Review: Neil Anderson's unashamedly revivalist Original Gravity label is back once again - when are they not dropping heat, frankly? - with more funk goodness. This time out it is two more massive slices of tasty Latin funk getting served up. The first is Abram & Nestor's 'Four Minutes Of Funk' which is indeed four minutes of funk that will unite dancefloors from here to eternity with its big organ magic. Nestor Alvarez' 'El Trombonista' is as you might guess denied by its big trombone and also boasts some great horn work. These are two steamy and sizzling cuts that prove irresistible.
Review: Neil Anderson's Original Gravity loves to look back and revive forgotten classics and that is what it does again here with a quick reissue of something it dropped back in March. This time out it is two more massive slices of tasty Latin funk getting served up. The first is Abram & Nestor's 'Four Minutes Of Funk' which is indeed four minutes of funk that will unite dancefloors from here to eternity with its big organ magic. Nestor Alvarez' 'El Trombonista' is as you might guess denied by its big trombone and also boasts some great horn work. Do not sleep.
Review: The eighth volume of the Big M's sample heavy series gives some old school classics the dirty breakbeat treatment. First up sees Breakbeat Junkie and DJP take on Tag Team's "Whoomp! (There It Is)", while DJ Kid Stretch re-imagines the legendary "Rapper's Delight" by Sugarhill Gang, laying down some funky as hell strings and killer drum programming. Flip over for the twisted synth carnival that is "Disco Monster" by Niko and the wobbling "Kingston Funk" by Stickybuds, which samples Basement Jaxx's evergreen "Do Your Thing".
Grand Mothers Funck - "The Dog" (Throw Me A Bone mix) (3:16)
Nasa Funk - "Stand Up" (3:36)
A Man About A Dog - "Pollos" (3:23)
Review: Perennial party boosters, Breakbeat Paradise dive into spring with a fire quartet of modern funk. With bands repping across Europe, it's a global groove affair as longstanding German funkateers buss up big boogie hooks on "Get On Down", Swiss soulboys Grand Mothers Funck up the tempo with the sweaty floor-focussed groove of "The Dog" and Nasa Funk fly the p-funk flag so hard and proud they need a new pole. UK's A Man About A Dog rips up the finale with a scratched-out Latin heater. Original.
Review: The Apricot Ballroom crew are operating out of Sheffield and carrying the torch from the foundational work of David Mancuso's Loft parties and similarly spirited affairs like Lucky Cloud. Now they launch a label loaded with smoking hot edits that very much speak to the vibe of their parties - rich, warm 70s grooves that spring from the staple sounds of disco into cool, slick and psychedelic spheres. First up is Joi La Frique with the French flair of 'Family Rally', while Beard In Dust lays down some heavy slapping, cowbell toting funk with 'Calypso Boy'. On the flip, Nonna Fab ups the boogie mood with some nasty Moog action on 'Tension (Release Mix)' before Lancaster Bomber whips up a proto house storm with 'African Sauna'.
Review: Rhythm Section International is one of the scene's most influential and therefore respected labels. Its Shouts 2021 compilation has already got plenty of plaudits and for good reason. It is a diverse selection from sure to be star names such as Liluzu who opens with the slow and snaking house of 'Nano.' Elsewhere Nidia brings a richly melodic perspective to some loose broken beats on 'Celebration' and Klein Sage's 'The Sayers' is a superbly vibes, stripped back bit of jazzy basement house with finger clicks to die for and a great monologue that pokes fun at plenty.
Review: The Original Gravity label is back with more of its fully functional but also exceptionally flair-fulled funk sounds, this time with Luchito and Nestor Alvarez behind 'Tighten Up.' It is another choice reissue that has been dug carefully out of the vaults and comes in seriously limited quantities on 7". Luchito & Nestor kick off with the original version of 'Tighten Up' on the a-side and it's packed with high-tempo breaks and sung-spoken vocals. On the flip is a more fiery and explicitly Latin affair with the warming chords and florid horns of Nestor Alvarez's 'Just Add Vibes.'
