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Four Weeks: Studio Equipment

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Studio Equipment

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AION Modular 904B Voltage Controlled High Pass Filter Module
Cat: 780159 Rel: 18 Nov 20
 
filter module
Notes: Premium sound quality from this premium module, based on the classic Moog high-pass filter. Steep 24dB/oct filter curve with precise CV-controlled cutoff frequency tracking over a 12-octave span.

Supplier's Notes:
The AION Modular 904B High Pass filter is an Eurorack clone of the classic Moog Modular High Pass filter.
The 904B High Pass Filter attenuates frequencies below the Fixed Control Voltage(cutoff frequency) point at a rate of 24dB per octave.

The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
LOW- 4Hz to 20kHz
HIGH- 10Hz to 50kHz

Specifications:
Power: +12 60mA, -12 50mA
Depth: 40mm
Doepfer compatible.

60 mA +12V
50 mA -12V
0 mA 5V
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MRP:$336.67 SAVE 20%
 1 in stock $270.57
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ALM 3.5mm Mini Jack To Mono 6.35mm (1/4") Jack Cable
Cat: 801678 Rel: 23 Nov 20
 
Mini jack to mono jack cable
Notes: Mono 3.5mm mini jack to mono 6.35mm (1/4") jack cable.

Useful for connecting eurorack modules (i.e S.B.G.) to external music equipment.

Custom ALM barrel moulding matching ALM's patch cables.

2m length.
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 6 in stock $6.09
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (120cm, black, pack of 2)
Cat: 801574 Rel: 20 Nov 20
 
Pair of black 120cm 3.5mm patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
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 4 in stock $7.76
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (120cm, green, pack of 2)
Cat: 801570 Rel: 20 Nov 20
 
Pack of 3.5mm green patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
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 3 in stock $7.76
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (120cm, purple, pack of 2)
Cat: 801573 Rel: 20 Nov 20
 
Pack of 3.5mm purple patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
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 3 in stock $6.93
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (120cm, yellow, pack of 2)
Cat: 801568 Rel: 20 Nov 20
 
Pack of 2 3.5mm yellow patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

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 1 in stock $6.93
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (15cm, black, pack of 5)
Cat: 801481 Rel: 23 Nov 20
 
Pack of 5 3.5mm black patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 5 in stock $7.76
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (15cm, green, pack of 5)
Cat: 801478 Rel: 23 Nov 20
 
Pack of 5 3.5mm green patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 5 in stock $7.76
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (15cm, red, pack of 5)
Cat: 801473 Rel: 23 Nov 20
 
Pack of 5 3.5mm patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 5 in stock $7.76
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (15cm, white, pack of 5)
Cat: 801490 Rel: 23 Nov 20
 
Pack of 5 3.5mm white patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 5 in stock $7.76
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (30cm, black, pack of 5)
Cat: 801514 Rel: 20 Nov 20
 
Pack of 3.5mm black patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
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 4 in stock $8.60
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (30cm, green, pack of 5)
Cat: 801503 Rel: 20 Nov 20
 
Pack of 3.5mm green patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 4 in stock $8.60
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (30cm, purple, pack of 5)
Cat: 801510 Rel: 23 Nov 20
 
Pack of 5 3.5mm purple patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 4 in stock $8.60
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (60cm, black, pack of 5)
Cat: 801531 Rel: 20 Nov 20
 
Pack of 60cm black 3.5mm patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 1 in stock $9.98
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (60cm, white, pack of 5)
Cat: 801533 Rel: 23 Nov 20
 
Pack of 5 3.5mm white patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 1 in stock $10.54
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (90cm, black, pack of 3)
Cat: 801548 Rel: 23 Nov 20
 
Pack of 3 3.5mm black patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Read more
 4 in stock $8.60
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (90cm, green, pack of 3)
Cat: 801541 Rel: 23 Nov 20
 
Pack of 3 3.5mm green patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.

Read more
 5 in stock $8.60
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (90cm, purple, pack of 3)
Cat: 801545 Rel: 23 Nov 20
 
Pack of 3 3.5mm purple patch cables
Notes: Unique custom design 3.5mm patch cables.

They feature strong, ergonomic barrels which are slim and stubby for max patchability.

Available in various lengths (15, 30, 60, 90 & 120cm) and colours.

Longer 60, 90 & 120 lengths also include ALM cable tie.
Read more
 5 in stock $8.60
Analogue Systems RS-650N Echo & Reverb Module
Cat: 799757 Rel: 13 Nov 20
 
Echo & reverb synth module
Notes: The RS-650 Echo / Reverb is a combination of the RS-310 and RS-440 which are based on the same circuit.

