Back catalogue: All genres

Notes: Black version of Arturia's superb KeyLab MK3, one of the best MIDI controllers around. 88 full-sized keys with fully weighted Fatar keybed, plus the option to use pads, rotaries, faders, built-in arpeggiator and other performance features.

Supplier's Notes:
Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Main features

Redesigned Keybed

88-note fully-weighted Fatar TP/110 keybed with aftertouch

Pads & controls

1 clickable encoder
9 360- rotary encoders
9 x 50mm faders
8 transport switches
4 command switches
1 modulation wheel & pitch wheel
12 touch & pressure-sensitive pads

Advanced display

Full Color 3.5" 320x480px screen with 8 contextual buttons for intuitive control and feedback

Smart features

Multi-mode arpeggiator
Chord mode with smart voicing
Scale mode
Hold function

Software integration

Seamless integration with Analog Lab V and V Collection instruments: select sounds, browse presets, smart-assigned controls
Advanced integration with FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services

Analog Lab Pro software with 2000+ sounds
Ableton Live Lite
Mini V, Augmented Strings, Piano V, Rev PLATE-140
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity

USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, modulation and expression plus an additional Aux-in
USB-C powered

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple

Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration


Works in Standalone, VST, AAX, Audio Unit.
Analog Lab not compatible with NKS

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Box contents

KeyLab 88 mk3 Unit
Laptop plate
Musical sheet holder
USB-C to USB-A cable
Registration card
QuickStart

Size & weight for 88 keys

Size : 50.98 x 12.72 x 4,45 inches (1295 x 323 x 113mm)
Weight : 34.6 lbs. (15.7 Kg)

Notes: MicroLab mk3 is designed for today's modern creatives. Its ultra-compact form factor, high-quality keybed, and intuitive controls make it the perfect MIDI controller for producers working in small studios, on the go, or just starting their music production journey.

With a durable, lightweight design and plug-and-play USB connectivity, MicroLab mk3 fits seamlessly into any workflow - empowering you to start making music instantly. Enjoy complete integration with leading software including Analog Lab Intro and Ableton Live Lite, and extend your creativity with features like chord mode and dual touch strips for expressive performance.

Small, lightweight, durable, and USB-powered - ideal for mobile music-making and compact studio setups.

With a high-quality slim keybed, MicroLab mk3 delivers a responsive and true playing experience that your music deserves.

MicroLab mk3 delivers big sound with 500 curated presets from Analog Lab Intro, intuitive control via four buttons and two touch strips, and instant music production with Ableton Live Lite.

Its plug-and-play USB connectivity and intuitive features ensures you can start creating music right away - no hassle, no setup.

Main Features

High quality keybed

25-note velocity-sensitive slim keyboard, responsive and expressive.

Controls

2 touch strips for pitch bend and modulation.
4 control buttons for octave shift and navigation.

Smart features

Chord Mode - Play full chords with a single key
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless compatibility with all major DAWs and soft synths.
Analog Lab & V Collection browsing - Explore 500 curated sounds instantly.

Included Software titles & services

Analog Lab Intro - 500 sounds from iconic synths and keyboards.
Ableton Live Lite - Essential tools for recording and producing music.

Connectivity

USB-C powered for instant plug-and-play operation.
MIDI class-compliant - Multiclient MIDI driver for Windows.
Compatible with iPads & Android devices (via adapter).
Sustain pedal input - Connect a sustain or expression pedal for enhanced performance.

Size & weight

Size (mm): 406 x 39 x 125 mm
Size (in): 15.98 x 1.54 x 4.92 in
Weight (kg): 0.62 kg
Weight (lb): 1.37 lb

Notes: MicroLab mk3 is designed for today's modern creatives. Its ultra-compact form factor, high-quality keybed, and intuitive controls make it the perfect MIDI controller for producers working in small studios, on the go, or just starting their music production journey.

With a durable, lightweight design and plug-and-play USB connectivity, MicroLab mk3 fits seamlessly into any workflow - empowering you to start making music instantly. Enjoy complete integration with leading software including Analog Lab Intro and Ableton Live Lite, and extend your creativity with features like chord mode and dual touch strips for expressive performance.

Small, lightweight, durable, and USB-powered - ideal for mobile music-making and compact studio setups.

With a high-quality slim keybed, MicroLab mk3 delivers a responsive and true playing experience that your music deserves.

MicroLab mk3 delivers big sound with 500 curated presets from Analog Lab Intro, intuitive control via four buttons and two touch strips, and instant music production with Ableton Live Lite.

Its plug-and-play USB connectivity and intuitive features ensures you can start creating music right away - no hassle, no setup.

Main Features

High quality keybed

25-note velocity-sensitive slim keyboard, responsive and expressive.

Controls

2 touch strips for pitch bend and modulation, 4 control buttons for octave shift and navigation

Smart features

Chord Mode - Play full chords with a single key
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless compatibility with all major DAWs and soft synths.
Analog Lab & V Collection browsing - Explore 500 curated sounds instantly.

Included Software titles & services

Analog Lab Intro - 500 sounds from iconic synths and keyboards.
Ableton Live Lite - Essential tools for recording and producing music.

Connectivity

USB-C powered for instant plug-and-play operation.
MIDI class-compliant - Multiclient MIDI driver for Windows.
Compatible with iPads & Android devices (via adapter).
Sustain pedal input - Connect a sustain or expression pedal for enhanced performance.

Size & weight

Size (mm): 406 x 39 x 125 mm
Size (in): 15.98 x 1.54 x 4.92 in
Weight (kg): 0.62 kg
Weight (lb): 1.37 lb

Notes: ***B-STOCK: Box opened, product in perfect working order***


Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.

The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.


OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Class-leading performance from Genelec's compact monitors, packing huge power into a small footprint. 32 Hz - 25 kHz frequency response and 110 dB maximum SPL for true professional sound in a tiny package.

Supplier's Notes:
Nearfield monitoring with real muscle. The 8050B has power in abundance, making it ideally suited to larger spaces and longer listening distances.

Detail and transparency

The 8050B represents a class-leading balance of extraordinary SPL output, expansive dynamic range and an intensely detailed, transparent performance. With superb directivity and a wide sweet spot, you're free to move position and still trust what you're hearing.

