Review: On their debut album, 2016's the Tony Allen Experiments, Naples twosome Nu Guinea re-invented tracks by the legendary Afro-beat drummer as synth-heavy chunks of deep jazz-funk and nu-Balearica. For this follow-up - their first full length entirely made up of their own compositions - the duo serves up a set of jazz-funk, disco and boogie cuts rich in both their trademark colourful analogue synthesizer sounds and live instrumentation. It's a formula that guarantees a string of memorable highlights, from the sun-kissed peak-time brilliance of "Disco Sole" and rubbery, funk-fuelled "Je Vulesse" (a killer vocal number), to the wobbly downtempo trip of "A Voce E Napule" and Mizell Brothers fizz of closer "Parev Ajare", the album's most synthesizer-heavy cut.
Review: Marcella Bella's 'Nell'Aria' is an evergreen slice of Italian disco, originally recorded and released in 1985. On this POPART release, the swooning romanticism and crisp production of the original version sounds better than ever as the high profile Italian diva Bella soars over a full-fat arrangement loaded with bombast. Keeping things interesting, we're also treated to a 2017 update 'Aria Latina' which injects some Latin energy into the classic. Meanwhile, the B-side is given over to an extended edit of the original by Francesco Cicchini, who takes the track to the stratosphere with a tasteful treatment
Review: Originally released in 1979 on Dominant Records, this double single features production by Italian composers and vocalists Antonio Iglio and Antonio Moxedano. 'Tigre' and 'Gennarino 'O Sioux'' saw extreme demand after becoming instant cult classics. The bass is tight and the vocal melodies are instant foot tappers, you'll be humming it for hours. The original 7" is one of the most wanted and rarest around, with very few copies ever going on the second hand market - reaching the hundreds in some cases - a huge leap forward for the Neapolitan Disco Funk scene, and a testament to the pure talent of these artists in what was arguably the beginning of a golden era for Italian funk and soul.
Review: Playful Italian club cuts from Gerardo Frisina on his astutely named LP Joyful Sound. Taking influence from well-trodden sounds, perhaps each describable (at least by genre pedants) as Afro-Latin music, broken beat, jazzdance and minimal house - whatever the symbiotic result, it sounds great. We're caught off-guard as low-end scraping pulsers like 'Almost Free' blend surprisingly brilliantly with dreamy piano-minimal bits such as 'Kilig'.
Review: Latest in our cornucopian supply of Afro-funk and dance crossover music comes Italian supergroup Addict Ameba with a new, sophomore single version of the 2024 LP Caosmosi, which followed on from 2020's Panamor, and demonstrated an impressive ear for stylistic continuity. Led up by the Josh Idehen-featuring single 'Look At Us', this polydirectional power mover crossed between desert blues, Afrobeat, Latin rock and Ethio-jazz, all while offering a slickly maximised sound - careful not too sacrifice all the headroom, though it occupied more than enough space to cross into the periodic threshold of weird. This 7" study of the record, focusing on tracks 'Caosmosi' and 'Por Nostalgia', suggest two of the album's best selective choices for the roving DJ.
Review: Mistura Pura is an alias for Italian jazz funk artist Federica Grappasonni, who first came to light via the 2018 album Hollywood Spritz on Ubiquity. After a follow-up two years later, finally Grappasonni is back with this classy 7", which we can only assume precedes another long player for Ubiquity soon after. 'Vamo Vive' and 'Ed E' are everything you could wish for from her welcome return, bursting with infectious groove and exquisite musicality. Cop this smoking hot single now and be the first to spread the good word about this stellar artist and her latest sounds.
Sacred Love (feat Giulia La Rosa (Clapping version)) (4:19)
Review: As Galathea, Sicilian producer Massimo Napoli has been cooking up some outstanding cuts for the Italian Space Echo label over the past couple of years. Afro-Latin rhythms, soul jazz, dub and more besides all feed into his sound, which manifests perfectly on this new single fronted by vocalist Giulia La Rosa. 'Sacred Love' has a stripped-back, minimalist approach which makes it all the more potent, as Napoli exercises a restraint which creates drama and tension in the negative space around the groove. La Rosa's smouldering vocal is the icing on the cake for this deep, funky cut which will turn heads each and every time it gets dropped.
