All genres charts

Notes: Instantly create matching harmonies to what you play.

The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It's like having one - or even two - guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX's renowned impeccable tracking and genuine musical tone.

Select your key and the Intelligent Harmony Machines will generate single note, diatonic harmonies* with a huge range of choices that includes both two- and three-part harmonies. Here are your choices:

1: 6th Down
2: Perfect 4th Down
3: 3rd Down
4: 3rd Up
5: Perfect 4th Up
6: Perfect 5th Up
7: 6th Up
8: 7th Up
9: 3rd Up + 5th Up
10: 3rd Up + 7th Up
11: Perfect 5th Up + Octave Up

These sound so cool that EHX have included them as extra options for the multi-harmony parts (selections 9, 10 and 11) to give you even more choices:

9 optional: 4th Down + 3rd Up
10 optional: 3rd Up + 6th Up
11 optional: Octave Down + 5th Up
9 optional: 6th Down + 4th Down
10 optional: 3rd Down + 3rd Up
11 optional: Octave Down + 4th Down
The Intelligent Harmony Machine also performs perfect polyphonic pitch shifts so the pitch shifts you dial up are applied to chords as well as single notes. We've even included a Major/Minor switch so you can select whether 2nds and 3rds will be major or minor. Here are the interval selections that are available:

1: Doubler
2: Perfect 4th Down
3: 3rd Down (minor on major)
4: 3rd Up (minor or major)
5: Perfect 4th Up
6: Perfect 5th Up
7: 2nd Down (minor or major)
8: 2nd Up (minor or major)
9: Octave Down
10: Octave Up
11: Perfect 5th Up + Octave Up

The Intelligent Harmony Machine's Moment Mode lets you instantly change pitch by simply depressing the pedal's footswitch. The pitch shift is engaged as long as you hold down the F/S. There's also an option so you can apply a user-set sweep time between dry and effect. Choose instant pitch changes or control the time it takes for the Intelligent Harmony Machine to sweep up and down between the set interval and the dry signal!

EHX Founder, Mike Matthews said: "We designed the Intelligent Harmony Machine for the player who craves maximum power, but in a minimal footprint. You'll dig its sweet, musical tone and spotless tracking!"

*Diatonic harmony means notes within a specific key that relate to each other.

Compact harmony generating, pitch-shifting powerhouse
Impeccable tracking and superb musical tone
Two distinct modes: Intelligent Harmony and Polyphonic.
Intelligent Harmony Mode generates diatonic harmonies in a set key based on the single notes you play. Key Selector and #/- switches provide access to all 12 keys.
In Polyphonic Override Mode you can play single notes and chords. The IHM's 11-position Interval Selector switch lets you select the harmony.
In Momentary Mode the effect is only active when the footswitch is depressed. Choose from instant shifts or set the time it takes the signal to sweep up and down.
Mix control sets the mix between your dry and shifted signals. Dry output adds signal routing and control options and flexibility
Comes equipped with an EHX 9 Volt power supply, can also run on 9 Volt battery

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 26mA
Year Released: 2021

Notes: Five-channel mixer with mutes, built-in VCA, switchable overdrive and LED level meter. Simple, straightforward, high-quality stuff from AJH.

Supplier's Notes:
The MiniMod Muting Mixer & VCA is a 10HP wide, five channel audio mixer with many useful features. It is available with either a black (Dark Edition), or a silver front panel.

The mixer section has five input channels, and each channel includes a bi-colour tactile LED switch that can instantly mute or un-mute the channel, replicating the oscillator on/off switches on the original Model D synthesiser. This arrangement is more convenient than regular switches as each illuminated switch shows the on/off status of the associated channel and multiple buttons can be pressed at once, making it very useful for live performance.

AJH have also included a four segment LED level meter so that the overall level can be seen at a glance and adjusted to prevent the output from getting too "hot" and causing distortion in other modules further downstream.

It also features a VCA that is integrated into the output section, and this can be switched from linear to exponential response - this allows it to be used as a voltage controlled sub mixer or as a stand alone VCA with five inputs.

Lastly, AJH added a wonderfully soft and warm sounding overdrive circuit that can be switched in to add smooth, tube like distortion. This works in a similar fashion to a master volume guitar amplifier, so the amount of overdrive can be varied widely with different settings of channel and master output levels.

Module Width: 10hp
Module Depth: 26mm (Including power lead)
Current Usage: 55mA Positive, 25mA Negative

Notes: Erica Synths Black Quad VCA2 is a versatile four channel voltage controlled amplifier and mixer module for use in complex modular systems. Each channel has linear/logarithmic response selector and signal level indicator LED. All outputs are sequentially mixed and CV inputs are normalled to each other, so you can use the module in various configurations. If no CV is applied, the Black Quad VCA2 performs as a signal mixer, and the 4th channel is DC coupled for controlling CV sources, as well.

Notes: Little box, big reverb. Specially designed for huge, cavernous echo effects and ideal for infinite tails and frozen sounds, the Blackhole is an exceptionally high quality pedal at a very reasonable price.

Supplier's Notes:
Create haunting echoes, ethereal landscapes and otherworldly ambience with Blackhole, a reverb pedal as big and as mysterious as the cosmos. Blackhole takes you there - beyond the ambience of mere earthly Halls, Rooms, Plates or Springs. Blackhole will take you on a journey from cathedral-type spaces to a universe of out-of-this-world soundscapes.

It includes onboard tone controls, modulation, and infinite reverb settings with mono or stereo operation, MIDI control, preset storing, and most importantly a new compact, easy-to-use interface.

Blackhole features two types of infinite reverb. Infinity mode continuously layers new sound on top of a suspended reverb. Freeze mode holds the effect allowing you to play over the reverb tail. The Freeze Footswitch allows instant access to this feature.

Unlike other reverbs which may offer pre or post modulation, Blackhole features modulation built into the reverb structure itself. It's essentially a big multi-voice chorus, with unique tone-shaping ability. You can utilize extreme settings to smooth out the edges.

Like all Eventide pedals, Blackhole allows you to fine tune every aspect of the effect. With a new, user-friendly, intuitive interface, just about anyone can shoot for the moon and land beyond the stars.

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

80 mA +12V
30 mA -12V
45 mm deep

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Moog SR Series Cases are here to safeguard your Moog Grandmother synthesizer where you need it most and ensure your sound travels far and wide.

Developed with artists for artists

Musicians report the most important performance a case can offer are protection from impact and protection from wateriin that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Complete protection, comfort, and convenience

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Grandmother synthesizer.

