 1 in stock $31.04
After Later Audio USB-2CH 2-Channel USB Module
After Later Audio USB-2CH 2-Channel USB Module (digital/dual/stereo/mixer module)
Cat: 1004343 Rel: 11 Mar 24
 
2-channel USB module - 4HP
Notes: Two channel USB module.

Standard Mode - Send two channels into your USB device and receive two channels from USB.

Insert Mode - Send two channels to your USB device and get a copy of the sent signal in the outputs.

Toggle between the modes via a pair of jumpers on the back. The USB-B to USB-A cable is provided with the module. Why use the cutting edge USB-B? I felt the jacks were way more sturdy than mounting USB-C jacks vertically.

Expandable - Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4HP
12V: 10mA
-12V: 10mA
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 1 in stock $93.09
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Arturia Keylab Essential 88 MK3 88-Key USB MIDI Keyboard Controller (white)
Cat: 1003079 Rel: 14 Mar 24
 
88-key USB MIDI keyboard controller
Notes: Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)
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 1 in stock $354.31
Arturia V-Collection X VST Instruments
Cat: 989848 Rel: 14 Mar 24
 
Software suite of reference-grade software instruments for producers, music makers and sound designers.
Notes: The latest update of Arturia's legendary plugin collection, featuring 39 instruments, three expansion packs and over 9,000 presets. New instruments include CP-70 V, MiniFreak V, Acid V and three Augmented collections.

Supplier's Notes:
V Collection X

Reference instruments for music makers
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modelled keyboards and beautifully captured acoustic sounds - enhanced for today's production workflow.

This is V Collection X

Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets - 1 canvas for infinite sonic exploration.

The ultimate selection

A hand-picked, expertly-engineered suite of instruments combining timeless sonic craft with cutting-edge enhancements that seamlessly integrate with demanding production workflows. The most iconic synths, blissful keyboards, evocative hybrids and faithfully captured acoustic instruments for endless inspiration, vivid composition and boundless play.

10,000+ presets

Find the crucial mix-finishing sounds you need in a few clicks with V Collection X's expansive library of expertly-designed sounds, complete with easy browsing. Tap right into any style, any instrument, any time.

Easy to use

You don't need to be an expert to enjoy professional sound. The instruments in V Collection X are designed with accessibility in mind, equipped with intuitive interfaces, interactive in-app tutorials, and intelligent features that deliver electrifying results without hassle.

Perfected for you

High-performance features that you can count on, premium sound quality you deserve; V Collection X is the result of over 20 years of engineering innovation, musical exploration, and a passion for audio excellence and expressivity.

39 Software titles

Augmented WOODWINDS
Augmented GRAND PIANO
Augmented BRASS
Augmented STRINGS
Augmented VOICES
Korg MS-20 V
SQ80 V
CS-80 V
Prophet-5 V
Prophet-VS V
Piano V
Analog Lab V
Vocoder V
Jun-6 V
OP-Xa V
Mellotron V
Synthi V
CZ V
CMI V
Clavinet V
Acid V
MiniFreak V
CP-70 V
DX7 V
Buchla Easel V
Synclavier V
Emulator II V
B-3 V
Mini V
Stage-73 V
Matrix-12 V
Farfisa V
Solina V
SEM V
Jup-8 V
ARP 2600 V
VOX Continental V
Wurli V
Modular V

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
32GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS* (64-bit DAWs only).

Apple

Mac OS 11.0+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
32GB free hard disk space
OpenGL 2.0 compatible GPU

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.
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 1 in stock $545.26
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Black Lion Audio PBR TRS3 3-Way 96-Point Audio Patchbay
Cat: 995329 Rel: 07 Mar 24
 
3-way 96-point audio patchbay
Notes: Studio grade connectivity.

Your studio needs more than just accessible patching - exceptional audio quality through the entire signal path is crucial! Black Lion has been improving already-great gear through their modification service for years, and all that know-how has been channelled straight into the PBR TRS3.

The PBR TRS3 is a 48-point TRS patchbay, suitable for the most robust routing imaginable in a single rack space, loaded with 96 audiophile-grade gold-plated 1/4" TRS connectors for maximum conductivity and signal clarity. You'll easily interconnect your preamps and other outboard hardware via its audiophile-grade, secure connections.

