All genres charts

Notes: The Zomo Flightcase Rane Four Plus NSE Flightcase is custom-made for the Rane FOUR controller. Zomo expands its selection with the stylish NSE (= Night Style Edition) Flightcase, adding a new equipment flightcase to the lineup. In addition to its stylish appearance, the equipment case also impresses with its robust construction.

Thanks to the extra strong, black-painted aluminum profiles and the extra solid ball corners, the Zomo DJ Case offers exceptional durability. The practical internal padding of the Flightcase Rane Four Plus NSE guarantees secure protection for the Rane DJ controller against scratches, defects, or other damage.

The stylish, advanced design in the black NSE (= Night Style Edition) complements the concept of the Zomo Flightcase, not only with incredible professional quality but also in terms of design. The helpful butterfly latches allow for easy opening and locking, ensuring a highly secure hold of the lid. All NSE equipment cases can also be locked with an optional lock.

Cigarette embers, heat, and abrasion cannot harm the Flightcase Rane Four Plus NSE, thanks to the high-quality, laminated 9mm plywood. Designed for the rough stage environment, Zomo equipment flightcases are naturally suitable for road and air travel.

The front strip can be quickly and easily removed, even while your DJ gear remains in the case.

Features Zomo Flightcase Rane Four Plus NSE

High-quality flightcase suitable for the Rane FOUR controller
Provides high protection against shocks, scratches, or external damage
Professional craftsmanship for rugged touring use
Extra stable construction
Classic design in dark black NSE optics
Removable front strip - controller can remain in the flightcase
Useful storage for notebooks
Sturdily crafted interior padding for optimal grip
Convenient ball corners offer reliable protection against shocks and vibrations
Premium butterfly latches for quick closure
Practical handles for easy transport
Detachable lid
Technical Specifications
Compatible devices: 1x Rane FOUR
Retractable shelf for 1x 17-inch notebook integrated
Outer material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 19.3 kg
External dimensions: 873 (width) x 522 (depth) x 218 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: Yes

Notes: XVI-M MIDI Controller, 16 Faders, 16 programmable buttons, 14bit resolution

XVI-M Desktop is a 16 channel desktop MIDI control surface.

Features:

Long throw LED 60mm faders
USB MIDI, MIDI TRS#1 and MIDI TRS#2 outputs
USB Powered (USB C, Cable included). Stand alone adapter available but NOT included
14bit (MIDI Pitchbend) resolution faders. Can be set to any 7 bit CC or NRPN/RPN
Online parameter editor: https://misw.us/editor
Fader output can be routed to USB MIDI, TRS MIDI A or TRS B
3 color programmable button can be momentary, 1 state toggle, 2 state toggle, or 3 state toggle with each state sending a MIDI msg
Durable metal case
Includes:

XVI-M Control Surface
USB C to USB A cable (2m)
1.5m TRS A to MIDI DIN cable

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


A fresh twist on a simple 303-style acid synth, featuring a triangle/sawtooth/square wave VCO, multi-mode resonant filter, simple AD envelope and a VCA which can be overdriven. Excellent value.

Supplier's Notes:
ADDAC started this module with the idea of developing a complex drum source however, somewhere along the process, it was clear how much better it performed as a synth voice and this lucky accident was embraced.

It features a VCO with a [FREQUENCY] and [FINE TUNE] knob plus a dedicated CV Input and Attenuator knob (tunable over 4 octaves).

The VCO waveform output is achieved by selecting either a Triangle or Saw through a switch. the selected waveform can then be mixed/balanced against the square wave. The resulting mix is then sent to the Filter.

The Filter features a [CUTOFF] and [RESO] resonance knob plus a Cutoff CV Input and Attenuverter knob.

A 3 position switch is used to select the filter type: Highpass, Bandpass or Lowpass.

The resulting output is then sent to the VCA.

The VCA features an Input with [INPUT GAIN] knob which at maximum can amplify the incoming signal by a factor of 2.

This is a very important control, it accepts any signal Trigger, Gate or CV. Whatever input is plugged in the signal is then fed through an AD with a very short attack and controllable decay through the [VCA DECAY] knob plus the CV Input and Attenuverter knob. The resulting slewed signal is then used to control the VCA gain.

This signal is also sent to the CV OUTPUT as well as the LED monitor.

The Accent input adds to the Input signal creating a different amplitude output.


The CV OUTPUT is normalled to the Frequency and Cutoff inputs.

Tech Specs:
9HP
4cm deep
80mA +12V
80mA -12V

The [INPUT GAIN] knob

Usually Attack/Decay envelopes have a maximum voltage of +5v, no matter if the input gate is +5v or above the AD will clip at +5v. In this case, this clipping method was not used, and instead ADDAC allowed the incoming voltage to determine the maximum AD voltage, meaning that if a +5v gate is present then the AD maximum voltage will be +5v but if a gate of +10v is sent then the AD maximum voltage will be +10v.
This also means that with higher input voltages the decay, although falling at the same speed, will be longer than with lower voltages as it has a longer range to go back to 0v.

As previously mentioned, The [INPUT GAIN] knob can amplify the incoming input by a factor of 2, allowing to use a standard +5v gate or envelope and being able to make the resultant AD go up to +10v.

The AD signal is responsible for opening the VCA. Up to +5v the VCA will open to unity gain above this value the VCA will start to amplify and eventually saturate and distort. This saturation will add harmonics to the signal which will change its gentle timbrical nature to a more unique and peculiar timbre that will make the module shine in Acid contexts.

Adding high levels of Resonance or even filter self oscillation in combination with high VCA saturation will create even more harmonics that ADDAC highly encourage the user to explore.

Notes: ***B-STOCK: Box opened and product used, product in perfect working order***


A creative new approach to sampling, the first release from Teenage Engineering's EP Series is an evolution of the PO-33 K.O! Pocket Operator. Sample, program, sequence and produce in one comapact, retro box.

Supplier's Notes:
Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Review: Noton Records - an outfit dedicated largely and almost solely to the output of experimental electronic / minimal legend Alva Noto - here presents the full 10" box set version of Infinity, the mammoth set of originally 72 (here just 50) "sound graffities" commissioned to the artist by contemporary art exhibition Documenta X. The aim of Documenta X was to abstract the member of the public from their everyday lifeworld, exposing them instead to bare sonic spaces in which modernist sound fragments were played back, expressly challenging the collective listener's cochlear gaze. None of these pieces amount to full songs on Noto's part; instead they serve as auditory "throw-ups", to borrow from graffiti parlance, mirroring the unconscionable nature of certain visual or aural perceptions - public art works, gradual alterations in the environment, etc. - as we perceive them only intuitively, only in passing, as we submit to the daily bustle of the street. It comes as no surprise that many of these pieces were also played in public spaces outside the white cube, such as airports and public spaces: the tracks squeeze and bend time-space with twinging noisebursts and glitching digital scuzzes; cortically, convexly, chirally inverting the dysthymias of urban life and transience.

Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V

Notes: What does this do?

This is a mini analogue synthesizer that produces snare drum sounds. Inspiration was taken from the 5U Cor Synth DR02 module. Only the flow chart was studied and used to create this BLM product. VCV Rack was also used to simulate and test the building blocks.

Most of the circuits contained in this product are from other blue lantern module designs.

Some of the building blocks:

-2 1V/Octave Triangle Core VCO's
-2 Sine Wave Shapers
-4 Envelope Generator
-White Noise Generator
-High Pass Filter
-Tone Filter
-2 VCA's
-Mixer

The goal of this module was to recreate some of the more exotic electronic snare sounds.

You're not getting another Roland 'TR' module with the Gimme Some Snare Drum. All the building blocks contain full analogue circuitry, like OTA chips, and Op-amps. No vintage transistor based (Bridge T Oscillator) circuits are used in this product.

