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New releases last four weeks: Leftfield
Leftfield vinyl released in the last four weeks
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Stasis Sounds For Long Distance Space Travel III ('quantum' black vinyl 2xLP + download code limited to 200 copies)
Cat: PITP 79BLACK. Rel: 18 Jun 25
Review: UK producer Trevor Huddleston aka 36 and the Indiana-based Past Inside The Present label's head Zake return to their Stasis Sounds For Long Distance Space Travel project, a universe that suspends the listener in time across glacial soundscapes and a general sense of cosmic awe. Soft, slow-moving drones and textural washes drift like solar winds through the vacuum, suggesting the boundless calm of deep space. The production is rich, gentle with tonal shifts and barely-there harmonics that evoke both distance and intimacy, wonder and melancholy. It feels like music beamed in from the edges of the known universe. If you fancy a contemplative journey from the edge of Earth's thermosphere into the unknowable beyond, tune into Stasis Sounds on your best headphones.
… Read more in stock $41.22
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Synchonised Swimming EP (12" limited to 100 copies)
Cat: OTW 01. Rel: 27 May 25
Review: Lempuyang is a label you will know and respect for its high quality stream of immersive dub techno and now the man behind it, Alastair Kelly, debuts a new label with none other than revered UK techno mainstay Ibrahim Alfa Jnr. He opens up with 'Component A' which is a moody melange of slow, broken dub beats and fizzing synths. There is further experimentation on 'Untitled B2 1' which pairs a churning dub rhythm with naive and innocent melodies and lots of li-fi static. 'Entangled' ups the ante with the suggestion of a fast paced rhythm through a skeletal groove and the flip brings broken beat dub weight, meaning and percussive bass with a 2-step swagger then deep introspection on the closer. A classy EP that suggests this label is one well worth watching.
… Read moreGespielt von: Juno Recommends Techno
in stock $19.05
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For The Early Hours Of A World In Bloom (LP in die-cut sleeve)
Cat: TT 010. Rel: 11 Jun 25
Review: Alien D is the NYC-based producer Daniel Creahan, and he's back with a debut on Theory Therapy that taps into widescreen worlds of techno immersion. Departing from the ambient abstraction of his previous work, this album as a subtle kinetic pulse with tracks like 'Soil Dub' and 'Sleepy's Gambit' propel listeners forward with dubwise rhythms crafted for deep dancefloors. The album builds on an infectious, steady groove with repeating phrases and subtle shifts that keep the music in constant motion. Conceived in the first days after the COVID lockdown, these sounds exude a hopeful quality and capture the transcendent moments of early-morning parties when the moment is full of unbridled hope for what might come.
… Read more in stock $25.23
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Review: Swedish composer Ellen Arkbro's Nightclouds is a deeply introspective and romantic turn that collects five solo organ improvisations recorded across Europe in 2023-24. Departing from installation-based compositions, Nightclouds explores slow, chordal improvisations rich in texture and atmosphere while drawing on sacred music, ECM jazz and minimalism. Along the way, Arkbro creates immersive soundscapes that balance austerity and emotional depth while shifting between meditative stillness and modernist tension with standout recordings like 'Morningclouds' and two variations on the title track. Through meticulous mic placement and tonal clarity, Arkbro draws you in with the intimacy and vastness of her sonic world.
… Read more in stock $27.76
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Review: Given his long-held love of fusing elements of different musical cultures from around the world, Auntie Flo (real name Brian D'Souza) is almost the perfect Multi-Culti artist. It's something of a surprise then to find that this is only his second outing on the label. He begins in confident mood with 'Esperanto', a delightfully melodious, bubbly and synth-heavy slab of chugging sonic joy, before wrapping waves of mind-altering electronics and sun-bright synths around a slipped Afro-tech beat on 'Unua Libro'. Over on side two, D'Souza takes us to a deeper and more immersive place on 'El Heine', explores hybrid cosmic/ambient soundscapes on 'Ho Mia Kor', and doffs a cap to the new age ambient pioneers of times gone by on blissful closing cut 'Mia Penso'.
… Read moreGespielt von: Alexis Le-Tan
in stock $16.81
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On A Tuesday & A Wednesday (LP limited to 200 copies)
Cat: BLICKWINKEL 18LP. Rel: 20 Jun 25
Review: The first recorded meeting of Pierre Bastien (compositeur Parisien) and Casper Van De Velde's (Belgian drummer known for his outings on Qeerecords) documents two days of lowkey live-performed regalia at Werkplaats Walter in Brussels. Set up by Blickwinkel, the residency saw Bastien's "miniature mechanical orchestras" - trumpets, motors, Meccano arms, all of which make up the former artist's trademark live machinic draw - click into orbit with Van De Velde's loose-limbed, textural percussion. Both artists work in detail and gesture before volume, moving gently but unpredictably, index finger tracing part-clockwork, part-creature pattern cuts.