Mixes that translate

With its neutral performance and ability to adapt to your room via simple rear-panel room compensation switches, the 8050B ensures a flat playback response to help you really analyse the spectral balance of a recording and produce mixes that always translate reliably.

Package contains:
1 x 8050B monitor
1 x mains cable 1,8 m
1 x operating manual

8050B Technical Specifications

SPL:
110 dB

Amplifier Power:
150 W Bass (Class AB) + 120 W Treble (Class AB)


Frequency Response:
32 Hz - 25 kHz ("-6 dB")

Accuracy of Frequency Response
+/- 2 dB (38 Hz - 20 kHz)

Driver Dimensions
o 205 mm Bass + o 25 mm Treble

Dimensions:
H 452 x W 286 x D 278 mm, with Iso-Pod (view in inches)

Weight:
14.4 kg / 31.7 lb

Connections:
1 x XLR Analog Input

Notes: The DJ Control Inpulse 500 Silver Edition is more than just a DJ controller - it's a complete package designed to ignite your passion for DJing

This special edition boasts sleek silver-coloured finishes, combining aesthetics with cutting-edge technology to enhance your performance. Whether you are a beginner looking to master the basics or an experienced DJ seeking advanced features for a mobile setup, the Inpulse 500 Silver Edition delivers everything you need to make your mark.

It includes a transport bag, ensuring your gear stays protected anywhere effortlessly, Serato DJ Lite + compatibility with Serato DJ Pro (upgrade licence required), and and a license key to the all-new DJUCED Pro software with performance-ready features for any kind of DJ, such as VJing, Day mode, advanced FX and so much more.

A unique DJ controller for live performances

Stand out with the elegant silver finish that adds a touch of sophistication to your setup. The sleek and modern aesthetic not only looks great but also complements any professional or home studio environment.

DJUCED Pro

Gain access to DJUCED Pro software, providing you with powerful tools to mix and create your unique soundscapes. This comprehensive software offers an intuitive interface, advanced features, and seamless integration with your DJControl Inpulse 500 Silver Edition controller.

Advanced software features

With Unlock mode, you can get ready for your performance without having to connect your DJ controller. You can analyze, add hot cues, add saved loops and test your transitions with just your laptop. With Remapping, you can assign different functions or commands to the knobs, buttons, pads and faders on your DJ controller to tailor your gear to your specific preferences or workflow.

Interactive performances made easy

With the new VJing feature in DJUCED Pro, you can incorporate visual elements from a built-in library of video loops that sync to your music and enhance your performance.

Ready for wherever your DJ career takes you

Protect your gear on the go with the included high-quality transport bag, designed specifically for the DJControl Inpulse 500. This durable bag features padded compartments and reinforced stitching to ensure your equipment stays safe during travel.

Professional-grade audio connectivity

The controller features a range of inputs and outputs, including 2x RCA and 2xTS master outputs, a microphone input, an AUX input, and a headphone output for seamless integration with your setup. This ensures you can connect to any sound system or external equipment with ease.

Beatmatch Guide

Master the art of DJing with the helpful light guides that assist with beatmatching, syncing, and understanding the layout. These visual aids are perfect for beginners and provide an extra layer of support for experienced DJs looking to refine their skills.

Intelligent Music Assistant (IMA)

Get song recommendations based on your library to keep the energy up and the crowd dancing. The IMA helps you maintain a seamless flow of music, ensuring you always have the perfect track ready to go.

Specifcations

Audio
44.1 kHz / 24-bit AUX input 3.5 mm Headphone output 3.5 mm + 6.3mm Microphone input 6.3mm Master outputs: 2 x RCA + 2 x TRS

Mixer controls
1 Filter, 3 EQ, 1 Gain and 1 volume fader per deck Crossfader, volume master, headphone volume, master and deck VU meters Headphone cue to mix, microphone volume, microphone 2-band EQ AUX volume, AUX Filter Filter/FX rack with 4 FX select buttons and 2 rotary knobs

Deck controls
Touch-sensitive jog wheel Tempo fader 8 pads x 8 modes (Hot-Cue, Loop, Stems, Sampler) Vinyl/Slip/Quantize Loop In/Loop Out buttons Autoloop knobs

Minimum system requirements

Intel Core i7
Windows 10 & 11
AMD Ryzen 5 3000 series or higher (Serato)
Apple M1 or better
macOS 12 or later
8 GB RAM or more

What's in the box

DJControl Inpulse 500 Silver Edition controller
Controller unlocks DJUCED and Serato DJ Lite licenses
DJUCED Pro license card

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.

Notes: EGL-1 is a desktop analogue synthesiser that is ideal for a variety of duties. The unit's sub-oscillator can be configured to determine the emitted waveform and decays when the Push switch is pressed. There are four LFOs routed to the primary VCO for bountiful modulation capabilities. The VCO itself is routed through a boost circuit for a some extra flair that's sure to punish listeners in all the right ways.

EGL-1 Features

VCO routed through boost circuit
4 LFOs provide ample modulation possibilities
Integrated sub-oscillator
Push switch causes the sub-oscillator to decay
Two types of modulation can be applied to the MAIN VCO (oscillator).

The bottom stage mixes four LFOs and allows you to adjust the input level to the MAIN VCO with the level.

The middle stage allows you to input a WAVE to the SUB OSC (another oscillator) with adjustable rise and fall of the oscillator, which can then be fed into the MAIN VCO.

The push-button in the top right-hand corner rapidly decays the power of the SUB OSC as long as it is pressed. While it decays, it has an effect on the sound of the MAIN VCO.

The MAIN VCO output also has an output circuit to make the sound more powerful.

The EGL-1 operates from a 9V centre-minus or battery. Neither is included.

Notes: It is powered by a center negative DC 9V adapter or a single 9V battery.

It contains two VCOs (oscillators) with a wide range.

The SUB oscillator has a different frequency and waveform, and is input to the main, respectively. Each of them has a range switch, so it works like an LFO under the switch. The color of the range switch (white, black) corresponds to the color of the SUB.1 and SUB.2 on-off switches next to the FREQ knob of the main oscillator.

When the WAVE switch is turned on, the WAVE knob is activated, and the SUB OSCILLATOR.1 and 2 are shaken.

