Review: Cassiano's Cuban Soul - 18 Kilates was first released in 1976 and is a landmark of Brazilian soul for the way it blends the groove of American r&b with native rhythms in a way few artists have matched. Long coveted by collectors, the album has achieved cult status and now returns remastered from the original tapes on 180g vinyl so it is sure to fly off the shelves. Cassiano's velvety vocals glide over lush, cinematic arrangements throughout and in doing so, evoke the grandeur of contemporaries like Tim Maia. From start to finish, this album is packed with depth, warmth and effortless cool, which makes it an essential listen for anyone who likes soul, samba and vintage Brazilian brilliance.
Review: All hail the mighty Cerrone, one of the most important figures in the development of a European disco sound distinct from what was happening in the US. His run of LPs in the late 70s introduced a new, synth-driven sound which spawned some monumental hits, the biggest of which undoubtedly being 'Supernature'. Now the veteran disco machine is celebrating 50 years of active service in music by revisiting his former glories with new versions of much-loved favourites. Alongside these productions, Cerrone has also invited some more contemporary players to produce remixes, including Dimitri From Paris and The Reflex.
Beggar & Co - "Somebody Help Me Out" (Boogie Back radio mix) (4:55)
Sai Galaxy - "Rendezvous" (feat Vanessa Baker) (5:55)
Dave Lee & Omar - "Starlight" (radio edit) (3:50)
Kylie Auldist - "LYB (Love You Better)" (The Waz Exclusive Trunk Of Funk remix) (4:26)
Lexsoul Dancemachine - "I Don't Mind" (Mr Lex Trunk Of Funk remix) (5:13)
Sunlightsquare - "I Thought It Was You" (live) (4:11)
The New Mastersounds - "Watchu Want" (Exclusive Trunk Of Funk vocal version) (2:41)
The Harlem Gospel Travelers - "God's In Control" (2:38)
Sister Cookie - "Ain't No Good (But Its Good Enough For Me)" (Feat.Spencer Evoy) (2:53)
Sugaray Rayford - "Gonna Lift You Up" (3:29)
Kaz Hawkins - "Shake" (4:40)
The Nextmen - "Big Time" (feat Kiko Bun) (3:17)
La Rochelle Band - "Prophet" (3:36)
The Niceguys - "Power" (feat Bobby Saint - A Skillz remix) (3:22)
Sly Johnson - "Trust Me" (3:08)
Cotonete - "Day In Day Out" (feat Leron Thomas) (4:24)
Roy Ayers - "Tarzan" (4:14)
Review: Craig Charles, renowned for his soulful groove, presents The Craig Charles Trunk Of Funk Volume 3, a collection of 19 tracks that epitomize his passion for soul, blues, disco, and funk. This compilation, curated with long-time collaborator Greg Boraman, showcases Charles' lifelong dedication to soul music. With a career spanning poetry, acting, and television hosting, Charles' love for soul and funk has remained constant. His BBC 6 Music shows and global DJ sets have solidified his reputation as a premier ambassador for these genres. Volume 3 is a blend of club classics, contemporary hits, and timeless soul tunes. The collection, available in double LP gatefold sleeve and CD, is a testament to Charles' ability to seamlessly blend old-school classics with modern beats, creating a dynamic and infectious musical experience. Whether you're a long-time listener or a newcomer to his trunk of funk, this album will make you a fan.
Review: While this fabulous album may sound old - as if it was an obscure, jazz-funk-tinged Italian disco release from 1982 - it is in fact brand, spanking new, making it the first new LP of original material released by legendary Italian imprint Best Record in over four decades. Created by Raffaele 'Whodammy' Arcella and Cosimo Cosmo Mandorino, it offers the same kind of boundary-blurring fusion of early '80s boogie, electro, low-tempo Italo-disco, jazz-funk, disco, Afro-cosmic and colourful Balearic pop (with a few cheeky raps and spoken word vocal passages thrown in) as the Neopolitan albums of the early-to-mid 1980s that inspired them. It's a brilliant set all told - one that authentically pays tribute to their influences and inspirations while offering something genuinely new and exciting.
Review: Cicciolina. Now there's a character. Disco-pop singer, porn star, politician, and ex-wife/muse of legendary shiny balloon artist Jeff Koons i it's fair to say the Italo-Hungarian icon has worn a few hats over the years. Perversion features a selection of reissued tracks from her 80s heyday, including the magnificently titled 'Sexy Porno Shop', which in itself renders the record worthy of consideration. If you hadn't already guessed from the preamble, the music is kitsch, to say the least, with bubblegum vocals, earworm synth lines and generally pulsing tempos. But there are hidden gems: the (ahem) innocent vocals and twinkling melodies of 'Goccioline', the rousing congas and inspired 'no drugs, I love sex, much more sex' vocal of 'No Drugs', and the brilliant cover of the Rolling Stones' 'Satisfaction'. Echoing far, far simpler times, it's either politically incorrect nostalgia or pioneering, sexually liberated abandon. Either way, it's bags of fun.