… Read more in stock $32.24
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The Gentlemen (Soundtrack) (limited numbered 180 gram audiophile translucent yellow vinyl LP + 4 booklet)
Cat: MOVATM 276Y. Rel: 06 Jun 25
Review: The Guy Ritchie-penned film The Gentlemen centres on Mickey Pearson (Matthew McConaughey), an American in London whose luxurious lap founders on the back of a lucrative but prone marijuana empire. As he plans to retire and sell his business, a web of schemes, blackmail, and betrayal unfolds as rivals plot to seize his fortune. British composer Chris Benstead's soundtrack is elusive and sluicing, incorporating Charleston-inciting bass undertows, ticking clocks and finger-clicking inquests, as of a main character's paranoia threatening to make truly manifest.
… Read more in stock $31.68
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Review: Geir Jenssen (Biosphere) marks his AD93 debut with The Way Of Time, wrapping elucted echo and looping synth drift around spoken fragments of Elizabeth Madox Roberts' great 1926 novel The Time Of Man. A Midwestern gothic literary staple, Roberts' novel is about the daughter of a Kentucky tenant farmer, and Jenssen's haunting use of Joan Lorring's voice from the 1951 radio play adaptation readapts his usual icy predilections for suitably huger desert horizons. Rather than treating the vocal as ornament, he folds it deep into the mix, letting it dissolve into the melodic architecture.
… Read more in stock $15.42
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Review: Elizabeth Madox Roberts' The Time Of Man (1926) is an episodic modern novel, tracing the life of Ellen Chesser, the daughter of poor white tenant farmers in rural Kentucky. Roberts treats the main character's movement through different landscapes and seasons waveringly, grappling with poverty, loss, love, and the push-pull between solitude and connection by way of a lytic narrative that shifts and resolves atemporally. Biosphere's new record carries the transmission chain further, naming itself after the novel while interspersing its hiss-topped drum machine actions with vocal snippets from Joan Lorring's radio play version. Slowly transcendent, Biosphere presides with arid royalty over a slow but satiating new six-track release.
… Read more in stock $25.23
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Review: Originally released in April 2017, this is a reissue that reaffirms the album's pivotal role in modern darkwave. Crafted by Sydney-based Marc Dwyer, Chroma pulses with a brooding energy that fuses stark minimalism with unexpected pop leanings. Across its runtime, jagged synths and relentless drum programming frame a series of emotionally charged compositions, each one dissecting states of isolation, longing, and inner turbulence. Far from being just a genre exercise, Chroma pushes the boundaries of synth wave and post-punk, threading glimmers of melody through layers of tension and shadow. Dwyer's delivery is cold and commanding, yet there's an underlying vulnerability in how he constructs each track, always rooted in personal reflection but never static. The production is raw but intentional, giving it an immediacy that still hits with force today. Since its release, Chroma has gained a cult following, inspiring peers in the darker corners of electronic music. With two additional albums and several international tours under his belt, Dwyer has grown into a spectral mainstay of the global goth underground. The long-awaited reissue brings Chroma back into circulation where it belongs. Restored, relevant and just as magnetic as it was eight years ago.
… Read more in stock $26.08
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Minecraft Volume Alpha & Beta (Soundtrack) (double cassette in slip-case)
Cat: GI 444CS. Rel: 12 Jun 25
Review: And the award for best box set idea of the year goes to Ghostly International, who've recognised the untapped crossover market potential between tape culture and architecturally minded 3D sandbox gaming. Both Minecraft and cassettes offer unequivocal home downtime experiences, so what better way than to celebrate such ingenious associations than with a mammoth expansion of Daniel Rosenfeld's original soundtrack under the name C418? After many vinyl and CD reissues became fanatic cult favorites, with several sold-out color variants, now both volumes Alpha and Beta appear in opaque green; assuming the rewind button functions properly and the reels haven't garbled round the spools, you're in for a degradable lo-fi treat and analogue alternative listening experience; mute the laptop output and fire up the Nakamichi, you wally.
… Read more in stock $24.40
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Cat: LM 001CD. Rel: 29 May 25
Review: While he may well be best-known for his nostalgic, synthesiser-powered Warrington-Runcorn New Town Development Plan project, Gordon Chapman-Fox has also put out some fine music under his given name - not least 2023's ambient opus on Castles In Space's 'Subscription Library' offshoot. On Very Quiet Music To Be Played Very Loudly, Chapman-Fox delivers four expansive ambient soundscapes. He sets the tone with the Vangelis-esque synth suspense and spacey creep of 'Components', before opting for sustained, almost neo-classical sweeps and delay-laden electronic string sounds on 'Fringe'. 'Emphasis' is immersive and quietly picturesque, while closing cut 'Singular' is dark, moody and quietly paganistic - a kind of imaginary soundtrack to a 21st century folk-horror movie.
… Read more in stock $12.06
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Review: Oblique Records offers a four-track vinyl-only selection of stripped, club-ready house cuts shaped by UKG inflections and percussive detail. Velvet Velour's 'Make It Hot' leads with a swung rhythm, vocal stabs, and a warm bassline that keeps the energy tight without crowding the mix. Eli Atala's 'Fat Albert' runs deeper, with clipped low-end and a sharper rhythmic frame. The Velvet Velour remix of the same track adds glide and bounce, pushing the groove forward while softening some of the original's edges. On the B-side, MTTY's 'Wally' closes the set with swung drums and sparse atmospherics - minimal in structure but tuned for pace. Each track is functional without sounding generic, keeping arrangement changes minimal and geared for blend. A direct, neatly cut pack of tools with just enough variation to stretch across a warm-up or mid-set.
