Back in stock: House

Review: Toy Tonics is a real favourite here at Juno - their house is always fresh, never cheap and often with an authentic link to the past. Next up they have London's Cody Currie serving up his debut long player. Lucas is a nice broad work that opens with some of the broken beat the UK capital is so well known for before progressing through loose house funk on 'Money,' percussive and soulful vibes like 'Red Hot' and steamy slow jams in the form of 'That Stick.' And that's just the first side of the first record with three more to come that are just as good.

Review: Francis K remains a legend to this day and his music will always be well received whenever it is reissued. It was pioneering tackle back then and it remains a cut above the rest to this day. Here his FK EP is in the spotlight on Wave Music. It opens with the rapturous vocals of 'Hypnodelic' (feat Freddie Turner) before going for jacked up space beats on 'Mindspeak.' 'Edge Of Time' is a freaky tribal number for the dead of night with plenty of cosmic chords, and last of all 'Moov' explores deep house beats with new age melodies. Hard to categorise, easy to love, this is classic electronic music.

Review: House music's ability to make you feel good is part of its appeal, and artists like New Jersey majesty Josh Milan of Blaze fame, and London broken beat astro Kaidi Tatham sure know that. They link here with Patrick Gibin for an EP that brims with summer time soul, joyous keys and funky bass riffs that are impossibly sweet. Jazz funk, house and boogie all colour the tracks here with "Don't Be Rude" brining the cosmic vibes and "Groove On" making you want to move for days with its killer b-line and disco energy. Gorgeous stuff, for sure.

Review: If you dig deep house - hell, electronic music full stop - then you should be rather excited by the arrival of Cerebral Hemispheres, the first Mr Fingers album for 26 years, and the first of any kind by Larry Heard since 2003. As you'd expect, the album is exceptionally good, with Heard's famous musicality and fluid keys-work coming to the fore throughout. While rooted in melodious, huggable deep house, Heard naturally uses the opportunity to veer off in the myriad of different directions, touching on jazz, dub, downtempo grooves, soul, samba, tech-soul, deep acid house and much more besides. It has the feel of a genuine future classic and could well be his strongest album to date. Given his track record, that's a bold claim, but Cerebral Hemispheres really is that good.

Review: Life & Death's next ambitious undertaking is courtesy of label chief DJ Tennis who teams up with Israeli indie-dance duo Red Axes. They were first introduced to each other by Superpitcher & Rebolledo (The Pachanga Boys) at a festival in Corsica - and the rest is history. Recorded on top of a decadent old shopping mall in the middle of Tel Aviv, the trio are said to have combined their "love of psy and Mediterranean influences" over a scheduled week of recording sessions together. The result is Redrago, a collection of tripped-out dancefloor oddities that take in everything from lo-slung punk funk ("Rave 'N' Roll), heady and (acid) bass-driven dancefloor narratives that cross over into vintage pop ("Il Veliero"), deep kosmiche ("Plastelina") and deep and tunnelling techno as heard on the epic "Ventilo".

Review: It's been a while since we last heard from former Ubiquity Records modern soul starlet Jeremy Ellis. Despite his mid-2000s success, the man with the golden tonsils has been off the radar since 2010. He's sounding as smooth and soulful as ever on this surprise return to action, lending his impeccable tones to a chunk of lilting deep house from Sandman and Riverside. Kai Alice handles remix duties on the A-side, delivering a tactile chunk of heavily electronic deep house with fluid chords and extended solos aplenty. That musical fluidity comes to the fore on the flipside KZREKchampa Club Dub, which peppers a shuffling, glassy-eyed groove with selected snippets of Ellis's brilliant vocal.

Review: Neapolitan Soul's fourth EP brims with soulful house stylings that are effortlessly timeless. Also inspired by deep and afro influences, 'The Heart Knows' comes as four different and equally brilliant versions. The original is soulful house with nice deep drive and a great vocal filled with passion and meaning. After the more stripped back instrumental is a typically chunky, percussive, meditative Trinidadian Deep Naples Bush mix that works the keys, then Neapolitan Soul & Luciano Gioia link up for a final deep mix that is superbly smooth, with warming bass and lush hits all making for a silky groove.

Review: As his pseudonym makes clear, Sudi Wachspress has long been an exponent of ultra-deep, intergalactic - and increasingly retro-futurist - deep house. He continues this trend on his latest album, which sees him pop up on Canadian imprint Pacific Rhythm for the very first time. After opening with some superb, deep space ambient ('Virtual Age'), he pays tribute to the tactile, turn-of-the-90s New Jersey deep house of Dream 2 Science ('Inner Focus'), before flitting between new age ambient warmth ('Save Point', 'New Day'), sunrise-ready ambient house ('Sounds of Peace'), piano-sporting Italian dream house revivalism (the utterly gorgeous 'Time Station'), drifting electronica ('Heal') and loved-up street soul beats ('Private Paradise').