It offers both delay (echo) and reverb settings in one module. It is based on a bucket brigade device (BBD) with six parallel delay taps. Those six delay times have no relationship to each other and their outputs have different levels. You have to consider the reverb effect as a mixture of six different short delays what results in a dense sound. The clock frequency which scans the bucket brigade is audible and you'll have to use a low pass filter in order to eliminate or minimize it. In Reverb mode the delay time can be set between 2.5ms and 150ms and in Echo mode it spans from 75ms to 200ms.

All modules by Analogue Systems come ready to use with five years warranty mounted in the by the customer preferred rack or cabinet.

Depth: 65mm
HP : 12
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MRP:$332.68 SAVE 17%
 1 in stock $277.22
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Arturia Keylab 88 MKII 88-Note Controller Keyboard
Cat: 786254 Rel: 23 Nov 20
 
Controller keyboard
Notes: The top dog in Arturia's controller keyboard range, offering piano-like hammer action feel. Bundled with a good selection of software and virtual instruments. One of the best controllers on the market.

Supplier's Notes:
A world-class hammer action, piano-feel keybed to put your heart and soul into your music. KeyLab 88 MkII is highly expressive, and will give you that real mechanical feeling, just like playing an acoustic piano.

Whether you're an experienced veteran of the industry, or just starting out as a music producer, you'll love the awesome instruments that come with KeyLab MkII 88. Get your KeyLab 88 MkII and you'll also get Analog Lab, Piano V, Wurli V, Vox Continental V - the full versions absolutely free!

Ableton Live Lite is also included so you can get creative right out of the box.

Tour ready
Beautiful, but ergonomic. Stylish, but understandable. Robust, but elegant. KeyLab MkII 88 has been specially designed with touring professionals in mind. Its aluminum and wood chassis don't bend or flex as you play, its build quality is unmatched.

Awesome integration
With smart-mapping controls, clear labels, and even unique magnetic strips for each DAW, KeyLab 88 MkII takes the guesswork out of playing, recording, and mixing. The rotary knobs, faders, and
buttons are all automatically assigned to the most appropriate parameters in any Arturia software instrument, but it doesn't stop there- KeyLab 88 MkII features CV/gate connectivity so you can also control your modular rig and vintage synths. It features MIDI ports, as well as MIDI over USB. It can even draw all its power via the same USB connection! The finest feeling 88-note hammer action controller keyboard, great looks, built for the road, and tons of top-quality virtual instruments. It's time to feel the music. This isn't just a MIDI controller. It's a gateway to a better music-making experience.

Included Software
Snalog Lab, Piano V, Wurli V, Vox Continental V, and Ableton Live Lite, MIDI Control Center
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MRP:$1,103.15 SAVE 25%
 2 in stock $825.02
Arturia MicroFreak Vocoder Limited Edition
Arturia MicroFreak Vocoder Limited Edition (synthesiser sequencer vocoder)
Cat: 789247 Rel: 13 Nov 20
 
Vocoder
Notes: With a firmware update to the excellent MicroFreak unlocking hidden vocoder features, this limited-edition version teams a striking new look with a bundled microphone.

Supplier's Notes:
The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Timbre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing. Step up to the mic A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings. A new dress code First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already. The Freak within Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Box contents:
MicroFreak Vocoder unit
Electret mic with gooseneck and headphone adapter
Power supply

Size & weight
Instrument size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Instrument weight : 2.3 lbs. (1.02 Kg)

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MRP:$397.88 SAVE 28%
 More than 10 in stock $285.78
Befaco DIN5 MIDI To TRS Mini-Jack Type A Cable (1.5m, pack of 3)
Cat: 784176 Rel: 09 Nov 20
 
DIN5 to TRS cable
Notes: 3,5mm TRS to male DIN 5

150cm length
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MRP:$15.97 SAVE 31%
 5 in stock $11.08
Befaco/Rebel Technology Lich Programmable Multi-Function Module
Cat: 799077 Rel: 20 Nov 20
 
Function generator synth module
Notes: Lich is a programmable multi-function module based in Rebel Technology OWL platform. This is a Befaco Rebel collaboration that brings back Owl’s platform with this new hardware iteration. It has stereo in and out, four pot controls summed to cv inputs (like the classic Owl module) And as addition, CV and Gate outputs, patch selection with display and USB MIDI host and device connections.