The main VCO×2 is mixed and fed into the strain + filter circuit. This special filter has a FREQ knob and a TUNE knob. The TUNE knob powerfully amplifies the input signal while also tracking specific pronunciations.

The filter is a circuit that has been fine-tuned so that it can very effectively enhance the bass and treble of this input signal.

Unlike other switches, the noise-on switch moves sideways, left (VCO.1), middle (OFF), and right (VCO.2). They are populated in VCO.1 and 2, respectively.

It is a noise machine that can output a very strong signal that generates a variety of noise sounds.

This analogue synth runs on DC9V negative center or a 9V battery.

The main 2 VCOs can receive 2 oscillators and noise generator inside and go to 2 different filters.

2 oscillators can be tuned with each two FREQ. knobs and controlled with the wave knob.

RED switch is for wave knob working.

Black and White for tone of oscillators

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Love Gun is the sixth studio album by American hard rock band Kiss, released on June 30, 1977. Casablanca Record and FilmWorks shipped 1, 000, 000 copies of the album on this date. It was also the last studio album to feature Peter Criss on every song, as he was replaced by session drummer Anton Fig for all but one song on 1979's Dynasty. Love Gun was certified platinum on June 30, 1977. This iconic artwork is now available as a 500 piece jigsaw puzzle printed on high quality board.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: Handytraxx Play

Portable vinyl performance, perfected.

The Handytraxx Play reimagines the classic portable turntable with modern innovation. Designed for DJs, vinyl enthusiasts, and creative performers, it combines portability with cutting-edge features, including unique Korg digital effects, a built-in audio looper, and a high-quality fader optimised for scratching. Developed in collaboration with Toshihide Nakama, co-creator of the original Handy Trax, this redefined turntable blends tradition and technology, delivering a truly unparalleled experience for music lovers on the go. Whether you're spinning at home or showcasing your skills anywhere, the Handytraxx Play is your perfect companion.

Key features

A portable player that lets you enjoy playing records and performing as a DJ, wherever you go
Unique Korg digital effects.
Audio looper for a wide range of musical expression and creativity
High-quality fader optimized for scratching
Custom-designed tonearm and motor control circuit
Developed in collaboration with Toshihide Nakama, former President of Vestax Inc.

The Handy Trax, originally created by Vestax, redefined portable turntables by giving users the freedom to play and scratch records anywhere. Beloved by DJs and vinyl enthusiasts alike, it helped spark the rise of "portablism".

Now, Korg proudly reinvents this iconic turntable with the Handytraxx Play. Developed in collaboration with Toshihide Nakama, former President of Vestax and co-creator of the Handy Trax, the Handytraxx Play retains the essence of the original while introducing exciting new features. These include cutting-edge digital effects, a built-in looper, and high-quality controls that make it possible to physically "play" with records on the go. Combined with unique customisation options, the Handytraxx Play delivers an unparalleled portable turntable experience. Perfect for casual vinyl lovers and hardcore portablists alike.

Honouring Toshihide Nakama

The Handytraxx Play is the result of a collaboration between Korg and Toshihide Nakama, the former President of Vestax and co-developer of the original Handy Trax. Developed closely with Nakama as an all-new kind of record player, the Handytraxx Play leverages Korg's unique digital processing and audio technologies while staying true to the spirit of the original Handy Trax. Tragically, Nakama passed away during the development of the Handytraxx Play on June 10th, 2023, but his vision and philosophy live on through this product, carrying his legacy to music lovers worldwide.

Optimised for scratching

The Handytraxx Play has been meticulously designed to provide an exceptional scratching experience. The high-quality fader, developed under Nakama's guidance, offers super smooth, precise motion and minimised silent zones for effortless cuts and transitions. Beginners and seasoned portablists alike will appreciate the responsive feel and the ability to reverse scratch by swapping crossfader channels. Every detail of the fader has been optimised to enhance performance while maintaining the portability that defines the Handytraxx Play.

Unique digital effects

Korg's expertise in digital audio processing brings powerful effects to the Handytraxx Play, elevating its creative potential.

Three types of filters

The Handytraxx Play offers three versatile filter types, each designed to provide dynamic control over your sound. The DJ filter seamlessly blends low-pass and high-pass filters, allowing smooth transitions. The EQ filter with a low isolator enhances bass frequencies for deep, impactful tones. Lastly, the peaking wah filter with modulation adds a unique, expressive touch, letting you shape bold experimental sounds or subtle nuanced effects in real time.
Delay
In addition to filters, the Handytraxx Play features a built-in delay effect that expands your creative possibilities. From creating spacious, ambient soundscapes to bold, metallic echoes, the delay effect can be controlled intuitively using the vertical fader for precise level adjustments.

This seamless integration of effects makes the Handytraxx Play an essential tool to enhance any DJ performance.

Built-in audio looper and versatile playback control

The Handytraxx Play includes a built-in looper that redefines creativity for DJs and vinyl enthusiasts. With its variable speed control switch, the looper lets you capture and replay live playback of a record's sound-a feature known as live looping. This capability allows you to craft unique DJ mixes by adding scratches to a looped beat, recording your favourite sounds to use as a sampler, or even swapping records while the loop continues to play seamlessly. The looper's versatility makes it an essential tool for both experimentation and live performance.

The variable speed control switch provides intuitive options for adjusting playback speed, a fundamental requirement for DJs. You can effortlessly switch between 33 and 45 RPM or fine-tune the variable speed ratio to match your creative needs. This adaptability extends to layering recordings over existing loops- for instance, playing back a beat loop at your chosen speed and overlaying scratching sounds on top. The Handytraxx Play's looper opens new possibilities for musical expression, offering endless opportunities to innovate and perform.

Precision craftsmanship

Every component of the Handytraxx Play has been crafted for superior performance. The custom-designed tonearm offers high-level tracing performance, minimising needle skipping during playback and scratching. A belt-driven motor with digital rotation correction ensures stable platter rotation and quick recovery for incidental effects that sound natural. Refinements to the turntable mechanism further reduce skipping, allowing for consistent, reliable performance during even the most demanding scratch play.

