Review: The final part of Dark Entries' long-running series of archival Patrick Cowley releases showcases tracks originally recorded for Afternooners, a late '70s gay porn film by director John Coletti. As with previous Cowley releases on Dark Entries, the double album also contains previously unheard material rediscovered from the Fox Studio archives. It's another essential collection of atmospheric synthesizer music in the producer's distinctive style, all told, with tracks ranging from the whistling cheeriness of "Hot Beach" and the sparkling, cowbell-laden throb of "One Hot Afternoon" to the dubbed-out, semi-ambient dreaminess of "Bore & Stroke" and the humid, upbeat "Jungle Orchid".
Review: School Daze is a killer compilation put together by the Dark Entries label and the Honey Soundsystem crew, collating some of the early recordings produced by Patrick Cowley in the years between 1973-81 and were later used as soundtrack material in two gay porn films. You will probably know Cowley for his Hi-NRG output or 'that' Donna Summer remix or his behind the buttons work on Sylvester tracks. Be prepared for a surprise (well quite a few as the 'explicit content' warning on the cover lives up to its billing) as this collection presents Cowley as a producer capable of many styles and moods. The closest School Daze comes to the sound Cowley is most identified is opening track "Zygote" and from here the collection runs through primitive electronics, short bursts of wave and more with a few extended gems that highlight Cowley's talent for arrangement. One of the compilations of the year!
Review: Analog Africa belongs alongside the likes of Awesome Tapes From Africa and Light In The Attic in the annals of great modern day afro rock/beat reissue labels. The imprint has consistently delivered some monumental releases, all of them giving the listener a detailed insight into a particular scene or cultural corner of time. We're pretty sure that many people out there had no idea that there was a 'cosmic' sound in Cabo Verde in the 1977-1985 period, but there you go, you've learned something new. This is all dancefloor fire, and along with a gorgeous fanzine booklet, you have fifteen ridiculously forward-thinking and rare-as-hell electronic funk bombs from Africa. Fill your mind with the underrated genius of people like Antonio Sanches, Jose Casimiro, Bana, and the rest of this amazing crew or like-minded futurists. Release of the week!
Review: Library music maestro and original member of The Shadows Brian Bennett has a raft of sought-after records to his name, but this is surely one of the most prized. As with the best library music, the execution of the compositions is impeccable - like slipping on silken luxury leisurewear for your ears. The record has been a rich source for sampling over the years, so half the joy is in spotting licks and loops from your favourite tunes, but equally these disco-fied delicacies funk all on their own. Lovers of the Black Devil Disco Club vibe will be more than happy getting down to these tasteful cosmic groovers, unbelievably repressed for just the first time on Isle Of Jura since the original release in 1978.
Review: Best known for producing chart-topping disco anthems like the Sylvester-fronted 'Do You Wanna Funk?' - that still crop up in DJs like Juan Atkins' sets to this day, Cowley died in 1982 due to an AIDS-related illness. He left an incredible body of work but since 2009, the Dark Entries label has been working with Cowley's friends and family to uncover the singular artist's lesser-known sides such as his soundtracks for gay pornographic films. Malebox brings us six more recent discoveries from the hidden archives, very much in the churning disco-funk and hi-NRG areas that we've come to know and love as trademark Cowley. Recorded from 1979-1981, one of Patrick's most creatively exciting periods, this bumper pack includes early Paul Parker demos 'If You Feel It' and 'Love Me Hot', a demo version of 'Low Down Dirty Rhythm' with Jeanie Tracy's vocals, plus 'Floating', 'Love and Passion' and 'A Wicked Tool', all infectious and brimming with joyfulness and futuristic exploration. Also included is an air mail envelope containing a letter from Patrick Cowley to French disco producer Pierre Jaubert as well as liner notes and hand-written lyrics. Malebox will be released on November 12, the 40th anniversary of Patrick's passing.
Review: Downtempo maestro Mudd is back with a new album In The Garden Of Mindfulness on the faultless Claremont 56 label. Coming after years of him working with Benjamin Smith, amongst others, it's his first solo album since 2006. His magical touch has not left him here as he explores dubbed out disco, Balearic, cosmic chill out and layers of alluring instrumentation, some of which is provided by Michele Chiavarini. These are widescreen sounds to get fully immersed in as you gaze on at sun soaked jazz guitars, low-lit synths, gently cascading synths hints of psychedelia, funk and soul. Another timeless and sparkling work from the great producer.