FEATURES
Stereo Audio IN and OUT at 48k 24 bits.
4 CV controls (Pot + Attenuated CV in)
2 CV outputs.
2 Gate intputs + buttons.
1 Gate Output.
Patch selection and visialization via display.
USB host and Device connections

SPECS
Current needs: +12V: 130mA, -12V: 30mA
Width: 12 HP
Depth: 26 mm (including power connector)
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.
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MRP:$424.49 SAVE 24%
 6 in stock $321.58
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Blue Lantern Modules Phobos Lunar VCF MK2 Module
Cat: 775775 Rel: 16 Nov 20
 
VCF module
Notes: This module contains about 5 modules in one. You get a lot of features. This is using a Phase Lock Loop based internal patch to create the oscillation (LFO). I then give you access to the clock divider used in the Phase Lock process. Think of this module as a 'phase lock loop for dummies'. Just play and forget kind of module. No menu diving or complicated stuff to remember.

This LFO can go audio rate or really slow using the toggle switch to decide LFO/HFO mode. There is an internal CV switch for you to select from 6 wave forms. The special wave form is the step generated wave. It sounds like a quantized ramp wave, and moves at half the overall internal lfo rate. There is a nice Level out knob to control the LFO wave output. This LFO has very HARD sync, that will reset the lfo.

The other half of this module contains a clock divider that also uses a CV selectable output. The clock divider can also go audio rate and sound like a sub harmonic generator when in audio rate. At very high frequencies (FREQ knob fully clockwise), the clock divider will lock up, this is due to the cmos chip, this is normal.

The clock divider can be used with internal clock or external clock.

This is a fun performance type of lfo with just about all the features an LFO should have. There is 1v/ octave tracking of about 4 octaves when used as an oscillator. This product is for most part more of an LFO. The best patch one can do with this product is a 'cross' patch from the Phobos Lunar LFO, and have it patched to your Oscillator module. Then patch your oscillator to the CV waveform select on the Phobos. Hear what your oscillator sounds like, it will blow your sound pallete.

Width: 12hp

Current: +80mA,-50mA
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MRP:$251.50 SAVE 21%
 1 in stock $198.50
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Decksaver Akai MPC One Standalone Music Production Controller Cover
Decksaver Akai MPC One Standalone Music Production Controller Cover (standalone music production controller cover)
Cat: 791899 Rel: 04 Nov 20
 
Polycaronate shell cover for Akai MPC Touch and Live
Notes: Custom engineered in the UK for the Akai MPC Touch and Live Controllers, our super durable polycarbonate shell protects against dust, liquid and accidental impact. Precision trimmed for an exact fit whilst accommodating cables, your MPC can sit ready for operation. Slides straight into a flight case or bag ready for transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Please note: The Akai MPC One is not included in this purchase. It is shown for demonstration purposes only.

Designed to fit: MPC Touch, MPC Live

Material: Polycarbonate

Colour: Smoked clear

Size (L x W x H): 41.5 × 25.5 × 4.5 cm

Weight: 0.45 kg
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MRP:$54.56 SAVE 21%
 3 in stock $43.23
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quote 791899
Decksaver Arturia Drumbrute Impact Drum Machine Cover
Cat: 791944 Rel: 04 Nov 20
 
Polycarbonate shell cover for Arturia Drumbrute
Notes: Precision trimmed for perfect fit whilst accommodating cables, the Arturia DrumBrute can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Designed to fit: Arturia DrumBrute

Material: Polycarbonate

Colour: Smoked clear

Size (L x W x H): 42.5 × 28.8 × 4 cm

Weight: 0.9 kg

Please note: The Arturia Drumbrute is not included in this purchase. It is shown for demonstration purposes only.
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MRP:$45.24 SAVE 18%
 2 in stock $37.15
Decksaver Ashun Sound Machines Hydrasynth Desktop Synthesiser Cover
Cat: 791920 Rel: 03 Nov 20
 
Polycarbonate shell cover for Ashun Sound Machines Hydrasynth Desktop Synthesiser
Notes: The Decksaver Ashun Sound Machines Hydrasynth Desktop Cover is constructed from a polycarbonate shell for optimal protection. The cover is custom moulded to fit the shape of the Hydrasynth, and comes complete with a high-quality smoke/clear sheen. This is the ultimate choice for anyone wishing to protect their synthesizer from dirt, dust, and superficial damage. It also provides easy access to inputs and outputs at all times.

Please note: The Ashun Sound Machines Hydrasynth Desktop Synthesiser is not included in the purchase. It is shown for demonstration purposes only.

Dimensions:
Length: 44.3 cm
Width: 23.8 cm
Height: 6.5 cm
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MRP:$55.89 SAVE 11%
 3 in stock $49.89
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quote 791920
Decksaver Behringer Crave Synthesiser Cover
Cat: 791940 Rel: 04 Nov 20
 
Polycarbonate shell cover for Behringer Crave Synthesiser
Notes: Transparent protection for your gear. The Decksaver Behringer Crave Cover is a highly-durable protective cover constructed from a polycarbonate shell for optimal protection. The cover is custom moulded to fit the shape of the Behringer Crave and is finished with a high-quality smoke/clear sheen.