The best description as to what the kind of snare drum sounds this module can produce is something comparable to:

an Electribe Korg ER-1, Simmons Snare Drum, and the Mattel Synsonics.

Dimensions
16 HP
32 mm deep

Current Draw
107 mA +12V
97 mA -12V

Notes: ***B-STOCK: Box opened, product in perfect working order***


The music-making essentials

Whether you're a beginner producer, an experienced music maker, or anyone in between, unlock your full creative potential with a MIDI controller that breaks down all the barriers between you, your DAW, and your perfect sound.

Find joy in your workflow

Find the right sound faster than ever. Customise your mix in real-time. Finish that track with ease. Music-making shouldn't feel like work; KeyLab Essential removes barriers and puts the joy back into your workflow.

Your DAW, upgraded

Your favourite synth sounds, your DAW transport, and your mixing desk all in one. Enjoy next-level control over your sounds & DAW projects, seamless communication with Analog Lab, and a bundle of pro creative software to supercharge your sound.

Quickly inspire new ideas

KeyLab Essential doesn't just help you play & navigate your projects - it's also built to inspire. Summon catchy melodies, curious rhythms, and moving chord sequences with its array of creative features, and see where it can take your sound.

That quality feeling

You want the feeling of a premium instrument, the flexibility of a top-class controller, and the ease-of-use of a beginner keyboard. KeyLab Essentials sensitive controls, hybrid synth-feel keybed, and smart layout puts it all at your fingertips.

Your keys to creativity
However you choose to make music, KeyLab Essential has all the creative answers - before you've even thought of the questions. This controller fits right into your setup to become an extension of your creative identity.

Control any DAW

Enjoy plug-and-play connectivity and ready-mapped controls with your DAW of choice. KeyLab Essential doesn't just feature familiar MCU & HUI compatibility; it also has custom scripts for major DAWs for next-level integration.

Customize your workflow

KeyLab Essential easily adapts to your creative needs; recall your favourite 'liked' presets from Analog Lab, navigate your custom-made playlists, activate custom User programs for your own control assignments, and more.

At one with Analog Lab

Turn Analog Lab into a hardware synth and get hands-on with your sound thanks to KeyLab Essential's seamlessly mapped controls. Adjust sound parameters, tweak FX, and browse presets without ever needing to touch your computer.

Main Features

Premium Keybed quality:

61-note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls:

1 clickable encoder, 9 rotary encoders, 9 x 30mm faders, 8 transport switches, 4 command switches, 1 modulation wheel & bend wheel, 8 touch & pressure-sensitive pads

Display control:
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls

Smart features:
Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration:
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services:
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center, MIDI 5-pin DIN output for, connection to external instruments, gear, Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows:
Win 10+ (64bit), 4 GB RAM, 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost), 3GB free hard disk space, OpenGL 2.0 compatible GPU, ARM processors not supported on Windows

Apple
Mac OS 11+, 4 GB RAM, 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU, 3GB free hard disk space, OpenGL 2.0 compatible GPU

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box
Box content
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 61 keys
Size : 35 x 9.45 x 2.76 inches (890 x 240 x 70mm)
Weight : 6.8 lbs. (3.08 Kg)

Notes: Pretzel Logic is a 4 bit to 16 step addressable analogue sequencer which outputs gates. Each of it's 16 steps can be addressed in any order for ultimate creative flexibility. It pairs nicely with Polygraf, High Towers and Akropoli; together they make a powerful combination.

It features 4 address inputs, 1, 2, 4 and 8, each of which has an associated input socket as well as a 3 position state switch which allows each address input to be held high, respond to input signals, or held low. Each input has two status LEDs. The red LED displays the signal present at the input socket, while the green LED displays the status of the address input. The combination of signals present at the input sockets, together with the positions of the state switches allows Pretzel Logic to have 16 different output states, numbered from 0 through to 15. The output state of Pretzel Logic can be ascertained by observing which of the 4 address inputs are high. So, for example:

- If no green status LEDs are on, Pretzel Logic is in output state 0

- If green status LED 4 is on, Pretzel Logic is in output state 4

- If green status LEDs 1, 2 and 4 are on, Pretzel Logic is in output state 7

- If green status LEDs 2 and 8 are on, Pretzel Logic is in output state 10

The input sockets may be addressed by various external modules, for example:

- FC Pocket Calculator, FC High Towers, or similar clock dividers with multiple outputs from other manufacturers.

- FC Polygraf or similar grid editors from other manufacturers.

- FC Little Melody, Akropoli or similar.

As Polygraf is capable of storing many user patterns which themselves are selectable by CV, multiple chained patterns are possible. Furthermore, we accept that users will discover their own unique combinations of FC and third party modules to address Pretzel Logic, always bearing in mind that at any time the status of any of the 4 input sockets may be overridden by the 4 state switches. Pretzel Logic may be latched manually via the Latch toggle switch, or externally via the Latch input. When Pretzel Logic is latched, the last output state to go high is held until Pretzel Logic is unlatched.

Notes: The iconic T50 headphone gets a major update, featuring a redesigned take on Fostex's Regular Phase flat-diaphragm driver. Superb sound, excellent comfort. A modern classic goes to the next level.

Supplier's Notes:
The T50RPmk4 is a brand-new headphone developed by Fostex, equipped with a completely redesigned RP planar magnetic driver. Since having debuted in 1974 as part of the T50, Fostex's first ever headphones, the renowned RP driver has been featured in numerous different headphone models throughout the years.

These headphones have been regarded as firstrate monitoring headphones by musicians and sound engineers all over the world. Audiophiles have also sought RP series headphones for their fantastic versatility and unparalleled value-to-performance.

Featuring a new 4th generation RP driver as well as an updated, improved housing design, listeners of all backgrounds can enjoy the increasingly-refined new generation of RP headphones from Fostex.

Specifications

Type: Semi-open
Driver: RP planar magnetic
Impedance: 28 ohm
Sensitivity: 97 dB/mW Max Input: 3,000 mW Freq. response: 10 - 40,000 Hz
Weight: Approx.330 g (excluding cable)
Unbalanced cable : F3.5 mm (4-pole) to F3.5 mm (3-pole) 2 m x 1
Includes conversion connector (F3.5 to F6.3 x 1)

Notes: The MCO MK II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP.

It offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.

Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.

Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.

The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.

A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.

Notes: 50th Anniversary Limited Edition

Hand-built in the USA - only 1,974 units will be made!

3 Overdrives in One

Switch between vintage-authentic SILICON clipping, Ge/ASYM Germanium asymmetrical clipping, or LIFT for no diode clipping for either clean boost use or op-amp rail clipping at higher levels.

Mod-Friendly Components

Equipped with a socketed LM741 op-amp and through-hole components for easier modding just as the original 250 were known for.

For Players and Collectors Alike

Whether you're hitting the stage or simply celebrating a history-making overdrive pedal, you won't be disappointed.

The Overdrive Preamp 250 - 50th Anniversary Edition pedal celebrates the introduction of the original 250 pedal in 1974. Widely considered to be one of the most influential overdrive pedals, the original 250 helped shape the sound of rock and metal in the late '70s and early '80s. The Overdrive Preamp 250 - 50th Anniversary Edition pedal is hand-built in the USA using the authentic design of the original pedal, while adding two extra modes for modern sonic versatility.

The Overdrive Preamp 250 - 50th Anniversary Edition is actually three overdrive pedals in one. Set it to Silicon mode for a faithful reproduction of the original 250's bite and grind, courtesy of an authentic LM741 op-amp. Select Ge/ASYM mode to engage a Germanium diode for asymmetrical even-order clipping that provides a distinct tonal character with incredible touch response. Or switch to Lift mode to remove diode clipping completely from the signal path, for use as a clean boost and preamp.

