Review: Since returning to action in 2016 after a seven-year break, 1990s techno survivor Lee Renacre AKA 100 Hz has released some of the best music of his career. This fine four-tracker marks the long-serving Londoner's first outing on Romanian imprint Amphia, who are best known for serving up sparse, minimalistic tech-house. As you'd expect, there's a slightly fuller sound here, though sonically it's as pleasingly druggy and mind-mangling as much of the imprint's output. Renacre brilliantly flits between trippy, arpeggio-driven, house-tempo techno (the otherworldly 'Machines of May'), dubstep-influenced UK bass/techno fusion ('Gadget', which echoes the ethos of his early 100 Hz releases with James Chapman), intergalactic tech-house ('Dark as Night'), and frankly filthy low-end wobblers ('Swiss').
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