… Read more in stock $18.50
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Different Rooms (LP with obi-strip)
Cat: IARC 98LP. Rel: 19 Jun 25
Review: Different Rooms finds its footing in the blurs between studio process and improvisation; lived space and constructed sound. Made across late 2024 and early 2025, it hears LA-London-Hamburgers Jeremiah Chu and Marta Sofia Honer fold field recordings, granular textures, and multi-layered viola sessions into a viscous yet meticulous shape. Core material stemmed from real-time editing and in-studio performances, interwoven with improvisations recorded back in 2023 alongside Jeff Parker and Josh Johnson. Compared to the outward gaze of their debut, Recordings From The Aland Islands, this second one turns inward, coming rooted in urban soundscapes: train stations, streets, domestic interiors.
… Read more in stock $23.83
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Review: Ambre Ciel is a Montreal-based composer and singer known for her dreamy, spacious soundscapes. Drawing from impressionism, American minimalism and contemporary classical music, her work blends layered violins, piano and ethereal vocals in both English and French so is a sophisticated and stylish sound. Coming from a family of artists, she began with violin at six, later experimenting with pedals, loops and harmonies. Her debut album Still, There is the Sea marks a delicate yet bold entry into her sonic world and is a deeply personal, atmospheric journey shaped by strings, acoustic textures and voice. It's an imperfect beginning, as she calls it, but one brimming with intention and beauty.
… Read more in stock $25.51
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Cat: SWORD 03LP. Rel: 05 Jun 25
Review: This new collaboration between Swedish producer Civilistjavel! and Lebanese artist Mayssa Jallad is both a conceptual inversion and a sonic ghost of Jallad's original record. Refracting material from her Beirut-focused album through sparse dub techno, Civilistjavel! transforms narrative-rich compositions into abstract, often beatless forms where Mayssa's voice floats disembodied in a fog of delay and reverb. Tracks like 'Baynana (Version)' and 'Holiday Inn (March 21 to 29) (Version)' feel haunted by memory, with structure hinted at but rarely resolved. It's a remarkable shift in context, but one that remains emotionally aligned. Civilistjavel!'s production avoids spectacle in favour of slow erosionivocal fragments hover, dissolve, re-emerge. Even more rhythmic moments like 'Kharita (Dub)' maintain an eerie restraint, built on slippery grooves and shimmering decay. Both artists are working far from their geographic homesiMayssa in Boston, Tomas in Uppsalaibut the result sounds uncannily unified. It's a record that holds grief and beauty in the same hand, illuminating the quiet force of Mayssa's voice and Civilistjavel!'s deft minimalism. Not so much a remix album as a parallel reality: austere, spectral, and deeply moving.
… Read more in stock $22.15
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Review: Italian techno heavyweight Claudio PRC's fifth album, Self Surrender, is a meditative dive into self-acceptance that comes on Amsterdam's long-running and always top-notch Delsin Records. Claudio delivers a fluid narrative across an exploration of tasteful ambient, dub, minimal house and deep techno here, and it opens with some absorbing introspection before gradually shifting into more kinetic territory. It is driven by pulsing kicks, dreamy textures, acid flourishes and ghostly strings as a refined blend of techno and house sounds all coalesce with the signature depth Claudio has honed over years of his craft. Self Surrender closes on an ethereal note, which encapsulates its core message of letting go.
… Read more in stock $32.81
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White Phosphorus (Chris Connelly Plays Throbbing Gristle) (180 gram vinyl LP + insert limited to 250 copies)
Cat: DPROMLP 176. Rel: 29 May 25
Review: "Random, tense, scary and compulsively fascinating". That's how Chris Connelly describes the period in which the tracks on this album were originally written. As the main man behind some of the most iconic and influential industrial bands in history - Ministry, Revolting Cocks, Murder.Inc... - he's definitely well placed to make this kind of judgment. And it comes across even more understandable if you grasp the fact he's meaning all that in a good way. Throbbing Gristle should need no introduction, having pretty much written the blueprint for industrial musick in the nuclear age. A sound that screamed "get us out". Combine that oeuvre with this guy, then, and you have something which is uncompromisingly explosive and effective. Not to mention fitting, given half the people on the street seem convinced we're rushing headfirst into another atomic standoff, if not something much, much worse.
… Read more in stock $24.40
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Paris Texas (Soundtrack) (40th Anniversary Edition) (red vinyl LP in spot-varnished sleeve)
Cat: 060349 7816613. Rel: 29 May 25
Review: American guitar legend Ry Cooder's 1985 score remains a defining example of minimalist film music, built almost entirely around sparse motifs and slide guitar. Recorded for Wim Wenders' feature set in the American Southwest, the ten-track sequence avoids orchestration entirely, opting instead for open-ended cues that feel improvised but never unfocused. 'Paris, Texas' opens with the recognisable main theme i a slow, resonant guitar line set against silence. 'Brothers' and 'Nothing Out There' follow similar patterns, with minor variations in phrasing and tempo. The inclusion of 'Cancion Mixteca', sung by Harry Dean Stanton, adds one of the only vocal moments on the set, grounded in traditional folk. The remainder of the tracks i including 'No Safety Zone', 'Houston In Two Seconds' and 'Dark Was The Night' i continue the pared-back approach, prioritising tone and atmosphere over melody. Some 40 years since its original release, the material hasn't dated i not because it sounds modern, but because it was never trying to. It remains quietly influential, especially in the way it reframed narrative scoring through reduction.
