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New releases last eight weeks: All genres
All genres vinyl released in the last four weeks
Singles
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Connected Dub
A Decoy For Demons
Earthsea Dub
Maximum Bass
Flying Crane Dub
Mirror Cave Dub
Ceefax
Ceefax (RN Amp Freqq dub)
Ceefax (Jon Carter Due South dub)
Review: Richard Norris loves a series. The former Grid man and noted psychedelic music afficionado has umpteen on the go at present, including ones dedicated to meditative ambient sounds ('Music For Healing') and modular experiments ('Abstractions'). Then there's his dub-wise and 'outernational' music series, Oracle Sound, which here reaches its fourth - and possibly strongest - instalment. Highlights are plentiful, from the languid and woozy head-nod of opener 'Connected Dub' and the intoxicating, flute-sporting musical mystery of 'Earthsea Dub', to the up-beat dancefloor dub of 'Maximum Dub', and the sub-heavy, near dub techno pulse of John Carter hook-up 'Ceefax'. That one also comes accompanied by alternative takes by both Norris and Carter.
… Read more in stock $9.36
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Review: Fresh from delivering killer dancefloor jazz covers of classics cuts by Galaxy 2 Galaxy and Avicii (really), Japanese trio Polyplus deliver a fine sequel to last year's Good Luck Sound Tracks EP. They go for the dancefloor jugular from the off, wrapping snaking sax solos, fuzzy guitar licks and elongated solos around a breathlessly rapid punk-funk groove on 'Massive', before fusing Brit-Funk and sweat-soaked jazz-rock on 'Speedy Gold'. This hybrid jazz-funk/rock sound continues on 'Ranki 2025' (whose heavy beats and memorable piano riffs nods to classic house). Elsewhere, 'Ocean Breeze' re-frames wide-eyed city-pop as jaunty jazz-funk and 'Natural Born' is a drum solo-sporting slab of jazz-rock/jazz-fusion insanity straight from the top drawer.
… Read more in stock $18.18
Alben
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Review: British-Bahrani composer and trumpeter Yazz Ahmed has long been one of the most unique artists within the UK jazz scene, frequently producing music that draws on the Arabic side of her heritage (she even went as far as commissioning a unique 'quarter-tone' flugelhorn in order to play 'blue notes' not found in Western jazz and classical music). Even so, A Paradise In The Hold - her first studio album for nearly six years - is a startling concoction. Drawing influence from ambient, dub and electronica as well as jazz and Arabic music, it features Ahmed's first compositions for voice. Frequently haunting, immersive, and quietly exotic, the album sits in a unique sonic space that's never less than beguiling and intoxicating. Award nominations await!
… Read more! low stock $12.94
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Cat: IARC 90CD. Rel: 06 Mar 25
Jazz
Review: Alabaster DePlume's latest album is a meditation on self-worth and healing, drawing from his poetry book Looking for My Value: Prologue to a Blade, he crafts 11 tracks that feel deeply personal yet universal. His saxophone, sometimes fluid, sometimes jagged, acts as both voice and emphasis on the likes of opener 'Oh My Actual Days' swells with sax and Macie Stewart's ghostly strings, a slow march toward reckoning. 'Thank You My Pain' turns its mantra-like refrain into a rhythmic meditation on discomfort. 'Invincibility' lifts into choral release, a breath after holding under water. The instrumental 'Prayer for My Sovereign Dignity' is an anthem for self-possession, while 'Form a V' channels the discipline of jiu-jitsu, inviting confrontation. Unlike his past, more improvisation-led works, this is tightly composed, arranged and produced by DePlume himself - and the result is direct, unflinching and deeply felt.
… Read more in stock $13.78
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Review: Japanese folk singer-songwriter Ichiko Aoaba has built up quite a catalogue of albums and singles since making her debut 15 years ago, subtly expanding on her sparse acoustic sound via the use of effects, strings and other instrumentation associated with the British folk revival of the 1960s. On Luminescent Creatures, her first studio album for five years, she continues this quiet expansion of her trademark style, underpinning her gorgeously sweet and emotive, intricately arranged lead vocals with a mix of acoustic guitar, strings, piano, field recordings and traditional Japanese instruments. The results are breathtakingly beautiful and deliciously dreamy, with highlights including 'Flag', the inspired 'Luciferine' and the haunting swell of 'SONAR'.
… Read more in stock $14.05
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Review: Following a few years spent focusing on his ambient, drone and instrumental shoegaze focused GLOK project, former Ride man Andy Bell has finally got round to recording a new album of songs. Titled Sonic Cathedral, the album is undeniably nostalgic in tone, not only reacalling the jangly and sonically dense days of shoegaze and jangly indie-pop, but also the funkier and more intoxicated indie-dance records of that period (think Weatherall productions and remixes of the period, the Stone Roses and - whisper it quietly - Candy Flip). It's a bold and hugely enjoyable blend, with Bell sashaying between the tactile, Spiritualized-ish 'The Notes You Never Hear', the krautrock-goes-funky flex of 'Space Station Mantra', the Beck-esque 'Music Concrete' and the Tony Allen/Afrobeat-influenced 'Apple Green UFO'.