Review: The Armed Gang was a Vicenza-based outfit formed in the early '80s, comprised of producer Maurizio 'Sangy' Sangineto with vocalists Joe Bunch, Kenny Claiborne and James Otis White Jr. - who were all stationed at a nearby US military base. Due to difficulties keeping the band members together after their return across the Atlantic, the band broke up after a mere three years. Their sole self-titled LP is a classic disco gem for those that know, featuring some slick expressions in Italo synth-funk crossover. This reissue courtesy of Guerssen imprint Espacial Discos is much needed, given the exorbitant price the original fetches on the secondhand market.
Review: Elbernita "Twinkie" Clark is the core member of The Clark Sisters and she wrote, produced and arranged this magnificent album, He Gave Me Nothing To Lose (But All To Gain), back in 1979. It is a stunning debut long player that has never before been reissued and so is one of those that fetches super high process on the seance hand market. It brings funk and soul totters with plenty of real and raw gospel vibes, lovely vocal harmonies and even a few dance floor ready funky numbers like 'Everything's Gonna Be Alright'. A real allrounder that is well worth having.
Review: London's Clive From Accounts is back with his most expansive release to date in the form of this bumper full-length, amusingly entitled 'The Best of'. The album features the energetic lead single 'Save Me' which is packed with organ stabs, soulful vocals, steel pans and a touch of acid to get things going off. The second single, 'Heavier' delivers a dark, weighty club track with Riko Dann's toasting and other highlights include the melancholic 'Konsumu Suru' featuring Japanese vocals by Maya Kuroki and violin by Jessica Roch, the Middle Eastern-inspired 'It Began' and the classic drum & bass vibes of 'Spectrum.' Versatile stuff from Clive.
Funkin' Coast To Coast (alternate instrumentals) (6:07)
Review: The second LP on Athens Of The North (Edinburgh) this month is an unreleased soul LP from the American band Coast To Coast, who only released two singles between 1982 - 1983. Core members Mark Beiner and Ben Iverson were involved with acts such as 'The Hornets, Nue Dey Express and Crown Heights Affair in the early '70's. Other band members consisted of Joe Crowley, Carl (Woody Wood) Morton and Jimmy Johnson. Woody and Jimmy used to play together in the early days of seminal rap outfit Run DMC in St. Albans, Queens. Worth a listen for the soothing soul power of 'Paila Marie' alone.
Review: While it's a cliche to describe Balearic-minded releases as being "sun-soaked" and "sunset-ready", they're both descriptors that accurately reflect the gorgeously warm, melodious and laidback sound of Japanese outfit Coastlines. Their second self-titled album is every bit as inspired as its predecessor and offers a range of tracks built around layered, intricate instrumentation, gently shuffling rhythms and vivid daydreams about beachside walks in sunnier climes. Our picks of a very strong bunch include the Andreas Vollenweider-inspired slo-mo Latin shuffle of 'Tenderly', the blazed deep jazz-funk of 'Alicia', the piano-laden early morning wonder of 'Night Cruise' and the squelchy future boogie of 'Sky Island'. In a word: sumptuous!
Review: Hull's finest downtempo and Balearic master Steve Cobby (who is best known for being part of Fila Brazillia) is back with a brilliantly titled record that once again finds him impressing on all fronts. He is the producer but also the man who plays all the keyboards, bass, guitar, flute, clarinet, plus drums both live and programmed. Across seven captivating tunes, he explores snaking rhythms with sunny melodies, dusty broken beat smoking soundtracks, late-night lovestruck lullabies and heart-aching moments of inward reflection. Yet another vital work from this ever-underrated talent that instantly becomes a favourite for years to come.
Review: In the late summer of 2019, DJ Rocca and Chris Coco spent time together at the intimate La Casella festival in Umbria, Italy, where they chatted about Italo disco, the Rimini/Riccione riviera in the 90s and classic Italian clubs. Inspired by their conversations and imagined memories of scenes they weren't part of, they set out to make the music which over time, evolved into CocoRocca DiscoTeca, an imaginary retro-futuristic club blending past influences with future possibilities. It draws on dub, house and disco and is now resented on this wonderfully escapist full length which starts slow and dreamy, raises the pulse then slows down to a nice emotive finish. A fine reimagine of some classic sounds.