Limitless flexibility and road-worthy construction

You'll reconfigure your entire studio's routing at a moment's notice (while cutting down on cable clutter! The rear-mounted 3-way mode switches allow for Normal, Half-normal, and Thru operation, delivering unlimited routing potential for mults, bypassing, monitoring, and parallel processing.

Black Lion's team of engineers have worked tirelessly to ensure that the PBR TRS3 delivers proper quality through-and-through. The PBR TRS3 is also built Black Lion-tough, with a reinforced steel chassis and black-anodized aluminium faceplates that make for a matched and sophisticated look.

Not your average patchbays.

Configure your studio with the best: Black Lion Audio PBR Series Patchbays. Your recordings deserve the best, and maintaining a great signal path is crucial!

Features

96 audiophile-grade gold-plated 1/4" TRS connectors
Rear-mounted 3-way mode switches for Normal, Half-normal, and Thru operation
Black-anodized aluminium faceplate and reinforced steel chassis
Includes front panel labels
Exceptional value for the price

Specifications

Number of Points: 96
Front Connectors: 48x XLR
Rear Connectors: 48x TRS
Dimensions: 534 x 102 x 51mm, 1.4kg (boxed)
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 1 in stock $264.15
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Boss MD-200 Modulation Effects Pedal
Boss MD-200 Modulation Effects Pedal (modulation effects pedal)
Cat: 996868 Rel: 18 Mar 24
 
Modulation effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
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 1 in stock $212.16
Boss OD-200 Hybrid Drive Effects Pedal
Boss OD-200 Hybrid Drive Effects Pedal (distortion effects pedal)
Cat: 996875 Rel: 18 Mar 24
 
Hybrid drive effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz
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MRP:$273.70 SAVE 28%
 1 in stock $198.37
Chompi Club Chompi Sampler Chromatic Sampler & Tape Music Instrument
Cat: 951280 Rel: 14 Mar 24
 
Chromatic sampler & tape music instrument
Notes: Looping and sampling combine in a fun new way with this beautifully designed digital 'tape music instrument' from Chompi Club. Record, perform, loop and overdub with built-in effects. Cute but powerful.

Supplier's Notes:
CHOMPI is a quirky, chromatic sampler and tape music instrument, inviting you into the magical world of sound design. With its unique stereo sampling engine, expressive multi-effects and varispeed "tape" style looper; CHOMPI is ready for immediate fun.

Special care was taken with sourcing quality materials for CHOMPI's hardware, but many aspects of the platform have also been designed with user customization in mind. The modular panel enclosure, MX mechanical key switches & keycaps, and DJ style encoder knobs can all be customized and retrofitted by the user to match their own unique style.

CHOMPI's workflow is designed to be user-friendly and accessible to individuals of all experience levels... So whether you've been playing music for years, or are just starting your sonic journey, CHOMPI just might become your new favourite buddy!

Features

Unique screenless workflow utilizes rgb LED indicators
Endless push button encoders for multi-page parameter controls
Two octave chromatic keyboard utilizes MX Cherry switches
3 selectable sampling sources
Built-in microphone
Stereo Aux input
Resample master output signal
Minimal, yet capable sound design engine:
Sample playback speed & direction control
Sample start & end point control
Sample attack & release/decay envelope
Single knob multi-FX section
Pg 1 Magic Wand: combo delay + reverb
Pg 2 Tape Saturation: w/ wow & flutter
Pg 3 Multi-Mode Filter:
Varispeed tape-style looper
Transport knob provides control over loop playback speed & direction, as well as manual tape scrubbing when loop is paused
Overdub decay controls allow for "frippertronics" loop composition techniques
Real time audio thru mode for live FX and loop recording
Two types of sample playback engines: chromatic & 1-shot
7 Voice Polyphony
84 Slots to Save/Recall Presets (3 banks of 14 slots per engine)
~6hrs of sample storage capacity on Micro SD card
16-bit, 48kHz stereo audio I/O
USB-C and rechargeable battery power
Built-In Microphone
3.5mm Stereo Aux Input
3.5mm Stereo Line Output
3.5mm Headphone Output
3.5mm and/or USB-C Midi In & Out

Specs

Dimensions: 13" Wide x 4.5" Deep (without Handle) 5.75" Deep (with Handle) x 2.5" Tall (table/surface to top of encoders)
Weight = 2lb 3oz
Recommended USB power brick spec: 5V / 2A (or higher)
Manufactured in California, USA

Included In The Box

1x CHOMPI Sampler (Classic Black & Gold Colorway)
1x USB-C Cable
1x Quickstart Guide
1x CHOMPI Sticker
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 2 in stock $608.91
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quote 951280
Der Mann Mit Der Maschine P4B2 Expander Module For Droid
Cat: 1005196 Rel: 07 Mar 24
 
Expander module for the Droid with 4 pots & 2 buttons - 5HP
Notes: Expander for the DROID with 4 pots and 2 buttons

The P4B2 controller provides 4 potentiometers and 2 push buttons for free assignment to any of the DROID's parameters.