Specs

Internal material: Padded plush liner
External materials: Durable abrasion resistant 1680D Cordura, water-resistant. Laminated zippers, reinforced stitching and metal rivets
Handles/straps: (2) Smooth and durable webbed handles (top and side) with reinforced stitching - Removable anti-slip shoulder strap, - Removable air-mesh padded backpack straps

*** Please note: the synthesisers in the pictures are not included, they are shown for demonstration purposes only. ***

Notes: Moog SR Series Cases are here to safeguard your Moog Matriarch synthesizer where you need it most and ensure your sound travels far and wide.

Developed with artists for artists

Musicians report the most important performance a case can offer are protection from impact and protection from wateriin that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Complete protection, comfort, and convenience

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Matriarch synthesizer.

Specifications

Internal material: Padded plush liner
External materials: Durable abrasion resistant 1680D Cordura, water-resistant. Laminated zippers, reinforced stitching and metal rivets
Padding: Semi-rigid ABS, generous foam padding
Handles/straps: (2) Smooth and durable webbed handles (top and side) with reinforced stitching - Removable anti-slip shoulder strap, - Removable air-mesh padded backpack straps

*** Please note: the synthesisers in the pictures are not included, they are shown for demonstration purposes only. ***

Notes: The usual solid MIDI Fighter build quality and LED feedback combine with rotary encoders and push-button options in the Twister. Configure it for your chosen software and get creative.

Supplier's Notes:
The most playable knob controller around.

Each knob doubles as a super powerful button. Turn the encoders to control a parameter in any software and twist their built in buttons to quickly reset the knobs or turn effects on and off. This means each knob is like 3 knobs.

The heart of the Twister are the 16 "Endless Encoders". These are very powerful knobs that don't have a start or ending point. Instead the LED rings show you the position of the knob. This means that the controller and the software are always in sync, even when changing banks, racks or songs on the fly.

The Twister allows for deep customization of every knob across all 4 banks with 5 killer features not found on any other controller. Change LED color, transform an encoder into a DJ filter, enable fine midi control, toggle a parameter on/off, or setup a "shift" knob so pressing a push-encoder activates control of a secondary function

The Midi Fighter twister was designed with producers in mind. We need compact, reliable controllers that are easy to map to our DAW's. The endless encoders respond to the software so everything is always in sync, even when playing back recorded automation.

Combine The Twisters powerful knobs with a DAW template so that every time inspiration strikes, a powerful studio environment is there to support you. This is how the pro's do it - why wouldn't you?

The knobs not only control your typical volume, pan and FX send controls but they also enable a host of quick access to deeper control - only available on the twister. For example, push the encoder to send out a fine resolution range and dial in the exact EQ setting you want. Release and return to normal range control.

You need to be able to react to the dancefloor. Having a dedicated controller is just like being a practiced instrumentalist. Once you have a idea, you can just make it happen as soon the inspiration hits.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!

Notes: Complex gate and CV generator designed as a trigger source and modulation tool. Based around four sine wave LFOs that mix together and interact to create ever-changing patterns.

Supplier's Notes:
In 2009 John Berndt coined and defined the term Relabi in his essay "Relabi": Patterns of Self-Erasing Pulse, these are his own words: "Relabi, Def.: The experience of a palpably coordinated plurality of events that appears to be cyclical but simultaneously suspends identification of a uniform pattern, preventing a resolved sense of pulse. Relabi therefore seems equally pulsed and unpulsed at the same time. It is an experiential gestalt, a quality of experience, greater than the sum of its parts (it forms a sustained unity in experience, albeit of a new kind)."

He also makes the question: "Why would anyone want this Relabi experience? I maintain that much of what is exciting in musical forms involves an interplay between the setting up and denying of pulse expectations."

Inspired by this idea, ADDAC System developed this module that is both a gate/trigger and cv generator that can be freely used to trigger events or act as a complex modulation source. Four Sine LFOs are internally generated, each has controls for gain, frequency and mute(off). These 4 LFOs are then mixed together to generate what Berndt named the "Relabi Wave" this "wave" becomes a complex bipolar CV source. This i5v bipolar "wave" can be monitored on the 2 dedicated leds and is also available at its own Output.

Make sure to check the User's Guide for indepth description, working behaviour and diagrams.

Tech Specs:
10HP
4cm deep
100mA +12V
40mA -12V

Notes: Dual tidal modulator with max, min & mix outs

FranKinksTides is a 18hp dual Tides (based on the Swirls pcb layout) with the max/min circuit from Kinks and some switches for sync, quadrature, pll and fm operation . It can be a double/complex oscillator, a dual function generator or any combination of oscillator, Lfo and Envelope generator with lots of cv control plus some interesting cross-modulation and sync features.

Some improvements in version 1.2:

-Mix output is now buffered, no signal bleeding on single outs.
-Mix pot controls also the balance of the signals sent to the max/min circuit.
-Uni/bi switch now also determines the signal sent to FM1.
-Clock/sync switch has now a center OFF position, no need of plugging a dummy cable in the Clock1 when using Sheeps firmware to avoid ultra fast sound bank changes.
small improvements for DIY:
-Bigger font size on the pcb.
-Parts renumbered for easy DIY.

Original design by Emilie Gillet
Available assembled and DIY (pcb+panel)
+12v
-12v

Notes: 16 trigger ins to play up to 4096 wav files from a micoSD card

Nutella is a eurorack conversion module for the Sparkfun Tsunami Super Wav Trigger.
Features:
-16 trigger in & buttons to play audio files.
-MicroSD card to store up to 4096 wav files in 44.1kHz 16bit.
-32 voices polyphony in mono and 18 in stereo.
-Low latency (8ms typically)
-8 audio outs (modular level)
-Midi in (velocity sensitive, supports MIDI Note-On, Note-Of, Pitch Bend and Program Changes messages, as well as Controller messages for real-time control of sustain, attack and release times and volume.
-Ability to play multiple audio stems in sample-locked sync.
-Can be used as a Wav player and Midi-to-Trigger converter at the same time.
-Trigger ins (and so buttons) can be assigned to various functions (normal, next, previous, random, pause, resume, stop, volume up, volume down, trigger bank up, trigger bank down, synced set, midi bank up, midi bank down)
-Easy configurable by an optional ".ini" file stored in the microSD card, a Tsunami Configurator utility (Windows, Mac and Linux versions available), makes it easy to set options and generate this file.
-Super easy firmware update system via microSD card, no external programmer needed.

30 mA +12V
15 mA -12V
200 mA 5V

Notes: The Mankato Filter is a four-pole lowpass filter with positive and negative outputs at every pole, giving you slopes of 6 dB/oct, 12 dB/oct, 18 dB/oct, and 24 dB/oct simultaneously. The negative slope outputs allow you to use the Mankato as a quadrature sine oscillator with 8 available phases. The Mankato will self-resonate from subaudio to superaudio, and responds to one volt per octave through its unattenuated control inputs. When resonating, the 6dB/oct outputs are slightly hotter than the others and can be driven to lightly saturate at full resonance. The signal inputs are DC coupled, which allows you to use the Mankato as a voltage-controlled slew limiter at very low cutoff frequencies.