The cover is ideal for travelling, helping to protect your Crave synthesizer from superficial damage. The cover protects from dust, liquid and accidental impact damage, whilst accommodating cables.

Please note: The Behringer Crave Synthesiser is not included in this purchase. It is shown for demonstration purposes only.

Weight: 0.275 kg

Length: 44.3 cm
Width: 23.8 cm
Height: 6.5 cm
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MRP:$39.92 SAVE 12%
 3 in stock $35.21
Decksaver Behringer K-2, Neutron & Pro-1 Synthesiser Cover
Cat: 791938 Rel: 04 Nov 20
 
Polycarbonate shell cover for Behringer K-2, Neutron & Pro-1 Synthesiser
Notes: Soft fit protection for your gear. The Decksaver Behringer Neutron, K-2 & Pro-1 Cover, Soft Fit is ideal for protecting your precious synthesizer from the rigours of the tour. This unique version of the Decksaver utilises "Soft-Fit" technology for maximum protection for the wooden panels on the side of the synth.

Decksaver covers provide great protection from dust, liquid, and accidental impact - using them means you get ample security from the dangers of the road. Don't settle for less.

Please note: The Behringer K-2, Neutron & Pro-1 Synthesiser Cover is not included in this purchase. It is shown for demonstration purposes only.

Weight: 0.35 kg
Dimensions (LxWxH): 42.6 x 14.8 x 6.6 cm
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MRP:$61.21 SAVE 18%
 More than 10 in stock $49.89
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quote 791938
Decksaver Dave Smith Instruments Sequential Prophet Rev-2 Desktop Synthesiser Cover
Cat: 791926 Rel: 04 Nov 20
 
Synthesiser cover for Dave Smith Instruments Sequential Prophet Rev-2
Notes: Dust, liquid and accidental impact have taken many a good analogue synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Prophet Rev-2 can sit ready for operation. The Prophet Rev 2 cover features Soft-Fit technology, providing extra protection to vulnerable wooden cheek panels that often adorn synthesizers. Slides straight into a flight or soft case for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Material: Polycarbonate
Colour: Smoked clear
Size (L x W x H): 54 × 20.6 × 3.7 cm
Weight: 0.84 kg
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MRP:$123.76 SAVE 23%
 1 in stock $95.36
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quote 791926
Decksaver Polyend Medusa Synthesiser Cover
Cat: 791943 Rel: 03 Nov 20
 
Polycarbonate shell cover for Polyend Medusa
Notes: The Decksaver Polyend Medusa Synthesiser Cover features an ultra-durable polycarbonate shell, designed to protect from dust, liquid, particulates and accidental impact damage. It will also protect against superficial damage such as scratches or bumps while on the move. The high quality smoke/clear sheen allows you to see the Medusa through the cover, allowing you to see your gear at all times. The smooth and sheen like finish will slide straight into a bag, ideal for the travelling musician.
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MRP:$61.21 SAVE 37%
 1 in stock $38.35
Decksaver Soma Laboratory Lyra-8 Synthesiser Cover
Cat: 791942 Rel: 03 Nov 20
 
Polycarbonate shell cover for Soma Laboratory Lyra-8
Notes: The Decksaver Behringer Lyra-8 Cover features an ultra-durable polycarbonate shell, designed to protect from dust, liquid, particulates and accidental impact damage. It will also protect against superficial damage such as scratches or bumps while on the move. The high quality smoke/clear sheen allows you to see the Lyra-8 through the cover, allowing you to see your gear at all times. The smooth and sheen like finish will slide straight into a bag, ideal for the travelling musician. The cover is custom moulded to shield keys, controls and more from damage, while still allowing you to accommodate cables.

Please note: The Soma Laboratory Lyra-8 Synthesiser is not included in this purchase. It is shown for demonstration purposes only.

Dimensions (LxWxH): 27.2 x 27.2 x 3.6 cm
Weight: 0.35 kg
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MRP:$45.24 SAVE 17%
 1 in stock $37.70
Decksaver Universal Audio Apollo X4 Audio Interface Cover
Cat: 791900 Rel: 12 Nov 20
 
Polycarbonate shell cover for Universal Audio Apollo X4 Audio Interface
Notes: The Universal Audio Apollo X4 Cover features an ultra-durable polycarbonate shell, designed to protect from dust, liquid and accidental impact damage. The high quality smoke/clear sheen allows you to see the Apollo X4 through the cover. This has been custom moulded to perfectly accommodate the interface, whilst still providing access to cable and headphone inputs and outputs.