Review: Original Gravity return with another pair of tunes to elevate your soul. This time it is Luchito and Nestro Alvarez serving up the sounds on a limited 7" packed with Latin funk. 'Tighten Up' actually couldn't be any tighter. The drums prickle as they race along with breezy sung-spoken vocals up top and big horn work that will liven up any party. On the reverse is a more distinctly samba-styled tune with rich bossa rhythms, plenty of golden percussion and expressive horn work lighting up the grooves. It might be cold outside these days, but it will be warm inside with this one playing.
Review: London-based funk-mongers Original Gravity serve up some serious Latin heat from the mighty Luchito and Nestor Alvarez. Both artists were last on the label earlier this year for the Latin Fever Vol. 2 single, and now they're back with more life-affirming bursts of funk. Luchito takes up the A side with two tracks - 'Broasted Or Toasted' is a cool-as-you-like bit of jazzy beatdown with some sweet flute, while 'Hey Guajira Baby' is a singalong anthem rendered in the sweetest salsa tones. Alvarez is on the flip with the pattering bongo magic of 'Bang The Bongo Side' and the heavy groove of 'Lupita', which sounds like it's packed with deadly breaks for those who still like a little crate digging.
Review: Original Gravity return with another pair of tunes to elevate your soul. This time it is Luchito and Nestro Alvarez serving up the sounds on a limited 7" packed with Latin funk. 'Tighten Up' actually couldn't be any tighter. The drums prickle as they race along with breezy sung-spoken vocals up top and big horn work that will liven up any party. On the reverse is a more distinctly samba-styled tune with rich bossa rhythms, plenty of golden percussion and expressive horn work lighting up the grooves. It might be cold outside these days, but it will be warm inside with this one playing.
Review: Original Gravity serves up cause for lift-off once again with a red hot new Latin-tinged funk 7" from Luchito and Nestor Alvarez. They take one tune each with Luchito going first. The driving drums and big horn stabs of 'Feed Me Good' are joined by some more sultry trumpet solos while the fiery vocals add fuel to the flames. On the flip side, Nestor Alvarez's 'Lechon Y Maduros' is a heavy percussive workout with tons of piano rolls and big horns over a restless beat that shimmies and sways endlessly.
Review: Following up their first edition of the comp, Original Gravity Records here offer up the second instalment of the Latin Fever series, charting the talents of many underappreciated Cuban artists - or at least, so it seems. In reality, the artists 'Luchito' and 'Nestor Alvarez' don't exist; they're deft fabrications of personality, envisaged by OG label boss Neil Anderson, who aims for a pitch-perfect emulation of Cuban salsa music and fusion. In gathering every instrument, musician and lo-fi aspect of production, it's a feat he impressively achieves: Luchito's two tracks are both move-on-up Latin heaters (listen closely, and you'll realise they're perfectly on-grid for club play). The Alvarez tunes are no less energetic, although the B-side closer 'El Relojero' is a particularly cool slower jam, with blue noted Hammond organs and trumpets nailing a rumbling rumba.
Nico Gomez & His Afro Percussion Inc - "Lupita" (7:16)
Review: Mr Bongo continue to churn out top-quality re-edits and here they enlist Danny Krivit aka. Mr. K, the New York producer who has longstandingly helped prop up the dance scene there since the early 1960s. Krivit is responsible for perhaps some of the earliest and most significant disco and funk edits on Earth, so we're more than happy to hear these new ones out, in which he lends his ear to two mambi from Latin extraordinaires Sabu Martinez and Nico Gomez. Percussive clanks and boxy slaps abound on this audiophiles' charm.
Kalambya Boys - "Kivelenge" (The Busy Twist remix) (4:46)
Nairobi Matata Jazz - "Mapenzi Hayana Daktari" (Frankie Francis edit) (6:09)
Gatanga Boys Band - "Tiga Kundega" (Hide & Smile edit) (3:48)
Review: Prepping us for the Kenya Special compilation, here's a selection of the respectfully remixed highlights. Soundway have done all the research: it seems the Mbiri Young Stars and Kalambya Boys originals were way ahead of their time weighing in at five minutes plus and already oozing subs long before Batida and The Busy Twist got their edit-ready fingers on them. Elsewhere we find Frankie Francis adding a little extra oomph to the Congo rumba of "Mapenzi Hayana Daktari" and Hide And Smile adding a tribal urgency to the Benga drums on "Tiga Kundega".
