E Man Boogie '83 (Jimmy Castor/Gerry Thomas 12" mix)
Review: Larry Levan remix - v.e.r.y. r.a.r.e.! 12" Import pressing of the extremely rare Larry Levan remix of 'It's Just Begun'.
On the flip is the original Jimmy Castor/Gerry Thomas 12" mix 'E Man Boogie 83'. We found these Salsoul 12"s in
a warehouse and have hardly any, once they are gone - they. are. gone.
Review: Gospel/funk fusionists the Como Mamas debuted on Daptone back in 2013 with Get An Understanding, a fine full-length that perfectly showcased the female trio's talents. While that set was recorded live at Mt Merrion Church some years earlier, this fine follow-up is a studio set with Daptone chief Bosco Mann in the producer's chair. Unsurprisingly, it's deliciously authentic, sounding like a long lost 1970s, private press gospel-soul album. It's packed with highlights, from the bluesy shuffle of "He's Calling Me" and rhythm and blues bounce of "He's Mine", to the acapella brilliance of "Glory Glory Hallelujah", where the trio's brilliant vocals and a lone drumbeat combine to create an intoxicating mood.
Family Of Eve - "I Wanna Be Loved By You" (Kenny Dope edit) (5:26)
Total Experience - "Contradiction" (3:56)
Joe Washington - "Blueberry Hill" (3:25)
Ronnie Keaton - "Going Down For The Last Time" (2:54)
The Fabulous Originals - "It Ain't Fun" (re-edit) (3:52)
Sons Of The Kingdom - "Modernization" (5:02)
Ramsey & Company - "Love Call" (4:26)
Rickey Calloway - "Tell Me" (2:47)
The Golden Toadstools - "Silly Savage" (2:19)
Sandi & Matues - "The World" (2:26)
Carleen & The Groovers - "Can We Rap" (2:14)
Review: Like deep funk? Then you'd surely know of the legendary Keb Darge: the Scottish DJ who invented the term. Known as a leading authority on funk and soul music of the 1960s and beyond, he went from modest beginnings in Wigan, before moving to London in the '70s, bringing the sounds of Northern Soul to punters in the capital. Namely His 'Legendary Deep Funk' night at Soho's seminal strip club turned music venue Madame Jojo's. Following up his last compilation put together with Paul Weller; 2009's Lost & Found (Real R'N'B & Soul) LP, Darge presents hits from the 'Deep Funk' series to celebrate BBE's 20th year. Diggers will most certainly appreciate appearances on here such as Soul Drifter's "Funky Brother", Kenny Dope's edit of Family Of Eve's much sampled "I Wanna Be Loved By You", Joe Washington's "Blueberry Hill" and the classic "Love Call" by Ramsay and Company amongst many others.
Review: There's no denying that Quem E Quem is arguably the standout album by Joao Donato, a star of Brasil's MPB (short for "musica populera brasileira") scene who continues to record to this day. The album is naturally heavily influenced by American soul and jazz-funk, but has an altogether more pastoral tone, with Donato's dewy-eyed, heart-felt vocals coming gift-wrapped in gentle samba and bossanova melodies, Pat Metheny style guitar solos, breeze-fresh flute solos and jaunty pianos. It's a blend that results in a superb mixture of up-tempo cuts and more reflective songs, all of which are as delightful as slowly watching the sun set somewhere hot and sunny.
Review: Afro disco fresh from 79: Eko Roosevelt Louis's third album Funky Disco Music will go down as one of Cameroon's finest disco LPs. Produced and pressed by French label Dragon Phenix, it's still reasonably easy to track down, too. For a taster, grab three of its tropical charms on this Fly By Night repress: "Funky Disco Music" is an infectious vocal-led cut that's written solely to make people get down, "Ndolo Embe Mulema" struts with much more Afro rock fusion while the harmonies of "Bowa'a Mba Ngebe" are sweeter than the finest honey you've ever tasted. For contemporary kicks Riccio has expertly touched the title track for a modern dancefloor/DJ friendly punch. Perfect.
Review: London's contemporary jazz scene is so strong right now that there's not a week that passes without the release of a killer new album from one of its leading protagonists. The latest comes from Ezra Collective, which finally delivers its' debut album following a string of inspired live performances and a handful of must-have singles. Kicking off with a breezy chunk of hip-hop-jazz, "You Can't Steal My Joy" sees the hyped five-piece confidently bounce between intense, spiraling epics ("Why You Mad?"), reggae-influenced aural sunshine ("Red Whine"), polyrhythmic Afro-jazz ("Quest For Coin"), bespoke soul (Jorja Smith hook-up "Reason In Disguise"), live boom-bap hip-hop (Loyle Carner collaboration "What Am I To Do"), bustling Afro-Cuban jazz ("Chris & Jane"), picturesque piano pieces ("Philosopher II") and much more besides. As debuts go, it's mighty impressive.