Review: Talented Italian collective Aura Safari features well known Italian house producer Nicolas amongst other fine musicians. They have released a fine album on UK label Church but now head to their homeland's Hell Yeah for a debut EP full of magic. 'Lagos Connect' fuses afro drumming with house beats, lush synth work and glowing melodies to make for something beautifully grown up and musical as well as danceable. After the reprise and dub comes 'Morning Rivers,' a super slinky and seductive jazz-funk number with glowing, golden chords and subtle cosmic rays of light.
Review: Mishell Ivon and Vincent Kwok are back and combining their skills once more with this brilliant bouncy new funk outing on The Sleepers. The first tune on this pocket-rocket of a 7" is 'High', a funky weapon that is high on life and built around well-syncopated drums and a percussive bassline. The icing on the cake is Mishell's vocals which weave in out of the synth stabs and lush keys, all of which are well arranged. Flip it over and you'll get lost in the funk once more with 'In The Dust' with its masterfully rhythmic bassline and more of those buttery Mishell vocals.
Review: In 1961, producer David Rick discovered Vito and The Salutations, a Brooklyn harmony group of Italian, Irish and Jewish teenagers. Their energetic doo-wop take on 'Unchained Melody' became a hit until the British Invasion shifted the music scene. 'Hey There' remained unreleased until Rick's 1981 double album which compiled their singles and rare collector cuts after years of misrepresentation and a court battle with a copycat group. In 2020, Monster Mike unearthed The Long Island Sound's unreleased 1969 demo of 'Hey There' which was recorded before the band dissolved. Now, Oracion Records drops this forgotten gem on 45.
Clodagh, Joiisol, OK Asanda & Shadeemus - "Like Glue" (6:19)
Joiisol, OK Asanda & Shadeemus - "Primrose Hill" (5:06)
Review: Brownswood Recordings is back with Future Bubblers 8.0, the eighth volume of their influential annual compilation the highlights fresh talents as part of Gilles Peterson's network with support by Arts Council England and PRS Foundation. This new volume continues to spotlight unsigned talent and grow the audience for experimental music by helping emerging artists build sustainable careers by sharing revenue directly. Past artists include Yazmin Lacey, KinKai, and Lynda Dawn who have gone on to make their own mark and now this new vinyl features six tracks blending r&b, soul, funk, rap and electronic influences into all new sound worlds.
Review: FF45 continue in their mission to fuse and mash only the hottest classics together. This time they welcome two Berliners, Soul Brigada and Voodoocuts, to the fore for a hybridized chimera mixing the fabled verses of Ludacris with Aretha Franklin on the B, and an apparently completely original cut on the A (although it sounds very 'classic' - if it is sampled, then it's a rarity for sure!). Don't sleep on this 7"...
Floyd Vader - "Smoke & Mirrors" (12' version) (8:59)
DJ Solid - "I Like To Kiss" (feat Sarah Lyons - Shukie & Never Warm Chills Remake) (8:52)
Mikekon - "It's Yours" (feat Novakane Omega - Mike Lost In The Rhythm Redub) (6:15)
Guerilla Science - "First Time" (Yes mix) (6:48)
Review: The first vinyl release to grace the freshly-decked halls of the newly minted Lost In The Rhythm label, the EP known by no name other than 'EP' is a promising debut sampler of a new curative effort and community-first initiative, helmed up by Rob Coley aka. RevolutionsLDN. With the express aim of blending the soulful, intestinal feelings of deep and Chicago house with its ancestral roots, the EP achieves a rawly hewn yet neatly knitted sound; one first laid down by Floyd Vader and DJ Solid on the A, the latter of whom especially dazzles with the saw-washed amapiano-ish melancholy of 'I Like To Kiss', whose machinic dunduns serve to taper off our inhibitions to a sunset vanishing point. The pace is lifted on the B-side's choice, Mikekon's 'It's Yours', which indulges a sparse Afro-driven palette, as we're treated to a suggestive, therapeutic monologue from vocalist Novakone Omega: "I'm giving you... *the*... license... to get you some... break you off some... take you some... come get it... it's here... it's waiting..."