Each potentiometer outputs a value between 0 and 1 and can be used for controlling every aspect of the functions of your DROID patch (configuration), such as the speed or depth of an LFO, the pitch of a sequencer step, all aspects of an envelope, clock division and multiplication and much much more.

The buttons can be used as momentary or toggle buttons, if you like with three or four states. Or you can group several buttons together so that they work like "radio buttons". Buttons can be used for various tasks like switching between different behaviours, selecting wave forms, switching steps of a step sequencer, changing the root or scale of a quantizer or chord generator and much more. Also you can use buttons for overlaying a single pots with multiple switchable functions.

You can attach up to 16 controllers to one DROID master. This is done with a 6 pin ribbon cable. This module gets its power from the DROID master.

Besides the P4B2 there are many other types of controllers for the DROID.

Dimensions
5 HP
25 mm deep

Current Draw
11 mA +12V
0 mA -12V
0 mA 5V
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 1 in stock $125.17
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quote 1005196
Der Mann Mit Der Maschine TRS Split CV/Audio Signal Distributor Module
Cat: 1005286 Rel: 07 Mar 24
 
CV & audio signal distributor module - 2HP
Notes: TRS Split - CV/Audio signal distributor

TRS Split is a multipurpose CV and audio signal distribution module. It has three 3.5 mm TRS (tip/ring/sleeve - stereo) jacks and six ordinary 3.5 mm mono jacks.

It contains 3 identical sections set up as following:

Upper jack carries the tip signal
Middle jack carries the stereo/dual signal
Lower jack carries the ring signal

Each section can either split a stereo signal into two mono signals or join two mono signals into one stereo signal. The module does not have any active components and does not need a power supply.

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

Switching sides

Two splitters can be used to switch tip and ring (left and right): Plug in a stereo cable in the middle jack of the first section. Connect mono cables to the upper and lower jack of the first section. Then connect the upper mono cable of the first section to the lower mono jack of the second section and the lower mono cable of the first section to the upper mono jack of the second section. The signals are switched. Plug a stereo cable in the middle of the second splitter and you're good to go.

Hint: This also works for MIDI signals. If you use MIDI over minijack, there are two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Stereo multiple setup

If you have a separate multiple in your modular, you can use the TRS-SPLIT to create a 1:2 stereo multiple as follows:

Plug a stereo cable in the middle jack of section 1, patch the mono cable from the upper jack into section 1 of your multiple (e.g. a 3/3/3 multiple) and feed two of the outputs back into the upper jacks of section 2 and 3. Do the same with the mono cable coming from the lower jack of section 1 going into the second section of a 3/3/3 multiple and patch two cables back into the lower jacks of section 2 and 3 of the TRS Split. Now the middle jacks of section 2 and 3 both carry the stereo signal.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current
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 1 in stock $50.39
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quote 1005286
Der Mann Mit Der Maschine TRS Tool Stereo/Dual CV/Audio/MIDI Signal Multipurpose Module
Cat: 1005290 Rel: 07 Mar 24
 
Stereo & dual CV, audio & MIDI signal multipurpose module - 2HP
Notes: TRS Tool - Stereo/Dual CV/Audio/MIDI signal multipurpose module

TRS Tool is a multipurpose CV and audio signal distribution module for working with 3.5 mm stereo jacks (tip/ring/sleeve). These jacks are common for stereo audio but also for MIDI.

The TRS TOOL has no active components and does not need a power supply. It contains 3 different sections set up as following from top to bottom:

TRS Split
The upper jack carries the tip signal
The middle jack carries the stereo/dual signal
The Lower jack carries the ring signal

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

TRS Quad Multiple

Multiply a stereo signal. Four TRS jacks to be used with stereo minijack cables.

Use cases:

You could use this to multiply the signal for headphones - listen to patches together.