… Read more in stock $12.11
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Review: Miami-born contemporary guitarist Bill Orcutt is known for his infatuating blend of blues, punk, trance and noise. With the release of Four Guitars Live on CD, he could've easily convinced us of this being a rare and long-forgotten artefact, of a proto-drone artist from the Deltaic 1960s. In reality, this was first incarnated in 2022 under the recorded name Music For Four Guitars, and Orcutt's establishing brand of doom-blues-trance-minimalism could invite artistic comparisons as far-fetched as Steve Reich or Rachika Nayar. But his sound is more nostalgic, seeming to predict emo and pysch both "before" and after the fact of the genre's establishment. Fittingly Reichean, Orcutt forms one part of a quartet here, performing the record in its entirety live at Le Guess Who? festival in Utrecht, 2023.
… Read more in stock $17.90
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Review: Every once in a while, you get a band emerge from the vibrant London music scene that you notice aren't like all the other bands. You sense they have something a bit special. BC, NR are like that - they offer something so rich musically that it appears immune to any potential threat that could come from changing trends. This third studio album of theirs comes under what looked like difficult circumstances from the outside. Their lead singer and songwriter Isaac Wood left the band shortly before the release of their second album. But they've withstood the pressure incredibly and are on top form here. There's more emphasis than ever on sharing the role of frontperson so the album is like a smorgasbord where you sample different voices and songwriting styles that exist within the group. Lead single 'Besties' is violinist Georgia Ellery's. It thrives off of its dynamism with explosive Phil Spector-esque wall of sound moments set in alongside elegant indie folk. A truly massive chapter awaits.
… Read more in stock $11.57
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Review: One of the most important bands to come out of the punk era, Blondie changed pop music forever and this live performance at the Paradise Ballroom in Boston on May 27, 1978, sees the band just before mainstream success hit. Broadcast live on WBCN-FM, the show highlights their raw energy and the tight synergy between the band members. Debbie Harry, with her unique blend of punk swagger and glam allure, commands the stage as Blondie delivers a high-energy set that mixes their punk roots with emerging new wave influences. Songs like 'X Offender', 'Denis' and 'Rip Her to Shreds' are packed with punchy rhythms and catchy hooks, while deeper tracks like 'Youth Nabbed As Sniper' and 'Man Overboard' hint at the band's growing sonic complexity. This live recording not only demonstrates Blondie's ability to command a crowd but also marks the beginning of their ascent to global stardom with Parallel Lines. A perfect snapshot of Blondie during a transformative period with an energetic performance, when their influence on the evolution of punk and new wave music was just beginning.
… Read more! low stock $13.50
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Review: Since founding DiN in 1999, Ian Boddy has been driven by a passion for collaboration, particularly with artists connected to the pioneering German electronic scene of the 1970s. When a chance meeting with Harald Grosskopf at a Dutch music festival presented the opportunity to work together, Boddy eagerly embraced Grosskopf's ear; the latter's tutelage at the Berlin school spans decades, and he is most notably for his fellowship as a drummer with Klaus Schulze, whose influence looms large over Boddy's own work. But beyond percussion, Grosskopf's Synthesist album revealed his distinct melodic sensibilities, making him an ideal creative partner for Doppelganger. Blending Berlin-schooled sequencing with evocative grooves. Boddy's modular synth textures shine on tracks like 'Boulevard Horizon', while Grosskopf's rhythmic playfulness is evident in 'Livewire'.
… Read more in stock $13.78
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Review: It has been some five-plus years since the last full Bon Iver album but the wait has been well worth it. This one follows the introspective SABLE, a sparse, vulnerable EP born from isolation and inner turmoil. Where that was shadow, this is light-a lush, radiant celebration of love, connection and emotional rebirth. Written at April Base in Wisconsin with collaborators like Jim-E Stack and Danielle Haim, the album leans into clarity and intimacy and gets rid of the signature dense abstraction for more honest and heartfelt pop. The vocals are delivered with openness and purpose as they explore desire, hope and devotion. While still acknowledging lingering shadows, this full-length is a story of growth that isn't about fairytale endings, but about the lessons love teaches.
… Read more in stock $11.85
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Review: A pivotal moment in Bon Jovi's career, propelling them into international stardom. The album features a dynamic blend of hard rock and melodic hooks, with tracks like 'You Give Love a Bad Name' and 'Livin' on a Prayer' becoming anthems of the era. The 2xCD edition offers remastered versions, providing enhanced audio quality that brings out the energy and craftsmanship of the original recordings. This release is a must-have for both long-time fans and new listeners seeking to experience the band's classic sound.