Complete with a commemorative 50th Anniversary badge, custom artwork and colour-matched LED, and a 50th Anniversary pedal topper, the Overdrive Preamp 250 - 50th Anniversary Edition pedal is ideal for players and collectors alike.

What's in the box

1 x DOD Overdrive Preamp 250 - 50th Anniversary Edition
1 x 50th Anniversary Pedal Topper w/Hex Wrench
1 x Serialized Certificate of Authenticity
4 x Stickers
4 x Guitar Picks
Full-colour owner's Manual


General Specifications

Dimensions: 4.68" (11.88cm) x 2.63" (6.68cm) x 2.25" (5.71cm) / (L x W x H) - (Jack W = 2.92" (7.41cm))
Weight: 0.60 lbs. (272g)
Input: 1/4" Instrument Phone Jack
Input Impedance: >300kO typical
Output: 1/4" Instrument Phone Jack
Output Impedance: 9.1kO - 27.5kO (based on Level control position)
Gain: +9.5 dB to +46.7 dB
Power Input: 2.1mm DC Barrel Jack, centre (tip) negative
Chassis: Aluminium
Power Supply: 9V Alkaline Battery, DigiTech PS0913DC Power Supply, Other well-regulated 9V centre (tip) negative supply +18V tolerant
Consumption: 7mA typical
Warranty:1 year

External dimensions

Dimensions: 6.94" (17.62cm) x 3.38" (8.58cm) x 2.88" (7.31cm) (L x W x H)
Weight: 0.87 lbs. (367g)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Introducing Catacombs - a pedal that eliminates the compromise altogether. It packs 11 of the most popular delay and reverb sounds into one intuitive, powerful package. Whether you're after a trusty digital delay and a plate reverb or a musical shimmer and a spaced out echo - Wampler have you covered!

The team at Wampler have worked for a long time on ensuring Catacombs will become an indispensable part of your rig. You can run one of six delay and one of five reverb programs together simultaneously. Each program offers tap-tempo control and can be saved into one of the pedal's eight onboard preset locations for instant recall. Delays and reverbs can be run in Mono, Stereo, in parallel or in series. It's like having a studio's worth of delay and reverb effects right at your feet.

But it doesn't end there - the pedal also comes with a complete software version as a plugin for your DAW in AAX, AU, and VST3 format for both Mac and PC. The Catacombs plugin is FREE to all customers that register their Warranty online (plugin suite is $49.99 if purchased separately).

Legendary Delays

With six delay programs, you can feel the warmth and depth of analogue delays (ANLG), the harmonic nuances of a Bucket Brigade Device delay (BBD), or the nostalgic modulated vibe of classic artisanal tape and mechanical delays (TAPE). Feeling adventurous? The other-worldly Echo-Space Delay (SPC) awaits. The favourite Wampler Faux Tape Echo (FTE) and an accurate recreation of the classic 2290 digital delay (DIGI) also feature.

Iconic Reverbs

The Catacombs houses five finely tuned reverb programs. With just a twist of a knob, you'll discover expansive halls (HALL), a warm vintage plate (PLT), and that classic spring reverb (SPR) with plenty of "drip." The shimmer reverb (SHMR) allows a whole new layer of sonic texture, especially when paired with an expression pedal, and the intimate ambiance of the ROOM setting creates that perfect studio reverb.

Stompbox-like Control

Like the Terraform and Metaverse before it, the Catacombs is designed to be as quick to dial in as possible. Wampler replaced confusing menus and fiddly touch screens with clearly marked knobs you can adjust on the fly. Controls for Time, Feedback, Modulation, and Level (with Alt functions for each effect type) put all the essential tools right at your fingertips. Each setting offers tap-tempo control and can be easily saved into one of the pedal's eight front panel preset locations for instant recall. It's like having a studio's worth of delay effects right at your feet.

Digital Power with an Analogue Soul

The Catacombs uses a high-performance DSP engine to bring each effect to life with authentic character and gives you eight front panel preset locations where you can save and instantly recall your favourite settings. If you're looking to expand even further, you can access up to 128 presets with full MIDI control, it has configurable mono and stereo routing, a parallel or series switch, and an assignable expression pedal input to control any parameter (or multiple parameters).

Notes: Chorda by Artiphon is a versatile, all-in-one musical instrument that combines the features of a guitar, piano, drums, and synthesizer - making it easy for anyone to create a wide variety of music. It's user-friendly, offering over 100 different sounds and touch-sensitive pads for expressive playing, ideal for both music enthusiasts and beginners.

An instrument built for you.

Chorda is the all-in-one instrument that adapts to the way you play. Whether you strum it like a guitar, play it flat like a piano, or hold it over your shoulder like a violin, Chorda will adjust to your style, making it the perfect instrument for both music enthusiasts and beginners alike.

Play every part of the song.

With Chorda's built-in synthesizer, you can easily create full songs by switching between the four instrument parts (Drum, Bass, Chord, and Lead) directly on the device. Each mode has unique capabilities, with hundreds of sounds to choose from.

Loop and layer.

Chorda's built-in looper lets you record and layer the four instrument parts, creating songs in seconds. Start with a drum beat, add a groovy bass line, throw in some angelic chords, and improvise a solo with a lead melody for as long as you want.

Adapts to the way you play.

Play Chorda like a guitar, flat like a piano, or hold it over your shoulder like a violin -- Whatever your style may be, Chorda will adjust to you.

Go beyond the touchscreen.

Use Chorda as a Bluetooth MIDI Polyphonic Expression (MPE) controller to take your production to new heights. Controlling your favourite music apps and software like Ableton, Garageband, Logic Pro, and more. You can even use MIDI to control your hardware instruments.

Smart playing modes

Chorda boasts a Strumable smart bridge, built-in arpeggiator, snap-to-grid and groove quantization, traditional set keys, an array of customizable settings, and effects to take your musical production to new heights!

Choose from hundreds of sounds.

Change sounds with the Artiphon Connect companion app. The app offers a diverse selection of over 100 sounds, drawing inspiration from various genres like Hip-Hop, EDM, Rock, and even traditional instruments such as violins and horns.

Or sample your own.

Create your own sounds and instruments with audio sampling in the app. Load them into Chorda, and it automatically adjusts to your chosen scale, allowing you to craft the perfect song with your own unique sounds.

On-the-go playing.

With Chorda's built-in speaker, onboard sounds, headphone jack, and rechargeable battery you can play anywhere creativity strikes.

Tech Specs

What's in the box?

Chorda
USB Cable
Quickstart Guide

Dimensions
440 mm (W) x 59mm (D) x 29mm (H)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out

Features

Multi-coloured LEDs
12 capacitive sense/ touch-sensitive pads
Built-in accelerometer
Built-in Gyroscope
Embedded Haptic feedback
Smart-strum bridge with 6 triggers
(A) menu button
Power + volume button
Built-in battery (up to 5 hours of battery life)
MIDI Polyphonic Expression (MPE) Support

Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI

Speaker System
3W built-in active speaker system

Compatibility
iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)

Notes: The MOP-D10 is a multi-output power source that was developed by EHX engineers to provide a player with noise-free pedal operation. It features ten isolated 9VDC outputs that handle the most popular power requirements: 4x100mA, 2x250mA, 2x300mA and 2x400mA.

From its premium analogue power path featuring low-noise linear regulators to its custom-wound toroidal transformer, the MOP-D10 is designed to let a pedal user achieve a sonically pure signal path. Unlike many other multi-output power supplies which rely on switching power conversion, the MOP-D10's transformer-based power conversion is significantly less susceptible to spurious noises leaking into the audio path. An AC Voltage Selector Switch also ensures the MOP-D10 can be used with a range of voltages commonly found around the world.