Review: Nu-jazz' crossover into broken beat is a liminal and tumultuous border. But Takashi Nakazato, along with his band Galavanters, seem to have succeeded in capturing its lesser-trodden terrain, wherein a live ensemble keeps its tunes danceable, not dubious. 'Toshiafro' is a four track vinyl EP, carefully composed by Nakazato to convey a wholly original foray through his take on modern electronica amnd jazz fusion, from the major-toned Eastern spritzings of 'Akari' to the closing, liquid drum n' bass tumult of 'Amber'.
Tommy Goodwin - "The Time Is Now" (feat Don Lepage) (4:16)
Review: "Slacking Off" came from a Nassauvians session that found the band coming back together in the studio for the first time after a little break, but totally unprepared. Despite this, they struck real aloha gold, with Hawaiian soul, gently lilting funk and Balearic guitars all making it as summery as you could wish for. Flipside "The Time Is Now" is a previously unreleased AOR island recording with Nassauvians man Tommy Goodwin on guitar and pal Don Lepage on harmonica, and will make you nostalgic for a time and a place never known.
I Can't Make You Love Me (feat Nanami Shimizu) (4:40)
Solitude (4:27)
Review: This year has been packed with new music from Japanese jazz-funk revivalists Nautilus. After a series of well-received 7"s and an album, Refrain, back in May, they now return with two more of their superbly well crafted and musical singles. 'I Can't Make You Love Me' is all splashy cymbals and tight jazz drumming, with noodling Rhodes chords and the icing on the cake - a vocal from Nanami Shimizu. Flip it over for 'Solitude' which is a much more sparse and slow jam where there is room between the beats for the starry-eyed chords and keys to real make their mark. This is golden stuff once more from this fine collective.
Review: Nautilus are a supremely talented jazz funk group from Japan who channel their devotion to all manner of rare grooves into some utterly exquisite tunes. They released their debut album in 2015 on Palette Sounds, and now one of the lead singles has been repressed for the heads. It comprises two cover versions - one of Bob James' 'Nautilus' and the other of Roy Ayers' 'We Live In Brooklyn Baby'. Both cuts stay true to the original masterpieces while letting the players gifts shine through in understated ways. The album was scarce on its initial release so don't expect these to hang around for long.
Nautilus - "Move On Up" (feat Mizuki Kamata) (4:22)
Mizuki Kamata - "Track 2" (feat Nautilus) (4:18)
Review: Nautilus are a Japanese band named after the iconic Bob James song, which also tells you a lot about their style - which is a mix of modern rare groove that also embodies elements of jazz, funk, disco, soul and hip hop. In just five years they have built up a solid global fan base and this new single explains why. 'Move On Up' (feat Mizuki Kamata) is both filled with golden era acid jazz goodness, but also slick modern jazz tinged grooves that fit right in with the contemporary landscape. ON the flip, 'Track 2' is more slow and late night, a tender basement jam for cuddly dancing.
Review: Spanish producer Kiko Navarro has joined up with veteran Beninois vocalists and musical powerhouse Kaleta and the next level skills of The Ibibio Horns for this vibrant new 12". It's an inspired and Afro-infused groove exploration with funk, disco and acrobat all bottle dup in the beats that traverse Afria from East to West. The Ibibio Horns are on fire of course as they blaze up the sounds with their expressive horns and red hot keys while the vocals from Kaleta add further fuel to the fire. Instrumentals are also provided for more direct to dancefloor business.
Review: This 45 from Pepite should excite all those who dig high-quality, little-known boogie-era brilliance. Both tracks originally featured on little-known French artist Nel Oliver's second, self-titled album, which hit stores in 1980, but have since become secret weapons for a handful of European record collectors. A-side 'You Are My Dream' is smooth, soulful and groovy, with Nel adding emotive, accented English language vocals to a warming, laidback boogie groove full of metronomic bass, bongo-laced drums, crunchy guitars, fluttering flutes and starry synths. Flipside 'I Have a Good Job' is arguably even better, with Oliver's echo-laden vocals rising above heavy Clavinet ruffs, spacey synths and more luscious, laidback grooves.