Or create sends - route one (or two) stereo signals to effects and use the third one as dry signal going to the mixer.

Experimental: multiply a MIDI signal to two or three receivers: NOTE: depending on the output power of the MIDI sender and the power draw of the MIDI receivers this might or might not work. MIDI uses a current of typically 5 mA instead of voltage levels for data transmission. So when you attach too many devices to one output the current might not be enough to drive all of them. So this is strictly spoken not covered by the MIDI standard, but might work anyway.

A/B Swapper
The bottom section of the module consists of two connected TRS jacks.
Whatever signal applies to the tip in jack A will be routed to the ring in jack B.
Whatever signal applies to the ring in jack A will be routed to the tip in jack B.

Use cases:

Switch the left and right side of a stereo audio signal.

Switch between MIDI standard A and B: If you use MIDI over minijack, there's two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current
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 1 in stock $50.65
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quote 1005290
Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550
Cat: 1006407 Rel: 15 Mar 24
 
Linear synthesiser programmer for the Roland D-05, D-50 & D-550
Notes: Dtronics DT-1000, A hardware controller for the Roland Boutique D-05 and D-50/D-550

The Dtronics DT-1000 is a hardware controller for the Roland Boutique D-05 and D-50/D-550.

The DT-1000 can also be operated on a vintage Roland D-50 / D-550

Almost every parameter of the Roland D-05 gets its own slider, 10 keys and 56 pots in a nice and solid desktop case.

Some pots are doubly assigned, but can be switched quickly and are very easy to read.

For Roland Boutique D-05 Linear Synthesizer
Also compatible with Roland D-50 and D-550 vintage synthesizers
Direct access to all important parameters of the Roland Boutique D-05
10 Buttons and 56 pots
Robust housing
MIDI input and output
USB

Included in the box:
Dtronics DT-1000
DIN(5) MIDI cable
USB cable


Specifications
Material: high-quality plastic
Height: 44 mm
Width: 300 mm
Depth: 200 mm
Weight: 0.985 gram
DIN cord (DIN5P) is included
Power consumption USB or DIN: 60mA
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 1 in stock $455.10
Future Retro Vectra 29-Keys Hybrid Synthesiser
Cat: 854774 Rel: 12 Mar 24
 
29-keys hybrid keyboard synthesiser
Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.
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Herzlich Active Mixer 6-To-1/Dual 3-To-1 Active Mixer Module
Cat: 1003763 Rel: 06 Mar 24
 
Dual 3-to-1 or 6-to-1 active mixer module - 2HP
Notes: Take care of your utility mixing needs with the Dual Active Mixer, a dual active averaging mixer in 2hp that functions as either two 3-to-1 and a 6-to-1 averaging mixer, letting you mix audio and CV in a highly efficient package.

No knobs and no buttons, just pure mixing joy to help you sort out your patches with no wasted space. Not much else to say about this tiny wonder of technology, except to say it does what it says.

Money well spent thanks to Herzlich Labs, once again.

Dimensions: 2 HP
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Herzlich Buff Mult Buffered Multiple Module
Herzlich Buff Mult Buffered Multiple Module (dual/stereo/multiple/utility module)
Cat: 1003843 Rel: 07 Mar 24
 
Buffered multiple module - 2HP
Notes: The simple, but mighty, buffered multiple in beautiful black and gold. You know you want it, you want to get REAL buff, and this mult will get you there and a bit further still.

Built by hand by a lapsed office worker turned electronics engineer by night, you will certainly feel the hopeful spirit of this device as you install it in your rack.

The buffered multiple is useful when multiplying voltages that are sensitive to changes, such as volt-per-octave applications, and situations where you need to create a buffer between modules. This can come in handy more often than you might think.

The time for words is over, now is the time for action. Purchasing action. Go ahead, you know you need this.
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Herzlich Crossfade Micro Crossfader Module
Herzlich Crossfade Micro Crossfader Module (controller/expression/mixer/utility module)
Cat: 1003778 Rel: 06 Mar 24
 
Micro crossfader module - 2HP
Notes: Fade between two signals with the fader, just as nature intended

Do you have aspirations to smoothly fade between two signals? The Herzlich Crossfade lets you do exactly that, and exactly nothing else, using well-designed active circuitry and a smooth and performance friendly sliding potentiometer.