Review: Cola Boyy tragically passed away in March 2024 so Quit to Play Chess is his final album. He was well known and loved for his unique blend of neo-disco, funk and innovative musical styles and gained fans worldwide from Coachella to Paris. Following his EP Black Boogie Neon in 2018 and debut album Prosthetic Boombox back in 2021, this album is his grooviest yet as it blends hip-hop, r&b and drum & bass while featuring collaborations with Andrew VanWyngarden of MGMT, Jared Solomon and Nate Fox, who has worked with Chance the Rapper. These 12 inventive, passionate tracks are a fitting, boundary-pushing farewell to Cola Boyy's musical legacy.
Review: This reissue of the 1981 self-titled album from the cult Japanese duo Colored Music is now made available on vinyl for the first time since its original release. This groundbreaking mix of cosmic new wave, avant-garde synth-pop, experimental funk and unconventional disco is wonderfully unique and is reminiscent of David Bowie's Berlin Trilogy with a psychedelic Haruomi Hosono touch. Featuring celebrated musicians like Mansaku Kimura and Shuichi "Ponta" Murakami, Colored Music delivers an unparalleled, otherworldly soundscape that belies it ages.
Review: Confidence Man's relocation from Australia to London has ignited a new era with their upcoming third studio album, 3am (La La La). Embracing their signature audacity, the duo - Janet Planet and Sugar Bones - have crafted an album that dives deeper into the realms of hedonism and euphoria, fueled by their nocturnal creative sessions. Describing the album as "darker, sexier, and more surreal," Confidence Man blend 90s and 00s UK rave influences with a contemporary edge, with tracks like 'I Can't Lose You' and 'Real Move Touch' (featuring Sweetie) Irie exuding an infectious energy that spans breakbeat, trance, and techno, echoing the punk spirit of legends like The Prodigy. Inspired by encounters with idols like KLF and immersion in London's queer club scene, 3am (La La La) promises to be a sensory trip through pulsating beats and unbridled creativity. It follows their acclaimed sophomore release TILT and collaborations that have expanded their sonic palette. This album introduces their wild, irrepressible spirit to a wider audience, offering an exhilarating escape from the mundane into their eccentric and exhilarating universe.
Review: Confidence Man's third studio album, 3AM (LA LA LA), reimagines 90s UK rave sounds with a pop twist. Inspired by their recent move to London, encounters with KLF and immersion in the queer club scene, the duo captures the essence of hedonism and ecstasy in a euphoric soundscape. The album traverses the electronic spectrum with breakbeat, trance and Underworld-sized techno infused with the punk energy of legacy acts like The Prodigy. Following their successful second album Tilt, which included the festival favourite 'Holiday, 3AM (LA LA LA) is a bold and exhilarating escape into Confidence Man's vibrant world
Dancing Inner Space (long Distance version) (9:25)
Break It Up (4:54)
Breaking Point (5:07)
Review: Freestyle Records presents reissued material by Contact-U, the electro boogie project by Rick de Jongh and Andy Sojka. Originally released via their Challenge imprint, which would quickly begin to focus on the emerging sounds of Hi-NRG and electro at the time, this material is taken from the duo's three EPs released between 1982 - 1984.. Many recognise these tracks as some of the greatest electro-funk sounds of all time; whether it's the electric boogaloo of 'Ecuador' taken from their first EP of the same name, the body rockin' beats of 'Dancing Inner Space' or the robotic p-funk of 'Break It Up' - this really is foundational UK dance music.
Universal Language (Revisited - instrumental) (5:33)
Universal Message (4:39)
Review: After reuniting the Cosmic Renaissance project, and following up the release of the album Universal Language in 2022, Gianluca Petrella returns with a new five-track EP, 'Universal Message', again on Schema. Recontextualizing the vision of the album, this follow-up extends its impressive jazzdance and hip-house vision, with Petrella ever-revolving his style towards new Afro-jazz-futurist vortices, abandoning the band concept towards an electronic aesthetic with a profound spiritual concept to boot.
Review: LA-based soul and funk singer Nikka Costa is back with her first new music in six years. She has already teased this new album with the well-received lead and title single 'Dirty Disco' and it very much shows why she has a reputation for powerful vocals and dynamic stage presence. Across the rest of the record on Funky You, Costa's new work showcases a fresh, disco-inspired sound that comes after a career break that has done nothing to talk away from her skills. With plenty of future-forward beats and vibrant rhythms, this is a great return to form and a dazzling disco opus that will be followed up by tour dates later this year.