… Read more in stock $31.39
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Review: Throbbing Gristle co-founder and all round British experimental electronic institution, Cosey Fanni Tutti returns with 2t2, a new full-length set for release through her own Conspiracy International label. The new nine-tracker extends the tracked terrains of 2019's Tutti, blurring personal reflections on years of loss and upheaval into prosthetic electronic soundscapes. The record unfolds over two contrasting halves, one beat-driven, the other more introspective, yet it also keeps anchored to a certain ground point emphasising resilience and focus. Lead cut 'Stound' features overtone chanting, which Cosey describes as a way to channel inner strength: "allowing the sounds to permeate and soothe as well as create a sense of power."
… Read more in stock $13.74
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Review: A four sided selection of remixes of the goth kingpins' widely acclaimed and long awaited latest album Songs of a Lost World. From the moment Paul Oakenfold's 'I Can Never Say Goodbye' rework opens proceedings i lush strings, half-submerged vocals, and a cinematic pace i it's clear that curation, not just contribution, has shaped the form. Orbital turn 'Endsong' into a glistening spiral of sequencers and tension, while Sally C's raw house take on 'A Fragile Thing' ups the pulse without disturbing the gloom. Smith i still unmistakably the same outsider from Crawley, West Sussex i guides things with restraint, letting the space speak louder than the noise. Four Tet's version of 'Alone' closes the first disc like a forgotten lullaby, cracked and glinting. You don't get every remix i the more textural, post-rock turns are gone i but you do get a sharp cross-section that keeps faith with both atmosphere and momentum. It's the kind of record that feels designed for the night: not to lift it, exactly, but to sink into it willingly, track by track.
… Read more in stock $36.72
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Review: Robert Smith has always treated remixing less like revision, more like ritual i a habit that's followed him since his days in Crawley, West Sussex and then surfacing officially on the first Cure remix album, 1990's Mixed Up. This triple-disc release of reworkings from the band's latest LP Songs of a Lost World feels assembled with obsessive care, mapping out every possible mood lurking beneath the surface. There are club-ready flips, yes i Sally C, Danny Briottet and Gregor Tresher all push the rhythm forward i but they sit beside glacial pieces that feel more like haunted sketches than reworks. Mura Masa's take on 'All I Ever Am' is disintegrated almost beyond recognition, its vocal a flickering memory. Mogwai's 'Endsong' feels like the end of the world in slow motion. Even Chino Moreno turns in something striking i 'WarSong' morphs into a sludgy howl with heat-warped edges. But it's the sequencing that surprises: these aren't bolted together, but grouped in arcs, as though Smith were arranging the bones of an old idea into something still alive. Four Tet's version of 'Alone' is a high point i deeply textured but featherlight. Like all The Cure's output, what really matters is the feeling of being drawn somewhere, and Smith's hand never letting go.
… Read more in stock $17.10
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Review: More than four decades after he first appeared in smudged eyeliner and a mop of jet-black hair, Robert Smith is still finding new ways to pull his music apart and stitch it back together. This new remix collection i assembled and curated by Smith himself i feels less like a victory lap and more like a restless dissection of a legacy he's still actively shaping. The collaborators here are hardly incidental: Four Tet, Orbital, Ame, Chino Moreno, Mura Masa, Trentemoller, Mogwai. It reads like a list built by someone still hungrily tuned into the present, not stuck in the past. And true to form, the results are all over the place i a feature, not a flaw. Some tracks lean into grandeur: Paul Oakenfold's take on 'I Can Never Say Goodbye' opens with all the sweeping melodrama you'd expect, while Daybreakers stretch 'WarSong' into widescreen synthwork. Elsewhere, Shanti Celeste and Ex-Easter Island Head bring a strange intimacy to 'Alone', teasing out its ache with a different kind of spaciousness. At times, you wonder if Smith enjoys seeing how far his work can be bent before it breaks. But it never does i even filtered through others' hands, his sense of tension, drama and deep emotional unease holds everything together.
… Read more in stock $15.14
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And The Sun (white vinyl LP + MP3 download code)
Cat: CIS 177LP. Rel: 29 May 25
Review: The work of London-based Suffolk lad Dalham (Jon Michaelides) often comes accompanied by textual musings on existential themes, and his latest record And The Sun is no exception, hearing him quip on the mooted tulip that is generative AI: "As humankind strives to create artificial intelligence what will faith, love, or morality look like to a nascent consciousness? Will it be capable of understanding its creators who often hold logic and superstition within themselves?" So do questions of climate, macro-scale recklessness, and internal contradiction abound on this new record; an eight-track sublime that fits in well with the label's retromodernist, sometimes neo-pagan aesthetic sensibility. A weird Western ambient odyssey, where one abstract electronic artist's resident Suffolk surroundings merge with the same piano-led, drum machine-mapped scenes, not also long ago explored in 2024's 'Alive In Wonderland'.