Review: A year after dropping his acclaimed album 'Billy Valentine And The Universal Truth' with Flying Dutchman and Acid Jazz Records, Billy unveils a fresh take on a soul classic. Recorded at LA's prestigious Henson Recording Studio, alongside producer Bob Thiele Jr. and a stellar band including Larry Goldings, Pino Paladino, Jeff Parker, James Gadson, and John Philip Shenale, he introduces three new tracks. His rendition of Gil Scott-Heron's 'Lady Day & John Coltrane', debuted on Gilles Peterson's BBC6Music, mesmerising live audiences. This special edition 7" includes a unique edit of 'Home Is Where The Hatred Is', not previously available on vinyl.
Review: The Valentinos had plenty of early success but still, their story is often seen as one of missed opportunities. The group was led by Friendly Womack Sr. who taught his sons gospel songs before they pursued secular music and that rather led to a struggle between serving up gospel and secular sounds. History tells us the friendly "June" Womack recalled their desire for another hit like 'Looking For A Love' which had been a significant seller in their early days. Two tracks from that era had remained unreleased until now when Soul4Real Records pressed them up here and both are seriously good soul swingers.
Review: 'Girassol' has long been one of the hardest-to-find gems in Brazilian great Marcos Valle's vast catalogue of sun-drenched musical treats. It was initially recorded and released as a promo-only seven-inch, with copies being handed out to customers of a Brazilian supermarket chain. This, then, marks the track's first ever commercial release. In its' original form (side A), 'Girassol' is a lusciously short, soft-focus affair - a two-minute chunk of laidback, jazz-funk influenced South American boogie bliss with the kind of high production values that you'd expect from Valle during his successful post-disco period. As with the original 7", it comes backed with the slightly more elaborate 'Playback' instrumental mix, where gentle, eyes-closed saxophone solos come to the fore.
Review: For the latest volume in their ongoing Brazil 45s series, Mr Bongo has decided to change tack. The two tracks showcased here are from the golden age of Brazilian boogie. On the A-side you'll find Marcos Valle's "A Paraiba Nao E Chicago", a largely overlooked cut from his 1981 full-length Vontade De Rever Voce. While not as instantly as infectious as some of his better-known singles, it's still superb; a breezy, blue-eyed soul cut full of rising horns and sweet Portuguese vocals. On the B-side, you'll find Don Beto's 1978 disco-funk jam "Nao Quero Mais", a superb track that was seemingly inspired by the Doobie Brothers' "Long Train Running".
Review: Two premium Latin funk documents on one limited 45, Mr Bongo deliver once again: Marcos Valle needs no introduction to Brazilian music enthusiasts. "Mentira" is a self-cover as Valle takes his 69 classic "Mentira Carioca" and develops the dynamic with a vocal style that's highly reminiscent of Donovan. Flip for Toni Tornado's Black Rio anthem "Me Libertei". Fusing sleazy rock n roll with jazzy Latin soul, madly this is the first time it's ever graced a 45!
Review: 'Pili Pili' by Jasper Van't Hof catapulted the fusion band into the limelight in 1984, with its infectious blend of African rhythms and jazz sensibilities. This 12" EP, featuring the iconic 15-minute original alongside a 2024 Coyote edit, offers a complete tribute to the songs history. Remastered and cut for maximum impact, both versions showcase the band's dynamic energy and innovative approach to fusion music. From the hypnotic groove of the original to the reimagined Coyote edit, each track exudes a timeless appeal that will undoubtedly wow listeners on the dancefloor. This release is a testament to Pili Pili's enduring influence and Van't Hof's pioneering vision in bridging musical cultures.
Review: Cold Busted ventures into downtempo and Balearic territory here with Vanilla offering up a limited but 7" full of hazy and lo-fi beat sketches that make you ache for a sun lounger and a warm day. The gentle beats of 'Pointbreak' are offset by wonky and detuned chords that bring a sense of irreverence and 'Surfin' Summer' then casts you adrift on nice lazy sax motifs. 'Remember' keeps the grooves slow and low and 'Breeze' shuts down with another cathartic and open-skied sonic excursion. A perfect accompaniment to some mental escapism, then.