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-TIME delay pedal. This boutique pedal features 16 all-new delay effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-TIME pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-TIME leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional infinite-feedback effects. All combined, X-TIME delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-TIME, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Industry-leading integration

AmpliTube X-TIME includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-TIME pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-TIME there's no need for any other gear when it comes to recording guitar. The X-TIME features an USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-TIME pedal and your computer
Full MIDI implementation to map control

From soundcheck to final encore

When it's time to play out, AmpliTube X-TIME holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-TIME will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-VIBE modulation pedal. This boutique pedal features 16 all-new modulation effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-VIBE pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-VIBE leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional hyper-modulation effects. All combined, X-VIBE delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-VIBE, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Ultra-low noise, 24-bit/192kHz converters for class-leading sound quality
5 Hz-24 kHz frequency response to capture the full scope of your guitar's sound
112 dB dynamic range provides whisper-quiet operation at any gain setting
Selectable true or soft bypass for maximum control

Industry-leading integration

AmpliTube X-VIBE includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-VIBE pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-VIBE there's no need for any other gear when it comes to recording guitar. The X-VIBE has a USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-VIBE pedal and your computer
Full MIDI implementation to map control of AmpliTube and/or any compatible DAW

From soundcheck to final encore

When it's time to play out, AmpliTube X-VIBE holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-VIBE will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: The ultimate metal tone? An evolution of the brand's excellent Wurm distortion with the addition of an ultra-fast VCA-based noise gate, ideal for HM-2-inspired chainsaw tones. Heavy.

Supplier's Notes:
Fusing together the powerful evolution of KMA's highly regarded Wurm Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, Guardian of the Wurm is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond.

Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >150 mA max. current draw)

Notes: Part of Sonicware's excellent Liven groovebox series, the XFM is a modern take on classic digital FM sounds, offering a choice of intuitive and quick sounds or logical and deep programming.

Supplier's Notes:
Classic FM sounds, effortlessly merged with FM FUSION.

Using the 4-track sequencer and presets, you can construct an entire song.

Three Fusion FM Engines X-LAB Engine
Merge two FM sounds with a single knob to create a completely new sound.

XFORM Engine
Transform one FM sound into another over a specific period of time.

X-LFO Engine
Continuously transform between two FM sounds using an LFO.

Over 300 Inspiring Preset Sounds
Ready-to-use presets including, leads, keyboards, strings, winds, basses, pads, chords, drums, and sound effects.

Two approaches to FM sound design

Intuitive and Quick
Merge and sculpt FM sounds with a single, intuitive, knob turn.

The X-Lab engine merges two FM sounds by smoothly blending their envelopes, modulation routing, and feedback. The X-Lab algorithm can merge sounds with radically different FM structures and overtones, all without losing the fundamental tuning of the sound. Pitch locking can also be turned off to create brilliant atonal transitions between FM sounds.

Merged sound can then be saved, recalled, and merged with additional FM sounds. This is called merging process FUSION FM.

Logical and Deep

For those who want to dive into the FM Engine, the EDIT mode and included overlay provide full access to the innovative 4-OP XFM engine.

15 knobs and 30 buttons provide quick and intuitive access to all FM parameters.

Explore FM synthesis without the conventional menu diving and head scratching.

4-Track Step Sequencer

Perfect for song production and live performance

Manage lead, bass, rhythm, and more, each on separate tracks.

Sequence up to 64 steps per pattern.

Save up to 128 patterns.

The parameter locking function allows you to record knob changes into your patterns. This automation function can be recorded live, or programmed in step by step.

Sub-divide the tempo down to 32nd notes for higher resolution sequencing.

Sequence longer notes across several steps, AKA Tied Notes.

Specifications:

Size
297mm (W) x 176mm (D) x 48mm (H)
11.7 in (W) x 6.92 in (D) x 1.89 in (H)

Weight:
790g/1.74lb.

Keyboard:
27 keys (with a hold function)

Knob:
15 physical control knobs
Optional LATCH function prevents jumps in value when knob position and parameter values do not match. LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
One physical encoder

Audio output:
Stereo line out (stereo 3.5mm mini jack)
Headphone out (stereo 3.5mm mini jack)
Compatible with Teenage Engineering Pocket Operator2 Series SYNC OUT
Speaker

Audio in:
LINE IN (stereo 3.5mm mini-jack)
Compatible with Teenage Engineering Pocket Operator 2 Series SYNC IN

Interfaces:
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
SYNC IN jack (monaural 3.5mm mini jack)
SYNC OUT jack (monaural 3.5mm mini jack)

Power supply:
9V DC output AC adapter
Current: 1A or greater
Plug Type: EIAJ3 Standard
Inner Diameter: 1.7mm
Outer Diameter: 4.75mm,
Polarity: Center +
Compatible with power supplies designed for the Korg Volca 1 .
6 AA batteries

Synth Engine:
Four FM synth engines, X-LAB, XFORM, X-LFO, and LIBRARY

Voice mode:
6-note polyphonic mode
Mono mode
Legato mode with adjustable glide time
Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-
2, Random, Play Order)

Sweep:
Sweep with adjustable speed, range, and curve

Filter
Low Pass
High Pass
Band Pass
Each track has its own filter envelope.

Effects:
Chorus
Flanger
Send Delay
Insert Delay
Bit Crusher
Reverb
Distortion
Low Pass
High Pass
Isolator

LFO:
Each track has one LFO which can affect both pitch and filter cutoff.
Adjustable LFO Shapes.
Adjustable start time delay for each LFO.

Sound memory:
512 FM sound memory slots (16 x 32 banks)

Sequencer:
4 tracks
Up to 64 steps per pattern
128 patterns
Step length can be set from 1/1 to 1/32
Enter longer notes (Tie)
Track level and pan can be set independently
FX send amount can be set independently for each track
Pattern BPM / Global BPM can be set
Step copy and paste function
Track copy and paste function
Transpose function
Real-time recording
Directly enter notes for each step when sequencer is on or off
Parameter lock function
Random playback function (Playback step size can be set)
Stutter function
Note Trigger probability can be set between 25% and 100%
Pattern chain function
Metronome and pre-count function
Swing function

MIDI:
Notes, control changes, clock input/output
IMPORT/EXPORT of user data
Firmware update via Sysex

Accessories:
FM sound editing overlay
Warranty

The AC adapter is not included.
Please use 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +).
Compatible with power supplies designed for the Korg Volca 1.