Review: The story behind this Henry Nelson record is a remarkable one. The Colombian artist recorded the two Latin soul tracks featured on it after moving to Spain in the late 1960s. As no Spanish labels liked what they heard, he was forced to return to South America and the songs were eventually released on an obscure Argentinian label in 1969. Original copies are a genuine rarity, hence this Madmua reissue. A-side 'Al Emor Es Un Bicho' is wonderfully fiery and fierce, with Nelson and his musical collaborators brilliantly fusing elements of psych-rock, funk, soul and British beat music. Flipside 'El Diablo', a confirmed Latin funk stomper blessed with a sing-along chorus, is equally as righteous.
Review: Ramrock Retro strikes gold again with Aaron Neville's soulful classic 'Hercules.' This track instantly stirs real emotions with Neville's effortless, heartfelt vocals, deep-swinging drums and classy horns. A falsetto at the breakdown elevates the song before the rhythm powers on. On the flip side, Al Jarreau's 'Use Me' delivers familiar yet timeless vibes. Whether you prefer this version or others, the result is always the same: deep, slow-motion funk with a sensual, groovy edge that you will not want to end.
Review: Newban is a band that hailed from Westwood, California, and was made up of Sharon Bryant, Jonathan Lewis, Porter Carroll and Joseph Phillips alongside Mark Slifstein, Keith Johnson, Albert Jones and Gregory Press. After the release of their first single they rammed themselves Atlantic Starr but then put out a couple albums in 1977, Newban and Newban 2. That's the backstory sorted, and so to this reissued 7" which kicks off with the deep cut funk of 'If I Could (Make You Mine)', a tune with sung-spoken lyrics and rousing horns. 'Rhythm & Rhyme' is smoother and more seductive, with a quieter soul sound seducing as it unravels.
Review: The only time in the known universe when having your bike nicked is a good thing... Vancouver turntable champ Nick Bike returns on his own Chosen Spokes imprint with another beat bouquet. Armed with his now signature skill of taking well known classics, here we takes on two of the biggest possible tracks and rewires them for today's beat-hungry floors. James Brown goes under the knife as "I Feel Good" gets a sharp shuffle with full emphasis on the swing while the in-house backing band The Andantes version of Whitfield & Strong's Gaye classic gets a sultry twist. Complete with a beat version and DJ tools, Nick rides right into the heart of another sweet beat success.
Review: Nicholas Bicycle is Nick Bike when in music mode and his next ride takes him deep into the world of the Queen of Soul. Once there he turns out a pair of crucial remixes that will slip right into the upper echelons of your collection. Up first is his take on Aretha's Tramp classic 'A Lil Respect' which comes on strong with more heavy and floor-ready drums. Flip it over and you will find 'A Step Too Far Away' which goes from early evening soul to a nice early evening stepper to get the crowd in the groove.
Review: Night Owls know exactly how to nail a signature Jamaican sound that comes laden with classic funk and soul. They do that again on this super 7" which lands at the tail end of summer but is sure to be bringing plenty of warmth into your life for months to come. First up they cover War's classic tune 'Me and Baby Brother' with blue-eyed soul singer Kevin Sandbloom. Add in guitar player Dan Ubick's lush licks and you have a real gem. Flip it over for the more slow, fat-bottomed and dubby swagger of The Average White Band's 'School Boy Crush' which has been renamed 'School Girl Crush.' The vocal is red hot, and the groove to die for.
Review: Over the last few years, Night Owls -a group comprising members of various other Los Angeles-based outfits - have developed a signature sound that puts a roots reggae and rocksteady spin on the classic 1960s soul sound. They're at it again here, joining forces with sometime Pharcyde collaborator Destani Wolf for a wonderfully sweet, sun-kissed rocksteady cover of Reverend Al Green classic 'Let's Stay Together'. The superb A-side vocal version comes backed by a suitably authentic flipside dub that comes laden with space echo, dub-wise drop-outs and a Melodica solo so good that it could have been provided by Augustus Pablo himself. In a word: ace!