Groove on the go

Designed for ultimate portability, the Handytraxx Play can be powered by the included AC adapter or six AA batteries, giving you the flexibility to take your music anywhere. The built-in 2.5W speaker delivers impressive sound with rich bass and clear playback, whether you're connected to external speakers or not.

Flexible customisation

A redesigned headshell supports both ceramic and MM cartridges*, offering flexibility for various playback styles. Users can replace the scratch fader or reorient the control panel for right- or left-handed use, ensuring comfort and adaptability for every DJ. These thoughtful customisation options make the Handytraxx Play a truly personal and versatile tool, perfect for creating and performing.

* Basic soldering skills are required for replacing ceramic and MM cartridges.

Specifications

Drive system: Belt-driven (with digital rotation correction)
Drive motor: DC servo motor
RPM: 33-1/3, 45 or 78 revolutions per minute
S/N (signal-to-noise) ratio: Less than 60 dB (DIN-B)
Cartridge model: Stereo ceramic cartridge included (MM supported)
Maximum input level: AUX IN: 2.5 Vp
Maximum output level: LINE OUT ? 2.3 Vp, THD 1%, PHONO OUT: 300 mV (1 kHz, 5cm/sec)
PHONO preamp gain: Standard value: 34.5 dB; equalizer characteristics: RIAA
Digital signal processing
A/D, D/A: 44.1 kHz@16-bit, stereo
Crossfader: 44.1 kHz, 32-bit float, stereo
Mix: 44.1 kHz, 32-bit float, stereo
Looper: 44.1 kHz, 16-bit, stereo; max. recording time: approx. 20 sec
Filter: 44.1 kHz, 32-bit float, stereo; type: OFF, FILTER1, FILTER2, FILTER3
Delay: 44.1 kHz, 32-bit float, stereo; feedback (0%-80%), time (1,000 ms-10 ms)

Power consumption: 2.35 W
Power supply: AC adapter (included), six AA batteries (alkaline or nickel-metal hydride) Weight: 2.3 kg/5.07 lb
Dimensions: 370 x 280 x 84 mm/14.57? x 11.02? x 3.30?; with cover on: 370 x 286 x 87 mm/14.57" x 11.26" x 3.43"
Included items AC adapter, AC adapter replacement plug (5 types), dust cover, slip mat, EP adapter, Quick Start Guide

Notes: A contemporary reboot of the 1970s miniKORG 700, the 700Sm introduces a second oscillator, MIDI, arpeggiator and spring reverb. All the features of 2021's limited-edition 700FS reboot in a more compact, portable package.

Supplier's Notes:
The miniKORG 700Sm is a compact tribute to the iconic miniKORG 700, the very origin of Korg's analogue synth history, enhanced to meet the needs of today's musicians. Featuring two oscillators for thick, detuned sounds, the miniKORG 700Sm sees the return of the signature Traveler controller, allowing for expressive filter adjustments. With advancements like aftertouch, spring reverb, an arpeggiator, and a range of connectivity options including USB and MIDI, this synth is both a powerful standalone instrument and an excellent companion to stage keyboards. Complete with a custom soft case and a free software bundle, the miniKORG 700Sm brings vintage analogue sound into the present day.

Released in 2021, the miniKORG 700FS was a spectacular recreation of the legendary 1970s miniKORG 700S analogue synthesizer, enhanced with additional functionality that wasn't possible in the original. The miniKORG 700FS was so popular that its limited production run sold out quickly, with significant demand for increased production. Korg has a long history of groundbreaking analogue synthesizers. The miniKORG 700Sm is a tribute to the miniKORG 700, the very origin of Korg's analogue synth history, while being enhanced to meet the needs of today's musicians.

Downsizing the miniKORG 700FS

The miniKORG 700Sm retains all the features of the miniKORG 700FS in an instrument approximately 86% the size of the original. Additionally, the miniKORG 700Sm weighs just 5.8 kg (12.8 lbs), making it easy to transport.

The elements vital to an analogue synth

The character and richness of the sounds produced by the miniKORG 700 could not be realized through analogue modelling. Although it's possible to replicate a circuit by using the same parts and copying the design schematics or circuit board, there's no guarantee that this will reproduce the original sound. This is because the components age over time, dramatically altering the sound. To accurately recreate the original sound, Korg had to rely on the experience and skill of the technicians who worked on the original product.

Korg were able to bring the original sound to life thanks to their team of technicians, who have gained invaluable expertise over the years through their work on numerous synthesizer revival projects. This team was guided by the legendary Fumio Mieda, a Korg engineer since the early 1970s and one of the designers of the original miniKORG 700S. Working closely with Korg's sound designers, they meticulously reproduced the original sound as faithfully as possible. Those who play the miniKORG 700Sm will experience it as a beautifully crafted and authentic recreation of the original.

Beautiful synth leads, thick bass - and more

The miniKORG 700 was Korg's first synthesizer, and produced some of the most recognizable, rich and fattest analogue sounds of the time. The new miniKORG 700Sm features oscillators with an unmistakeable tone and an authentic recreation of the Traveler controller- a signature element of the miniKORG 700- designed to add extraordinary colour and expression to performances. Its sound fits seamlessly in today's music, especially with its standout lead and bass synth tones.

Secondary keyboard possibilities

The miniKORG 700 was originally designed as a secondary keyboard, often placed on top of an organ to expand their sound palette. The miniKORG 700Sm, with its compact and portable form factor, stands out as a powerful solo instrument but also complements stage keyboards like electric pianos and organs perfectly.

The controls on the miniKORG 700 were laid out below its keys in a row, allowing players to easily access them when it was placed on top of another instrument. This intuitive layout remains unchanged, offering simplicity, ease of use, and a unique look that sets it apart from any other instrument.

Expanded functionality When the miniKORG 700 was originally released, electronic components were larger in size, limiting functionality due to the small space inside. Thanks to advancements in technology, there is now room to include a spring reverb as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack. Korg have also added memory programs to store settings, something that wasn't available in the early 1970s.

Traveler controller

A unique feature of the miniKORG 700, the Traveler controller, consisted of two parallel sliders located below the keyboard. With these controls, players could adjust the cutoff frequency, with the upper lever controlling the low-pass filter and the lower lever controlling the high-pass filter. This gave players the freedom to adjust the expressive character of the sound according to the position of the levers. By moving the levers to the left and right while playing the keys, wah-wah and muted sounds could be created along with the iconic "traveling" sound.