Please note: The Universal Audio Apollo X4 Audio Interface is not included in this purchase. It is shown for demonstration purposes only.

Dimensions:
Length: 23.80 cm
Width: 16 cm
Height: 4 cm
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MRP:$47.91 SAVE 31%
 2 in stock $32.99
Decksaver Universal Audio Arrow & Solo Audio Interface Cover
Cat: 791902 Rel: 03 Nov 20
 
Polycarbonate shell for Universal Audio Arrow & Solo Audio Interface
Notes: Simple but powerful. The Decksaver Universal Audio Apollo X4 Cover is constructed from a polycarbonate shell for optimal protection. The cover is custom moulded to fit the shape of both the Arrow and Solo interfaces, and comes complete with a high-quality smoke/clear sheen. This is the ultimate choice for anyone wishing to protect their interface from dirt, dust, and superficial damage. It also provides easy access to inputs and outputs at all times.

Please note: The Universal Audio Arrow & Solo Audio Interface is not included in this purchase. It is shown for demonstration purposes only.

Dimensions:
Length: 18.3 cm
Width: 12.5 cm
Height: 2.8 cm
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MRP:$47.91 SAVE 13%
 2 in stock $41.90
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quote 791902
Doepfer A-118-2V Noise & Random Slim Line Vintage Edition Module
Cat: 790467 Rel: 10 Nov 20
 
Signal generator module
Notes: Module A-118-2 generates the signals white noise, colored noise, continuous random voltage and stepped random voltage.

The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red and Blue noise (low/high frequency component) in the colored noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal is sampled at the rising edge of the Clock signal. For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. Dual color LEDs are used to indicates the continuous and stepped random voltages.

Controls:
Blue: share of the high frequencies in the the colored noise output
Red: share of the low frequencies in the the colored noise output
Rate: rate of change of the continuous random voltage
Level: amplitude of the continuous random voltage
TH/SH: switches between T&H und S&H

Inputs and outputs:
RND: continuous random voltage output (with LED display)
TH/SH: stepped random voltage output (with LED display)
Clk: Clock input of the S&H/T&H unit
C Noise: colored noise output
W Noise: white noise output

Important notes:
After power on it takes a few minutes until the two noise signals and the random signals are generated. The module is not faulty when after power on the signals do not appear immediately!

The S&H/T&H function is realized by pure analog circuitry (electronic switch followed by a holding capacitor and buffer). Consequently the output voltage drifts a bit in the holding state because the capacitor is discharged by parasitic resistors. The drift depends also upon environmental conditions like humidity or temperature.

The level of the random voltage changes with the settings of the Blue and Red controls. Especially the Red control affects the random voltage level (which is derived by low pass filtering from the colored noise signal) because the Red control changes the share of the low frequencies in the colored noise signal. The effect of the Blue control is much smaller because it changes the share of the high frequencies in the colored noise signal which are filtered out by the low pass of the random circuitry.

Power consumption: 20mA at +12V and 20mA at -12V
Depth: 40mm
HP : 4
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quote 790467
EBS Acoustic Preamp Stanley Clarke Signature Effects Pedal
EBS
Cat: 798772 Rel: 13 Nov 20
 
Acoustic preamp effects pedal
Notes: The Stanley Clarke Signature Acoustic Preamp is a 2-channel preamp, built exclusively with premium components. It is engineered and designed by EBS together with the legendary bass player and composer Stanley Clarke.

Since the preamp operates at a signal level equal to professional mixing consoles it provides a huge amount of headroom. The superior signal quality makes it suitable to use as a preamp in combination with any power amp. The headroom and specific features make it ideal for handling the complex sonic characteristics of an upright bass.

The A and B channels both feature an input GAIN control and an EQ strip with BASS, MIDS (pick the frequency range with one knob and cut or boost in that range with another) and TREBLE. They both also have a secret weapon, a control knob that can be used either as a HIGH PASS or NOTCH filter. A switch decides the function, while the control knob picks the frequency range. The notch and high pass filters are excellent tools to prevent unwanted feedback and adjust the sound to the characteristics of the room and your instrument.

With 10 Mohms input impedance for both the A and B channels, it handles any instrument with passive, active, or high impedance piezo pickups. The A channel also provides support for Electret pickups when activating a dedicated switch. The B channel allows you to use a 48V Phantom powered (or passive) dynamic or condenser microphone as the source via an XLR-input. Choose whether to use the XLR or 1/4"-input for the B channel with a switch.