Each of the MOP-D10's outputs is center-negative and all output power jacks are isolated from each other. The dimensions of each output connector are 5.5mm x 2.1mm. The unit is supplied with a 6' detachable power cord and ten 24" long DC power cables equipped with one straight and one right-angle end. It also includes hardware for pedalboard mounting.

Professional pedalboard power solution with ten isolated 9VDC outputs: 4x100mA, 2x250mA, 2x300mA and 2x400mA
Provides a premium analogue power path with low-noise linear regulators
Custom-wound toroidal transformer delivers exceptional isolation and clean power
Relies on transformer-based power conversion which is superior to switching power conversion
AC Voltage Selector Switch allows the MOP-D10 to be used with a range of voltages commonly found around the world
All output power jacks are isolated from each other for noise-free operation
Comes with ten 24" long DC power cables equipped with one straight and one right-angle end
Includes hardware for pedalboard mounting

Specifications

Dimensions (in): 7.87
Year Released: 2021

Notes: Altar is a 3-pole state variable discrete filter.

Its discrete core is a brand new design made of modern discrete transistors. The filter can morph continuously from Bandpass to Lowpass to Highpass via CV.

By changing the input gain the character of the filter can go from very clean and vocal to a more distorted acidic sound.

Technical details

Eurorack 3U module
12HP wide
33.5mm deep (including connector)
Max power consumption: +12V: 37mA | -12V: 32mA | +5V: 0mA

2 inputs, In I with variable gain, In II with fixed gain
1 output, state variable with the Color setting
Voltage controlled Resonance
Voltage controlled Colour

Notes: Really nice melody sequencer module from Flame. Create patterns and then modify them using features like note repeats, transposing options or even the built-in distance sensor.

Supplier's Notes:
"TON" is a 12HP wide Eurorack live sequencer module for creating two note sequences. There are two 1V/octave outputs with GATE/NOTE/VELOCITY. Notes can also be sent via MIDI. Both note tracks are independent of each other and can be used in different octave spreads. In addition to the analog connection, the module has full MIDI functionality. It can be synchronized via analogue clock or via MIDI.

The sequencer is designed as a looper. It plays a pattern of up to four bars in a loop. The notes can be played (or deleted) quantized with two buttons. One button is used for note repeats, another for setting individual events. The pitch is determined by either the potentiometer or the built-in distance sensor. The sensor works in a range of about 1 to 40 cm and is independent of extraneous light. Even bright sunlight does not affect it.

A 1-octave mini-keyboard allows transposing on the fly and setting a scale. Since the module has two CV inputs, it can also be used as a two-channel quantizer or arpeggiator. All settings of the current pattern are simply saved together in a patch. There are 5 banks with 7 seats each (per mini-keyboard) available. This allows up to 35 patterns to be managed. The patches can also be selected via CV or MIDI program change and can be saved and reloaded on the fly.

The pattern can be manipulated during and after the import with eg: gate length, velocity, random, last step, hold, mute, glide, scale and transposition. Both tracks can have different settings. With TRACK-Link, however, parameters can also be applied to both tracks at the same time. This is helpful, for example, with transpositions or duophonic playing.

Dimensions
12 HP
45 mm deep

Current Draw
80 mA +12V

Notes: The next generation of Ableton Live controller from Akai, the APC64 is designed for seamless integration with the software, or as a standalone step sequencer and controller. The 64 velocity sensitive pads handle playing, recording, clip launching, sequencing and much more, while eight assignable touch strips offer extensive hands-on control.

Supplier's notes:

APC64; Next generation Ableton live controller.

Touch the future

Leap into a new world of musical possibility in the studio, on stage, and anywhere creativity leads you with the powerful APC64.

Ableton live controller; with sequencer and touchstrips

The new Akai Professional APC64 is a powerful next-generation Ableton Live controller for studio and live performance.

It features 64 RGB velocity-sensitive pads with poly aftertouch, and 8 fully assignable Touch Strips for instant hands-on control of devices, pitch, modulation, and much more. APC64 also works as a standalone 32-step 8-track Step Sequencer and controller with 3 MIDI ports and 8 CV/Gate outputs to take full control of synths, drum machines, or modular rack devices.

In-depth control of Ableton Live

Enter the matrix

APC64 features a vibrant 8x8 pad matrix of 64 velocity-sensitive RGB pads with poly aftertouch for playing chords, synth leads, Ableton Live's Drum Racks and of course launching Clips in Session View.

Touch the future

Add a whole new level of expression and control to your music production and live performances with 8 fully assignable Touch Strips with RGB LED indicators. Get control of Ableton Live's devices - including Auto Filter, Delay, Reverb, Impulse, Simpler and more - right at your fingertips. Adjust macros, mixer volume, pan, and effects sends as well as writing automation.

Visual feedback and control

APC64 includes a smart colour LED screen with a fast push encoder for real-time visual feedback of your parameters. Move around Ableton Live's devices and mixing environments while keeping track of each parameter on the screen. APC64 also features dedicated transport control with Play, Stop, and Record for capturing your ideas along with 8 Track Mute and Solo buttons for mixing and live performance.

Standalone step sequencing

APC64 features an internal 32-step 8-track Step Sequencer enabling completely DAW-less control of your favourite synths. With 8 CV/Gate outputs and 3 1/8" MIDI ports, you can connect, sequence, and capture your favourite modular racks, keyboards, classic drum machines, and more. Add continuous control and expression using the 8 Touch Strips for a whole new level of performance. Apply additional creative dimensions to MIDI notes using the Probability, Velocity, and Mutate functions for further experimentation.

Powerful production and performance

APC64 facilitates a seamless workflow within Ableton Live; from triggering samples and loops in Ableton Live's Drum Rack, all the way to writing expressive melodies using the Notes, Scale, and Chord modes. Use the onboard Step Sequencer to generate inventive melodic patterns that can be instantly transferred to Ableton Live using the Send To Clip function. Apply swing and quantize to your beats or use APC64 to arm and record vocal tracks directly in Ableton Live sessions.

Ableton drum rack/simpler control

APC64 features a dedicated Drum Mode allowing you to play and record beats, loops, and slices using an Ableton Live Drum Rack or Simpler device. Capture additional inspiration using the 8 Touch Strips to control Ableton Live's FX racks during beat making and performance.

Included software bundle

Ableton Live Lite 11

APC64 Includes Ableton 11 Lite for all your software music production needs in one package to produce, perform, arrange, record, edit, mix and master your music. Live Lite includes sounds, instruments, and sequencing, recording, and arranging capabilities.

Air music instruments/plugins

APC64 Includes a collection of professional plug-in instruments and effects so you can start producing out of the box. Included are the following plugins: TubeSynth, Electric, Ether, Halfspeed, Vocal Tuner, Flavor, and the Sonivox Essential Keyboard Collection.

Custom editor software

Create your own custom layouts with the included desktop software editor for Mac/PC to personalize and store pre-sets for quick recall in standalone.

Key specs

Display
Graphical full colour LCD
Connections: USB-C, 8x 1/8" (3.5 mm) CV/Gate, 2x 1/8" (3.5 mm) MIDI Output, 1x 1/8" (3.5 mm) MIDI Input
Dimensions (width x depth x height): 10.7" x 14.6" x 1.4" 272 x 371 x 34.5 mm
Weight: 3.5 lb/1.6 kg

Notes: DigiTech announces SDRUM Strummable Drums, the first-ever intelligent drum machine for guitarists and bassists. Boasting studio-quality samples and five professional sounding drum kits and BeatScratch technology, SDRUM allows users to create drum patterns by simply strumming strings.