Review: Back in 2017, Four Flies Records unearthed and released a previously unheard "Afro-cosmic funk" EP from Italian soundtrack and library music legend Alessandro Alessandroni. Three years on, they've decided to give the 1978 recording the remix treatment. Bolissa and guests Calibra 35 kick things off with a densely percussive, out-of-this-world take on "Afro-Voodoo", before Pad re-imagines "Afro Darkness" as a chugging chunk of beatdown-disco laden with colossal chords, arpeggio bass and intergalactic electronics. Over on side B the "Jolly Mare Lifting" version of "Afro Discoteca" is a veritable leftfield disco stomper notable for its low-slung bass and spacey Moog lines, while Luca's "Quirky Version" of "Afro Darkness" is the kind of hallucinogenic, Marimba-tinged number that you can imagine Daniele Baldelli playing at the Cosmic Club circa 1981.
Review: More scalpel-wielding reworks of vintage cuts from 'bella Italia' (that's Italy, not the Italian-themed restaurant chain) courtesy of the ever on-point Belpease crew. This time round they begin with 'Un Colpo al Cuore', a fine rearrangement of a soaring Italian disco gem from (we think) the late 1970s - all Chic-style bass and guitars, spacey synths, sweeping orchestration and sweet, eyes-closed female vocals. Over on the flip, 'Inevitable' takes us into quirky disco-funk territory, with down-low guitar, organ and Clavinet licks vying for sound space with shuffling drum-breaks, heady horns and stylish blue-eyed soul vocals. Like the A-side, it's a winner.
Sono Come Sono (Whodamanny instrumental remix) (4:29)
Sono Come Sono (Whodamanny remix) (4:00)
Sono Come Sono (Whodamanny extended instrumental remix) (6:26)
Review: Internationally acclaimed Italian singer, multi-instrumentalist and songwriter Chiara Civello unveils a new single, 'Sono Come Sono', blending a mixture of Neapolitan funk and club-infused rawness into four mixes. With the title roughly translating to 'it is what it is', the tune is a true, happy reflection on all things being immutable, and struggle being ultimately futile. Party on!
Review: While Toy Tonics' first Italomania compilation, released back in 2010, featured fresh reworks of classic Italian disco tracks, this belated sequel celebrates a new generation if Italian disco and nu-disco artists. This - as they have made clear - is not synth-heavy Italo-disco revivalism, but disco revivalism and disco-house fusion made by Italians. It's a great collection all told, with highlights including the hybrid disco-boogie brilliance of Tommiboy's 'La Sfinge (featuring D Disco Band)', the synth disco-meets-jazz-funk flex of Severino and Giocomo Mora's 'Maledetto', the coloruful nu-disco excellence of Munk & Kapote's 'La Musica (Hot DJ version)', the orchestrated disco cheeriness of 'SessoSpaghetti (extended mix)' by Finniani & Angeleri - an authentically eccentric excursion - and the synth-heavy squelch of 'Tropica' by Giovanni Damico.
Review: Danse Cette Zik by Parbleu, released on Periodica Records, is a fascinating journey through equatorial grooves and multicultural influences. The debut LP from this mysterious ensemble offers a blend of dynamic disco, futuristic funk and cinematic jazz fusion infused with Caribbean dub, Latin tropicalia and Afrobeat rhythms. From soulful serenades to mystical chants and expressive diva performances, the album's evocative instrumentals and breathtaking vocals create a mesmerizing tapestry of sound. Funky guitars, reggae riffs and jazz-rock solos interplay with fusion synthesizers and island-inspired percussion, while basslines pulse with 70s fusion fire and Italo synth-funk grooves. Expertly crafted at West Hill Studio, Danse Cette Zik is an imagined world of exotic landscapes, perfect for coastal paradises, desert vistas, or moonlit nightclub escapades. It's a thrilling adventure in sonic exploration that showcases Parbleu's unique blend of musical influences and creative vision.
