Ian Dury & The Seven Seas Players - "Spasticus Autisticus" (version) (6:57)
Material - "Over & Over" (long version) (5:38)
Was (Not Was) - "Wheel Me Out" (7:12)
Dinosaur - "Kiss Me Again" (6:53)
Don Cherry - "I Walk" (3:14)
Common Sense - "Voices Inside My Head" (6:29)
Nicky Siano - "Move" (5:45)
Indian Ocean - "School Bell/Treehouse" (10:13)
Review: Second time around for Joey Negro and Sean P's peerless collection of post-punk era New York club cuts, a compilation that proved hugely influential when it was first released way back in 2000. The track listing strangely omits one track present on the original release (the full 16-minute version of Steve Miller Band's "Macho City"), but otherwise it's a faithful reproduction. Highlights come thick and fast throughout, from the eccentric electrofunk of Yoko Ono's "Walking On Thin Ice" and P-funk influenced strut of Material's "Over And Over", to the skittish jazz-goes-dub disco bustle of Don Cherry's "I Walk" and the low-slung percussive voodoo of Nicky Siano's "Move". The undisputed master of NYC leftfield disco, Arthur Russell, is represented via cuts from Loose Joints, Dinosaur and Indian Ocean.
G-Force - "Feel The Force" (feat Ronnie Gee & Captain Cee) (7:23)
Tyrone Brunson - "The Smurf" (6:09)
Review: Over the years, Joey Negro has delivered compilations focusing on a wide range of styles and sub-genres, including soulful disco, Italo-house, early U.S disco-rap, and Washington D.C go-go. Now he's turned his attention to electro, the style that did more than any other to inspire Britain's first wave of DJs and dance music producers. This "personal collection" contains a mixture of stone-cold scene classics - Aleem's Leroy Burgess-fronted "Release Yourself", Hashim's scene anthem "Al Naayafiysh (The Soul)" and Dwayne Omar's P-funk influenced "This Party's Jam Packed" - alongside deeper selections such as Kosmic Light Force's brilliant - and hard to find - L.A electrofunk classic "Mysterious Waves", and The Russell Brothers thrillingly intergalactic "The Party Scene".
Nigel Martinez - "Better Things To Come" (Joey Negro edit) (4:27)
Review: Originally released on CD and digital download way back in 2010, Joey Nergo's superb "Backstreet Brit Funk" compilation finally comes to vinyl. Given the recent rise in interest in "Brit-funk" - an early-to-mid '80s UK style rooted in jazz-funk, boogie, electro and soul - the timing seems perfect. It contains some genuinely killer cuts throughout, with highlights including the Hammond-heavy hustle of Ed Bentley's "Bentley Boogie", the scorching sax solos and huggable grooves of Mirage's "Summer Grooves", the breezy jazz-funk of Ritual's "Sore Lip" and the sun-kissed electrofunk/lovers rock fusion of The Cool Notes' "I Wanna Dance". The collection also contains a smattering of tidy, DJ-friendly re-edits from the long-serving Essex producer.
Review: On their debut album, 2016's the Tony Allen Experiments, Naples twosome Nu Guinea re-invented tracks by the legendary Afro-beat drummer as synth-heavy chunks of deep jazz-funk and nu-Balearica. For this follow-up - their first full length entirely made up of their own compositions - the duo serves up a set of jazz-funk, disco and boogie cuts rich in both their trademark colourful analogue synthesizer sounds and live instrumentation. It's a formula that guarantees a string of memorable highlights, from the sun-kissed peak-time brilliance of "Disco Sole" and rubbery, funk-fuelled "Je Vulesse" (a killer vocal number), to the wobbly downtempo trip of "A Voce E Napule" and Mizell Brothers fizz of closer "Parev Ajare", the album's most synthesizer-heavy cut.