Notes: Designed for Frap's CGM Creative Mixer modules, the Masterone takes an input via IDC socket rather than standard Eurorack connections, then feeds out to headphone outs, balanced stereo XLR, TRS and mono.

Supplier's Notes:
The Masterone is the first Frap Tools module designed to be connected exclusively with non-Eurorack equipment.

It features four separate output sections with different Neutrik connectors and adjustable gain levels to suit the most common live and studio situations (and even some uncommon ones).

With no inputs and just large-format outputs, it pushes even further the concept behind the M module: being a Eurorack system's gateway to the outside world.

XLR Balanced Stereo Outputs

Two XLR connectors (left and right) provide a balanced output with the expected 6 dB extra gain. In many cases, they can allow bypassing a DI box.

TRS Pseudo-Balanced Stereo Outputs

These outputs are very similar in concepts to the ones on the M module, but with large 1/4" jack connectors. It is possible to patch standard TS cables and use them as unbalanced outputs, or use TRS cables to interface them with balanced equipment (the ground is routed to both the ring and the sleeve, for a better performance than regular unbalanced outputs).

Attenuation Switches for Flexible Connectivity

If the two stereo outputs are too hot, a set of switches can attenuate them. The Line/Mic switch on the XLR outputs attenuates them by ~30 dB, while the Line/Inst switch on the TRS outputs attenuates them by ~15 dB.

Stereo Headphones Output with Pre-Fader Listening

The Headphones section allows you to monitor the Master output with an independent volume knob and, at the same time, take advantage of the PFL function on the Channels and the Groups. Rotate the PFL crossfader towards the blue section to blend the PFL modules with the Master sum and check if everything is okay before launching the next scene.

Mono Output with Dedicated Fader

Should you need an extra monitor on stage, or run the whole system through a vintage amp in the studio for parallel processing, the auxiliary monophonic outputs is the answer. It provides the sum of both channels in a handy, pseudo-balanced output with a dedicated fader: attenuate the line level by 15 dB, or amplify it by 6 dB.

12-LED VU Meter with Memory

A detailed VU Meter monitors the signal amplitude from -40 to +15 dB with peak memory on the upper LEDs.

Dimensions:

12HP

38 mm deep

85 mA +12V - 80 mA -12V

with headphones at high level (250O)

110 mA +12V 105 mA -12V

Notes: Dynamic hold effects are the aim with this creative reverb pedal. Three reverb modes (tape, comb filtering and resonant bandpass filtering) can be frozen and triggered to create infinite sustaining textures.

Supplier's Notes:
Dynamics. It's the shifting ebb and flow of the tide. It's the ups and downs of life. It's witnessing night turn into day, as the sun attacks and sustains through the nightly veil, making the darkness release its gloomy grasp and decay. It's where you'll find the Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb. An envelope triggered multi-mode reverb with the ability to dynamically freeze and sustain your notes forever, seeing you create truly mesmerising sunlit soundscapes.

Building on what made OBNE's top-selling Dark Star such a stellar early-chain pad reverb, Sunlight twists it into the other dimension as a reverb pedal centred around the idea of a dynamic hold. When you play, your new notes are let through and old notes are allowed to fade away, but when you stop playing, old notes have the chance to repeat forever.

A dead simple to use interface of just two knobs controls the nature of this relationship. In addition, there are three sonic modes that highlight modulation, comb filtering and resonant bandpass filtering, each of which takes their own spin on the reverb signal. The Mix, Input and Decay controls work exactly the same across each mode, as they help control the dynamics.

Mix sets the loudness of the reverb, which goes from all dry to all wet and anywhere in between, allowing you to create everything from subtle reverberations to deep ambient textures. Now, the interplay between Input and Decay is where the real Sunlight magic starts to happen. Decay determines how long the reverb trails will sustain, which will go from quick ephemeral evaporations to infinite reverb pads. On the other hand, Input controls how much of your signal is allowed into and fed back within the reverb. At zero, no new input will be added to your reverb, but as you increase it, more signal is let through, letting you create gently evolving ambient textures or drastically changing synth-like pads.

Rate and Depth are mode-dependent controls. TAPE Mode is a modulated reverb inspired by the unexpected shifts of a tape machine wobbling. Here, Rate and Depth set the speed and intensity of the lopsided vibrato applied to the reverb signal. COMB Mode is a combination of reverb and delay. Four delay lines are placed after the reverb, and the emphasis on stacked short delays creates comb filters like a fixed flanger. Rate sets the time of all four delays, and Depth sets the feedback (or resonance) of the delay section. PASS Mode is a bandpass filter applied between two reverb paths, where a random sample-hold function sets the cutoff frequency of the bandpass. Rate sets the timing of the sample-hold and Depth sets the range of possible cutoff frequencies. If Rate is set to 0, Depth sets a fixed cutoff frequency.

But the sound shaping adventure doesn't end here. Sunlight also contains a bunch of expressive capabilities performed through the on-board ALT switch, which can be set to change control settings either momentarily or latching. It can be assigned to the Rate, Depth, Decay or Input controls or any combination of the four. You can also control them externally via an external expression pedal, the OBNE Expression Slider or even the OBNE Expression Ramper, which will open up even more creative possibilities.

Dimensions:

Product Height (cm): 5.800
Product Width (cm): 6.600
Product Depth (cm): 12.000
Product Weight (kg): 0.300

Box Height (cm): 7.800
Box Width (cm): 8.200
Box Depth (cm): 14.400
Boxed Weight (kg): 0.453

Notes: mioXM - more connectivity than you can shake a stick at.

With mioXM it's never been easier to get all of your MIDI gear talking to each other. Harness the power of iConnectivity advanced computer and network connectivity and experience why mioXM redefines what a MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXM, you're able to streamline and expand your MIDI setup, and do it faster, better, and in creative and exciting new ways.

What makes mioXM unique? The iConnectivity difference.

Powerful network MIDI capabilities:

Network connectivity means MIDI wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Network / Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface.

Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than12 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 12 network MIDI ports anyway you want. Connect each of the 12 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXM:

Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity become known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

Store and recall up to 4 presets directly on the interface, without even needing a computer!

Easily recall unique MIDI routing, filter and merging setups to preset scenes, all from the front of mioXM.