Blow Monkeys - "Save Me" (Neville Watson dub) (8:04)
Cisco Cisco - "If You Want Me" (Jay Shepheard remix) (7:11)
Bongo Entp - "Drommen" (SIRS remix) (5:48)
Darlyn Vlys - "Wuzu" (Tyu Tribe remix) (7:18)
Kimo - "Whirl" (6:50)
Discoscuro - "Discoscuro" (6:10)
Popular Tyre - "Feel Like A Lazer Beam" (7:35)
Class B Band - "Repli-can" (edit) (6:04)
Bal5000 - "Bleu Infini" (7:52)
Phil Kieran - "Find Love" (Andrew Weatherall remix) (7:43)
Das Komplex - "89" (8:05)
Brioski - "Calling 626" (edit) (5:20)
Review: Sean Johnston curates a compilation that feels as much like a love letter to a bygone era of cosmic and chugging dance music as it does a blueprint for the future. Across this translucent red vinyl double LP, he assembles a narrative that stretches from the dub-tinged grooves of Weatherall-inspired rhythms to rich, enveloping basslines rooted in the darker corners of the dancefloor. These selections capture the ethos of A Love From Outer Spaceinot a style, but a sensibility, where tempo slows and subtlety reigns. Rather than overwhelm, the tracks reveal their power gradually, layering textures and grooves with a painterly touch.
Review: Crazy P's latest album offers a clean, classic experience, while still showcasing the band's skill in merging retro influences with fresh, modern energy. Tracks like 'Portals' and 'Not Too Late' highlight the depth of their sound, and the late Danielle Moore's signature vocals provide an emotional anchor throughout. The pressing is high quality, ensuring every intricate detail shines through. This edition is perfect for both audiophiles and fans, offering an immersive listening experience that pays tribute to Moore's legacy within the band.
Smashed Atoms & Backdoor Man - "Hey Dreamer" (6:46)
Review: Eight years on from his last After Dark compilation for Late Night Tales, font of all musical knowledge Bill Brewster returns with a fourth instalment. According to the man himself, it's a 'freestyle' selection with 'low and slow' the overriding theme. That loose but logical concept allows Brewster to showcase a diverse range of selections that defy easy categorisation. Highlights come thick and fast throughout, with our current pics including the synth-heavy Balearic voodoo of 'Idle Hours' by Idle Band, the Weatherall-esque chug of Hotel Motel's terrific remix of Jeb Loy Nichols' 'Don't Drop Me', the dub disco-goes-cosmic disco squelch of Ray Mang remixing Khruangbin, the deep synth-pop sweetness of Debbie & The Code's 'Code of Love', a terrific Naill edit of Gilbert O'Sullivan's 'So What', and the deep electro of Carl Finlow.
Blow Monkeys - "Save Me" (Neville Watson dub) (8:04)
Cisco Cisco - "If You Want Me" (Jay Shepheard remix) (7:11)
Bongo Entp - "Drommen" (SIRS remix) (5:48)
Darlyn Vlys - "Wuzu" (Tyu Tribe remix) (7:18)
Kimo - "Whirl" (6:50)
Discoscuro - "Discoscuro" (6:10)
Popular Tyre - "Feel Like A Lazer Beam" (7:35)
Class B Band - "Repli-can" (edit) (6:04)
Bal5000 - "Bleu Infini" (7:52)
Phil Kieran - "Find Love" (Andrew Weatherall remix) (7:43)
Das Komplex - "89" (8:05)
Brioski - "Calling 626" (edit) (5:20)
Review: Sean Johnston's A Love From Outer Space is a masterclass in mood and restraint. Over two LPs, it captures the ethos of Johnston's club night, favouring steady, low-slung rhythms and cosmic textures over high-energy peaks. The tracks are sequenced with care, creating a meditative flow that rewards deep listening. This is dance music for introspection, where each layer reveals itself slowly, embodying a philosophy that values depth and subtlety.