… Read more in stock $22.15
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Review: On a remote, gravel-covered spit along the east coast stand the remains of a Cold War-era government weapons testing and radar facility. In the mid-1960s, this site hosted the creation of an over-the-horizon radar-a groundbreaking system designed to bounce signals off the ionosphere to monitor distant nations. Its success depended on a complex interplay of frequency, solar cycles and atmospheric conditions but yet persistent interference plagued the system and rendered it ineffective. Despite multiple investigations, it was decommissioned and dismantled by the early 1970s. Today, the once-ambitious Cobra installation lies dormant, reclaimed by nature as a quiet, unlikely wildlife refuge and these are sounds inspired by it.
… Read more in stock $22.15
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Review: A fourth full length from the Montreal-based enigma. Sarah Davachi's electroacoustic compositions have become the stuff of legend and hallucination-inducing live shows, refrains that bore into your mind then soul, detailed and complex ideas borne out in minimalist moods capable of taking listeners beyond themselves, out to somewhere completely new. Talk about a curveball, then. All My Circles Run features five totally unique compositions which all share one common trait - they eschew synthesisers and instead each focus on a different instrument. Hence the titles. 'For Strings', 'For Voice', 'For Piano', 'For Organ', 'Chanter'. But, although the record's core parts represent a different move for the musician, Davachi's incredible ear for subtly powerful sounds remains at the centre of the experience. So prepare to be blown away again. Gently.
… Read more in stock $28.88
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Review: Originally released in 2015, this reissue returns to the stunning debut full-length from Canadian electroacoustic composer Sarah Davachi, who is rapidly becoming a big deal in the world of experimental sounds. Emerging from brief but acclaimed releases on labels like Important Records' Cassauna and Full Spectrum, this album marked her as a unique voice within the world of minimalist and experimental sound. Trained at Mills College, Davachi's work reflects a deep understanding of synthesis and acoustic instrumentation, with a focus on patience, atmosphere and tone over flashy modular theatrics. Rather than overwhelming the listener with density, Davachi builds a deep listening album full of impressive tracks. Vintage synths like the Buchla 200, EMS Synthi and Prophet 5 provide an enveloping tonal palette that reveal the composer's intent to create a more intimate, hybrid sonic language. The opening track 'heliotrope' unfolds like smoke rising into a high ceiling, shimmering with evolving harmonic detail. 'wood green' moves from near-silence to a radiant calm. An album of introspection and careful design in a world of maximalist electronics, a rare piece of compositional grace. Its return in reissue form feels not only deserved but necessary.
… Read more in stock $33.92
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Reverie (red vinyl LP + MP3 download code in spot-varnished sleeve limited to 300 copies)
Cat: PATTERN 013LP. Rel: 02 Jun 25
Review: Longfound Norweigan friends Erik Skodvin and Otto Totland pair as Deaf Center, a duo whose name plays cleverly on the notion of good hearing depending on a core of silence. Resurfacing from such nucleic muteness after five years, their new pair of extended pieces, Reverie, finds a disquiet daydream drawn from a rare live set transmitted in October 2024 at Morphine Raum, Berlin. Their first publication since 2019, it sees them in the fullest unconscious "zone", improvising, responding, encircling each other in real time. Smears of timestretched piano abound on 'Rev', while 'Erie' shoots for overtonal tension on an implied, rippling lakeshore. The music is at once gargantuan and contained, revolutionarily collapsing binaries of big and small.
… Read more in stock $44.85
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Pale Ravine (20th Anniversary Extended Edition) (CD limited to 300 copies)
Cat: MIACD 035. Rel: 30 May 25
Review: Deaf Center's debut LP gets a 20-year anniversary reissue on CD, pairing the original 2005 album with 20 minutes of unreleased material from the same sessions. Originally out on Type, Pale Ravine marked the first full-length by Erik K Skodvin and Otto A Totland, who've since carved solo paths via Sonic Pieces. Drifting between chamber composition, shadowy electronics and the hiss of old tape, the record draws on their Norwegian roots and personal family histories. Grainy textures, ghostly pianos and wind-blown field recordings conjure a mood somewhere between forgotten reels of silent film and weather-worn Nordic folklore.
… Read more in stock $21.58
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Death Mask (gatefold 2xLP + MP3 download code)
Cat: DRONE 027LP. Rel: 10 Jun 25
Review: Richard Fearless, London-based DJ and producer, returns with a daring reinvention of his electronic vision, delivering an unpolished, analogue-driven techno masterpiece. Stripping away any semblance of commercial sheen, he dives headfirst into a world of disintegration and overload, where every track feels like it's teetering on the edge of collapse. Drawing on his deep affinity for the rough textures of underground techno, the work channels influences ranging from the industrial growl of Ramleh to the acidic pulse of TM404, with moments that recall the claustrophobic minimalism of Mika Vainio and the haunting drones of Loop. Fearless is unafraid of pushing boundaries, his machinesifed by years of use and a tangled web of circuitryiemitting strange, almost sentient sounds, as if alive in their own right. What emerges is an album that doesn't simply reflect the artist's influences, but speaks with a distinct, personal voice. Tracks like 'While My Machines Gently Weep' and 'Death Mask' bear the hallamrks of live takes and dub-inspired mixing, creating a haunting, almost otherworldly quality, the machine noise blending with echoes of the past. Fearless has long been obsessed with dub and here, he allows its principles to guide him, distilling decades of musical history into something that feels deeply present. A vivid portrait of an artist grappling with his own sonic ghosts and the fractured landscape of modern dance music, it's quite the spectacular.