Review: Austin's Vapor Caves enlist funk heavyweights XL Middleton and E. Live for a powerful remix release that brings plenty of dance floor goodness. On the A-side, XL Middleton, who is rightly dubbed the 'Modern Funk King', delivers a high-energy boogie-blast that elevates the original track to new heights. Flip to the B-side and you will find E. Live crafting a smooth, jazz-infused remix with a relaxed, soulful vibe that's sure to win over any right-thinking dancefloor. Star Creature is on a winning streak at the moment and here delivers yet another essential joint for fans of modern funk.
Review: Fans of UK street soul from the mid-80s you need this one in your life as Heels & Souls Recordings returns with its eighth reissue and unveils some treasures by Elaine Vassell and 3rd Zone. In 1993, amidst the rise of house music, UK soul thrived, accompanied by its DIY street soul sibling as perfectly exemplified here by 'Never Give Up' which boasts a raw, breakbeat-driven groove, blending soulful house, hip-hop, and r&b, while 3rd Zone's 'You Stole My Heart' from 1991, later featured on their 1993 EP No Real Reason, offers a tender yet tough underground vibe. Both tracks showcase the era's spirit, proving that creativity trumps big budgets. Each side includes an alternate version for added depth and diversity.
Review: Vaudou Game returns with a funky Afro Cumbia workout that marks the first single from their fifth album. The French Afro-funk band expands its influence here by blending high-life guitars with Cumbia rhythms and crossing into Afro-Latin sounds, especially elements of Colombian music. 'Raler' features the captivating vocals of Spanish-English singer Clara Serra Lopez and is a mix of fresh funk and traditional rhythms while 'Koliko' pays tribute to West African street food, particularly sweet donuts found in Lome and Cotonou. Delicious.
Review: The Vee Gees began as 'The African Americans', but their name was later changed to 'The Versatile Gents' aka. The Vee Gees following a spate of creative differences over their original name. 'Talkin' was born from the breaksy sweet soul sound of the early '70s, which touched on the wall of emotive sound that pigeonholed the sound of rare groove. The song is devotional and improvisatory, spiffingly showing off Robert Evans' pitch-perfect dialogue with the thing upstairs.
Review: Yet another 12" rarity from the annals of UK funk & boogie history - this time the 1985 cut 'Sexy Lady' from VeiraKrew. Carribean-born and British-raised pianist Elvis Veira moved to England alongside his pianist and music teacher mother at the age of two, quickly becoming proficient on piano, guitar and bass by his early teens. His love for playing music and singing in choirs propelled him on this musical journey, and his late teens to 20s saw him supporting acts such Heatwave, Wham, Katrina and the Waves and more. In 1983 he started working under the alias VeiraKrew, and a couple of years later in 1985 laid down this 12", backed up with the title track's killer instrumental version and the B-side 'Welcome to a Dream'. It was self-released by Veira, quickly becoming a collector's item with clean copies changing hands for up to 150 a piece. The instrumentals are fresh and filled with life, and 'Welcome to a Dream' is an incredible mid-tempo bopper. Well worthy of a repress, and is sure to be in demand - so don't delay!
Review: Featuring sister funk paired with a beautiful ballad, this release is a true gem for aficionados of 1960s indie soul music. It comes from The Velvet Vettes via Tramp and is a limited pressing so don't sleep. A-side cut 'Give Me A Little Bit Of Time' is a lively one with plenty of Northern soul energy as well as lung busting vocals and great backing harmonies full of soul. Flip it over and you will find the much more slow and sentimental sounds of 'I'd Like To Know' which is a real heart melting crooner.
Review: Two Velvet Hammer heaters finally get reissued officially here for the first time since 1977, a mere 45 years since their original release, this time on limited edition red vinyl. 'Party Hardy' is a gorgeous disco groover and an essential slice of Chicago history via Soozi Records, whilst the flip, 'Happy', is the ultimate feel-good modern soul classic and about as anthemic as they get. The appeal of this record knows no limits whether you've heard it once or one hundred times. With mint originals being virtually impossible to get your hands on and second-hand copies that do come up clocking in at L250+, this is a no brainer.