Review: French label Heavenly Sweetness France delivers a compelling fusion of jazz, funk, and electronic sounds on this new collection, Victoire De La Musique, from French jazz-funk heroes Cotonete. Across the album, the outfit showcases their virtuosity and creativity, blending intricate melodies with infectious rhythms and plenty of rousing horns, cosmic synths and nods to 70s fusion sounds. The compositions are dynamic and engaging, drawing listeners into a world of musical exploration where, soul, innovation and a certain musical playfulness all freely coexist. Victoire De La Musique is well worthy of a top spot in the contemporary jazz-funk landscape.
Review: This time last year, French combo Cotonete joined forces with Brazilian singer Di Melo to deliver what became one of the sleeper hits of last summer - the Latin disco/jazz-funk fusion of "A.E.I.O.U.". Here they continue their partnership with a first collaborative full length. It's a quietly impressive outing, with Di Melo's distinctive vocals rising above cuts that variously doff a cap to sultry Brazilian disco-funk, Azymuth-esque jazz-funk, soundtrack-friendly cinematic soundscapes, Astrud Gilberto style sweetness and humid salsa-funk (standout "Kilario (2019 Version)". It's a warm, loose and hazy set that feels authentically South American despite its Parisian roots.
Review: Buffalo, New York born artist Patrick Cowley is well known as one of the most revolutionary and influential figures in electronic dance music of the seventies and eighties. He studied it in San Fran at the City College of San Francisco then mastered it in the studio over the ensuing decades. Megatron Man was his second studio album , released in 1981, and is a standout of the era thanks to the gliding and funky main tune 'Get A Little' with its great use of vocoder. The rest of the record in true Cowley fashion takes in hi-nrg disco, slow cosmic, electronic funk and boogie all with an erotic and libidinous overtone.
Review: Best known for producing chart-topping disco anthems like the Sylvester-fronted 'Do You Wanna Funk?' - that still crop up in DJs like Juan Atkins' sets to this day, Cowley died in 1982 due to an AIDS-related illness. He left an incredible body of work but since 2009, the Dark Entries label has been working with Cowley's friends and family to uncover the singular artist's lesser-known sides such as his soundtracks for gay pornographic films. Malebox brings us six more recent discoveries from the hidden archives, very much in the churning disco-funk and hi-NRG areas that we've come to know and love as trademark Cowley. Recorded from 1979-1981, one of Patrick's most creatively exciting periods, this bumper pack includes early Paul Parker demos 'If You Feel It' and 'Love Me Hot', a demo version of 'Low Down Dirty Rhythm' with Jeanie Tracy's vocals, plus 'Floating', 'Love and Passion' and 'A Wicked Tool', all infectious and brimming with joyfulness and futuristic exploration. Also included is an air mail envelope containing a letter from Patrick Cowley to French disco producer Pierre Jaubert as well as liner notes and hand-written lyrics. Malebox will be released on November 12, the 40th anniversary of Patrick's passing.
Review: Dark Entries has assembled a superb collection of covers celebrating 60s garage and soul music by the one and only Patrick Cowley. This LP showcases another side of the great producer's diverse influences, in particular his psychedelic San Francisco roots which can be heard in most tracks. They were mostly written between 1980 and 1982 when he was in prolific form and highlight his virtuosity while paying respects to the music that shaped him. The collection features a reimagined version of Loverde's 'Iko Iko,' a hi-NRG cover of The Doors' '20th Century Fox,' and a haunting take on The Who's "Shakin' All Over." It concludes with a swinging rendition of the Four Tops' 'Baby I Need Your Loving' and is another essential one for the collection.
Review: The final part of Dark Entries' long-running series of archival Patrick Cowley releases showcases tracks originally recorded for Afternooners, a late '70s gay porn film by director John Coletti. As with previous Cowley releases on Dark Entries, the double album also contains previously unheard material rediscovered from the Fox Studio archives. It's another essential collection of atmospheric synthesizer music in the producer's distinctive style, all told, with tracks ranging from the whistling cheeriness of "Hot Beach" and the sparkling, cowbell-laden throb of "One Hot Afternoon" to the dubbed-out, semi-ambient dreaminess of "Bore & Stroke" and the humid, upbeat "Jungle Orchid".
Review: School Daze is a killer compilation put together by the Dark Entries label and the Honey Soundsystem crew, collating some of the early recordings produced by Patrick Cowley in the years between 1973-81 and were later used as soundtrack material in two gay porn films. You will probably know Cowley for his Hi-NRG output or 'that' Donna Summer remix or his behind the buttons work on Sylvester tracks. Be prepared for a surprise (well quite a few as the 'explicit content' warning on the cover lives up to its billing) as this collection presents Cowley as a producer capable of many styles and moods. The closest School Daze comes to the sound Cowley is most identified is opening track "Zygote" and from here the collection runs through primitive electronics, short bursts of wave and more with a few extended gems that highlight Cowley's talent for arrangement. One of the compilations of the year!
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