What's in the box
1 x mioXM
1 x USB cable
1x Ethernet cable
1 x mioXM 12V 36W Power Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 214 mm/8.43 in
Height (1U): 37 mm/1.46 in
Depth: 140 mm/5.51 in
Weight: 992g/2.13 lbs

mioXM fits comfortably in iConnectivity's iCRS Interface Rack Shelf

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: MG-30 is the flagship modelling effect processor in the NuX range. Dual high speed processing offers accurate modelling of 30 different amplifier options, including bias tweaking for an extra dimension of response adjustment, all using the proprietary NuX TSAC-HD algorithm. Impulse response programming presents a choice of 8 guitar cabinets, 8 bass cabinets, 8 microphones in 3 different axis positions and even 3 acoustic guitar emulation profiles. Once the main guitar tone is programmed, there are 8 effects blocks which can be assigned to different positions in the signal chain, including WAH, CMP, GATE, EFX, EQ, MOD, DLY & RVB. An expression pedal covers wah and swell effects amongst other possibilities. Each has modes and/or parameters which can be adjusted and saved within the patch as needed. Real-time editing uses rotary encoders and switches, making for a natural and organic process and all prameters and graphics are displayed on a vibrant 4" colour display. Add to this a fully functioning USB audio interface, phrase looper, PC/Mac editor/librarian/updater, aux input, effects loop, drum machine and NMP-2 footswitch control and the MG-30 covers practically all bases. This unit provides all the processing power and audio quality that could be asked from any professional guitar processor at a fraction of the price of its component features.

Specifications:

Power supply: 9Vdc, 400mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
Outputs: 2 x 6.3mm jack (L/mono + R) to amp or mixer
Sends: returns: 6.3mm jack send (1k ohm) & return (220k ohm)
Headphone output: 3.5mm stereo jack
USB port: USB type-C for audio interface, PC/Mac editing & updating
Remote control connection: EXP1 TRS 6.3mm jack
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (i1dB)
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 110dB
Dimensions: 313 x 166 x 54mm
Weight: 1.5kg

The box for this item contains :

MG-30 multi-effects modeler pedal
1 x 9Vdc power adaptor (UK)
1 x NMP-2 dual footswitch (173.352UK)
1 x patch cable
1 x USB cable

Notes: Hexmix VCA is a compact six channel VCA with an unique response curve range from logarithmic to linear and to exponential using a pot.

All outputs are routed to output six to act as a mixer, with a normalization of each one to remove each channel from the Mix.

The module can act as six independent VCAs as well as a Mixer for all the inputs (Selectable via a switch).

Every VCA has a response pot for the incoming CV, being full logarithmic at maximum setup and full exponential at minimum setup, having the linear response in the center position.

Level pot of each channel is an attenuator of the signal coming out of each VCA.

Jacks are normalled to 10 volts, so when we have no CV present VCA would be fully open and our Level pot will act as a volume.

Specs:
Current needs: +12V: 50mA, -12V: 50mA
Width: 14 HP
Depth: 35mm (including power connector)
Aluminiun, heat-treated front panel.

Notes: T-Wrex is an analogue bitcrusher and decimator!

T-Wrex has two separate sections: STOMP is a bitcrusher and CHOMP is a decimator. You can sweep each effect from imperceptible all the way to rumbly, growling sonic debris. Use each section's voltage-controllable dry/wet circuit to find the perfect balance of harmony and havoc!

At the core of each section is a high-speed, low-leakage analog sample & hold circuit. The bitcrusher's SYNC input is ORed with its internal s&h trigger which steps the output voltage. Mult IN to SYNC to force a static waveform, or use another VCO for the bitcrusher equivalent of hardsync!

The decimator's internal analog VCO controls its sample rate, but you can override it by patching your own signal to the SAMPLE input. Use complex waveforms to flavor your decimation (spicy!), or even use subaudio-rate signals for a traditional helping of sample & hold!

T-Wrex provides an attenuverter on each CV input for your patching convenience. Crank the CHOMP attenuverter fully counterclockwise to make the decimator's internal VCO track its CV at 1V/octave!

Specifications:
Power: +12V / 80mA, -12V / 70mA
Width: 12HP
Depth: 30mm (including power connector)

Includes power cable and Befaco Knurlies M3 mounting screws.

Notes: Next-level version of KMA's excellent Tyler frequency splitter pedal. Variable 12dB/oct high- and low-pass filters, isolated effect loop sends, wet/dry mix control and relay-based soft switching.

Supplier's Notes:
Expanding on the already rich feature-set of KMA Machines' popular Tyler pedal, the upgraded Tyler Deluxe is the ultimate Swiss Army Knife for creative musicians to use on their pedalboards, live or in the studio. Ideal for Bass, Guitar or any other amplified instrument, it offers a host of new features and functions and is perfect for developing new sounds with an existing collection of pedals or splitting signals into multiple amplifiers/differing signal chains. All of this helping to lead musicians' creativity down new inspiring parallel paths.

Do you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature's most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is Tyler Deluxe - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.

KMA Machines' Tyler (active and variable two channel crossover/signal splitter) has successfully found its place on many bass and guitar players' boards around the world, helping them refine and define their tone. However never to stand still, the team at KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great feedback from users.

The heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths (both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let's dive into everything that makes this pedal Deluxe.

Since the original Tyler was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with Tyler Deluxe ! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancellation.

The next new must-have feature is there to ensure the transparency of your setup; the good old CLEAN blend has been added

So far so good, but the deluxe delights don't stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow Tyler's evolution, another claimed feature has been added. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.

Modern times brings modern needs, so Tyler Deluxe is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.

Some fun examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the HP LOOP footswitch and you will never turn off Tyler Deluxe again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and Tyler Deluxe will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any of your dirt pedals, for a very pronounced and punchy sound all coming from one amp.

If there ever was a Swiss army knife for your tone, then Tyler Deluxe must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.

Notes: Heavily redesigned for version three, Twisted Electrons offer up a new take on their compact acid synth: dual oscillators, new digital filter, real-time effects and more. Great value.

Supplier's Notes:
acid8 is an 8Bit bass-line synthesizer with a revisited sound and interface.

MKIII has been rethought from the ground up. The filter has been replaced with an new all digital one, the handling has been redesigned for more immediate handling and many other real time features have been added including transposition automation, filter wobbler, stutter and vinyl spin-down effects.

The synth engine now has dual oscillators allowing fat and harmonized sounds.

acid8 MKIII offers the same features as its slimsynth uAcid8 counterpart, but with the addition of hardware MIDI and analog sync in and out connectivity and packed in a rugged metal case.

A vst plugin is available to easily take control of the synth's parameters.

FREQUENTLY ASKED QUESTIONS:

Q:How do I copy/paste a pattern?

A:Hold SLIDE and press OCT- to copy and OCT+ to paste

Q:The briefly LEDS go out when I stop the sequencer - is something wrong?

A:This is normal and occurs when the memory is updated (a few seconds after the sequencer is stopped when a change has been made).

Notes: CV Thing is a fully mappable CV to MIDI converter in just 6HP. Its based on our VCMC module, but aiming for small and compact performance rigs. It has eight inputs that can be mapped to any MIDI message quite easily thanks to its simple and intuitive user interface. CCs, Program change ,V/Oct to Note or Clock are some of the messages that can be configured to easily control MIDI gear from your modular rig.