Whatever your aspirations are, this crossfader lets you live out your crossfading dreams in the simplest possible way, with not a fraction of an inch wasted on unnecessary features. Only delightful build quality and pleasantly smooth crossfading lies ahead for you.

Dimensions: 2 HP
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Herzlich FWR Dual Full Wave Rectifier Module
Herzlich FWR Dual Full Wave Rectifier Module (dual/stereo/phase shifter/polarizer/utility module)
Cat: 1003830 Rel: 06 Mar 24
 
Dual full wave rectifier module - 2HP
Notes: Dual Full Wave Rectification for Fun and Profit

Are you sick and tired of having pesky negative waveforms interfering with your signals? Do you detest seeing the back-and-forth motion of AC waveforms going backwards, then forwards? Those days are OVER with the Herzlich Labs FWR, a dual full-wave rectifier that puts an end to negative waveforms!

When you plug a signal into the FWR, you get two outputs in return, which have fully rectified the input. All negative inputs will be kindly returned to you in pristine, fully positive form. Beautiful bouncy sine waves, turned into pure "Oops! All Positive Waveshapes"-cereal, just the way you like it.

Use it anywhere where you want ONLY positive vibes, or use it with an inverter to get ONLY negative signals, if you please. Yes, you get two of these functions in just 2hp!

Dimensions: 2 HP
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Herzlich Lumen LED Voltage Visualiser Module
Cat: 1003784 Rel: 06 Mar 24
 
LED voltage visualiser module - 2HP
Notes: Two bipolar LEDs allow you to visualize your voltages as they swing between positive and negative, as well as their level of intensity, without affecting the signal you input.

Think of it as a 1D oscilloscope in just 2hp! An easy way to grasp what your patch is currently doing, without sacrificing the money or space on more fully-fledged solutions. Useful as part of a patch to keep track of your oscillations, as a troubleshooting device to quickly verify that something is doing what it should be doing, or simply as a healthy dose of blinkenlights in addition to your existing array of sparkling LED pleasures. Best of all? You get two in just 2hp - you'll have to spend some serious cash to get that kind of function-per-hp density anywhere else!

Dimensions: 2 HP
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Herzlich Manual Gate Performance Gate Generator Module (latching switch)
Herzlich Manual Gate Performance Gate Generator Module (latching switch) (controller/function generator/switch/utility module)
Cat: 1003767 Rel: 07 Mar 24
 
Performance gate generator module with latching switch - 2HP
Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this version is the latching model (stays on or off after pressing). In fact, it works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP
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Herzlich Manual Gate Performance Gate Generator Module (momentary switch)
Herzlich Manual Gate Performance Gate Generator Module (momentary switch) (controller/function generator/switch/utility module)
Cat: 1003773 Rel: 07 Mar 24
 
Performance gate generator module with momentary switch- 2HP
Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this is the momentary model (is normally off, and temporarily on when you press it). In fact, this also works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP
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Herzlich MMI Helios Inversus Passive Gestural Controller Module (lefthand version)
Herzlich MMI Helios Inversus Passive Gestural Controller Module (lefthand version) (attenuator/controller/expression/mixer/multiple module)
Cat: 1003741 Rel: 06 Mar 24
 
Passive gesture, touch & pressure controller module - 8HP
Notes: Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions: 8 HP

***Please note: the "righthand" version is not included, it is shown in the picture for demonstration purposes only. ***
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Herzlich sAttenuverter Stereo Attenuverter Module
Cat: 1003825 Rel: 06 Mar 24
 
Stereo attenuverter module - 2HP
Notes: Beauty. Refinement. Attenuversion.

It's another Herzlich Labs release: the 2hp stereo Attenuverter. Two channels of connected attenuversion, allowing you to fully and smoothly invert any signals you plug in - turn negative to positive, turn phase to antiphase, and find all the variations in between.

With the usual pleasantly tactile sliding pot, the sAttenuverter is both performance friendly and inspiring to use. Extremely suitable for linked mono signals and stereo alike, it will feel right at home in the increasingly popular stereo setups in modular.

Dimension: 2 HP
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Herzlich sOffset Stereo Offset Generator Module
Herzlich sOffset Stereo Offset Generator Module (dual/stereo/CV modulation module)
Cat: 1003854 Rel: 06 Mar 24
 
Stereo offset generator module - 2HP
Notes: Need an offset voltage? Of course you do, you probably need one all the time, and you can never seem to find one. Well, here's two.