The preamp lets you jump between the A and B channels to allow for different settings when you play with a bow or pizzicato or mix the two if you use two different input sources.

Blending two different sound input sources can sometimes cause a phase issue. If that occurs, a Phase Inverter switch, attached to the A channel, will solve the problem.

Hook up additional effects in serial or parallel through the EFFECTS LOOP (requires a Y-split insert cable). A TUNER OUT lets you plug in an external tuner. A BALANCED XLR-OUTPUT sends a studio-quality line signal to front-of-house or a recording device. Use it in conjunction with a Speaker Simulator and use the Ground Lift to prevent hum. The Aux Input and professional-grade Headphones output makes practicing and learning new songs easy.

Can this pedal be used with other instruments?

Yes, of course. The frequency range of an upright bass is wide and complex, which means most other instruments - acoustic or electric - fits within the range that this pedal covers. Other acoustic instruments benefit from the same specific features that this pedal is equipped with to handle the upright bass. Electric bass players may find the two similar channels an excellent way to make individual EQ settings for two different instruments and make it possible to switch between the two smoothly at a gig.

Input Impedance: 10 Mohms // 22 pF
Gain: Gain Range -oo/+30 dB Gain Peak LED (ch A = RED, B = yellow) +10 dBv Frequency Response +0/-3 dB 20-20.000 Hz
Bass Filter: Type Shelving Gain Range +/- 15 dB @ 40 Hz
Mid Filter: Type Bandpass Filter Gain Range +/- 13 dB Frequency Range 70 - 2500 Hz Q 0.8
Treble Filter: Type Shelving Gain Range +/- 15 dB @ 10 kHz
HP Filter: Type 12 dB/octave High Pass Frequency Range 20(off) - 450 Hz
Notch Filter: Type Bandpass Notch Frequency Range 70 - 2200 Hz Q 7 Attenuation 7 dB (typically)
Electret Power (Channel A): 5V, 2mA

Common Features:
Effects Loop:
Loop Signal Level -10 dBv (nominal)
Gain Unity (1:1)
Output Impedance 2 kohms
Input Impedance 100 kohms
Modes Serial or Parallel

Phones Out: Recommended Imp. 32 - 200 ohms
Aux Input: Input Impedance 20 kohms
Nominal Level -10 dBv
Output: Output Impedance 1 kohms
Signal Level 0 dBv (nominal)
Balanced Output: Output Level -20dBv (nominal)

XLR Connections 1-GND, 2-Hot, 3-Cold Options
Gnd Lift, SPKR Sim
Balanced Input (Channel B): Input Level -30dBv (nominal)
XLR Connections 1-GND, 2-Hot, 3-Cold
48V Phantom Yes
Auxiliary Info: Power Requirements Idle 500mA @9V
max 800mA @9V (with headphones at max output level)

Dimensions (WxDxH): max 168 x 124 x 53 mm / 6.6" x 4.9" x 2.1"
Weight: 660 g (1.5 lbs.)
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quote 798772
Empress Effects Bass Compressor Effects Pedal (blue)
Cat: 799004 Rel: 27 Nov 20
 
Bass compressor effects pedal
Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"
Length 3.5"
Width 2.6"
Weight 1lbs
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quote 799004
Empress Effects Bass Compressor Effects Pedal (silver)
Cat: 799007 Rel: 27 Nov 20
 
Bass compressor effects pedal
Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"


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quote 799007
Empress Effects Compressor MKII Effects Pedal (blue)
Cat: 798994 Rel: 27 Nov 20
 
Bass compressor effectspedal
Notes: When the original Compressor was released back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on users' valuable feedback, everything great about the original Compressor has been taken and made even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, Empress have now added a 'tilt' tone eq control, and a selectable sidechain high pass filter built into the Compressor's detection circuit.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 20Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"
Length 4.8"
Width 2.6"
Weight 1lbs
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quote 798994
Empress Effects Compressor MKII Effects Pedal (silver)
Cat: 799001 Rel: 27 Nov 20
 
Compressor effect pedal
Notes: When the original Compressor was released back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on users' valuable feedback, everything great about the original Compressor has been taken and made even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, Empress have now added a 'tilt' tone eq control, and a selectable sidechain high pass filter built into the Compressor's detection circuit.

Oh, and the whole package is now half the size and available in two snazzy colours!

