Review: It's common knowledge now that #.4.26. is Ilian Tape mainman Dario Zenker, who under this alias released a slew of hard hitting DJ tools on cult label Frozen Border - and this is his first new material under the name since five years. From the sheer terror of dynamic opener "Mono Middle", a dystopian electro number saturated in dense lo-fi fuzz, the broken beats continue on the minimal boom and thump of "Whenever Voi". But it's the B side that proclaims no more Mr. Nice Guy here, with the slamming old school energy of "Free Upload" calling to mind the early '90s sound of Djax or Pro-Jex, while "Van Cul" again demonstrates Zenker's fine ability to weave broken beat arrangements into epic, big room techno bangers.
Review: London label No More Dreams are back with more dry-as-a-bone techno reductions by Sweden's Axel Backman. This will appeal to fans of Waveform Transmissions era Jeff Mills (particularly on the savage and cyclical grind of "93") or classic Regis and Surgeon. Shadowy British duo Rezzett get onboard for a remix of "94" on the flip , where the Trilogy Tapes affiliated artists replace the gutsy tribal stomp of the original with a deep and slow burning rendition that slithers away beneath dense tape saturation and hiss -much like a vivid dream sequence captured to VHS. Bold stuff indeed. Tip!
Review: Frustrated Funk, Shopwrec and Central Processing Unit are just some of the quality labels on which the enigmatic 214 has delivered his wayward strains of electro and techno. This new single for Lunar Disko is straight-up, high calibre business, as per usual, starting with the mesmerising pads and alluring soundscapes of "The Breakfast Club", a beat-driven escapade through a wave of majestic synths. "Lunar Landing" is more on the Dutch electro side of things, thanks to its sub-aquatic beats and general demeanour while, on the flip, "Jade" injects some Chicago house live through an industrial filter, and "Hurley" liquifies its synths down to a thick pool of sonics and subtle beats. Gorgeous music.
Review: One year later, UVB-76's shadowy collective 4 6 2 5 strike again with two more unique startling schematics. Flexing across the tempo axis, "Sedition" leads with a fast 170 twist as hard pneumatic kicks cut through the dense foggy atmospherics before doubling up the momentum and taking unpredictable twists midway. "Crown Of Nails" maintains the hunchback pressure and that heavy foreboding sense synonymous with each member of the collective, but does so at a cool 105BPM pace giving space for each percussive element to ricochet around your purdy little pranged-out soul.
Review: 4E used to be Khan's apartment number in New York City's East Village back in the late 90's. 4E became the trademark sound for his downbeat acid infused electro work. On his kitchen floor he produced a very unique brand of futuristic funk tracks with only a ROLAND TB-303, SH-101 and the Hip-Hop fundamental SP1200 drum sampler. Besides a couple of 12"s for Force Inc. Music and the "Gentle Killer E.P." on Freddy Fresh's Socket imprint, 4E released the highly acclaimed downbeat electro album "4E4ME4YOU" on German glitch label Mille Plateaux. Back in 1998 4E shared the now legendary 12" with I-F "Space Invaders Are Smoking Grass" on the "From Beyond Series" by Ectomorph's Interdimensional Transmissions. Pills & Thrills" on Temple Traxx is four previously unreleased acid-electro stomper that are as funky and noisy as it can get on an East Village kitchen floor.
Review: Surface Records has never pulled any punches as one of the UK's toughest techno labels, and The 65D Mavericks have embodied the same spirit with their charged, lyrically provocative approach. After a lengthy hiatus label and artist are back in action, and sounding as fierce as ever. "False Prophets" is not for the faint hearted - an avalanche of thunderous drums and expletive-laden diatribes. "Cosmic Drift" is marginally more meditative, but still positively unhinged in its execution. "You Lost Your Mind" flails around a muddy, punky swamp of deviant sonic behaviour, and "Immovable (dub)" throws one last curveball into the long grass, stripping out the bark without losing the bite of this proudly individual group of techno marauders.
Review: Fresh from serving up some savage "Rave Reworks" on an ultra-limited 12" single, techno's leading number crunchers return with an EP of fresh studio jams. As usual, what's on offer is intense, full-throttle and mind-altering in the extreme. Check, for example, opener (and title track) "000000005", where increasingly ragged, wayward and psychedelic acid lines surge forwards over a stomping, kick-drum dominated beat, or"000000006", an acid techno onslaught that waves a glow-stick towards the Halcyon days of German techno-trance. The acid-fired '90s techno revivalism continues on the flip with two more chunks of sweaty, mind-altering peak-time insanity. Not one for the faint hearted.
Review: The shady, provocative artist who goes by the name of 99Letters is back with a selection of mesmerising techno-not-techno tracks for the young and audacious Dalmata Daniel label. As with the rest of this producer's music, these jittery, improvisational outsider tunes have got the sound of the cassette hiss very much at the forefront of the mix, and you can almost hear the cogs of those reel-to-reels turning gloriously. "Neo Life" is a pallid, dreamy stratosphere of beats and pads, but the lead tune "Untold Future" is where we really begin to hear 99Letters' style, that dubby, hazy kind of techno that travels on the borders of dance music and electronica. "Cooper" is similarly washed-out, except that here the beat arrangement has got more in common with electro than tech, while "Neo Life (TRP dub)" is a solid, acid-ridden squelcher with a magnificent layer of distortion and analogue funk.