Since the sound passing through the filter has a lower cutoff frequency and higher cutoff frequency than the frequencies set by the sliders, all frequencies are filtered and thus no sound is heard when the positions of the two sliders are inverted. In other words, making the two sliders cross would in theory produce no sound. To address this, the original miniKORG 700 featured protrusions on the sliders to physically prevent them from crossing.

The design was both a benefit and limitation of analogue circuitry. In the past- and even today- it's impossible to design a filter with perfect characteristics. During the time that the miniKORG 700 was sold, some players would shave off the protrusions on the sliders to allow them to cross, in an attempt to create new sounds. In fact, some models sold internationally did not even have the protrusions to begin with. The miniKORG 700Sm also does not have the protrusions, opening endless sound design possibilities and allowing players to create patches in unique ways.

A second oscillator The miniKORG 700 was a single-oscillator mono synth. One year later 1974, the miniKORG 700S was released with more space added to the left of the keyboard for a controller. This version also introduced a second oscillator, a ring modulator, and other enhancements. The new Sm model is a revival of the 700S, with its expanded functionality, including two oscillators that deliver powerful detuning and thick, penetrating sounds, particularly for bass and lead sounds.

Includes a made-to-fit soft case

The miniKORG 700Sm comes with a custom-made soft case designed to perfectly fit the instrument, ensuring both protection and portability. This case makes it easy to take your miniKORG 700Sm wherever you go, whether you're performing, recording, or traveling, keeping your synth safe and secure.

Free music software bundle

The miniKORG 700Sm comes with a diverse variety of music software including Izotope (featuring "Ozone Elements" which lets you not only create songs but also master them using AI), "Skoove" which will help you improve your keyboard playing skills, "miniKORG 700S" from the Korg Collection software, as well as a wide range of software synths from Korg and other developers.

Specifications

Keyboard: 37 keys (Slim-key, with aftertouch, no velocity sensitivity)
Range: 7 octaves
Waveform: Triangle wave, Square wave, Sawtooth wave, Chorus I, Chorus II
Programs: 14
Input: USB connector (Type B), MIDI IN connector, SYNC IN and SYNC OUT jack (3.5mm monaural mini phone jack), CV IN and GATE IN jack (3.5mm monaural mini phone jack), AUDIO IN jack (6.3mm monaural phone jack, TS unbalanced)
Output: OUTPUT L/MONO and R jack (6.3mm stereo phone jack, TS unbalanced), Headphones jack (6.3mm stereo phone jack)
Power supply: AC adapter (DC 12V)
Power consumption: 9W
Dimensions (W × D × H): 641 x 228 x 107 mm/25.24" x 8.98" x 4.21"
Weight: 5.8 kg/12.79 lbs.
Included items: AC adapter, Traveler knob (without protrusions type) x 2, Soft case Accessories (sold separately)
SQ-CABLE-6 (Patch Cable)

Notes: Sound Starts Here

The M-Track Duo HD is a versatile new audio interface that provides value and ease of use without sacrificing the pristine quality that M-Audio products are known for worldwide. Whether you're just diving into the world of recorded audio or looking for a new production tool to add to your arsenal, the M-Track Duo HD is the first step in your next sonic journey.

Plug and Play - It's That Simple

The M-Track Duo HD is the path of least resistance between any song idea, podcast concept, or voiceover and a studio-quality finished product. There are no extraneous knobs or parametersionly the essentials for recording your next masterpiece. This simple, reliable, and powerful unit built with USB-C connectivity makes it easy to create and record studio-quality audio instantly with any modern DAW or iOS/Android device.

Grow As You Go

While the M-Track Duo HD and its streamlined controls are perfect for those just getting into recording their own audio, it is also optimized for growth and experimentation. Two inputs and outputs, high-quality audio resolution, and M-Audio's dedication to quality provide users with ample room to try out a vast array of recording setups and techniques to help push and hone their craft.

Professional Sound Quality

At 24-bit/192kHz audio resolution, zero-latency monitoring, and an onboard Crystal preamp that delivers 55dB of clear, chiseled gain, the M-Track Duo HD has the capacity to impress audio professionals and beginners all the same. With powerful, professional sound quality in a single compact and affordable unit, this interface is equally suited for bedroom producers, sessions musicians, podcasters, and everyone in between.

Convenient Connectivity

The M-Track Duo HD is compatible with any modern Mac, PC, iOS, or Android device via USB-C for convenient integration with popular DAWs and recording software.

Comprehensive Software Bundle

Every M-Track Duo HD comes with an extensive bundle of professional music production software to help propel each user's unique creative journey even further. This bounty of top-of-the-line DAWs, sample libraries, and effects are valued at over $1,200 and were designed by some of the industry's leading professionals. Studio staples like Ableton Live Lite are perfect for those just starting to experiment with production and engineering, while Reason+ puts a dizzying array of VSTs at your fingertips. Akai Professional MPC Beats is a benchmark tool for any beatmaker or ambitious songwriter. Plus, a two-month Splice subscription unlocks a vast library of samples and loops - many of which are used by music's best and brightest producers.

Notes: Everything You Need

The M-Audio M-Track Duo HD Producer Pack is the perfect introduction to the world of studio-quality audio for first-time producers, content creators, songwriters, and every kind of artist in between. This powerful and cost-effective bundle combines the M-Track Duo HD audio interface with M-Audio HDH41 over-ear studio monitoring headphones and a professional-grade M-Audio M100 condenser microphone.

At the heart of this bundle is the new M-Track Duo HD, an audio interface that embodies M-Audio's dedication to quality while remaining user friendly and intuitive. In conjunction with the comfortable and precise HDH41 headphones and crystal-clear M100 microphone, this versatile set of tools will level up the practice of anyone in the pursuit of studio-quality sound.

The Complete Package

The M-Track Duo HD Producer Pack includes everything you need to take that song idea, podcast concept, or audiobook from dream into reality.

The M-Track Duo HD audio interface features a set of pared-down controls with just the right amount of added flourish: two combo XLR/TRS inputs, two 1/4 TRS outputs, a headphone jack, ultra-transparent Crystal preamps, pro-quality converters, switchable +48V phantom power, USB-C connector, and access to included software to help enrich your sonic journey.