Review: Greek DJ/producer Lex has been part of the scene in his home city of Athens since the dawn of the millennium, though it's only in the last few years that he's focused more on making music. The results of his efforts, which were previously showcased on 12" singles for Leng and Samosa Records, amongst others, have been quietly impressive. His debut album, Waving, continues in the same vein, utilising a pool of musician friends to craft cuts that blur the boundaries between sun-kissed, sofa-friendly Balearic warmth and subtly funk-fuelled, dub disco-framed dancefloor shufflers. The plentiful highlights include the stunning, tropical-tinged opener, 'Punta Allen', the organ-sporting vocal squelch-along 'Window Spells', acid-flecked nu-disco-meets-cosmic disco workout 'Silver Peace' and high-octane number 'Down My Soul'.
Review: Dark Entries has assembled a superb collection of covers celebrating 60s garage and soul music by the one and only Patrick Cowley. This LP showcases another side of the great producer's diverse influences, in particular his psychedelic San Francisco roots which can be heard in most tracks. They were mostly written between 1980 and 1982 when he was in prolific form and highlight his virtuosity while paying respects to the music that shaped him. The collection features a reimagined version of Loverde's 'Iko Iko,' a hi-NRG cover of The Doors' '20th Century Fox,' and a haunting take on The Who's "Shakin' All Over." It concludes with a swinging rendition of the Four Tops' 'Baby I Need Your Loving' and is another essential one for the collection.
Review: First released way back in 1997, The Mood Mosaic compilations found good traction not merely for their compiling of many lesser-known dark/Italo disco artists into singular compilations, but also for their use of implicitly sexual imagery on their front covers - a business-minded pairing, to say the least. This reissue harks back to the comp's enduring legacy, with lackadaisical classics including Marta Acuna's 'Dance, Dance, Dance', Touchdown's 'Ease Your Mind' and Black Devil's 'Follow Me' all appearing in quick succession.
Review: Archeo Recordings present the best works of Ettika, who way back when laid down an interesting fusion of Italo, new beat, Arabic funk and Balearic hip-hop for a synthetic, sample-heavy chanters. Really, it's quite difficult to nail this one in words. Resurfacing after it was found in an online mix known as the 'Balearic nightmare', original copies of the record soon found itself being snapped up again; now it hears a thorough reissuing, owing to a demand that hasn't tapered since. With versions in French and Arabic respectively, it's clear that this plodding Balearic emoter more than deserves its place as a hidden classic.
Review: Rose Robinson's debut album as Tigerbalm, 2022's International Love Affair, was a genuinely glorious affair in which she wrapped indigenous instrumentation and all manner of global music influences around grooves rooted in cosmic disco, nu-disco, proto-house, Italo and Balearic beats. This palette of influences once again comes to the fore on this remixed version, which boasts some of her favourite artists rework tracks from the LP. It's all killer, no filler - as the old saying goes - with our picks including Session Victim''s percussive deep house fix of 'Cocktail D'Amore', Isaac Soto's devilishly dubbed-out interpretation of 'La Brisa', a hybrid jazz-funk/Balearic soul re-build of 'Cosmic Camel' by Mystic Jungle, and a predictably proto-house leaning vocal interpretation of 'Tokyo Business' by Andrew Meecham AKA The Emperor Machine.
Review: Unfairly, LTJ Xperience is a lesser-known LTJ, but thankfully he's not a jungle copycat artist by any stretch. No, thankfully, Luca LTJ is an honoured stalwart in the Italian nu-disco scene, known for his repurposing of Latin Bossa nova and jazz into electronic disco music by way of his own productions and various residencies in Bologna, Imola and more. 'Beggar Groove' was originally released in 2017, but here it gets an xponentially xpanded xperiential 2xLP edition featuring many spacy new cuts.
Review: One Bjorn Wagner is the mastermind behind the cosmic disco project Magic Source, a natural follow-on after the acclaimed funk outfits Mighty Mocambos and Bacao Rhythm & Steel Band. Voyage Spectral is his second album under the alias, following Earthrising in 2016. It's a dazzling display of synth-laden grooves, inspired not least by the rare and obscure cosmic disco bits made by relatively anonymous artists for European music libraries. Minimal, princely, fast disco cuts like 'Speed Boat To Atlantis' embematize the feel of this album and Wagner's oeuvre, as they nail the chilled-out psychedelic fantasy of magic-carpetting to far-off mythical worlds.