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 20Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"
Length 4.8"
Width 2.6"
Weight 1lbs
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quote 799001
Endorphin.es Cockpit 2 Four Stereo Channels Performance Mixer Module (black faceplate)
Cat: 799787 Rel: 13 Nov 20
 
4-channel performance mixer module
Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
the LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New knobs on the black module version
Power consumption: 75mA at +12 V and 40mA at -12 V

Depth: 33mm

HP : 6
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Endorphin.es Cockpit 2 Four Stereo Channels Performance Mixer Module (yellow faceplate)
Cat: 799781 Rel: 13 Nov 20
 
Performance mixer module with 4 stereo channels
Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:
Increased headroom
Improved sound quality
the LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New knobs on the black module version

Power consumption: 75mA at +12 V and 40mA at -12 V
Depth: 33mm
HP : 6
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quote 799781
Frequency Central Boom!! Analogue Drum Voice Module
Cat: 800468 Rel: 13 Nov 20
 
Analogue drum voice module
Notes: Boom!! is an analogue drum voice with a broad range of applications.

The heart of the module is a VCO which is built around one half of a LM13700. The VCO has a HIGH/LOW switch as well as a SWEEP control, which defines it's response to the onboard envelope.

The other half of the LM13700 has been carefully crafted into a release envelope generator, which has a FAST/SLOW switch in addition to a RELEASE control. As a bonus, the input of the envelope is velocity sensitive, allowing for a dynamic response.

Additionally, there is an envelope output, which can be used to drive external modules.

Boom!! can be used to create bass drums, tom toms, chirps, blips and clicks. Check it out now.

Depth: 35mm

Width: 4HP

12V draw: 10mA

-12V draw: 9mA

5V draw: 0mA
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quote 800468
Frequency Central Reset Simulation Boolean Logic Module
Cat: 796770 Rel: 05 Nov 20
 
Boolean logic module
Notes: Reset Simulation is a Boolean logic module with two inputs, A and B, and 8 simultaneous outputs, NOT A, NOT B, AND, NAND, OR, NOR, XOR and XNOR. Each of the 8 outputs go high when their respective truth tables are satisfied by the A and B inputs. Legend has it that if the user can make all LEDs light up at the same time, the current simulation that we are living in will be replaced with another, slightly different simulation. Another legend has it that this has already happened multiple times. A further legend refutes both previous legends as the ramblings of a madman.

Product Specifications
Depth: 35mm
Width: 6HP
12V draw: 11mA
-12V draw: 7mA
5V draw: 0mA
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Frequency Central Turn! Turn! Fixed Voltage Sources Module
Cat: 800470 Rel: 13 Nov 20
 
Fixed voltage sources module
Notes: Fixed voltage source with BIG KNOBS and multiple voltage ranges.

Fixed voltage sources are not a new idea in modular, but we hope that Turn! Turn! brings a new twist to the concept. Turn! Turn! features two independent fixed voltage sources with a useful range of features.

Turn! Turn! grew out of a conversation with Steve Levine - when a producer of such note makes a suggestion you have to listen - and act on it. Steve suggested that it would be useful to have a fixed voltage source under the control of a big knob, and the ability to go from as little as 1V over the entire range of the knob. Hence subtle, incremental changes are possible.

The final feature set includes a voltage selection switch as well as a unipolar/bipolar switch. Both normal and inverted outputs are included. The following ranges are available from Turn! Turn! depending on switch positions:
0V to 1V
0V to 2.5V
0V to 5V
-1V to 1V
-2.5V to 2.5V
-5V to 5V

Depth: 29mm

Width: 8HP

12V draw: 9mA

-12V draw: 9mA

5V draw: 0mA
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quote 800470
Happy Nerding FM AID Through-Zero Linear Frequency Modulator Module (silver)
Cat: 795454 Rel: 11 Nov 20
 
Frequency modulator module
Notes: Clever FM module that does digital-style through-zero FM using analogue circuits. Use any signals from other modules as your carrier and modulator, then phase modulate or wavefold in the FM Aid.

Supplier's Notes:
FM AID is a module designed to perform through-zero linear Frequency Modulation (FM) in the analog modular world. Any arbitrary signals can be used as a Carrier and Modulator. The module copies FM in how it is done in digital implementation, but in a completely analog circuit free of digital aliasing artifacts. Digital or software FM oscillators are mainly based on a ramp waveform which is then shaped to other waveforms. This is also represented in the FM AID module: sawtooth signal is expected on the Carrier input to give the indicated sine, triangle, sawtooth and square waveforms on the respective outputs. However the user is not limited to only use sawtooth for the Carrier and any other signal can be plugged giving many complex waveforms at the outputs.

All known FM tricks from digital implementation are also applied - you can endlessly experiment with the Carrier/Modulator frequency ratios, Modulation index (FM knob), Modulator's amplitude shaping (CV knob), feedback FM (output is fed back to the Modulator's input) and many other.
Carrier input has normalled connection to the Modulator's input. This internal routing is disconnected each time a plug is inserted in the Modulator's input. That is a handy option which allows the module to be used with only one signal source - this single signal will act as Carrier and Modulator at the same time. There won't be any frequency differences between Carrier and Modulator in this case, but many interesting wave folding sounds will be available anyway.