Review: F-Spot Records straight outta Los Angeles is all about highlighting a new wave of West Coast inspired sounds. This latest slice of 7" gold is a heavily dub and reggae inspired roller with the vocals from Shugie Otis re-sung by John Arthur Bigham and repackaged on a more loose limbed rhythm with oodles of reverb. 'Put On Train' is a reggae-fied version of Gene Harris and The Three Sounds instrumental of the same name. It lengthens out the drum work and lay down some natty chords that tumble freely and bring the sunshine in.
Review: Domenico Niki is the man charged with the curation of the Echoes From Disco label and it will all be with a focus on rediscovering and re-editing disco, boogie and jazz from across the world. The inaugural outing features four re-edits that cover a wide array of styles. 'Through That Door' is jazz-funk with twanging guitars and sunny piano keys while 'African Horns' is a deep Afro-funk cut with fluid rhythms soon getting under your skin. 'Copacabana' is a busy, relentless and sax-laced funk banger and 'Follow Me' then slows things down with a more 80s-sounding downtempo soul vibe perfect for early evening sessions.
Review: Hot on the heels of Arbanel Tsvia, Fortuna skip from India to 70s Israel where resident Greek songsmith Nino was brewing a unique fusion that quickly became very popular thanks to his distinctive voice. Interestingly, though, the single leads with an instrumental. And what an instrumental! Manic, lo-fi and infectious, the chaos between eastern and western scales on the organ combine the very best of the middle east and the med. "Var Ne Soranim" is more your classic Nikolaidis; all croony and whimsical, he puts so much soul into it his heart is hanging off the mic.
Review: Square Records offshoot, Nirobi has been there to keep us satisfied all year long, remoulding and re-funking some absolute classics. There's no need for names here as the tracks are all too famous for introductions but the mystery artists behind these mixes have done a spectacular job of refixing "Once In A Lifetime", "Lovely Day", "As We Enter" and oh, go on, Biggie's "Hypnotron" - probably the funkiest bloody re-edit this year!
Review: Dam Funk and Nite Jewel first joined forces way back in 2009 for what most thought was a one-off collaboration. Here, they're reunited once more for their first joint 12" release. Nite-Funk is every bit as special as you'd expect, taking the best of both artists' musical repertoire - Dam Funk's authentic '80s synth-soul, and Nite-Funk's sparkling, deep analogue synth-pop - and turning them into something new and involving. The EP boasts vocal and instrumental versions of four tracks: the Michael Jackson style '80s soul-pop of "Let Me Be Me", the heartfelt, late night radio slow jam "Love X2", the sax-laden, Sade-goes-soulful house flex of "U Can Make Me", and the deliciously dreamy "Don't Play Games".
Cliff Nobles - "My Love Is Getting Stronger" (2:47)
Russell Evans & The Nite Hawks - "The Bold" (2:21)
Review: Cliff Nobles's northern soul gem 'My Love Is Getting Stronger' is a vital part of the cannon that gets a welcome reissue here by the good folk at Matasuna. It is an empowering tune with some hugely impressive drumming, plenty of big horns and a big bongo bridge that builds the vibe. ON the flip side is an equally essential but rather different tune, 'The Bold.' It is a funky, jazz tinged workout with cosmic chords and more exceptional stick work. Both tracks were initially released in 1966 on Atlantic Records but have since become hard to source. Do not sleep.
Review: Nonna Fab is one of the co-founders of Apricot Ballroom, a Sheffield-based party-tuned-record label inspired by the "love will save the day" ethos of David Mancuso and his legendary loft parties. We can imagine Mancuso playing 'Fab's Space Dance', the authentically squelchy and loved-up slab of Italo-disco/New York boogie fusion workout that opens Nonna Fab's first vinyl outing. He would most likely also have approved of the warmer, looser, sweeter vocal number 'Together', where Paris Elektra's gently soulful vocal drifts above a fine broken boogie groove and D-Train style synth squelches, and the similarly sparse but warming late night sleaze of 'Sexual Especial'. We're not sure whether Mancuso would have championed strobe-lit Italo-disco chugger 'Close Encounters', but it's a properly muscular, throbbing and mind-altering gem.