… Read more in stock $33.36
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Review: Talk about things that make you go "oooh." The moment we heard that Daniel Avery, Working Men's Club and Ghost Culture were working together on a "new musical project" we had a lot riding on the results being particularly potent. Quite what they might sound like was anyone's guess mind, and there was an underlying worry that we might be left with another supergroup disappointment - where the parts are strong but don't necessarily understand how to gel. Demise of Love prove that doesn't have to be the case every time. It sounds like all of the above and yet none of them, it's ripe with emotion, fraught with punk ferocity and outwardly romantic in an electronic sense. Rave-y, weird, melancholic, angry, sleazy and infinitely re-playable, believe the hype.
… Read moreGespielt von: Juno Records Staff Picks
in stock $17.39
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Almost Acoustic Christmas: The Kroq Broadcast (gatefold clear vinyl 2xLP)
Cat: PARALP 628. Rel: 06 Jun 25
Review: Depeche Mode's Playing The Angel tour was a major milestone following their 2005 album release of the same name. It was produced by Ben Hillier and topped charts in 18 countries with the hit 'Precious'' the most standout. The nine-month tour across Europe and North America included festival headlining slots like Coachella and O2 Wireless but a real standout moment from it was their performance at KROQ-FM's Almost Acoustic Christmas concert, which was captured in full and now gets pressed up to this fine double album. This superb Christmas show is the sound of the band at their best during one of their many fine eras.
… Read more in stock $27.48
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Review: Oraculo Records, M.U.S.A Records and Ombra Festival have all come together to unveil Dr. Oso, the latest talent to emerge from the Megabreakz collective. This Argentinian producer follows in the footsteps of Candido (who was behind Megabreakz 7) to deliver his own raw and unapologetic take on the hard new beat style. His release is pure fire, with 'Hooligan Beat Edit' swinging sonic punches in every direction at once. 'Trench Flight' is jacked up and ken with a rugged low end, gun shots and fragment synths all making for a visceral groove. It is much the same on the rest of the EP with 'Lager Dance' really popping thanks to its chopped up sirens and caustic textures.
… Read more in stock $25.51
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Review: E-bony's Digital Dawn album is about "defining his identity as an artist" and it comes through INDUSTRIAS MEKANIKAS. This 12-tracker welds together electro and techno with plenty of personal sound perspective and dark textures that keep it decidedly underground. Collaborating with Noamm on four tracks, their creative synergy adds depth and elevates the record's complexity with the likes of 'Matrix Kod' getting gritty and eerie, 'Aurora Noir' bringing snappy kicks and coruscated acid lines and 'Data Delight' fizzing with pixelated synth sugariness.
… Read more in stock $40.35
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Laini Tani (translucent yellow vinyl LP)
Cat: TPLP 1964LTD. Rel: 05 Jun 25
Review: Nadah El Shazly returns with her second album and first on One Little Independent and Backward Music. The Egyptian-born, Montreal-based artist blends experimental sonics with Arabic roots and improvisation on Laini Tani, and crafts music that slips between worlds and takes you with it. The whole record pulses like a hot night stretching into morning. It's sweaty, surreal, and endlessly alive and each track is a vivid fragment: defiant, euphoric or quietly raw. El Shazly's lush vocals and layered metaphors weave a dreamstate of meaning and mystery that bold and chaotic yet controlled so is a record to get lost in, then hit repeat as you try to decode its hidden truths.
… Read more in stock $27.76
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Review: Brian Eno and Beatie Wolfe join forces on a dual release infusing two distinct musical visions rooted in shared environmental concern. Their new joint release unfolds across two sides, with Luminal offering a vocal-led collection leaning into alt-pop ambiances and timbres, before Lateral rears itself in counterpart as a seamless ambient composition, making up a study in contrast and connection. Recorded in London, the project reflects Eno's lifelong exploration of mood and atmosphere, alongside Wolfe's ongoing push to blur the lines of digital innovation and tactile experience. The project builds the activist art works of Wolfe, a British-American concept artist based in Los Angeles, named by WIRED as one of "22 people changing the world," and tracks the expression of music beyond language or form.