Review: Girl group Eva Eva Eva (who also worked as Le Figlie Del Vento) ever released only two albums - this self-titled effort from 1978 which for the purposes of this remix is newly appended with 'Love Me Please Forever', and another one that followed a similar naming convention - their 1977 debut Donna Donna Donna. All of them are cult classics that bring funk and soul and electric touches to a disco framework. The vocals are steamy and libidinous throughout and the grooves hella catchy. It's a classy work with plenty of fantastic hooks.
Ramasandiran Somusundaram - "Contrabbando Di Fagioli" (3:09)
Jean Paul & Angelique - "Africa Sound" (4:37)
Weyman Corporation - "Kumbayero" (5:00)
African Revival - "Soul Makossa" (3:41)
Lara Saint Paul - "The Voodoo Lady" (5:12)
Beryl Cunningham - "Why O" (4:14)
Augusto Martelli & The Real McCoy - "Calorie" (4:25)
Prognosi Riservata - "MAAGO" (3:05)
Review: Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore: The Afro-Funk Side of Italy (1973-1978) takes us on a captivating carpet-ride into the intersection of Afro-funk and the Italian soundscape prevalent in the six years between 1973 and 1978 - a time when disco was still in its nascence, and the nightclub market was rapidly expanding. Bottling the critical moment at which DJs such as Dave Mancuso discovered Manu Dibango's 'Soul Makossa' - with classics such like Jean Paul & Angelique's 'Africa Sound' and Nat King Cole's 'Calypso Blues' following as floor-bound hits - all these productions pushed the boundaries of dance music at a time when disco had not yet taken over.
Review: There is a ton of excellent disco edits dropping right now, and whether that is a fluke or because we all love to hear some big and life-affirming sounds when it comes to the Christmas party season we cannot be sure. This 12" from Ri Edito is a second volume from the in-house production team and it's a steamy one. 'Al Dancing' is full of sensuous whispered vocals and yacht rock cool, then 'Imprevedibile' rides another sunny beat with soaring strings. 'La Rosa' then keeps it funky and lavish thanks to more synth strings and gentle keys. 'Vaiaccaga' closes out with a weird vocal that is heavily filtered and sounds multi-lingual.
Review: This collaboration album La Comitiva on Bubbles marks a unique partnership between Erlend Oye and the Italian band La Comitiva. Blending indie pop, folk, and electronic elements, it delivers a fresh and innovative sound and new take on pop. Erlend Oye's soulful vocals and reflective lyrics are enriched by La Comitiva's rich instrumentation to create an immersive journey through diverse musical influences and inspirations. From the catchy rhythms of 'Garota' to the dreamy ambiance of 'Fence Me In,' each track offers distinct melodies and storytelling that stay with you. There are emotive vocals and dynamic instrumentation throughout as well as some genre-defying sounds all of which will captivate fans old and new.
Review: Not to be confused with 80s synth-poppers or an early Carl Craig alias, Psyche is in fact a crack team of players from Naples who have been active for some two decades. In more recent times you might have heard Marcello Giannini, Andrea De Fazio and Paolo Petrella playing as part of Nu Genea's touring band, but after their first tour in 2018 they formed this project as a means of exploring a more minimal, flowing approach to playing their chosen instruments. If Psyche is in some ways a back to basics record, it's also a showcase for their incredible talent at weaving gently psychedelic grooves from simple ingredients. The sound has a perfect treatment, with plenty of reverb and analogue warmth in the mix, all the better to savour the laconic instrumental pieces the band perform.
Review: Acqua Di Sale, the debut mini-album by the enigmatic Rosa, captures the essence of boogielicious synth-pop from Napoli. Recorded at West Hill Studio and produced by the renowned Neapolitan team behind Mystic Jungle Tribe, this album inaugurates the Pegaso Series on Periodica Records. With its velvety funk bass, smooth saxophones, and Nigel Rodgers-inspired guitars, Acqua Di Sale effortlessly evokes the polished synth-pop sound of the eighties. Rosa sings enigmatically in the Neapolitan dialect, adding an air of mystery to the already seductive melodies. The album's six tracks are tastefully artificial, featuring drum machines and other quintessentially eighties elements, perfect for a sophisticated cocktail evening. The music feels timeless yet modern, allowing listeners to immerse themselves in a continuous loop of evocative soundscapes. 'Acqua Di Sale' is not just another nostalgic throwback but a fresh take on synthpop that honours its roots while embracing contemporary production. It's an album that invites you to experience the romantic and clandestine Napoli of the heart, where vivid emotions and forbidden desires intertwine seamlessly.