Review: Recorded in Essaouira, Morocco, Pedro Vian and Maalem Nabob Soudani present an exercise in melding the traditional and unorthodox, the old and new, the abstract and the direct, the exotic and, well, something even more exotic. Rooted in the Gnawa sound, but leaning heavily into deep electronic worlds, EMS AKS Synthi and buchla meet the qrebeb and guimbiri, everything contrasting yet complementing. The result is this intoxicating brew that transports you to the North African coastline on which this collection was conceived and captured, and then onto somewhere that's almost beyond the terrestrial. Close your eyes, allow the hypnotic looped musical phrases and organic aesthetic of the recording itself to wash over you, through, and around your body. Something to truly get lost in and a fantastic example of cross-pollination done properly.
Review: Selector Series strikes gold again with their reissue of The Vibrations' 'Shake It Up,' a modern soul gem that first hit the airwaves in 1974. Celebrating its 50th anniversary, this classic, co-written by Bunny Sigler and arranged by Vince Montana, still electrifies dance floors today. With its swirling strings and unmistakable percussive intro, 'Shake It Up' became a favourite during the mid-80s London warehouse parties and the rare groove scene, solidifying its place on diggers' lists. The flip side, 'Make It Last,' penned by Thom Bell and Linda Creed, offers a mellower vibe, making this 7" a perfect blend of energy and soul.
Review: Funk Night Records goes global again here with a new double-sider from Russia's The Vicious Seeds. They offer up two gems with different vibes on this 7". The first is 'Cruel Fist ', a perfect bit of busy and dense instrumental funk for some steamy dance floor business. On the flip is 'Cold Pressed Venom' which is a more slow-moving and psyched-out sound for late night hours. This is often the approach this outfit takes on this label and like all previous times, it works a treat once more here.
Review: Russian outfit The Vicious Seeds are back on their regular home label of Funk Night with yet another of their delightful little 7"s. As always they use each side to offer up slightly different vibes for different settings. First up is the deep-cut instrumental funk of 'Ace Of Haze' with its wah-wah guitars and psyched-out stoner vibes all seducing you into a meditative state of mind. 'Nature Identical Pleasure' then slows it down further with more libidinous vibes, prominent melodies snaking their bay through the dusty drums and grooves that move your soul.
Review: Spasibo Records present a fresh 7" by the Vicious Seeds, hailing from St. Petersburg. With vibraphonist Pavel Chizhik taking centre stage (Chizhik isn't usually a member of the band), 'Village Hassle' makes for a cleverly collaborative rare groove and instrumental reggae-soul release. The titular A-side flaunts Chizhik's vibraphone via the mix alone, fleshing out its low-end elements against a driven instrumental backbeat; 'Monthly Rainfall', meanwhile, goes for all-out slow-jammed soul by way of cross-sticked snares and offbeat chord plucks run through short-release springs.
Haunted By Your Love (Call Sender dub version) (3:17)
Review: Get your lugs around this, the first single from Leo Vidal & The Rayvelles, and you will soon be keen to know more. 'Haunted By Your Love' is a modern take on the West Coast oldies sound from Leo Vidal, a 70s soul singer from rural Virginia who brings his East Coast harmonies to croon about lost love. The Rayvelles is the duo of Fergal McBride and Tuck Nelson and are the creative force behind Echo Ray Studios in London, a space that channels the soul of Motown into contemporary music. Backing vocals are provided by Cassandra Dali and Marietta Smith while the flip has a remix by Call Sender who layers in some inviting dub weight.
Review: Mr. Bongo's Brazil.45 continues with a repress of two highly sought-after tracks from earlier in the series, this time from Noriel Vilela and Juca Chaves. On the A-side, Vilela's 1971 cover of Tennessee Ernie Ford's '16 Tons' transforms the classic American folk song into a smooth, samba-infused groove. Vilela's version reimagines the track which was originally released on Copacabana Records, with a deep rhythmic flair. On the B-side, Juca Chaves' 'Take Me Back To Piaui' from 1970 featured on his 1972 album Muito Vivo delivers lush orchestration, velvety vocals and vibrant cuica tones. It's pure escapist bliss.
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