Review: This 7" vinyl marks the inauguration of the new Konbini Klassics label and it features expertly curated city pop and funk gems from Japan's golden era. The A-side offers 1983's 'Do What You Do' which is a relaxed synth-driven track with irresistibly catchy vocals. On the B-side you can enjoy the sounds of Cosmos, the all-female supergroup who deliver their slap-funk classic 'Midnight Shuffle' with its big horns, funky bass and twinkling synth melodies. A perfect 45 rpm gem, this release brings Japan's iconic sounds back to life and then some.
Review: Authentic Swedish soul: The Northern Lights step up to trusted Finnish imprint Traveller for their second 45. "That's Why You Love Me" is a slow-burning doo-wop burner with soaring harmonies that's similar to The Drifters or The Marcels. "Tied Up" is the party flip; busy rhythm, heaving horns and a groove that won't quit, there's a strong sense of early Otis riddled throughout. Timeless and perfectly executed.
Review: If this fine 7" is anything to go by, the crate digging and detective skills of Athens of the North founder Euan Fryer are as sharp as ever. The two tracks featured here originally appeared on a private press single that currently changes hands for large sums online. Fryer manager to track down the original writer/producer, Chicago-based George Riviera, who not only have his blessing to the reissue, but also sent over the master tapes. Stylistically, A-side "The Time is Right" sits somewhere between Latin soul, jazz-funk and sumptuous downtempo disco, with blue-eyed soul vocals and subtle vibraphone solos rising above superb had percussion. Fipside "Feelin' Funky" is a more up-tempo affair: an undulating chunk of jazz-funk/disco fusion laden with neat musical touches.
Review: Back here by popular demand, Les Disques Bongo Joe presents a fresh 7" release from Amsterdam's Nusantara Beat featuring, for the first time on wax, the infectious digital single 'Mang Becak' alongside a brand new and unreleased track. Marking their third collaboration with the label, the band reimagines two treasures of Indonesian music and merges their traditional rhythms with a modern edge that masterfully bridges the past and present. 'Sifat Manusa' has Indonesian vocals bringing sunny disposition and real soul over funky and jazzy drums. 'Mang Becak' is a funky groove with plenty of guitars that range from psyched out to more playful.
Review: Swinging, bass-bitten, glitch-ridden funk ahoy! Nynfus Corporation return with four stellar party pieces that are likely to garner you all manner of proposals at your next gig. Seriously; one member of the Juno staff played "Gangster's Rock" in a bar last Friday and he's now married to three beautiful women. It's best not to dwell on the legalities of such a saga and just focus on the music; "Gangster's Rock" is precision glitch-hop at its finest, complete with a real block-rocking sing-along chorus, "Break It Down" is a more upbeat peaktime number with Hanzee spitting lyrics so quickly they'll make you dizzy. "Istambool" flips the switch for a swashbuckling low-swung horn-heaver while "La Petit P" ends the set with wonky warped bass and a fantastic sample that you will not 'regret' playing.
Brentford Rd Soul Rebels - "30-60-90" (feat Dennis Alcapone) (3:01)
Curtis Baker & The Bravehearts - "30-60-90" (2:42)
Review: Since rapidly appearing in, and disappearing from, record stores last autumn, this four-track EP from producer Neil Anderson's unashamedly revivalist Original Gravity label has become something of an in-demand item - hence this limited-edition, white vinyl reissue. If you missed out first time around, it's well worth checking, in part because it delivers four radically different versions of the same basic track. It begins with a boisterous ska version courtesy of Prince Alphonso and The Fever and ends with a fuzzy, low-slung rhythm & blues interpretation from Curtis Baker & The Bravehearts. In between you'll find a sizzling Latin take by Nestor Alverez and a lolloping roots reggae version by Brentford Road Soul Rebels, featuring toaster-style vocals from Dennis Alcapone.
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