As a player scratches across guitar or bass strings, he or she "teaches" SDRUM a kick/snare pattern that defines a desired beat. Once that pattern is established, SDRUM then enhances and enriches the beat, resulting in a realistic accompanying drum part. From the five different kits, users are able to choose sounds appropriate to a broad variety of musical styles. Via the KICK and SNARE Pads, players can audition the various kits and tap in specific beats, while the GUITAR AUDITION Button enables the user to turn the drum output on or off while strumming.

Up to 36 songs can be stored in SDRUM, and the unit supports three different components - e.g. verse, chorus, bridge - for each that can be switched on in real-time to easily facilitate live performance and aid in composition and creativity. Additionally, JamSync functionality facilitates compatibility with JamMan loopers, further boosting SDRUM's capacity in concert, practice, and studio settings.

The compact SDRUM (5.25" x 3.15" x 2.3") is similar in size to most compact effects units and fits easily on standard pedalboards. A sturdy metal chassis, robust footswitch, and four knobs (GROOVE/KIT, LEVEL, TEMPO, and HAT/RIDES) ensure that SDRUM is stage- and road-ready.

Eliminating the need to sift through libraries of rhythm patterns in search of an appropriate match for individual songs and styles, SDRUM is the fastest way to go from a beat idea to a working drum track.

BeatScratch Technology
JamSync Support
Studio-quality samples
Five drum kits
Verse/Chorus/Bridge parts
Alternate instruments/voicings
External FS3X support
Kick/Snare pads
Controls: Tap Tempo, Verse/, Chorus, Bridge, Song, Groove/Kit, Hats/Rides, Level, Temp, Alt Kit, Alt Hats/Rides, Guitar Audition, Kick Snare, Footswitch
5.25" (L) x 3.15"(W) x 2.3" (H)/ 133mm (L) x 80mm (W) x 58mm (H)
1.12 lb./.51 kg
Power Supply (external - included): PS0913DC-04 (US, JA, EU, AU, UK)
Warranty: 1 Year

Notes: What does this do?

This is a sound generator module with 3 oscillators + noise generator. This module is a complete mini synthesizer that can easily produce snare drum sounds. A 'trigger' signal is patched in order to hit the snare drum. The bottom row contains an internal mixer where you mix in 2 shell generator oscillators, one thud oscillator, and a noise generator.

The Trigger input is level sensitive. Lower voltages will result in quiet snare sounds. You can use this to simulate accent.

The Filter on the 'Impact' signal path was carefully designed just for snare drum tone control. It sounds very nice. It will not self oscillate, but the Q control can go very high in frequency. It has a 12db High pass Filter and a 12db Band Pass Filter. There is CV control for the cutoff and CV control for the internal VCA.

An auxilary audio input has been added to the filter. You can mix external sounds.

The tone of this module is very hollow. It simulates wood like snare sounds.

What this module can not do:
-FM modulation of the internal vco's
-track 1V per octave
-increase the decay legnth of the vco's. 808 like.

This module will always remain in snare land. You can not make it sound like a lead synth. This is a good thing. No menu diving, and the snare is always ready.

History of the design:

The Asteroid Snare drum started out on bread board as a TR 606 snare drum. That design only contains one oscillator, a transistor based noise generator, and a 'clipper' brute vca. It is a nice efficient old design, but it is too simple and boring. I decided to add (2) of the original oscillators, and replaced the noise generator with a digital based noise generator to make sure all production units were alike. The snare drum still was missing fullness, so I designed an addition oscillator called 'thud'. The poor vca from the original design was removing all the additional harmonics, so that was replaced by a OTA based vca, and I added tonal controls to the IMPACT signal, and the THUD signal path.

A 12db analogue filter was recently added in the singal path of the Impact circuit. Audio input was also added, with a static internal HPF on this input. The Aux input will sound metal like by default.

All of this amounts to about 200+ smt parts. Far exceeding the original design.

Dimensions
16 HP
32 mm deep

Current Draw
48 mA +12V
45 mA -12V

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Review: The Black Sabbath Hand Of Doom box set provides the ultimate collection for fans who opt to live in a world where the group never had any other vocalist apart from Ozzy Osbourne. Providing picture disc represses of all eight LPs released during the original frontman's tenure from 1970 to 1978 (2013's reunion album 13 is not included), the collection boasts the self-titled 1970 debut, the same-year follow up Paranoid, as well as the iconic slew of Master Of Reality (1971), Vol 4 (1972), Sabbath Bloody Sabbath (1973), Sabotage (1975), Technical Ecstasy (1976) and Never Say Die! (1978). Limited to 3000 copies (which isn't a large amount when considering how vital Sabbath's early material still is to this day) and complete with a large coloured poster, fan service rarely gets as ideal or essential as Hand Of Doom.

Notes: 48-ohm version of the DT700 Pro X, part of Beyer's iconic DT series of studio headphones. Closed back design for mixing and monitoring, with a revealing, analytical sound.

Supplier's Notes:
Your studio headphones

DT 700 Pro X

Trusted sound meets performance and flexibility

In launching the closed-back DT 700 PRO X, Beyerdynamic are unveiling circumaural studio headphones, which are set to usher in a era for the long-established, Heilbronn-based company. While the classics of the PRO X series are regarded as reference products in professional studios all over the world, the PRO line is suitable for flexible use both in the studio and while on the move. It is all made possible by the STELLAR.45 driver that loudly reproduces the best sound in studio quality without any distortion - with all playback devices.

Professional audio quality

Trusted studio sound meets high performance

The STELLAR.45 sound transducer, developed and produced in Heilbronn, Germany, delivers that proven Beyerdynamic sound at previously unattained levels of studio-headphones-class performance. This is down to the neodymium ring magnet as well as copper-clad high-tech wire. The trade-off between electrical conductivity and the weight of the wire is unique. In combination with the developed three-layer speaker diaphragm featuring integrated damping layer, this has created a highly efficient driver system that performs superbly on all playback devices.

The innovative membrane structure controls the axial motion of the voice coil and ensures that it remains securely positioned in the magnet gap even during high oscillations. Another benefit is vast and natural frequency response. The fast response of the transducer and the detailed transient response, produced by the low coil weight, create a sound that is always reliable and distortion free even at high sound pressure levels.

Flexibility

Wide range of applications on all playback devices

Anytime, anywhere - the wide range of applications offered by the PRO X line unleashes your creativity. Be it on an audio interface, laptop, tablet or mobile phone: Thanks to Beyerdynamic's high-performance STELLAR.45 driver, the PRO X headphones with an impedance of 48 ohms reproduce sound at volume and power to familiar levels of studio quality - on all playback devices. The cable concept is also demonstrably suitable for everyday use: the removable mini-XLR cable can be swapped out as required to be replaced with cables that have different lengths or feature other connectivity options.

Superb wearing comfort

Tailored fit for extra-long sessions

The PRO X line also embodies what these professional headphones have always been synonymous with: maximum wearing comfort. The robust spring steel headband design assures the over-ear headphones provide a secure fit and ensures durability. The supple velour ear pads are soft to the touch, as you would expect, and guarantee superior ventilation. The headband ergonomically adapts to the shape of the wearer's head with the aid of soft memory foam and, like the ear pads, can be replaced if required.

Design & materials

Built to last, featuring a sleek, robust design

Black, minimalist and reduced to the essentials. In a word: PRO. As far as the design of and materials used in the PRO X line are concerned, attention was paid to the resilience of all components: metal headband, GRP components, a robust mini-XLR connector and hard-wearing cable. This means you are geared up on a daily basis for any professional application.