Experience precise, studio-quality monitoring with the included M-Audio HDH41 headphones and clean audio via the included M100 condenser mic.

From Podcast to Power Ballad-Sound Your Best

Consider the M100 condenser microphone the vocalist's Swiss Army knife-it is the perfect easy-to-use tool for capturing high-quality audio, whether it be a chapter of an audiobook narrated in a soothing tone or a soaring chorus belted at the top of your range. The M100's wide-range frequency response allows for the preservation of even the most delicate harmonic qualities and nuance. Thanks to an included mic stand mount, zipper carrying bag, and XLR cable, the M100 is ready for easy setup and storage right out of the box.

Precise Monitoring Power

Clear, balanced monitoring is an integral part of the recording process, and the M-Track Duo HD Producer Pack has you covered. The M-Audio HDH41 headphones provide premium 40 mm transducer elements enclosed in a comfortable, sleek, and durable design. With an impressive 20 Hz-20 kHz frequency response, the HDH41 can deliver a level of sonic clarity that extends beyond genre and medium, ensuring a premium monitoring experience for users of all different creative and professional backgrounds.

Take Your Rig on the Go

Even with the Producer Pack's tremendous sonic capabilities, each individual component is lightweight and compact enough to take with you to set up wherever and whenever inspiration strikes-perfect for songwriting retreats, offsite recording, and live events.

Professional-Grade Software

In addition to this collection of high-quality M-Audio hardware, the Producer Pack comes with a staggering bundle of software that gives you everything you need to start recording, mixing, and producing like the pros. Included are industry-leading DAWs, soft synths, sample packs, effects, and more from brands like Akai Professional, Splice, Ableton, Reason+, Antares AutoTune, and Splice.

Notes: ***B-STOCK: Box opened, product in perfect working order***


***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. [email protected]***

Structure EP-208 Eurorack Enclosure -

Maximum Power for a New Generation



Beautifully stained hardwood double row, 208hp powered eurorack travel case with lid. Includes professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:

With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Features:

Structure EP-208 Power:
4 Amps of Clean +12v Power

3 Amps of Clean -12v Power

2 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 30 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere



Structure EP-208 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Dual 104hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

20 Smooth Sliding Square Nuts Per Rail (Holds up to 40 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set


Structure EP-208

Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 12 1/4"
External Width: 22"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tabletop LED light effect with 6 x 1W LEDs producing coloured beams which are diverted through a rippled dome to create a dynamic ceiling display with a sound sensitive auto sequence. The fixture can also be wall or ceiling mounted to shine onto a wall or floor for home discos and parties.

Notes: ***B-STOCK: Box opened, product in perfect working order***


*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

NT1 Signature Series User Guide

Discover everything you need to know about using your NT1 Signature Series studio condenser microphone in this comprehensive user guide, including how to attach and mount your microphone, pop filter and shock mount, and how to connect and power your NT1 Signature Series.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia


Specifications

Acoustic & Electrical

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box

Studio Condenser Microphone
1 x NT1 Signature Series
1 x SM6
1 x XLR Cable

Notes: Excellent value all-rounders from Rode, the NTH-50s offer precise, detailed sound to match their slick, stylish looks. Custom 40mm drivers and ergonomic design provide a nice combination of sound and comfort.

Supplier's Notes:
The NTH-50 professional on-ear headphones combine exceptional sonic performance, superior comfort, and a sleek and durable design that make them the perfect companion for DJs, music producers, content creators and audiophiles. The custom driver array features a revolutionary acoustic design with an innovative resonant chamber, and is precision-tuned for incredibly accurate and detailed audio reproduction with ultra-low distortion. Not only does this result in a more natural sound signature than other on-ear headphones, but it also offers superior external noise isolation. To minimise wearing fatigue and ensure optimal comfort, they feature a contoured headband and an ergonomic earcup structure to reduce pressure on your head and ears during longer sessions. With a lightweight, compact design combined with premium materials and a rugged build, the NTH-50 headphones are with you for the long-haul, ready for the rigours of the road and the studio alike, day in, day out.

Acoustic & electrical specifications

Transducer Size: 40mm
Transducer Type: Dynamic
Operating Principle: Closed
Ear Coupling: Supra-Aural/On-Ear
Frequency Response: 5Hz - 35Khz
Impedance: 32 O
Sensitivity @1mW / 500Hz: 102 dB SPL Sensitivity @1V (RMS) / 500Hz: 117 dB SPL
Total Harmonic Distortion @1mW: < 0.2 % @100Hz < 0.03% @500Hz
Total Harmonic Distortion @100Hz: 0.05% @100dB SPL 0.5% @120dB SPL
Short Term Max Input Power: 100 mW
Long Term Max Input Power: 50 mW
Max SPL: 124 dB SPL
Ambient Noise Attenuation: 21 dBA
Connection Type: Dual TRRS Cable Attachments

Mechanical specifications

Weight (grams): 220
Cable Length: 1.7m coiled cable
Included Accessories:
1 x Headphone Cable
1 x 3.5mm to 1/4-inch Adaptor
1 x Storage Pouch
1 x COLORS ID Set

What's in the box

1 x NTH-50 Headphones
1 x Storage Pouch
1 x Headphone Cable
1 x COLORS ID Set
1 x 3.5mm to 1/4-inch Adaptor

Notes: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Lefto is described by Fact! Mag as "your favourite DJ's favourite DJ", voted "Best DJ" at the Red Bull Elektropedia Awards Top 100 Category; and is one of Europe's most important tastemakers. "My Friends Make Music Too" is Lefto's picks for DJ's who don't play the obvious bangers:

Tracklisting:

CID RIM - Convoi
HENRY WU - Uzbekki Driver (Uber tales)
ALLOY - Rumpin
MONO/POLY - Syrius B
LEFTO - Blaze
LTGL - Frost

And of course 2 sides of Serato Control Tone.

Pressed using a unique process involving picture and colour vinyl - the record is as unique as the music.

Cover by Oli-B.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.

Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: LED CV 3.5mm mono patch cables

Visualise your patches like never before

Super slim aluminium barrel
Durable construction - Ultra flexible TPE cable
3.5mm mono jack connector

Compatibility

Works with CV patch signal, designed by us for modular and semi modular synthesisers
Great for Clocks, Gates and Trigger signals.

Please note: You may see a very small drop in voltage as the LED's do requires a small amount of power. May not be suitable for very voltage sensitive patches.

Notes: LED CV 3.5mm mono patch cables

Visualise your patches like never before

Super slim aluminium barrel
Durable construction - Ultra flexible TPE cable
3.5mm mono jack connector

Compatibility

Works with CV patch signal, designed by us for modular and semi modular synthesisers
Great for Clocks, Gates and Trigger signals.

Please note: You may see a very small drop in voltage as the LED's do requires a small amount of power. May not be suitable for very voltage sensitive patches.

Notes: LED CV 3.5mm mono patch cables

Visualise your patches like never before

Super slim aluminium barrel
Durable construction - Ultra flexible TPE cable
3.5mm mono jack connector

Compatibility

Works with CV patch signal, designed by us for modular and semi modular synthesisers
Great for Clocks, Gates and Trigger signals.

Please note: You may see a very small drop in voltage as the LED's do requires a small amount of power. May not be suitable for very voltage sensitive patches.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The UDG Ultimate Record Cases are designed to keep your vinyl protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your valuable records safe.

UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/ producer. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases.

The UDG Ultimate Record Cases are designed to keep your vinyl protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your valuable records safe.

Specifications

Colour: Silver
Weight: 2,50 kg / 5.5 lbs
Outer Dimensions (W x H x D) 35.0 x 36.0 x 29.5 cm | 13.8 x 14.2 x 11.6 inch
Inner Dimensions (W x H x D) 33.0 x 34.0 x 27.5 cm | 12.9 x 13.4 x 10.8 inch
Material: Aluminium

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Fits: Approximately up to 80 12"/LP vinyl records. Capacity will depend on the thickness of the records & their packaging.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Varia Instruments' turntable weights feature a smart mechanism: The 7" adapter inside the weight is moveable, as soon as you put the weight on a 7", the adapter will fall down through the big hole of the vinyl. Your record is now centered and stabilized by the TTW10. If you place the kit on a 12" record, the adapter will remain in the rear position and stabilizes your warped records. A sticky rubber mat on the bottom side protects your vinyl and allows you to control the record in a very direct way. The TTW10 comes in a neat printed box with a linen bag to take it out to your gigs.

Notes: One of the most reliable brands of portable recorders turn out the goods once again. The H5studio records up to six tracks simultaneously, and also functions as a 4-in/2-out USB interface. High quality and versatile.

Supplier's Notes:
The H5studio was made for seamless and professional production. Creators can record flawless audio with stunningly clear microphones, studio-grade preamps, and 32-bit float recording.

The 19.4mm microphones capture audio with incredible frequency response, 140 dB max SPL, and an expansive dynamic range. Their increased size captures recordings with unmatched depth and clarity.

The H5studio features Zooms F-series preamps, giving your audio unmatched clarity (-127 dBu EIN). With dual AD converters and 32-bit float, it delivers an impressive 132dB dynamic range, capturing everything without noise or distortion.

32-bit float and 16/24-bit formats each have their advantages. 32-bit float prevents clipping but requires post-production. 16/24-bit eliminates the need for post-processing but requires gain adjustment to prevent clipping. The H5studio offers the best of both worlds with 32-bit float and dedicated gain knobs - no clipping and no need for post-production.

The H5studio captures up to six tracks (four iso-tracks plus a stereo mix) with sample rates up to 192 kHz.

Carefully engineered RF shielding keeps interference from smartphones and Wi-Fi routers out of your recordings, anywhere you go.

The H5studio features "advanced look-ahead" limiters which anticipate potential overloads and prevent distortion before it reaches your track.

The two locking XLR/TRS inputs support +48V phantom power and +4dBu line level. There is also a 3.5mm stereo jack with plug-in power.

The H5studio's 3.0 capsule system supports 32-bit float and gives creators more options to use the right mic for their recording.

Monitor input levels and real-time waveforms with the full color LCD, making it easy to adjust and monitor audio in real time.

Use the loud 20 mW headphone output to monitor or listen back to your recordings in any environment.

Use the 3.5mm stereo LINE OUT to connect directly to a camera, easily syncing your audio and video.

The built-in speaker has a maximum output of 250mW for previewing recordings on the spot.

The H5studio is a 4-in/2-out USB audio interface for Mac, Windows, iOS, and Android, supporting 32-bit float and 16/24-bit recording. Stream live and simultaneously record a backup to microSD.

Review: After more than ten years away, 20/20 Soundsystem makes a welcome comeback with some brand new versions of their most standout track, 'Falling'. The group was known for their live mix of electro, deep house, dub and indie and took it to plenty of big stages including Glasto. The new remixes of 'Falling' bring a modern touch and fresh dancefloor-ready energy while never forgoing the spirit of the original. Random Factor's offering is a gritty and dubby electro version and Fernando offers a cosmic chugger with plenty of sci-fi sounds and wispy acid details.

Review: On the long-serving deep house label's latest reissue, Large Music takes us back to 1997 and one of the most beloved (and these days, hard to find) EPs by Washington, D.C duo 95 North (AKA Doug Smith and Richard Payton). As it did first time around, the EP contains four contrasting versions of 'Jazz Ascension'. The EP-opening 'Red Soul Mix' lives up to its name by wrapping breezy flutes, syynths, pianos and spoken word samples around a bumpin' bassline and classic-sounding US deep house beats, whilst the 'Red Dub' delivers a stripped-back and groove-focused take on the same musically expansive mix. Over on side two, the slightly darker and more bass-heavy 'Hard Dub' compares favourably to the then contemporaneous work of fellow Washington, D.C-duo Deep Dish. A handy, spoken word 'Washapella' rounds of an essential reissue.