Features:

Class-compliant USB MIDI and TRS connectors.
TRS to DIN5 Type A adaptor included.
8 CV inputs.
Controls fully mappable to any MIDI message (CC, Notes, Program change, Clock, ST/SP, NRPN...)
Configurations are saved both in internal memory and via Sysex.

Specifications:

Current needs: +12V: 50mA, -12V: 4mA
Width: 6 HP
Depth: 25mm, (32mm DIY) including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.

Notes: Stylish, good-quality powered speakers suitable for home listening or DJ practice. Built-in Bluetooth for streaming, auto standby and remote control for convenience.

Supplier's Notes:
Keep things simple without forfeiting performance. Housed within YU's compact MDF cabinets is everything you need to get the most out of your favorite tunes. Bluetooth 4.2 with aptX provides high-quality streaming, a single RCA input covers all your analog needs, and a SUB OUT port gives you the option to really crank up the bass. Equipped with 4-inch Kevlarr drivers and 1-inch silk dome tweeters, this high-performance powered speaker system delivers smooth, natural sound while ensuring you experience the full impact of lower frequencies. For laid-back listening, use the provided remote to make quick volume, tone and balance adjustments, as well as control playback while streaming via Bluetooth.

High-performance materials. Exceptional sound.

Silk Dome Tweeters
YU's 1-inch tweeters are made from silk to deliver a high-frequency range that is bright and refined. Their dome shape improves sound dispersion to ensure your ears capture every sound, regardless of where you are in the room.

Never miss a beat.

Signal Detection
Automatic standby and power-up mode conserves power when you're away and continues playback when your music starts playing.

Streaming
Play tunes from the palm of your hand.
Featuring integrated Bluetooth 4.2 with Qualcommr aptX technology, YU lets you stream high-quality audio directly from any Bluetooth-enabled device. Sit back and enjoy your carefully curated playlist from anywhere in the room.

Nearfield
Upgrade your desktop setup.
Take your desktop setup to the next level by connecting YU to your computer via its RCA input.

To reduce vibration and improve soundstaging, use YU with SP9 desktop speaker stands.

Take control of your sound.

Packed with functionality, the YU series remote makes listening to audio more convenient. Quickly switch between sources, tune your sound to fit your space, and control playback while streaming via Bluetooth.

Notes: Part of Erica's brilliant valve-based Fusion range, this is not your typical VCA. Waveshaping and ring modulation are the key features here, twisting and warping signals to great effect.

Supplier's Notes:

The Fusion VCA/Waveshaper/Ringmodulator is a complex sound processor that combines VCA, waveshaper and ringmodulator. It's not a regular VCA; it can operate as one, but most of the power of the module is in advanced modulations - with two CVs applied simultaneously to different stages of the VCA, audio rate modulations, using ringmodulator as a waveshaper - your imagination is the limit!

Low power consumption due to miniature vacuum tubes.

Technical specifications:

Audio Input level: 10Vptp
CV input level (full swing): -10V - +10V
Panel width: 14HP
Module depth: 36mm
Power consumption: 48mA@+12V, 69mA@-12V

Notes: The Wash is a dream come true for ambient player and ushers in a new chapter in the world of delays. It accomplishes the arduous task of creating an organic, below-the-mix wash. Normally this requires stacking 3-4 reverb and delay pedals at the end of your chain. The unique "Wash Circuit" creates the perfect wash with only one pedal.

For the new version (V2), Hungry Robots worked hard to squeeze the circuit into a smaller enclosure while keeping the build quality and tone quality identical. The circuit that hundreds of users have fell in love with is unchanged. The new versions are 2 inches smaller left and right. In addition to the smaller enclosure, the new option for top mounted jacks can save you a lot of board space.

At its most basic utility, The Wash is an outstanding analog-voiced, tap-tempo delay with just over 1000ms of delay time.

The Wash circuit is what makes the pedal stand out from other delays on the market. The Wash circuit adds reverb to the signal and through a complicated network of internal feedback loops, subtle multi-head Binson effect, and what is known as "ripple effect," It works to add a hauntingly beautiful wash to your signal in ways that can't be accomplished by stacking a reverb and a delay in series. It does all of this while keeping the clarity and presence of your original signal without getting lost in the soup of decay.

The Wash reacts to your playing unlike the common DSP reverb/delays with an infinate sustain function. There is a dynamic quality to it that is hard to replicate with any other single pedal.

The "Ripple" knob controls The Ripple Effect. The Ripple Effect is a feature in which each successive delay trail slowly scatters and transforms into reverb. The "Resonance" knob is to fine-tune the resonance and decay of the wash. The Middle "The Wash" knob controls the mix/level of the wash.

Current Draw: 92-93 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO

Notes: Tweaking the platform of their Fault overdrive/distortion, Old Blood Noise have carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.

Notes: Amazingly versatile phaser business in this brilliantly designed pedal. Watch the demo video to hear the amazing range of sounds this one can do. Best phaser ever? Might just be.

Supplier's Notes:

Jump into spaceship Horizont and begin your trek into star- filled galaxies, all while discovering the incredible vastness of the sounds created by this inter-dimensional multi-spatial stereo analog JFET Phaser. The unexpected is waiting for you behind the far away horizon and it will be a journey you'll never forget!

The Horizont's mission is to push way beyond the classic phasing sounds of yesteryear, and take you to uncharted phaser worlds the second you plug in. By combining lush analog JFET phasing with digitally controlled dynamics, Horizont creates a vivid and expressive modulation experience, all while providing experimental and creative features that'll kick phasing well into the 21st century.

Besides the more common phaser controls, the Horizont offers a plethora of new and exciting options for all the interstellar tone chasers out there. To greatly broaden the range of phasing tones available, KMA implemented a digital LFO with no less than eight different waveforms: Ramp Up/Down, Sine/Triangle/Square wave, a sweeping waveform, Sample & Hold and a random slope waveform going from 20s down to 40ms.

The implemented envelope generator is one of Horizont's absolute key features. It transforms your input signal into a control source to modulate the speed of the digitally controlled LFO or lets you manually phase for a resonant touch wah- like sound, depending on the state of the SWP- and SPURTCONTROL-Switch.

Set the SPURTCONTROL switch to LFO to let the SPURT knob adjust the internal phasing speed. However, by flicking the switch to ENV (Envelope) mode, it allows you to dynamically modulate the speed along the full LFO speed range, based on how loud the input source is (e.g. when you attack the strings hard). You can also combine the SPURT knob and the envelope by flicking the toggle to LFO+ENV where SPURT then sets the minimum speed. For even more control, you can even plug in an external expression pedal/CV-source (0-5V) to alter the minimum speed on-the-fly or you can use the TAP TEMPO switch (tap just twice) to set the speed to fit in with the tempo of your music.