Review: Norwegian instrumentalist D. Apal who might well also be a part of the Flammer Dance Band steps out with a colourful and vivacious debut album that is likely to become a favourite summer soundtrack this season. It is a playful rhythmic exploration with elements of dub, Balearic, disco, Afro, soul and funk. The loose-limbed grooves are brought to life with a mix of organic percussion and smart synth sounds that make it sound modern yet not too polished. If you like the sounds of William Oneyeabor but always wanted him to cut more loose, then this is for you.
Review: Laurin Rinder and W. Michael Lewis were amongst the most prolific producers of the disco era - a pair of jazz-trained eccentrics who not only embraced the disco sound, but did more than most to help develop it (they were particularly big fans of synthesisers, showcasing in their work as much as Giorgio Moroder and Patrick Cowley did). They also loved a concept - hence recording and releasing The Seven Deadly Sins, an album-length celebration of disco's sinful side, in 1977. As this Be With Records reissue proves, the album remains a rare beast: a largely instrumental disco album that sparkles from start to finish. For proof, check the seductive, electric piano-and-synth smothered grooves of 'Lust', the heavily electronic proto-techno of 'Gluttony', the solo-laden disco-funk heaviness of 'Pride' and the undeniably epic heaviness of 'Anger'.
Review: Over the years, Chicago house DJ Mark Grusane has prospected for treasure with such success that he has more or less marked *himself* out as one such treasure. Such high praise, of which there is much online, offers a kind of eternal gilt return. This second edition in Grusane's Tape Edits series stocks a select six of his much-envied "disco tape to tape edits", made in Chicago between 1988-1999. Emphasising the fullest, most maximal quixotisms in disco, all the tracks here brim with seething compressed energy, with the limitation of tape transfer serving to squash and squeeze far more out of the disco genre than the simple, ostensibly humble mylar medium might suggest. Most arresting is 'Mapouka Dance (Non Stop)', an animalistic fire dance and lusty attention grabber, serving whipping snares and whooping crowd jeers; sexy spectatorship by the dance.
Gaz Nevada - "IC Love Affair" (original 12" mix) (6:30)
I Signori Della Galassia - "Archeopterix" (4:03)
Cerrone - "La Secte De Marrakech Suite" (4:37)
John Foxx - "Burning Car" (3:14)
Thomas Leer & Robert Rental - "Monochrome Days" (3:58)
Cabaret Voltaire - "Red Mask" (6:45)
Caution - "UFO" (original 12" mix) (5:30)
Martin Rev - "Nineteen 86" (4:29)
Pascal Comelade - "Sequence 1" (2:57)
Flying Lizards - "An Age" (2:30)
Throbbing Gristle - "Beachy Head" (3:35)
Terminal City - "Mugin For Unknown" (5:37)
Review: Whether or not you head the first one, Jon Savage's second exploration of the diverse sounds of the post-punk era is another eye (or ear?) opening listen that will teach you plenty and join many dots you might not have done otherwise. Spanning electronic music, disco, experimental, and proto-techno, Do You Have The Force Volume 2: Jon Savage's Alternative History Of Electronica 1978-82 is a masterfully curated compilation that showcases an eclectic range of genres and influences all handpicked and well sequenced by the renowned cultural commentator, writer, and filmmaker that is Savage. This is a double LP version which comes with a 12 page digisleeve booklet.
Die Klapperschlange (Escape From New York) (vocal)
Die Klapperschlange (Escape From New York) (instrumental)
Die Klapperschlange (Escape From New York) (edit)
Die Klapperschlange (Escape From New York) (Nomoo remix)
Review: One of legendary filmmaker John Carpenter's few forays into electro-disco proper, 'Die Klapperschlange' is an instant throwback, the title theme from the 1981 sci-fi film Escape From New York. Everyone knows this melody, yet few could point to its origin, and that's likely due to the German release of the John Carpenter film being titled 'Die Klapperschlange' ('The Rattlesnake'). And yes, you heard us right: John Carpenter himself made this piece of music. A multi-talented man indeed, though he did work with fellow composer and sound designer Alan Howarth to add the finishing touches here. It's as if this track were made for the anarcho-discos of the future, its inherent darkness rendering it seemingly unassailable by the crumbling of society or public breakouts of violence depicted in the film. Plus, there's *that* unmistakable four-bar extension, in which a three-note hook has permanently wedged itself in our minds - wowee. And on this new release via ZYX, we've got two new alt-mixes and an outrun techno remix from Nomoo. Sweet!