Review: Bristol genre-blurrer A Sagittariun reemerges with 'The 23 Enigma', a three-track implied "conceptechno" EP, and his first new material since 2022's 'Strange Brew' on Rekids. Having already conquered Hypercolour, Running Back, Craigie Knowes and Secretsundaze, he's now spent close to fifteen years weaving strands of techno, ambient dub, breakbeat, and deeper electronics, lacing each with a heavy psychedelic dosage just shy of overdose. The latest hears 'Fountainhead' and 'Mind Games' offer a percussive jolt through rugged high-impact tools, set aside for dirtier floor works. The title track is the only one to trade the club's rough pulse for a subtler, high crown cognition, riding warped, muscular electronics till we reach an unbidden cavernous zone. A Sagittariun continues to operate outside the grid, where cosmic intent meets merciless studio power.

Review: German producer Acid Pauli drops a vinyl-only double-header aimed squarely at the hips and the heart. It's a new release, limited and loud, bringing together the long-sought-after 'Marvin' with the all-new 'Roger' i two deeply soulful cuts that swing between heat and haze with effortless touch. 'Roger' opens with a nod to Minneapolis i a slinky, synth-laced burner full of funk-inflected restraint, powered by a groove that bears Echonomist's unmistakable weight. It's slick but loose, landing somewhere between low-lit house and late-80s slow jam futurism. On the flip, 'Marvin' returns with its smoky textures and deep, melancholy pulse still fully intact i all soft pads, subtle tension and an undeniable sense of movement. It's soul-drenched and floor-ready, made with care but designed to move. This one's for dancers who like their records tactile, timeless and just a bit mysterious. Don't sleep i it won't stick around long.

Review: Leeds is a city that has always primarily been known for its house scene, but Nathan Alexander is an ever more vital talent who is delving deep into futuristic techno. After a fine outing on Drum Workouts late last year, he's now back on NIX with a shadowy, body-moving three-tracker. Opener 'Language' sets the tone with sharp stabs and a moody tension that gets the space-trip underway. 'Pulsewidth' raises the energy with heavy low-end and warped textures, glitchy stabs and funny, swinging drums. The title track 'Skin' stretches into tribal rhythms, hypnotic vocal snippets, and deep filter sweeps and taps into that liminal space where reality slips. All in all, these are seriously punchy but sensual and immersive late-night weapons.

Review: Lempuyang is a label you will know and respect for its high quality stream of immersive dub techno. Now the man behind it, Alastair Kelly, debuts a new label with none other than revered UK techno mainstay Ibrahim Alfa Jnr. He opens up with 'Component A' which is a moody melange of slow, broken dub beats and fizzing synths. There is further experimentation on 'Untitled B2 1' which pairs a churning dub rhythm with naive and innocent melodies and lots of li-fi static. 'Entangled' ups the ante with the suggestion of a fast paced rhythm through a skeletal groove and the flip brings broken beat dub weight, meaning and percussive bass with a 2-step swagger then deep introspection on the closer. A classy EP that suggests this label will be well worth watching.

Review: The Alien Edits label and in-house and eponymous production outfit serves up a pair of banging, Summer festival primed house edits. The first is a shuffle, high inapt take on a Wailer's classic with the original vocals left in for maximum bait for dancers. On the flip, it's another stone-cold gem that gets the treatment with 'Abacadabra' reworked into a big, bubbly house sound complete with vocoded Steve Miller vocals coming back from the future to infuse it with irresistibly hooky energy.

Review: Approach Release have done more than just approach release; they've actually sealed the deal on releasing - all while managing to work in a great deal of inhalatory EBM tension too - what with this new tenth addition to Talking Drums' Drum Chums vinyl series. Here the pair steer the brazy train through heady style-blends over four shapeshifter tracks; 'So Wrong' sallies forth with snarling synths and rigid drum patterns before a ghostly vocal twist pulls the whole thing into a haunting Italo dreamscape. The mood lifts with 'LuvLuvLuv', where slo-mo soul meets glistering psychedelia - equal parts groove and wooze, the track's as suited to sunrises as slow dances. Flip over to 'E-Killa' for an inflammable powder trail of Afro-disco and fizzing tropicalia, built to move a room from the waist down. Fade cut 'Lou Cee', finally, is a heartfelt Balearic blear; a finale that's as sentimental as it is stylish.

Review: Polish label FOMO_ debuts with the first in its news Spectral series, and who better to kick off with than the ever innovative ASC. He is a master of musical tension and abstraction and shows that with four tracks that build up the pressure and never let it go. 'Calm Under Pressure' is soothing up top with its smeared, spectral pads, but there's pent-up tension in the low end that keeps you on edge. 'Dark Arches' soundtracks an underground cavern with haunting pads and icy, watery droplets and 'Maelstrom' gets more direct with jostling broken beats, hissing trails and unsettling deep space mystery. 'Torsion' is the most maximal of the lot - an in-your-face collage of loopy, snappy drums and sordid synth sludge.

Review: Emergent talent B Ai, hailing from China, contributes to Paris-based label and Chat Noir family member Cosa Vostra, following storm surging releases on Motivation, Altered Circuits and Picnic Records. Spanning post-EBM lasershot fires and SFX-ed spanners-in-works, 'Act5' kicks off 'Blue Or Red' with a tense introductory interstate hyperride, while 'Glance Back' offers us a contrasting chance to look back down the road on whose mac we've just blazed a thick, blackened tire tread trail. Diego Santana crops up on the B1 titler, guiding through a tight Italodance au-diorama, while another fellow producer, David Agrella, lets us down further on the synth tubular breather 'Danse'.

Review: Berlin-via-Tokyo artist Courtney Bailey lands on Naarm's Animals Dancing with a debut packed with hypnotic force. Three versions of 'I Wanna Feel You' form the core: the Berlin cut drifts in slow and hazy, Bailey's bilingual vocal wrapping around a rubbery acid line and slinky percussion. Tornado Wallace's Tokyo version ramps up the pressure with sharper drums and a more focused low end, while the short version distils its essence into a tooly spiral. 'Animals Ate The Mushroom' is a wild-eyed polyrhythmic trip, bristling with shakers, broken FX and warped animalistic calls. 'I See The Future' edges closer to dancefloor propulsion, FM bass flickering beneath spectral vocals and birdlike synths. Released on Wurundjeri Country, this marks the offering number 12 from the label and a powerful first move for Bailey. Equal parts lucid and dreamlike, it imagines a world just out of reach: a city populated only by animals, where language breaks down and rhythm takes over.