Samba Du Scujonamentu (Danilo Braca & Bahia Alegria remix) (5:05)
Samba Du Scujonamentu (Danilo Braca instrumental Saudade Bossa mix) (5:26)
Samba Du Scujonamentu (Eld Russell Reggae Basement mix) (5:56)
Review: A true product of 2020, Dino Simone wrote and recorded 'Samba du Scujonamentu' during Italy's early lockdown as a "lucky charm" of hope and positivity. Now the track enjoys a swathe of remixes that take this heartfelt ditty in new directions, from the easy groove of Massimo Berardi's version to the tender, soul stirring musicality of Danilo Braca and Bahia Alegria's Latin-influenced take rendered across three distinct mixes. There's also Simone's light-hearted original to enjoy, plus Eld Russell's swirling, heavily treated 'Reggae Basement Mix' for those who like things dubby.
Review: We really have a soft spot for the Four Flies late out of Italy. Their mix of world, Latin, library, jazz and plenty of other cultured in-between sounds always brings a smile to our face and dancers to our dance floors. This new 7" takes the form of a second single to be taken from Psyche's (aka Naples collective Marcello Giannini, Andrea De Fazio and Paolo Petrella) debut long player which is due in May. It's a compelling cut that offers a rich exploration of rhythm and the movements of an imaginary ritual dance. Synths and drums, guitar and bass and percussion all interplay delightfully.
Review: Four Flies thrillingly reissues Piero Umiliani's soundtrack to the 1969?giallo thrille Orgasmo (curiously retitled Paranoia in English speaking countries), the firstof three erotically charged? ilms directed by Umberto Lenzi and starring cult siren (and Oscar nominee) Following the first ever release of this OST in 2020, this follow-up version hears Four Flies top up the release with a fuller restoration, after some serious detective work in the composer's archives revealed a post-hoc salvaging of the original tapes, where they where first thought to be lost or unusable. Bringing Umiliani's score back to life for all to enjoy, Orgasmo perfectly captures the stylish and sleazy vibe of Lenzi's film, its acid-drenched visuals, and its themes of sick psychological mind games (courtesy of the devious characters played by Swedish enfant terrible Lou Castel and?French beauty?Colette Descombes).
Review: Salerno star Carlo Fontana is the subject of this new release from Futuribile. It is a collection of his most treasured unreleased gems and hard to find classics that provides a perfect overview of his wonderful sound for fans old and new. These lush sounds combine layered brass, jazz horns, sunny keys and crooning, loved up vocals with plenty of sliding bass and rich harmonisations. They're disco ready and perfect for Balearic gatherings as they ooze tropical and exotic charm from front to back. Each one has been remastered to sound as good as gold, too.
Review: Yet another record in our recent deluge of Italian disco rarities, this one comes from the trusted tastemakers over at Disco Segreta. Spazio Vitale, an 8-piece band from Genoa, originally released this space-age split single to flaunt their instrumental and synth chops in the realm of disco, making heavy use of niche gear like th Eminent 210 Unique and Clavinet Hohner D6. This 7" reissue shines a light on the Genoa scene at the time, important as a bastion of experimental disco.
Review: Alessandro Alessandroni is a library music legend who set the blueprint for the genre early on and then managed to get even more famous because of providing the iconic whistle on famous spaghetti western 'A Fistful of Dollars'. The influential composer and musician had a big say in the world of soundtracks during the 60s and 70sFour Flies have often released his work or covers of it. The tunes on this 7" are taken from an obscure 1975 Italian film by Elio Bartolini. They walk the thin line between disco and funk and jazz-funk with big horn and rhythm sections. Both might have been lost forever if it weren't for the fact that this label put them on the now modern classic and hard to find compilations Esterno Notte and Esterno Giorno.