The EXP-Mode switch also lets you choose between a manual phasing mode, controlled by an expression-pedal or an external CV source. Setting the EXP-Mode switch to the middle position will disable any external expression control.
The SWP (Sweep) switch lets you decide to use either the LFO or the envelope of your instrument signal to control the phasing.

The envelope can be set to upwards or downwards operation via the ENV switch, seeing the LFO either slowing down or speeding up, or flipping the orientation when phasing manually from lows to highs and vice versa. In conjunction with the FUEL (Sensitivity) and the DECAY controls, the envelope can be tailored perfectly to your needs.

The EMPH (Emphasis) mode from the original Astrospurt Phaser was kept, but have reworked and refined it extensively for the Horizont. The four toggle-switches determine the stage in which the phase-shifted signal is fed back into itself, while the REG (Regeneration) control sets the feedback amount. We also smoothed out the overall sound of the EMPH mode for a more pronounced, and crisp vocal-like tone. Each of the different switch variations and turn of the REG control will yield different results, seeing you discover new wild, fuzzy and noisy galaxies as you travel deeper down this sonic wormhole.

In order for you to levitate through spacetime, a stereo output has been added to the Horizont. You can switch between a standard stereo output or a panning output, via the STEREOPAN switch. Synchronized with the LFO speed, the upper cycle of the LFO sends the signal to the OUT1 and the bottom cycle to the OUT2. This is without a shadow of a doubt the most liquid and astonishing phasing experience you'll ever embark upon. But wait, there's more! Stop and take a deep breath, set the MIX control to fully clean and the Horizont is transformed into a Tremolo on-the-spot, with all the other aforementioned features.

Last but by no means least, the Horizont was equipped with an FX-Loop right in front of the phase-shifting line. This enables you to add your own secret sonic weapons to this spaceship, seeing you create your very own unique phasing sounds.The pedals' headroom was also increased drastically by boosting the internal circuit voltage to 18V, from the regular 9V input, to give the cleanest phasing possible no matter what instrument or line source you use.

Notes: The Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

Buffered Switching

Notes: Javelin is a module that is basically an ADSR envelope with integrated VCA. However, it has several features that make the module an expressive sound shaping tool.

Three level ranges determine the total amplitude of the envelope, additionally three different time ranges are integrated, which can be switched between.

The accent behaviour is also unique. If several gates are applied to the Accent input at the same time, the envelope rises slightly with each gate.

Features:

Attack-decay-sustain-release envelope
Integrated VCA
Unique accent behaviour for expressive sequences
Reset input
CV control over attack and release
Looping mode for LFO-like modulations
Mode switch for gate and trigger behaviour
Linear, moderate or steep exponential shape
Short hold in the peak of the attack for more punch
Power consumption: 93mA at +12V and 65mA at -12V

Depth: 38mm

HP : 6

Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Notes: Clever little valve-based headphone amp from Korg's NuTekt DIY range. Some basic assembly required but no soldering. Fully customisable for advanced users.

Supplier's notes:
The HA-S is a Nutube-equipped DIY Headphone amp kit that will let you enjoy the highest quality audio anywhere. No soldering is required, so even if you are new to the world of DIY, you will be able to assemble the HA-S to add a warm, analog tube-driven signal boost to any sound source in no time! Build your own Headphone amplifier This DIY HA-S kit allows you to build your very own Headphone amplifier in an easy and fun way, without any soldering needed. Not only that, it provides the authentic vacuum tube sound that audiophiles know and love. Built-in Nutube Nutube is a new and revolutionary fully analog vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generating the response and same rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. The transparent case of the HA-S delivers a glimpse into this technology; allowing the glow of the tube to be visible at all times. Energy efficiency The filament of the Nutube is powered by a DC to DC converter, which consumes less electric current and thus allows for a longer battery life than other vacuum tube equipped amplifiers. The design is so efficient that the HA-S can drive the Nutube with a line voltage of 26 V using only two A4 batteries., for a rich and authentic vacuum tube sound. Sound possibilities The HA-S has a special NFB (Negative Feedback) switch, that allows you to choose from a high fidelity clean and pristine sound, or a warmer, more harmonically rich sound as expected from a vacuum tube. When the NFB switch is OFF, the harmonics present in the Nutube (triode tube) will be amplified to create a sound rich in harmonics, warmth and textures. When the NFB switch is ON, the distortion ratio and frequency characteristics will be modified, creating a really detailed and clean sound. For further sound modification, we have included two OP amp options for the output: the premium audio oriented "MUSES01" and the industry standard NJM4580, both from JRC. These can be easily replaced so even the most purist audiophiles will be able to customize and adapt the sound of their HA-S to heir heart's content. For advanced users who want to customize their amplifier even more, the circuit diagrams are readily available, making it really easy to change discrete components and make your own and unique headphone amp matching your desired tone and performance -, the possibilities are endless!

Notes: Exciting home studio interface from one of the leading names in high-end studio tech. 2-in, 2-out design with high quality pre-amps and a 'Legacy 4K' option to add analogue flavour. Full review coming soon.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2+, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring paths and high-performance headphone amps for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

2X Class-Leading Mic Preamps (130.5dB EIN / 62dB of Gain)
Pro-Studio Quality Neutrik Connectors and Alps pots
2X High Current Headphone Amp with independent monitor mix
24-bit / 192 kHz AKM Converters
Legacy 4K Analogue Enhancement - Inspired by SSL4000 series console
MIDI I/O
Additional un-balanced Outputs for DJ Mixers
SSL Production Pack - Exclusive software bundle
Advanced Workflow Technology utilised in ergonomics, layout and metering

Notes: Feature-packed interface and control surface bundled into one box, allowing you to get audio in and out of your software while also taking control via a long channel fader, transport controls and more

Supplier notes:
When you're a solo artist, you have to be more than just creative to realize your visioniyou must also be a producer and an audio engineer. The ioStation 24c audio interface and production controller provides the tools needed for all of these diverse roles in a compact, ergonomic desktop design that will fit into any home studio. Record your audio through two pristine XMAX mic preamps and high-definition 24-bit, 192 kHz analog-to-digital converters. Navigate your recordings with easy-to-use transport controls. Edit your production and automate parameters in your favorite DAW with the powerful Session Navigator and mix it all with a 100 mm touch-sensitive motorized fader. Whether you're a musician producing your latest album or just getting started with your first podcast, the ioStation 24c gives you all the tools you need to record and mix with the ease of hands-on, tactile control- all in a single device that doesn't clutter your creative space.