Sustainability

Sustainable headphones - made in Germany

The PRO X line headphones have been designed for daily use in challenging conditions. This is why they are handmade in Germany using premium quality materials. If required, nearly all the headphones' components can be replaced, turning these headphones into an investment that makes sense for every creator.

Technical data

Transmission type: Wired
Earpad material: Velours
Nominal impedance headphones: 48 ohms
Weight headphones without cable: 350 g
Headphone frequency response: 5 - 40,000 Hz
Nominal sound pressure level: 100 dB SPL (1mW/500Hz)
Sound coupling to the ear: Circumaural (around the ear)
Cable & plug: 3 m or 1.8 m straight cable, detachable, with 3-pin mini XLR & stereo jack (3.5 mm & 6.35 adapter)

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Notes: Dizygote is an A-side/B-side digital oscillator with a built-in envelope generator. The A-side builds harmonies with a square waveform and frequency modulation. the b-side distorts a sine waveform with phase modulation.

Inputs:

Trig - button and gate in to trigger oscillator amplitude envelopes
Switch - button and gate in for toggling between the a and b sides
Length - knob and CV in for changing the envelope length
Mod - knob and CV in for changing the phase and fm modulation amounts
Mfreq - knob and CV in for changing the phase and fm modulation frequencies
Freq - knob for setting the oscillator frequency
V/oct - voltage per octave CV for modulating the oscillator frequency

Outputs:

Out L and out R - audio output
Env - CV envelope out

Notes: 8010A

Studio Monitor

The 8010A squeezes true reference performance and extended frequency response into an extremely compact package.

Small size, huge performance

When studio space is limited or you record on the move, the 8010A is your reliable monitoring companion. Don't be fooled by its affordable price tag and modest dimensions, the 8010A is every bit a Genelec pro monitor: uncoloured, accurate and powerful.

Trust is everything

A combination of enclosure, driver and electronic design gives the 8010A extremely neutral characteristics and the ability to adapt to your space via simple rear panel room compensation switches. So whether you're in a bedroom studio, hotel room or OB van, you can always trust what you're hearing.

System Specifications

Frequency Response: 74 Hz - 20 kHz (+/- 2.5 dB)
Low cutoff -6dB: 67 Hz
High cutoff -6dB: 25 kHz
Peak SPL =105 dB

Maximum peak acoustic output per pair on top of console, at 1 m distance with music material.

Short term max SPL =96 dB

Max. short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz, at 1m distance.

Long term max SPL =91 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) @ 1m.

Self-generated noise: =5 dB SPL
Self generated noise level in free field at 1m on axis (A-weighted)

Weight: 1.5 kg (3.3 lb)

Dimensions
Height: 181 mm (7 1/8 in)
Height with Iso-Pod: 195 mm (7 5/8 in)
Width: 121 mm (4 3/4 in)
Depth: 115 mm (4 1/2 in)

Enclosure material: Die cast aluminium

Enclosure type: Reflex port

Drivers:

(Bass)
Driver type: Cone
Diameter: 76 mm (3 in)

(Treble)

Driver type: Metal dome
Diameter: 19 mm (3/4 in)

Harmonic distortion:
70...400 Hz =3 %
> 400 Hz =0.5 %

Amplifiers

8010A bass amplifier: 25 W Class D
8010A treble amplifier: 25 W Class D

Mains voltage: 100-240 VAC 50/60Hz

ISS Active =0.5 W
Idle =5 W
Full output: 30 W

Signal processing section

Connectors
Input: XLR female, 7 kOhm.

Crossover

Bass/Treble: 3000 Hz

Package contains:
1 x 8010A monitor
1 x mains cable 1,8 m
1 x operating manual
1 x IsoPod kit

Notes: Solid Blaze Cabin Trolley

Introducing the first 4-wheel DJ trolley designed for ultimate convenience. The Solid Blaze Cabin Trolley allows DJs and music producers to easily navigate airports, train stations, and more while traveling to gigs. Safely transport essential gear like laptops, mixers, drum samplers, DAW controllers and 12"records with ease.

Made from recycled plastic bottles, this sustainable trolley also features interchangeable wear-and-tear components, including the trolley handle and wheels, for long-lasting performance.

Travel smart and eco-friendly with the new SOLID BLAZE CABIN-TROLLEY, perfectly sized to meet cabin luggage standards of most airlines.

Fits
Pioneer:
DJM-S11
DJM-S7
DJM-S9
DJM-900NXS/SRT
DJS-1000

Alpha Theta:
Euphonia

Ecler:
Warm 4

Akai:
APC 64
MPC Live 2
MPC One +
MPC2000XL
MPC 2000
MPC 2500
MPC 5000

Rane:
Seventy-Two
Seventy

Reloop:
Elite

Allen & Heath:
Xone PX5
Xone DB4
Xone DB2
Xone 92
Xone 62
Xone 43

Headliner LA:
Headliner R4
Headliner R2

Ableton:
Push 3
Push Move

Native Instruments:
Maschine MK3+
Kontrol X1MK3

50 x 12" records

Basics
Fabrics made from 120 0,5 l recycled PET plastic bottles - Global Recycling Standard certified
4 precision 360 (degree) PU spinning wheels (interchangeable)
Outer material crafted from robust and water-repellent RPET 900D Polyester with eco-friendly water-based PU-coating
Main compartment includes two removable dividers, meshpocket under the lid and an internal PVC rain cover
Lining made from RPET TC Polyester
Internal laptop compartment fits up to 13" or 15-17" laptops (stored upright)
Lockable dual PVC-coated YKKr AquaGuardr zippers
One large front pocket with magnetic flap including internal pouches and zippered pockets to organize smaller gear and personal belongings
Extra-sturdy 2-stage trolley handle (interchangeable)
Vertical and horizontal carrying-handles

Specs
Outer dimensions (H/B/T): 55 x 39 x 23 cm / 21.6 x 15.3 x 9 inch
Inner dimensions: 45 x 36 x 15 cm (main compartment) / 17.7 x 14.17 x 5.9

Weight:
4,3 kg / 9.47lbs
Colour: black

Notes: THE SBG-PRO supports mono, stereo, balanced, and unbalanced input and output via 6.35mm jacks with level matching controls with clipping indication. The module features both direct and voltagecontrolled equal power crossfading between wet and dry sources.

Additionally, an expression input, along with the included 'floating ring' cable and conditioned output, ensures safe, voltage-limited CV control of external devices from your modular system.

The module extends its sibling, the original S.B.G, by adding full size stereo balanced jack connections and voltage control focusing more on connectivity with not just pedals but also pro audio equipment including rack effects, 500 Series modules and mixing consoles.

Notes: How It Works

Chaining up an EQ, compressor and overdrive pedal will never give you the same result as SkarBassOne achieves, not by a long shot! The precise filters in SkarBassOne is what gives you the extremely surgical tone and the wide range of possibilities without breaking a sweat!

No matter the settings you will always keep the clean powerful low end with this multiband overdrive and that is a must for bass. Controlling the mids of a bass sound has never been easier! You will get out of the way from other instruments masking frequencies and take up all the space that is ment for you and ONLY you!

It might look simple on the outside, but I assure you the inside is a matrix of years with development. The flexible multiband drive is smooth all the way thru it's range and I promise you it will never ever mess with your low end!

Details

Compression:

One knob FET compressor with fast attack and release. It handles dynamics with ease and creates a solid wall of tone.

Compression LED:

Visual indication of how hard the compressor is working.

Mid:

Mid filter to achieve the surgical studio tone! Create a defined, in the pocket frequency response for the bass to sound massive and to make it sit with other instruments. Your band mates will never beg you to turn down your bass again!

Mix:

Quickly set the tonal balance between low frequencies and high frequencies. Find the sweet spot in any situation.