Review: Dark Entries makes the rather impressive milestone of 300 releases with a superb triple album from the Creative Technology Consortium. These tunes were written during the worst of the Covid pandemic lockdowns and find Traxx, Andrew Bisenius, and Jason Letkiewicz all combine to explore film and television music of the 80s and 90's through their vast array of vintage analog and digital synthesizers. The 25 resulting tracks are not just retro homages to those times but bring plenty of EBM, funky bass and cosmic chord patterns to the dancefloor.
Review: Star Creature is very much leading from the front right now if you like cosmic disco. Tim Zawada's label is back with another delicious dose of the stuff here as Plastic Bamboo heads out on a crime jazz exploration of the outer reaches of our galaxy. His lithe beats and rugged drums are laced up with marvellous synths that are ever on the move. They shine bright and bring real sugary rushes of joy as curious narratives and intergalactic intrigue come thick and fast. Amongst the big bright cuts are some more mellow moments like the wonderful 'A Scene At The Sea' with its hints of Afro percussion. Delightful.
Review: French Canadian disco producer Gino Soccio is the man behind the disco studio group Witch Queen whom he assembled and produced having first dropped this solo album Outline in 1979. He had a US Hot 100 entry with his 1979 tune 'Dancer' and 'Dance To Dance' both off this album, then hit top spot on the US Hot Dance Music/Club Play chart with later single 'Try It Out' in 1981. His electronic blend of disco, funk and soul is embellished with horns, percussion, drums, flute and guitar from an array of musicians who joined him in the studio. This version comes on purple marble vinyl.
Where Are You Coming From (Jane Weaver rework) (4:05)
Out From Under (Emperor Machine extended rework) (8:49)
We All Need (Jezebell Ghost Train mix) (5:47)
Review: Perhaps one of the most important bands to come out of Manchester ever. Up there with Joy Division, their funky post-punk is the very essence of that genre and possibly why a lot of bands like to call themselves post-punk. They're just wishing they sound as good as A Certain Ratio. For this latest release, the follow-up to their album It All Comes Down To This, they've reworked songs from said album - sensationally - and released a Christmas single. 'Now And Laughter' is described as an ode to "the unsung heroes that are on hand when the pressures of the festivities can become too much to bear." It's awash with sumptuous echoing guitar, a somber lead vocal which makes you want to raise your lighter and gently sway. There's a hint of David Bowie in there and the lyrics appear genuinely emotional and appreciative. This is a song of blissful poignance that can help remind us of what really matters in life as it captures a sense of vulnerability and awe in the magic of the moment.
Soul Iberica Band - "I'm Looking For Jeremy" (3:36)
La Boca - "Laugh (The Longest Laugh In The Disco History)" (5:14)
The Lovelets - "Midemman" (Theme Midem 74) (2:39)
Yamasuki - "Kono Samourai" (2:43)
Ami Stewart - "Rocky Woman" (12" version) (4:40)
Who's Who - "Palace Palace" (12" version) (5:41)
The Great Disco Bouzouki Band - "Greek Girls" (4:16)
Vicky Edimo - "Let Me Love You Tonight" (3:09)
Gibson Brothers - "Come To America" (instrumental Disco version) (3:48)
Black Blood - "AlE (A Mwana)" (2:53)
La Compagnie Creole - "La Nuit Des Requins" (5:16)
Ottawan - "Qui Va Garder Mon Crocodile Cet Ete?" (extended) (3:20)
Rocky & Vandella - "Des Que T'as Dit Disco T'as Tout Dit" (extended) (4:06)
Francois Patrice - "Le Contrat" (3:33)
Daniel Vangarde - "Une Comete Va Rencontrer La Terre" (4:17)
Review: Few people are aware that Daft Punk's fame can at least, in part, be chalked up to the wealth of opportunity inherited by one half of the electronic music pair, Thomas Bangalter, by virtue of his dad being the late great Daniel Vangarde. It's no wonder Vangarde came to be known as 'the secret father' of French disco. A titan of the genre's cosmic and funky strands in France, Vangarde's numerous instrumental recordings saw him eventually rub shoulders with many other great contemporaries such as Petula Clark, Sheila and Joe Dassin. Zagora Records was his home turf; a short-lived record label that housed his only ever album in 1975. This compilation by Because Music hears a depths-plunging of the Zagora Records vaults, unearthing a slew of never-heard-before recordings to the public, and shedding light on his various production credits and monikers.