Review: Legendary Italian drummer Tullio De Piscopo's quintet offered up the magnificent Future Percussion in 1978. It is a cult classic album for collocates and anyone else that now gets a deserving reissue owing to its hard to fid and expressive nature. It is a fantastic suite of cuts with rare musicality and expressive jazzy sax solos, splashing cymbals and rousing drum work. These are powerful evocative pieces that can elicit everything from rage to romance, tears to sweat. Music like this will never age.
Review: Milord makes his long-awaited return to Periodica here and in doing so trades his signature electro mysticism for boogie funk, disco dubs and a bit of sun-drenched pop. The club mix to kick off with is a hypnotic, ever-evolving journey through psychedelic grooves with energised chants, sleek vocals and futuristic vocoder accents. The dub version brings some Afro-tribal rhythm and bass from techno with lush pianos adding a cosmic atmosphere. The radio mix blends Kraftwerk-inspired touches with bright, sunlit pop and bubbling basslines to lodge deep in your psyche next to some jangly guitar licks. Perfect genre-blurring escapism, then.
Review: Roll up here for some super catchy jazz-funk and textbook Italo-funk goodness from Mirko. This reissued version of the original and cult classic has been fully restored from the original source thanks to Erezioni. It's a glorious early electronic cut from south Italian-based singer and multi-instrumentalist Mario Rosini that dropped back in the 80s and has been the holy grail for many ever since. It has lovely analogue textures next to soothing vocal coos and withering synths that all brim and bubble with funk and soul.
Review: 'Anything Goes Vol. 7' the latest vinyl release EP from Rollover Edit Service, a subsidiary of Anything Goes, is back. Delve into the Italian music scene of the 70s and early 80s with four meticulously edited gems; all four versions here are billed as originals, credited to contemporary producers' hands (Black Pomade, Pablot, etc.) yet are heavily built around each respective sample. Our highlight is the hard-won, twangy B4, 'Prima O Poi Ti Prendero'.
Review: There's always something to catch the ear in the tradition of disco and funk from Naples, and so it goes with this diggers' delight by Stani Labonia. Originally released on It/RCA in 1978, it's an album with a quirk in its lavish arrangements, which were put together by the likes of Pino Daniele and many other respected figures from the history of Neaopolitan music. It's Labonia who gives the album its unique, wild energy though, while Jenny Sorrenti brings some wonderful vocal additions to 'E Jennifer Non Sa'. If you're into the world of European soul oddities from yesteryear, you're going to love this reissue on La Matta.
Review: If you were able to track down an original copy of Dana's soul single, 1977's 'Estate', for sale, it would most likely set you back a few hundred pounds. Helpfully, the excellent Disco Segrata label has tracked down the creators and cut a deal to reissue it. The title track (side A) is a fine example of eccentric, sun-splashed Mediterranean disco of the sort that Italian producers excelled at before the more electronic and synth-pop influenced Italo-disco sound emerged some years later. It does feature some spacey synths, but also organic grooves, infectious lead vocals and some sparkling, suitably summery melodies. 'S'inghelada' takes a similar sonic approach, opting for even heavier bass, liberal use of jazzy and Spanish style guitar solos, and even bolder 'dancing by the beach in Rimini' lead lines.
Review: Brand new promo pressure from veteran label Right Tempo, hailing from Milan. Pushing acid jazz and downtempo since 1993, they here continue to demonstrate just how it's done exactly with Attilio Zanchi's 'Mingus Portrait' and their remixes by their very own resident DJ Farrapo. Forfending brasher breaks or whackout jazz - in favour of a set of much steamier, downtemporal distillations - Zanchi's originally, already romantic takes on Charles Mingus' sonic world are lent an even slinkier feline essence by the remixer. Ever further realising Zanchi's dream of honing Mingus' essence, the best of the bunch has to be the slow burner 'For Harry Carney'.