Yes, the Stereo Offset boasts not one but TWO linked offset voltages, and even better, they can be independently set as unipolar or bipolar with jumpers on the back of the module. To further aid your adventure in offsetting, bicolor LEDs will indicate the current state of both outputs.

Smoothly transition between voltages to simultaneously control other functions in your system, either by applying identical voltages to two different places, or by using simultaneous unipolar and bipolar signals for advanced control over your Eurorack system.

Do the right thing - get an offset generator you will love.

Dimensions: 2 HP
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Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal
Cat: 1005026 Rel: 12 Mar 24
 
4-in-1 DS-1 & Civil War Big Muff style distortion & fuzz effects pedal
Notes: Drawing on the classic Boss DS-1 and 'Civil War' Big Muff, the Angry Orange serves up two iconic flavours of distortion and fuzz, plus two hybrid modes via a combination of tone control and clipping settings.

Supplier's Notes:
4-in-1 DS-1 and Civil War Big Muff Style Distortion and Fuzz

Keeley crammed two legendary distortion and fuzz circuits into one stompbox and gave you two new sounds in the process. It's sort of like pedal-modeling except these are 100% old-school, analogue circuits and you decide which tone control or clipping section you want to rock.

Heavily saturate your guitar through either a legendary '78 Japanese Orange Distortion or a '91 Soviet Civil War Fuzz. Use the Angry Orange to make your own fuzzztortions with the hybrid modes, all with only three simple knobs.

This pedal can be True Bypass or Buffered Bypass, it only takes two seconds to switch between the modes. The Keeley Angry Orange is entirely manufactured at Keeley Electronics and is in the new aluminium enclosure.

Tone Control

The Angry Orange gives you two tone control circuits to choose from. When the Tone Switch is up and in the MF Position the tone control is a scooped sounding, passive tilt-style. If the Tone Switch is down and in the DS Position it also features a passive sounding tilt control, voiced a little differently.

Diode Clipping

Hard or Soft Clipping: The Angry Orange gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the DS Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the MF Position that uses Soft Diode Clipping, like a muffled fuzz tone.

Buffered and True Bypass

The Keeley Angry Orange allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Angry Orange in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.
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Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal
Cat: 1005027 Rel: 12 Mar 24
 
4-in-1 Blues Breaker & OCD style overdrive & distortion effects pedal
Notes: 4-in-1 Blues Breaker and OCD Style Overdrive and Distortion

Keeley combines two completely different overdrive and distortion circuits to create four different drives in one box. The Blues Disorder has two switches that allow you to separate the tone control from the clipping section.

By mixing and matching the Tone and Drive switches you get two hybrid sounds. With both switches up it's a smooth, soft-clipping Bluesy Breaker. The BB side is a low gain, soft-clipping overdrive. With both switches down it's a fuller sounding, hard-clipping OC Distortion. The clever design keeps the pedal a three knob overdrive with 4 unique sounds.

Switch easily between buffered or true-bypass; whichever sounds best in your rig. The Keeley Blues Disorder Overdrive and Distortion is designed and manufactured entirely by Keeley Electronics in a brand new aluminium enclosure.

Switchable Tone Stacks - Swap Voicings

The Blues Disorder gives you two tone control circuits to choose from. When the Tone Switch is down and in the OC position you will hear an active midrange boost and then the tone control rolls off high-frequency. If the Tone Switch is up and in the BB position you don't have the active mid boost, there's just a simple high-frequency filter and therefore a more transparent sounding overdrive and response.

Switchable Diodes - Hybrid Gain Clipping

The Blues Disorder gives you both styles of diode clipping. Where diodes are placed in the circuit, can have a dramatic effect on gain and compression. This pedal gives you both hard clipping distortion or soft clipping overdrive, depending on the position of the Drive Toggle.

If the Clipping Switch is in the OC position it features Hard-Clipping which is an edgier, more aggressive tone. Alternatively, when the Clipping Switch is in the BB Position, that uses Soft-Clipping and sounds like a softly overdriven tube amplifier.

Buffered and True Bypass

The Keeley Blues Disorder allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal.

Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City. The Blues Disorder is geared towards the professional musician's demand for an inspiring tone when performance demands it. From the meticulously built electronic circuit boards to the in-house fabricated aluminium enclosure, Keeley pedals are professional grade. Keeley make guitar effect pedals to be finely crafted musical instruments.
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