Review: DJ pioneer and Balearic forefather Daniele Baldelli originally released his Baia Degli Angeli 1977-1978 album way back in 2005 on CD. It has now been pressed to vinyl across a series of different installments and this third part comes on two 12"s. It is jam-packed with rarities and anthems from Baia 77/78 and on the inside cover is the Antibaia strip, a historic comic drawn by Andrew Joseph Corsaletti. Musically it's a dazzling mix of disco, Balearic and smooth sunset sounds that ooze class. Another essential outing from the one and only Daniele Baldelli.
Review: Outer-psychic dance orienteers Invisible Inc. return to the fore with a bright, effulgent, new wave and disco infused EP, Sordid Sound System's 'Gimme Fever'. A pungent, eight-track mini-record best played at a motorik tempo, this one wafts full Oort clouds of psychosomatic orga-noise in a refractive stylistic rain-ring, coming full circle on torrential synth cascades like 'Gimme Fever' and 'Inanna'. Opener 'Wired Wyrd' is circuitous and boxy enough, and keeps truer to a surfy song format, recalling early filter-glam James Ferraro. We reach a full, pavilioned exotic head within the plodding pergola that is 'The Ocean', up which rare vines climb a trellis made of tuned steel pans and reso-sploited marimba.
Review: Black Devil Disco Club brings its unique sense of style this this special pink vinyl LP which arrives in seriously limited quantities. These are psyched-out takes on disco with a rugged edge but plenty of thinking arps such as on the opener 'Corps Magnifique' with its French spoken words adding an air of romance. 'Corps Magnifique' pairs haggling metal synths with rugged beats and 'Etincelles' then has rugged bass and acidic leads bring menace to the party. The flipside features three more curious and left-of-centre takes on disco.
Review: Disco Segreta unveils a mesmerising tale from late 1970s Italian disco that spotlights Sicilian maestro Franco D'Accardi. Leading ASA (Artisti Siciliani Associati), Franco blended genres including disco, folk and rock when, in 1979, he collaborated with American model Adrienne Edwards, releasing 'Mystic Night' and 'Disco Dancing' on a limited 45 RPM record. 'Mystic Night' electrifies with its fusion of drums, congas, and Adrienne's vocals creating a seductive disco masterpiece. Disco Segreta revitalizes these gems, including the B-side's vibrant rendition of Stanley Turrentine's 'Disco Dancing,' preserving their allure for contemporary audiences. These reissues celebrate the twilight of Italy's golden disco era in impeccable remastered form.
Review: The joyously catchy Italo disco gem 'Scusa Ma Ti Amo' is the third single by celebrated Italian showgirl, actress, presenter, and singer Patrizia Pellegrino. It was originally released in 1983 when she was at the height of her powers and success and is a cult classic for those who know. Now, for the first time, it's being reissued in this new edition on limited edition, numbered black vinyl 7" records, with only 300 copies available, so do not sleep on this steamy disco dazzler.
Review: Asha Puthli's triumphant return to the stage after 44 years is marked by tour dates across the US, Australia, and Europe, including iconic performances at Glastonbury and We Out Here. To celebrate this milestone, Mr Bongo has repressed her legendary 1976 album, The Devil Is Loose, on gold vinyl. This album, featuring the psychedelic disco-funk classic 'Space Talk,' exemplifies Puthli's eclectic career spanning 60s psyche, free-jazz, pop, rock and disco. Each track on The Devil Is Loose highlights Puthli's celestial style and sumptuous vocal range, supported by orchestral-infused, disco-enhanced instrumentation. The album transitions seamlessly from the infectious funk of 'Flying Fish' to the cosmic transcendence of the title track, and the choir-channelling 'Say Yes.' Puthli's majestic vocals cast a unique spell, making the album cinematic and captivating throughout. Whether replacing a worn-out original copy or discovering Asha Puthli for the first time, this quintessential slice of her world promises to enchant and inspire.
Review: Tantra II, the fourth album by Tantra, showcases the band's electric fusion of disco, funk, and electronic elements. The recording sessions were helmed by producer Celso Valli, and the record was initially unveiled in 1982 to great acclaim. The album takes the form of two extended jams, one on each side, with funk, Italo, Balearic, cosmic and more all influencing the extended dance floor jams. Now it is reissued for the first time ever on vinyl so gets the full treatment with a pressing on nice heavyweight 180g wax and is presented in a limited edition run of just 300 copies.