Review: 'Storia Fantasy' is a second release from Reparto Vinile that again marries Italo influences to a range of different genres. The label is based in Monferrato in Italy (which is a UNESCO World Heritage Site) and it is helmed by influential Italian Luca Bernascone. Here he assumes his new production alias Cabopolonio for a super new single. The vocal version is a nice mood tempo roller with lush pines and cosmic twinkles, vibraphone melodies and a nice retro edge to it. The instrumental version is a little more deep and slow. The dub element means it seduces even more and marks a second fine drop from this label.
Review: Some 20 years on from the acclaimed Nicola Conte presents Rosalia De Souza album Garota Moderna, it now gets a full reissue across double vinyl on Schema out of Italy. It is a high class debut record that has more than stood the test of time and has always been of great interest to fans of artists like Patricia Marx and Bebel Gilberto. The singer's sunny vocals soar over the lush Brazilian rhythms with samba, bossa, broken beat and new jazz all thrown down and blended together. Instrumentals are rich and authentic and take you to a beach, sipping a cocktail under a beaming sun.
Ramasandiran Somusundaram - "Contrabbando Di Fagioli"
Jaen Paul & Angelique - "Africa Sound"
Weyman Corporation - "Kumbayero"
African Revival - "Soul Makossa"
Lara Saint Paul - "The Voodoo Lady"
Beryl Cunningham - "Why O"
Augusto Martelli & The Real McCoy - "Calories"
Prognosi Riservata - "MAAGGO"
Review: Four Flies continue their mission to plunge Italy's funk-historical depths. The pinnacle of their search so far for the sure-to-exist pearly gems on the sands thereunder is the new Africamore compilation, which homes in like a heat-seeking torpedo on the particular Afro- ends of the funk sound prevalent in the nation, in the crucial years between 1973 and 1978. This period was notable for its facilitating fertile ground for the emerging discotheque market in Italy at the time. From psychedelic-tinged tunes like Jean Paul & Angelique's 'Africa Sound' to Afrobeat-esque club banger 'Kumbayero' by Albert Verrecchia; from groundbreaking Afro-cosmics like Chrisma's 'Amore to mind-blowing floor-fillers like Beryl Cunningham's 'Why O', this is a multivalent compilation, among the best out there to document the burblings of that crosswise stew of disco, funk, electro and world musics.
Review: Rome label Maledetta Discoteca Records encouraged a bunch of talented local musicians to get together and play live, embrace spontaneity and do their improvised best. What results is this new record, which is funk at its core, but which is coloured by so much more around the edges. Recorded in the historic Auditorium 900 studios with sound engineer Fabrizio Piccolo, the record takes in everything from 70s instrumentals to progressive funk, Hispanic rock and more with all manner of wah wah guitars, synths and organ bringing each groove to life in tiles fashion.
Review: Tullio De Piscop is an Italian drummer of some repute. He worked solo and with his quartet and interest in his records, many of which were recorded back in the 70s, has piqued recently resulting in a load of reissues. Sotto E 'Ncoppa is one of them and it was recorded back in 1976 and has since gone up in value and rarity. It's a jazz-rock fusion album with a whole host of electric guitar, bass, saxophones and pianos on it that embelish each cut and make the whole thing packed with detail.
Review: Sometimes we get some wonderfully enigmatic notes with new releases and this is one of them. Rather than share them all, enjoy this one line - "Protecting the past by projecting it into the future, preserving identities, encouraging conversations across generations, and above all, safeguarding the island of Procida's vast intangible cultural heritage from extinction." Now you can ponder the meaning of that while getting lost in a collection of global grooves that span dub, downtempo, ambient jungle, Balearic and more with plenty of humid atmospheres, whimsical melodies and a general sense of mystic aura that will keep you coming back for more.
Review: Rita And The Danger ' Io E Lui Al Lago Nassua' is a much sought after but hard to find track from Rita And The Danger. It was recorded some 44 years ago in the Italian city of Bari and for this first ever reissue has been fully restored so it sounds superb. Originally released in 1980 on the Flop Record label it has lush melodic overtones that flow into synthesized sequences that recall early electronic pop. The cult success of the track ensured that Rita and The Danger connected with an audience that reached well outside their home region of Puglia in southern Italy.
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