Footswitch:

On/Off switch for Drive and Tone.
Red channel =Drive and Tone active.
Blue channel = Drive and Tone off.
Compression, Mid and Mix is active on both channels.

Drive:

Set the amount of multiband drive, from gentle push to full on bark!

Tone:

Hi-cut filter to control the high frequencies of the output.

Notes: The ultimate companion for producers on the move - the UDG Ultimate Producer Backpack Trolley. This sleek and versatile backpack is designed to meet the demands of modern music producers and DJs, combining style, functionality, and durability in one package.

The Producer Backpack Trolley is more than just a bag; it's a travel companion designed to make your life easier while maintaining a sleek, professional look. Whether you're a DJ, music producer, or someone who needs a reliable, feature-packed backpack for travel, this is the perfect choice. Elevate your gear transportation experience with the ultimate in style and functionality. Get yours today!

Specifications

Colour: Black, Orange inside
Weight: 4,25 kg / 9.35 lbs
Outer Dimensions (W x H x D): 39.5 x 62.0 x 32.0 cm | 15.5 x 24.4 x 12.6 inch
Inner Dimensions (W x H x D): 35.0 x 45.5 x 15.5 cm | 13.8 x 17.9 x 6.1 inch
Material: Water Resistant Nylon 420D

Protection

Padded MIDI controller compartment
Inseparable wheel cover
Comfortable moisture absorbent shoulder straps
Ergonomic back padding provide exceptional comfort
Integrated with a TSA combination lock
Easy backpack to trolley mechanism

Extras

Multiple external pockets for accessories & smaller gear
Quick access top pocket
Top & side carry handles
Retractable handle with 2-stage trolley system
Smooth rolling in-line wheels with high quality in-line skate bearings

Fits

Main compartment fits up to 18.4" laptop.
Pioneer CDJ-3000, Ecler Warm4, Reloop RMX-95, Roland SPD-SX Pro, Ableton Push 3

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) also features heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 15,80 kg / 34.76 lbs
Outer Dimensions (W x H x D): 84.4 x 51.5 x 24.3 cm | 33.2 x 20.3 x 9.5 inch
Inner Dimensions (W x H x D): 73.8 x 36.2 x 5.5 cm | 29.1 x 14.3 x 2.2 inch
Material: Heavy duty construction of 9 mm thick plywood

Protection:

Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Cable access hole with removable UDG emblem cover
Removable front access panel

Fits

Pioneer DDJ-REV5 controller

Notes: Excellent studio-quality sound in a compact package from this clever PreSonus design. 4.5-inch coaxial drivers deliver point source reproduction, for precise imagine and off-axis response.

Supplier's Notes:
The Eris Pro 4 reference monitors employ a single point-source coaxial design for clear and accurate sound reproduction. This design provides superior phase alignment between components and delivers a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns - unique advantages for Dolby Atmos immersive rooms as well as stereo mix environments.

The Eris Pro 4 also delivers finely detailed transient response, and stunning dynamics that create a natural and less fatiguing listening experience. A 1-inch ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 4.5-inch woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 80 Watts of power allows the Eris Pro 4 to reach down to 55 Hz.

Acoustic tuning controls let you configure the Eris Pro 4 for your room and three-way Acoustic Space tuning can compensate for the effects of speaker placement against a wall or in a corner.

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything. Lastly, provisions for wall and ceiling mounts make it easy to integrate Eris Pro 4 monitors into any stereo or multi-channel system.

Specifications

Series: Erisr
Colour: Black
Country of origin: CN

Electronics

Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 3.4 kHz

Hardware

Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)
Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs:1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 8.50x7.00x5.00 IN
Shipping weight: 9.04 LB
Product depth: 8.6" (21.8 cm)
Product height: 9" (22.9 cm)
Product width: 7.5" (19 cm)

Shipping length: 5.00 IN
Shipping height: 8.50 IN
Shipping width: 7.00 IN

Accessories
Footswitch: N/A

Miscellaneous
Power cable: IEC

Protections:

RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter

Notes: Unearth the Walrus Audio Silt Harmonic Fuzz, a collaborative creation with tube expert Jim Hagerman.

Wielding an internal pre-amp tube, the Silt is a two-in-one fuzz that creates massively rich fuzz tones perfect for chords and rhythmic parts or with the press of a switch, adds uniquely harmonic overtones to the signal before hitting the tube. Crafted specifically for those seeking a harmonically rich fuzz experience, the Silt boasts an analogue circuit with the distinctive warmth of a 12AU7 tube as its drive section, letting you explore a unique and wild sonic landscape.

Main Features:

1. 12AU7 Tube Drive

The Silt's 12AU7 tube section drives the warm, bone-rattling fuzz. We unearthed this sonic fossil to encase your sound in an amber warmth, while still providing the grit, growl, and harmonically complex textures that only a tube-driven fuzz can provide.

2. Harmonic Mode

Harmonic Mode acts as a frequency doubler before the drive section of the pedal. This produces crispy, octave-like sounds, lending a unique edge to your lead tones. Try this with your guitar tone knob rolled off.

3. Contour Control for Precision Tone Sculpting

Refine your fuzz tones with the precision of the Contour control to achieve a wide spectrum of timbres.

Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage, like uncovering layers of sonic strata. Especially helpful when switching between different styles of pickups. Whether you're chasing searing leads or wooley rhythm, the Silt adapts to your style with roaring precision.

4. Designed for Operation at 9v-12v for Plenty of Gain

Supercharge your fuzz experience by operating the Silt anywhere between 9v and 12v. Running the pedal at 12v will give you an extra gain boost, letting you push the primal boundaries of fuzz to deliver the searing tones you've been searching for.

5. True Bypass Circuit

Maintain the integrity of your original tone with the relay bypass circuit. When disengaged, the Silt ensures your signal remains pure, allowing your guitar's natural voice to shine through undisturbed.

Controls:

Volume: Control the output volume level of the pedal.
Tone: Sculpt your output tone with a lowpass/highpass tilt tone control.
Gain: Control the input gain into the fuzz circuit, from subtle, distortion-like crunch to full-throttle fuzz.
Contour: Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage.
Bypass Switch: Enable or disable the effect with the relay bypass switch, preserving your original signal when the Silt is not in use.
Harmonic Switch: Activate or deactivate the frequency doubler circuit before the clipping stages, infusing your sounds with octave-like textures for a unique sonic edge.

Notes: Great value from this intuitive percussion pad, featuring eight touch-sensitive zones and built-in drum and percussion sounds. Hook up kick and hi-hat pedals if you like, or just jam with a pair of sticks and headphones.

Supplier's Notes:
DP-2000 is a digital percussion pad with 8 touch sensitive zones and a huge library of internal sounds.

A USB-to-PC/Mac interface enables integration with a software recording suite as a trigger controller and sound source. Sounds from the flagship DM-8 kit are stored internally, along with additional world percussion instrument samples and the option to add user samples from a USB flash drive. Sounds are assignable to pads and adjusted using the intuitive user interface and control surface, and each pad has a dynamic indicator which varies in brightness to mirror the playing dynamics. Dedicated MIDI in and out connections mean that the DP-2000 can expand a live playing setup or operate from hardware sequencers and other MIDI controllers. In addition to tuning and dynamics control, dual-engine DSP effects can be applied to each sound and tailored to suit each sound. If performance space is very limited, inputs for a hi-hat pedal, kick pad and an additional trigger can turn the DP-2000 into a fully playable super-compact e-drum kit. Add the possibility of music playback from USB flash drive and comprehensive input and output options, the DP-2000 is as much at home as a standalone instrument or as an expansion to an existing drum or percussion kit.