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Review: Brian Eno, legendary master of ambient music and Beatie Wolfe, the LA-based conceptual artist known for her innovative blend of the physical and digital, unite for a collaborative sonic exploration. Throughout 2024, the two artists recorded material that bridges the boundary between deeply personal emotions and universal experiences, creating an evocative soundscape. The work pulses with the distinctive energy of Eno's ambient prowess, while Wolfe's haunting vocals add a layer of intimacy. On tracks like 'Milky Sleep' and 'Hopelessly At Ease', the listener is swept into a dreamlike state where time feels suspended. These moments of calm are balanced by the more urgent, yet still deeply meditative, 'Suddenly', which sways between serenity and tension. The delicate interplay between light and shadow becomes even more palpable on 'A Ceiling and Lifeboat', where the quiet sense of stillness gives way to a profound sense of rebirth. There's a sense of movement throughout the releaseiparticularly on 'Breath March', where rhythm and texture converge with palpable energy. Eno's atmospheric layers create space for Wolfe's voice to become a thread, guiding the listener through these reflective, almost sacred-feeling sonic spaces, where every note invites introspection and feeling.
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Review: Brian Eno's career has always been about explorationiof sound, technology and the emotional power of music. After pioneering ambient music, Eno has consistently sought out new ways to blend different genres and voices and his latest collaboration with Beatie Wolfe continues this tradition. Wolfe, a British-American artist with an innovative approach to music and activism, complements Eno's atmospheric world with her emotive, alternative vocals. Their work, recorded in London, moves seamlessly from the meditative to the experimental, with tracks like 'Big Empty Country' offering stark contrasts between the brightness of the day and the shadows of the night. This release is not only a nod to Eno's sonic experimentation but also a testament to his lasting influence as an artist who always seeks to connect art with broader societal issues, especially the environment.
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Review: Brian Eno, a towering figure in ambient music and a master of sonic landscapes, has shaped the contours of modern music through his production collaborations with iconic artists like David Bowie, Talking Heads and U2. His latest work with Beatie Wolfe, a conceptual artist from Los Angeles, encapsulates a career of endless reinvention. Recorded in London, the collaboration weaves together the worlds of alternative vocals and ambient soundscapes. 'Big Empty Country' serves as a vivid contrast between light and darkiits day and night versions embodying the very essence of Eno's immersive, evolving sound. Much like his work as part of Roxy Music and beyond, this release is both forward-thinking and introspective, grounded in a shared commitment to environmentalism and artistic exploration. It's a meditation on space, sound and feelingian unbroken thread in Eno's enduring legacy of artistic expression.
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Review: Southwind from Hachijo is a rare gem from 1990s Japan dug out delightfully by Forest Jams and written by E.S. Island. This reissue of it dives deeper into ambient terrain while embracing tribal and spiritual tones unlike previous works. It was recorded on the remote Hachijo Island and is awash with organic textures and traditional Japanese instruments that effortlessly make for a meditative soundscape. The music is largely performed by the late Eisuke Takahashi and Nene Sanae, whose chemistry channels the island's raw, natural energy into its ever-shifting tones and timbres. It's a deeply personal and atmospheric listen and an ode to place and spirit that takes you there in an instant
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Review: "Instead of escaping somewhere else, this time I want to be here." We're not 100% sure if that's Fabiano or E35 Netherlands quoted, and woe betide anyone who thinks they can interpret such cryptic (not to mention borrowed) quips without asking the person who said them what they meant. Nevertheless, Landmarks very quickly presents itself as an ambient beauty born of this planet and nowhere else. At times the sounds are challenging - heavily textured tracks rather than the lush dreamscapes we often associate with the rather reductive 'ambient' label. Sometimes things are quite eerie, like the disquiet that materialises around halfway through 'Flowers On The Hospital Grounds', and the dense static waves of 'Saturated Memory On A Rooftop'. At other moments, tones invoke the mystery of night skies over Earth, or the rhythm of a world filled with enough life to mean we're still finding new species today.
… Read moreGespielt von: ISOUL8 (Volcov)
in stock $35.60
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Review: Fashion Flesh aka John Talaga debuts on ESP Institute with two mind-bending tracks crafted from homemade electronics, circuit-bent gear and tape manipulations. Side A's 'Atoms Revolt' explores the secret lives of machines while channelling chaotic energy into controlled sonic accidents, layered distortion and surreal textures. Side B's 'New Freedom' evokes a dystopian adventure into Detroit's decaying industrial sprawl while fusing Geiger-like pulses and eerie oscillations with fragmented voices into a dark rhythmic storm. Talaga's ability to extract soul from machines is remarkable here in what is a visceral and cerebral EP.
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Review: Backdrops of engineered silence and societal distraction inform on this from Fatboi Sharif and Driveby, twin rap verbalisers from the hinterzones of New Jersey. Let Me Out confronts the fractured psyche of a world numbed by noise: a raw, unfiltered dispatch from the underbelly, where six-figure illusions swing pendularly over mirrored truths, and suppressed rage simmers beneath manufactured calm. Tracked at 2ndststudios and shaped by the precision of Steel Tipped Dove, the record is sharpened further by the eerie co-production of DJ Boogaveli on 'We Fought for this Country!?' and haunting backing vocals from Paul Keim on 'Krossroads'. From milk-and-oil confusion to the cracked prayers of trauma survivors, each track on this grittily sculpted noise rap record erodes our psychic Achilles' heels, through emotional debris and soul static.