Technically speaking FM AID uses Phase Modulation, not Frequency Modulation. The sonic difference is that the produces sound is brighter.

SPECIFICATIONS

Carrier input level: -5V ... + 5V (can also accept inputs ranging from -1V ... +1V] to [-12V ...+12V] / [-15V ...+15V] using onboard trimmer)

Modulator input level: preferably -5V ... + 5V

CV input level: preferably -5V ... + 5V

outputs level: -5V ... + 5V

outputs impedance: 1 kOhm

module depth: 3 cm or 1,5 inches

power consumption: +45 /-45 mA at +/-12 Vdc, +50 /-50 mA at +/-15 Vdc
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quote 795454
Happy Nerding MMM VCF Moog Multi Mode Voltage Controlled Filter Module (black faceplate)
Cat: 799335 Rel: 11 Nov 20
 
Voltage controlled filter module
Notes: MMM VCMMM VCFF (M**g Multi Mode Voltage Controlled Filter) is a dual VCF having common controls for both parts. Thus it can be used as a stereo filter, or patched with different combinations of the available inputs/outputs. And all this functionality is packed in the compact 8 hp wide module.

MMM VCF has the famous transistor ladder core introduced by Bob Moog, but also features the added Band Pass and Low Pass modes, not available in the original design. Those extra modes are greatly widen the possible spectral modification of the input sound.

The module was carefully designed to have vanishingly small noise and bleed.

SPECIFICATIONS

FREQ: 20 Hz - 22 kHz - manual frequency range

RES: 35 Hz - 22 kHz - self oscillation range

FM: 0 - 7,5 V will modulate the whole hearing range at max settings

LP: 24 db/oct Low Pass output

BP: 12 db/oct Band Pass output

HP: 12 db/oct High Pass output

outputs impedance: 1 kOhm

module depth: 4 cm

width: 8 HP

power consumption: +42 mA / -40 mA at +/-12 Vdc
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Hungry Robot Output Module Desktop Module
Cat: 780994 Rel: 23 Nov 20
 
Output module
Notes: The Hungry Robot Output Module allows users to interface your modular system with headphones, speakers, and recording interfaces. It uses a high quality amplifier circuit to boost the signal to the level you need. It accepts both mono and stereo signals. Plug in you inputs and output however you need, internal switching will automatically route the signal to where it needs to be based on what you have plugged in. As with all Hungry Robot "Modular Boxes" the Output Module can be powered with a simple 9V DC, Negative Center power supply.

KNOB
-VOLUME: Controls the overall volume of the output. Adjust to taste.

PATCH POINTS
-IN(L/MONO): Left input. Use this if you are running mono and want it split into stereo.
-IN(R): Right Input
-OUT(L/STEREO): Left output. Use this for stereo situations (TRS/Headphones)
-OUT(R): Right Output

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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quote 780994
IO Instruments EUPORIE Four Pole Low Pass VCF Module With Moog & Sallen & Key Resonance
Cat: 795933 Rel: 10 Nov 20
 
VCF/filter synth module
Notes: Four Pole LOWPASS VCF with Moog and Sallen&Key Resonance

Powerful Sound from sweet to overdriven with lot of character

Simultan 24dB, 12dB & 6 dB Filter Outs

12dB State Variable Highpass Input Switch (150Hz)

Linear Resonance Distortion and Input Gain Stage

Make up Gain (Bass Boost) for Moog Style Resonance

Linear FM Input for audio Rate modulation and resonance CV IN

Keytracking In with 1V/Oct and Attenuator

Two exponential INs with Attenuators and CV THRU Outs

Width: 12 HP
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IO Instruments HIMALIA Quad Noise Generator Module
Cat: 795932 Rel: 10 Nov 20
 
Flexible noise generator module
Notes: PENTA SOUND SOURCE

ANALOG NOISE from RED, WHITE to BLUE NOISE

DIGITAL NOISE with RATE and S/H OUT

SQUARE WAVE from DIGITAL NOISE

32 TRANSIENT SAMPLES with 8bit mode for craziness

SAMPLEs with 16 RATCHED variations and wide TUNE range

6 VOICE SQUARE WAVE mix with wide TUNE range

32 combinations for CHORDS, DRONES and UNISON sounds

Analog Mixing and Filtering for SQUARE mix OUT

7 CV INs and 1 GATE IN

Width: 16 HP
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