Add hi-hat & kick triggers for a full e-drum kit
USB-C Bluetooth adaptor
USB interface to PC/Mac
Importable WAV files for custom sounds
Power supply: 9Vdc, 500mA (tip-negative) adaptor supplied
Inputs: Aux input, trigger, hi-hat, kick, MIDI 5-pin DIN, USB-C (U-Disk)
Outputs: Headphones (3.5mm), L+R output (6.3mm), MIDI, USB-B (PC/Mac)
Dimensions: 408 x 314 x 62mm
Weight: 2.8kg

In the box

The box for this item contains:

DP-2000 digital percussion pad
DC power adaptor
USB-C Bluetooth adapter

Notes: The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: Really clever stuff here. The Octaves VCO takes an additive approach, layering harmonics on top of a fundamental frequency to create complex tones. Control the six bands via CV to adjust the harmonic content.

Supplier's Notes:
A harsh and funky take of an additive Oscillator.

Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!

You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.

The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!

Features
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.

Specifications
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: Neat little interface module to help pad controllers play nicely with Eurorack. Hook up a device like a Launchpad or APC and jam out rhythms with retriggering options, dynamic control and MIDI sync.

Supplier's Notes:
Triggerpad is a dynamic trigger/gate sequencer in eurorack format on only 6hp. A USB MIDI controller with an 8×8 grid like Launchpad or APC is used to display and edit the patterns (see the list of compatible controllers). The user experience is tailored to live performance and detailed composition: dial in simple rhythms or complex polyrhythms, retrigger at audio rate, create dynamic percussions with velocity triggers or use longer pulses to create steppy modulations.

By using USB MIDI controllers that you might already have and maybe not use anymore, we avoid producing more plastic. Give your old gear a second life!

Dimensions & consumption

Width: 6hp
Depth: 39mm
+12V: 120mA (without USB MIDI controller connected)
-12V: 20mA
5V: 0mA
USB MIDI controllers consume up to 150mA on +12V

Connectivity

8 dynamic trigger/gate outputs (0-10V)
USB MIDI Host
Clock in
Clock out
Reset in
Reset out

Compatibility

Launchpad Pro Mk3
Launchpad X
Launchpad Mini Mk3
Launchpad Mini Mk2
Launchpad Pro
Launchpad Mk2
Launchpad S
APC Mini Mk1
APC Mini Mk2

Review: A beautifully made package that presents Coltrane and his ensemble exploring a softer, more introspective side of jazz. The quartet, featuring McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums, delivers a captivating performance characterised by sublime improvisation and profound musical expression. Across the album's tracks, including classics like 'Say It (Over and Over Again)' and 'It's Easy to Remember,' Coltrane's saxophone weaves intricate melodies with a soul-stirring resonance, Tyner's piano work adds rich harmonies and delicate textures, while Garrison and Jones provide a solid rhythmic foundation that anchors each composition. Ballads shows Coltrane's ability to convey a wide range of emotions through his music, from tender vulnerability to profound introspection. The quartet's impeccable musicianship and intuitive interplay make this album a timeless treasure in the world of jazz..

Notes: Sunset

Classic overdrive sound, x2.

Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. Strymon studied six circuit types found in many truly timeless and iconic overdrive pedals, and put their takes on all six of them into a single two-channel unit.

Overview

Two pedals at once.

Sunset is really two customisable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent "more amp" to heavy saturated fuzz, and all the best places in between.

Holy Grail tone, minus the quest.

We are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. Strymon did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. Strymon applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.

Optimized stacking.

Since the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. When stacking overdrive pedals, some combinations work especially well together. Sunset eliminates the guesswork. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits.

Digital or analogue? Strymon chose both.

Sunset's input features an ultra low noise, discrete, class-A JFET circuit providing up to 20dB of pure analogue gain. With Strymon's hybrid approach you get the best of both analogue and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you'll want to hear.

Channel A overdrive circuits

The Ge overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-midrange frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.

The Texas overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased - perfect for playing the blues or just fattening up your sound with a signature midrange bump.

Channel B overdrive circuits

The 2 stage overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.

The Hard overdrive uses a single-stage hard- clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.

Channel A boost circuit

The Treble type is a treble booster that removes the low frequencies as the Tone knob is turned up - great for tightening up an overdriven amp, or driving another gain pedal that's a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all- around boost.

Channel B boost circuit

The JFET type is a clean boost that subtly

beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. The is a great option when your amp just "needs a little extra."

Ins, Outs, Switches

High impedance mono input
Mono output
Favorite Input to connect an external MiniSwitch to recall a Favorite preset
Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode)
MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations

Audio Quality

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
Premium analog front end and output section
Super high performance SHARC DSP in a compact form factor
32-bit floating point processing

More

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
Strong and lightweight anodized red aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: With the Orbit dBucket Flanger, Strymon have painstakingly recreated every aspect of some of the greatest vintage analog flangers. To go beyond that, they have also added features such as through zero flanging to take you where few have ever ventured before. Their high performance DSP is dedicated entirely to doing one thing and one thing only, delivering the ultimate flanger. Add true bypass, extensive expression pedal control, a favorite preset, super high quality analog front end and output sections, low power consumption and you'll never want to let go of your Orbit.

Features

Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip. Built on the dBucket building blocks developed for our Brigadier delay.

Super low noise, high performance A/D and D/A converters w/ 110dB signal to noise

High performance DSP stuffed into a compact form factor

3 LFO types (log, lin, through zero)

3 Feedback types (positive, negative, pos/neg)

TRUE BYPASS (electromechanical relay switching)

Stereo output

Expression pedal input with selectable control over any knob parameter

Favorite footswitch for saving your favorite setting

Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 200mA - (250mA recommended supply)

Premium analog front end and output section

No-nonsense user interface

Strong and lightweight purple anodized aluminum chassis

Crafted with love in the USA

Notes: The GALACTAVISE is Allpedal's flagship compressor. Built with the musician's needs in mind, it boasts an uncompromisingly sweet compressor circuit with a Mix control for dialling in that perfect balance of compressed tone and clean tone.

The top end can often be make or break with many compressor circuits, so AllPedal also added the ability to adjust just the right amount with the Presence control. Made with the highest quality components for a low noise floor and road-worthy durability.

Let the GALACTAVISE blast your tone into orbit!

GALACTAVISE is the best guitar compressor pedal for musicians seeking to balance their sound's dynamics. As the best compression pedal on the market, it allows guitarists to control their volume levels efficiently, ensuring a consistent sound output. This guitar compression pedal is an essential tool for both studio recording and live performance.

As with all their effect pedals, AllPedal took special care in the GALACTAVISE's aesthetics with its finish, sophisticated artwork and anodized knobs.

GALACTAVISE is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

Notes: The latest EarthQuaker Device actually is the same as the latest Death By Audio device - the TIME SHADOWS II - Subharmonic Multi-Delay Resonator. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind.

With the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality. Place the switch in the middle and enter a whole new realm of pitch warping delays brought to you by a telepathic mind-meld with a 5th dimensional dream being.

All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music.

The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter.

The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats.

The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells.

In addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favourite settings!

With these three unearthly delights, you should have everything you need to break brains and destroy monotony!

Notes: Popple is an 8hp multimode stereo filter based on the Mutable Instruments Ripples V1 filter section. Popple maintains the buttery smoothness of Ripples filter while giving you two separate audio paths. The audio paths share a resonance, control, a frequency cutoff control, resonance CV input, and a v/oct cutoff CV input. Each channel then has it’s own cutoff CV input with attenuverters (which are normalled to a 2.5V signal).

Popple will also self-oscillate at high resonance settings, when coupled with the v/oct CV control, it can also act as a dual sine wave oscillator.