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Review: New music from LA resident Fields of Mist is always worth hearing. He's previously proven to be a master of bringing a hip-hop sensibility to his work, as well as a jazzy and broken beat bone on his 2022 album Iluminated60. This latest turn to Illian Tape is another standout with a mix of dreamy, suspenseful pads and killer rhythms. 'Dreams Of The Lost Moon' isa fine example of that with its far-sighted gaze but body popping drums and 'Darkstar System M312' then gets more moody with a speedy low end and astral pads. 'Moss Nebula Tidal Dance' is another blend of deep space ambience with minimal but impactful rhythms.
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Review: Producer and guitarist Yutaka Hirasaka enjoyed a peaceful career pitstop with Breath, one of many to top up the beatsmith and cassette artist's now towering discography, and which now comes released on vinyl for the first time. Hirasaka's approach to music covers ambient, beat-driven landscapes, a format which has led him both to immersive live performance work and commercial ends. The homely aesthetic of Hirasaka's sound is heard once more on the wordless, texturally unperturbed Breath, which clears our airways far better than any shop-bought nostrum ever could, be it via the deconstructed guitar pan-plays of 'Orion' or the marzipan piano maunders of 'Amaretto'.
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The Universe Will Take Care Of You (heavyweight white vinyl LP + MP3 download code)
Cat: 57 BCLP. Rel: 12 Jun 25
Review: A dream pairing from opposite corners of the sonic world, British synth polymath James Holden and Polish clarinettist Waclaw Zimpel land somewhere deep in the trance zone on this six-track debut. Opener 'You Are Gods' flickers into motion with modular ripples and clarinet spirals, setting a tone that's at once meditative and exploratory. 'Sunbeam Path' floats toward more radiant territory, while 'Time Ring Rattles' and 'Incredible Bliss' channel fast-paced, arpeggiated fervour. 'Sparkles, Crystals, Miracles' cools the system with ambient drift, before the closer melts into layered organ drama and a reverent air. The pair's range of instrumentation-violins, algoza flutes, lap steel, and modulars-gives each piece a handmade feel, but it's their shared commitment to improvisation and trance that binds it all. Rather than chase genre, they zero in on shared instinct-and let the current carry them.
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Presents Jackie Cane (limited numbered 180 gram audiophile clear vinyl LP + insert)
Cat: MOVLP 1812C. Rel: 28 May 25
Review: 2002's Hooverphonic Presents Jackie Cane always felt like the odd jewel in the Belgian outfit's catalogue i part concept album, part theatrical detour, wrapped in lush strings and Bond-theme bravado. The 2025 reissue brings it back into focus, and it's certainly worth revisiting. There's drama i torch songs, twisted pop, and trip-hop filtered through a cinematic lens i but also a tangible sense of melancholy beneath. Tracks like 'Sometimes' and 'Human Interest' still land with weight, while the nocturnal psychedelia of 'Jackie's Delirium' and 'Shampoo' adds hallucinogenic depth to the collection. It's all very stylised, but that's part of the charm. You can hear the ambition, the restlessness. Not quite cool, not quite kitsch, but somehow it works.
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Legends Of The Fall (Soundtrack) (30th Anniversary Edition) (limited 180 gram audiophile gold vinyl 2xLP + insert)
Cat: MOVATM 380C. Rel: 18 Jun 25
Review: James Horner's Oscar-winning scores for the likes of Titanic, Avatar and Braveheart put in in a class of his own as a composer for film, but even among those greats, his Legends of The Fall soundtrack stands proud. It is one of his most evocative and emotionally powerful works and blends sweeping symphonic themes with rich folk and Americana textures Horner brings that same mournful depth here that defined the aforementioned OSTs and crafts music that feels timeless and deeply human. Critics praised its ability to evoke profound feelings while weaving orchestral elegance and cultural roots into a hauntingly beautiful soundscape. This soundtrack is a journey, both cinematic and soul-stirring.
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Review: The always excellent Minimal Wave presents a rare EP from Greek electronic pioneers In Trance 95 here. Alex Machairas and Nik Veliotis formed the duo in 1988 and very much helped define Greece's early electronic scene with their minimal synth and EBM-inspired sound, all of it usually marked by analogue warmth, hypnotic melodies and a futuristic sensibility. This release captures their innovative spirit and cult legacy across six unreleased tracks recorded between the late 80s and early 90s in Athens. It sounds magnificent and is a long-overdue glimpse into their visionary archive for new fans, or a fine reminder of their roots for those who have always been tuned in.
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in stock $27.48
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Second Horizon (2xLP + insert in die-cut sleeve)
Cat: BD 015. Rel: 03 Jun 25
Review: The latest release from Berlin-based producer Julian Reifegerste builds on the success of his previous work, channelling a vivid spectrum of 80s electronic styles into a sleek, club-ready format. Drawing from EBM, Italo, acid, electro and dark wave, the 12-track double vinyl is packed with machine funk and neon moodsibright synth lines and rubbery basslines offset by tougher, industrial textures. 'City Sights' and 'Chasing Shadows' lean into cinematic propulsion, while 'Black Gold' and 'I Am A Creator' carry heavier, dystopian overtones. Much of the material was produced on vintage hardware, lending the record an authentic retro-futurist edge. This is bold, immersive dance music with a conceptual streak, and a clear progression in sound from the artist's earlier output.
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