Audiophile-grade digital converters and transparent preamps create a superior recording and listening experience. The ioStation 24c audio interface features two of PreSonusr' acclaimed XMAX Class A analog microphone preamps that deliver incredibly high headroom, deep lows, shared smooth highs, and a rich overall sound- you'll hear every breath, transient, and detail in your recordings. High-quality converters provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally. The result is clear, consistent audio that makes mixing easier and creating a polished sound faster.

Rather than forcing you to reinvent your mixing method, the ioStation 24 augments the way you currently mix. You will still use your faithful keyboard and mouse for things they do well, while the ioStation 24c handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be!

Streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Pro Tools, Logic Pro X, Cubase, Ableton Live, and more. No driver installation is necessary; just plug in your ioStation 24c and take command of your mix. Deep integration with the included PreSonus Studio Oner Artist will let you mix at lightning speed.

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the ioStation 24c audio interface works with virtually all macOSr and Windowsrx recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in by track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content and upgrades without even opening your browser- you'll build the version of Studio One that's right for you. By combining a flexible single-window user interface with a modern, beat-based production workflow, Studio One's drag-and-drop approach doesn't dictate how you work or what you work on; you do.

The ioStation 24c's unique Session Navigator is your caffeine-fueled assistant engineer, providing easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline using the encoder or work measure-by-measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Whether you're just getting into audio production or looking to streamline your recording rig, the ioStation 24c audio interface and production controller will give you clear, clean, ultra-high-def sound with professional mixing tools in a compact, space-saving design. While it's a perfect companion for any recording software, the ioStation 24c and included Studio One Artist provide you with a complete, affordable recording solution that will make you sound great.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies i these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Really clever noise-based oscillator from AJH. Drones, sweeps and bleeps aplenty, ranging from tamed to out-of-control filth. Also doubles up as a more conventional ring mod and distortion module.

Supplier's notes:
This 14HP wide module is a voltage controlled noise based oscillator, or noisillator for short. It generates 1/f noise and this is then sent through a feedback loop which allows the noise to be "tuned" to varying degrees depending on the settings of the frequency and resonance controls, or incoming frequency or resonance CV's. The tuned circuit can be FM modulated too, for some thunderous sweeping sounds. We have bright and dark outputs, which are pre and post filter respectively. The Bright output will always have a degree of noise present in the signal, whereas the Dark output can be tuned noise only when 4 pole resonance is selected. We also have an external Sync input, which will reset the resonant waveform, and we also have an Audio input, so that an external signal can be mixed into the resonant loop. Combinations of external waveforms to these two inputs can create some massive drone sounds, or sweeping sync sounds.

There is also an XOR ring modulator, which can be used as a module in its own right too. Lastly, we have an XOR amplifier, which is another independant circuit that can be used to add noise and distortion to any audio signal.

Notes: deton8 is a hybrid sampler/drum synthesizer using a mix of crunchy 8BIT samples and wavetable synthesis. and a plethora of real time fx and tricks.

Handle-assembled to order in France.

deton8 includes the following kits (but you will be able to upload your own samples):

DETON8 default (big beats, break)
AMY SISTER (jungle break)
HIP08 (for all your 808 hiphop needs)
TEK09 (Rave on)
MINTY POPS (Classic beats)
INDUSTRIAL (exclusive kit by our dear friend NKDM)
14 additional kits, thanks to Electronisounds!

Notes: The babies of the Yamaha HS range pack a bigger punch than their size might suggest. A good entry-level option for smaller studios. Clear, revealing monitors at a friendly price.

Supplier's notes:
The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V

Notes: The Ar Merc'het Brao module is comprised of two filters and two overdrives.

As usual at Touellskouarn it has a Breton name: Ar Merc'het Brao means "The pretty girls".

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.

Notes: The Triple Waveshaper (TWS) is a non-linear modifier which can transform a sawtooth wave into a sine wave. This classic module incorporates three independent waveshapers for modifying synthesizer waveforms or for processing signals from preamplified instruments. Although originally designed as a waveshaper for early Serge oscillators, this module has been found to be a excellent modifier of electronic and acoustic sounds, and is highly recommended for subtle timbral modifications beyond the range of simple oscillator/filter patches.

The R*S version extends the classic TWS concept:

+1: An additional (4th) waveshaper has been added (right after the first / bottom waveshaper) that can be dialed in smoothly using the +1 knob. Turned down (CCW) the bottom section acts as in the original (as if that additional waveshaper would not exist). Turned up (CW) the bottom section is actually 2 waveshapers in series.

Switches to link the 3 sections - bottom to top. Using these switches all sections can be set to act in series, starting at the bottom and ending at the top, providing the combined effect of 3 to 4 waveshapers (or anything in between) using the +1 knob.

Linking only the middle and top section and turning the +1 knob up (to have 2 sections in the bottom) allows you to use the module for isntance as two independent 2-stage waveshapers (using bottom in and out for one and middle in and top out for the other) - e.g. for stereo processing.

Notes: dsp.cpoffee's custom everything-including-kitchen-sink dsp development platform.

At the core of this is an Electrosmith Daisy Patch Submodule, combined with a 12-bit 4 channel SPI DAC [DAC7554], and supporting hardware for more IO

Features
- 8x pots normalled to +5V
- 8x CV in breaks normalled connection and pot acts as an attenuator
- 2x gate in
- 2x gate out
- High-fidelity stereo in/out (Daisy Patch Submodule, using an WM8731 codec)
- 2x 12-bit CV out from Daisy Patch Submodule, scaled to -5v to 10v
- 4x 12-bit CV (or lofi audio w/ some hacking) from external DAC7554, scaled to -7v to 7v
- TRS MIDI in/out (in is auto-sensing for type a/b)
- SD card slot
- Expansion header for +5v, +3v3, SPI, UART, I2C, and USB connections

Notes: Cutting Room Floor V3 Pedal

(Vintage Reel-to-Reel Tape, Echo, and Stutter)

The Cutting Room Floor has been updated and now has separate controls over the saturation of the input signal and tape delay signal. With this change, it's possible to have any amount of emulated tape saturation on the input signal and an adjustable tape delay level.

Housed in a smaller, compact footprint, the Cutting Room Floor V3 provides beautifully marred saturated tape tone and ethereal repeats. Imagine an abandoned factory with a fluttering tape machine left on infinite replay.

The Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This pedal reaches into the 21st century with characteristics that traverse the world of modulation and delay. Other features include a freeze button that traps a tone while still playing, and expression/CV control for time.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

- 150ma current draw

New in V3:

- Independent control of the tape saturation and tape delay levels

- High-quality knobs with textured grip

- Tape reel design lights up when the pedal is on

- Better layout of the knob placement

- Smaller 125B enclosure (4.77" x 2.6" x 1.39")