Review: After their debut collab on this label back in 2020, Afro-Cosmic pioneer Daniele Baldelli and sometime FPI Project member Marco Fratty are back once again with a new album, Graffito that taps into all their many years of experience at the forefront of this sound as producers and influential DJs. It's a record packed with cosmic arps and dazzling synth lines that reach for the stars over heavy, churning drums that lock you in. The track titles give more than subtle hints as to the vibes of these pieces, all of which are utterly timeless and could be long-lost 70s classics or future gems.
Review: Berlin-based Saturns Drive is a project by New Zealand-born DJ and producer Elfy, and is one that takes its cues from a world of early sci-fi, exotica and library music, as well as coming on thick with cosmic disco synthesizers, Italo grooves and lush arps. His latest outing 'Next Stop Nebula' also brings in slide guitars and retro digital synth sounds over the top of rhythms that owe a debt to the 90s. It's a fresh and new sound that makes for expansive, immersive listening and transports you to an imagery, sun-kissed world where gentle grooves like 'Next Stop Nebula' and 'Bride Of Frankenstein' await for a nice laid-back party.
Close To You (Daniele Baldelli & Marco Dionigi remix) (5:13)
I Forgive (Luca Dell'Orso remix) (6:07)
Say Goodbye (Endrik Schroeder Lost Love remix) (6:17)
I Forgive (David Van Bylen remix) (4:38)
Conqueror (Hard Ton remix) (6:23)
Prosperous (Boys' shorts extended version) (6:48)
Say Goodbye (Phunkadelica remix) (6:55)
Review: Lucca Leeloo makes a big and bold and brilliant return here with a new remix album, 'Prosperous' featuring new versions of tracks from his latest long player. It is an adventurous and epic mix of cosmic, indie dance, Italo and nu-disco that has all got the club firmly in mind. And you would expect as much given that the producer has this time enlisted cornerstones of those scenes such as Shubostar, Daniele Baldelli & Marco Dionigi, Luca dell'Orso, Endrik Schroeder, David Van Bylen, Hard Ton, Boys' Shorts and Phunkadelica.
Review: Hailing from Philadelphia, the Eraserhood Sound label has been fostering a particularly cosmic bend of synths and soul music which is primarily rounded out by their in-house band, Fantasy 15. Following a string of on-point singles, the group now coalesce for a hotly anticipated debut album which delivers on the promise of those early drops. Drop in on 'Ray Gun' and let the thick swathes of brain-tickling synths send you stratospheric - this is hot and heavy boogie colliding with the loftiest prog and coming up trumps. There is a luscious vocal cut featuring Kendra Morris, but primarily this is an instrumental trip to take you very far out indeed.
Review: The latest record to waft from the Four Flies feeding ground focuses on Paolo Zavallone, an elusive musician and patron of the DIY music label Paloma Records, which only saw five records released. After venturing into the world of music publishing in 1983, Zavallone would either produce licensed-for-film music himself, or consign the task to his peers, chiefly his friend Mauro Malavasi. This record, made up of a quint of nameless, coverless records, captures the highlights of the sottofondi style, i.e. incidental music made largely for early 80s Italian comedy series on TV. Easy listening fusion blends with pots-and-pans avant-gardism ('Cronaca Nera' particularly), proving the remarkably prescient range of an obscure musician.
Review: Hypnosis (more often than not written 'Hipnosis') enjoyed success in their native Italy in the early-to-mid 1980s, initially with club-focused Italo-disco interpretations of then contemporary cuts by fellow European synth-fanciers. Having debuted in 1983 with a cover of Vangelis's 'Pulstar', they followed it up by taking on Jean-Michel Jarre's global smash 'Oxygene'. Here it gets a deserved reissue, allowing a new generation to revel in its alluring mixture of arpeggio-style bass, rubbery bass guitar licks, cascading electronics, triple-time drums and electrofunk inspired translations of Jarre's famous, insatiably hooky melody. Also included is original B-side 'Borpaz', a deliciously spacey, delay-laden original composition that includes some seriously funky synth licks and a proper early morning groove.
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