Don Covay & The Jefferson Lemon Band - "If There's A Will There's A Way" (3:36)
Harvey Mandel - "Baby Batter" (3:40)
Review: Climactic, psychedelic soul and blues brilliance by Don Covay, co-written by Donny Hathaway and backed by a proto-Balearic sweetmeat on the B, Harvey Mandel's 'Baby Batter'. The A-side was originally released one year after (1972) the B-side (1971) on the American Janus label, and the tracks provide a palpable contrast, drawing on the same idiom yet approaching it with remarkable difference. Covay's lyrics are, thematically, overflowing with determination, despite the psychic conflict at the track's heart. Is there any resolution? "The sweeter you, look, mama... the bitterer you treat me..."
Review: Muireann Bradley is a startling new talent in country and bluegrass from County Donegal in Ireland. I Kept These Old Blues absolutely calls back to a golden age of Americana, but Bradley’s Irish lilt comes through and entwines with her faithful Southern twang to make for an endlessly charming end result. Her playing is pitch-perfect, stripped to the bone finger-picking all the better to savour the songs and the way they’re sung. This is the cassette edition of the 2023 album, which is an ideal format to enjoy these charmingly olde worlde yarns sung the way they ought to be.
Review: Dynamite Cuts have got another red hot bit of funk on their hands here with Brian Auger's Oblivion Express the subject of this reissue of two of his most blissed out sounds. The first is a magic cover of Marvin Gaye's timeless 'Inner City Blues' from his most iconic album, What's Going On. In this outfit's hands the groove becomes a little more deep and languid, with funky guitars and steamy vocals sinking you into a real romantic vibe. The second is an original tune, 'Voices Of Other Times,' that explores more uplifting soul vibes.
Los Chicos Tristes (feat Jensine Benitez - El Michels Affair remix) (2:41)
Review: Ahead of their new album Sonido Cosmico, Hermanos Gutierrez return with a smouldering single which shows off their affinity for wistful guitar soliloquies on a short n' sweet 7". The brothers' sound is rooted in 1950s Latin American rock n roll, all quivering tremolo and languid reverb as a casing for their mesmerising melodies. 'Low Sun' captures that melancholic moment as the day shortens in evocative fashion, making this a record primed for sentimental moments aplenty whether you're playing the record for yourself or an audience of kindred chillers who appreciate Balearic vibes hailing from the Southern Hemisphere.
After While (We Gonna Drink A Little Whiskey) (3:05)
You Sure Look Good To Me (2:44)
Big Three Boogie (2:35)
No More Sweet Potatoes (2:50)
My Love Will Never Die (2:47)
Ebony Rhapsody (3:00)
I Feel Like Steppin' Out (2:57)
Just Can't Let Her Be (2:46)
Lonesome (2:21)
Appetite Blues (2:37)
Evening (2:58)
I'll Be Right Some Day (2:22)
Blue Because Of You (2:29)
Violent Love (2:56)
Review: This is one of a couple of The Big Three Trio albums that are being reissued right now. The threesome in question was a pioneering blues group led by Willie Dixon whose influence shaped Chicago blues in the early years. I Feel Like Steppin' Out captures the trio's smooth harmonies and neat rhythms as well as being united by Dixon's signature bass playing. Blending jump blues, boogie-woogie and early r&b, this one has a lively, feel-good energy and tracks like the title cut are a fine example of the trio's polished yet raw sound which laid the foundation for modern blues and rock. Their sophisticated style and rich vocal harmonies paired with top songwriting would stand them apart today as much as they did back in the 50s.
Review: Long-faced Boston blues trio GA-20 deliver a swampy, bluesy take on Dolly Parton's classic, 'Jolene'. While the original Parton number's lyrics dealt in the instantly-memorable theme of a queen bee stealing the singer's beloved - "just because you can" - the original song could nonetheless be accused of obscuring the melancholic feel of the lyrics, by lending them an uptempo dance backing. GA-20 might be credited with fixing that problem here, stripping things back to a lilting blues plod, convincingly reworked into a vintage, boxy, sepia-toned context.
Review: A new raw, bluesy punk-garage EP from Mick Hampshire - a zoomed-out existential musing on life, dealing in geological process, speck-of-dust sublimes and personal breaking points. Drawing on Hampshire's well-gained experience as the leading member of garage rock four-piece Mickey & The Milkshakes, Mick now goes rogue, dashing the cream shake to the floor, and turning his hand to a mendicant, roughshod, rock-relief style of blues. In 2022, armed only with his Grimshaw semi-acoustic guitar - unamplified - Mick sang and strummed through these four home-recorded, perhaps phone-recorded jams in an unnamed back room. The result is an honest and grievous sound, reaching its exasperated but shoulder-shaking climax on 'When You're In This Mood'.
Review: Greg Jolly's 1981 jam 'It's Getting Sweeter' is the subject of this new tidy reissue on US label Enjoy. It's a real deep funk classic that has a lo-fi feel and vocals full of love and passion from both the male lead and the sweet female backers. The chords and drums are gently persuasive and it's a great way to ease yourself into an evening. This 45rpm is backed with 'Love Is' which picks up the pace and has a more funky and propulsive beat with acrobatic falsettos up top finishing it in style.
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