… Read more in stock $15.15
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Dennis BOVELL / VARIOUS
Different: The Singles Collection 1977-1981 (unmixed 2xCD)
Cat: DB2CD 155. Rel: 13 Mar 25
Roots/Lovers Rock
Review: This 2xCD set celebrates Dennis Bovell's exceptional talent during the golden years of reggae, from 1977 to 1981, a time when he was also playing a pivotal role linking punk and post-punk to reggae via collaborating with Orange Juice and producing key records such as The Slits' debut Cut. Featuring a mix of major hits and rare tracks, this collection highlights his brilliance as a producer, arranger and pioneer of roots, dub and lovers rock. Not only was he one of the first to blend disco with reggae but he was also important for fusing the disco standard 12" and using for Lovers Rock artists. His use of the format to create dynamic dub edits is a standout element, cementing his legacy in reggae production. Disc 1 includes Errol Dunkley's title track, Marie Pierre's soulful gems and Janet Kay's classic 'Silly Games', which brought lovers rock to mainstream audiences. Tracks like Errol Campbell's 'African Queen', Angelique's 'Cry' and Africa Stone's 'Choose Me' capture the era's emotional depth and Bovell's masterful touch. Disc 2 delves into 12" extended mixes, showing Bovell's innovative fusion of reggae and disco. A lifetime of great music within just two discs.
… Read more in stock $14.60
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Review: BT Gate X-138 returns to Greyscale with Gravitational Grooves, deepening his relationship with the label following 2023's kV Pylon. Ten sousing sonorities hear him reshape his signature dub techno sound with growth-mental finesse, emitting foggy atmospheres and slicing percs. 'Inertia' leans into soft chords and faint crackle before giving way to the stripped-down shuffle and understated melodic turns of 'Gravity', while 'Orbit' builds over and delay-heavy phrasing; 'Float' offers a breather with its ambient drift, while an embossed 'Mass' sears the ears with churlish mood-texture. Touchstones such as Konigsforst and In Moll are alluded to most subtly.
… Read more in stock $17.36
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Review: If any album comes close to the beauty of Crosby, Stills & Nash in 2025 it's this. It's difficult to imagine anyone else nailing melodic, acoustic guitar-oriented music that treads in gospel, blues and pastoral psychedelia better than this supergroup. Could Bernard Butler be on his way to another Mercury Prize nomination with this? They've got a strong case for it. The band itself is something a little different and formed by popular demand. Norman Blake (Teenage Fanclub) Bernard Butler (Suede) and James Grant (Love and Money) originally got together for one occasion, at Saint Luke's in Glasgow in 2022 for Celtic Connections, but the power of them together was so great they've been talked into putting an album out. They've gone about it in quite a pragmatic way, with each member labelling which songs theirs, as opposed to all trying to write the same song at the same time. Makes sense really.
… Read more in stock $12.94
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Cat: BGOCD 1537. Rel: 06 Mar 25
Soul
Review: This collection brings together Jerry Butler's first four studio albums for Mercury Records, which spanned 1967 and 1968. As a former member of The Impressions, Butler's transition to a solo career was marked by a series of standout records, including Soul Artistry, Mr Dream Merchant, The Soul Goes On, and The Ice Man Cometh. Notable tracks from this era include 'Never Give You Up', 'Hey Western Union Man' and 'Only The Strong Survive', each being a beacon of Butler's powerful vocal delivery. The Ice Man Cometh even secured a spot in the US Top 30, highlighting Butler's growing influence in the music scene. With production by the legendary Gamble & Huff on The Soul Goes On and The Ice Man Cometh, these albums capture a unique blend of soul and emotion.
… Read more in stock $13.78
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Review: Melancholy maestro Brock Van Wey aka Bvdub returns with more immersive and beautifully sad sounds on his latest album In Iron Houses. It is an ambient work that is far too evocative to serve simply as aural wallpaper. Opener 'Madness To Their Methods' for example has a vocal swirling about the synthscapes that is utterly arresting and conveys great emotional pain. 'The Broken Fixing The Broken' is another lament of epic proportions and 'Iron Houses At Night - Star Track' has a little sense of hope in the brighter melodies and another vocal, which this time carries love not loss. 'Perpetual Emotion Machine' shuts down with subtle celestial celebration.
… Read more in stock $14.05
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Joseph CAPRIATI / VARIOUS
Global Underground 47: Montreal (unmixed 2xCD)
Cat: 502173 2388025. Rel: 20 Mar 25
Techno
Review: With a name like Global Underground, we're left starry-eyed at a fanciful idea: a vast, interconnected network of tunnels, reticulating every nightclub in the world. Who wouldn't want that? While the possibility of such a thing is most likely inexistent in our human lifetimes, the eponymous international record label at least aim to make a "global underground" real in spirit with their City Series of mixes. Their latest full-length from Montreal native Joseph Capriati captures this fervent mood: with the initiate DJ repping the jubilant Canadian city, the mix segues between Ame, Len Faki, Deetron and Louie Vega highlights, and is a modern house and techno showstopper.
… Read more in stock $16.25
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Don CARLOS / VARIOUS
Echoes Of Italy Early 90s House Vibes Vol 1 & 2 (unmixed 2xCD)
Cat: SEJFCD 0012. Rel: 03 Apr 25
Funky/Club House
Review: Italian house didn't need the glitz of Ibiza or the muscle of Chicago and Detroit. It carved out its own spaceismoky, dreamlike, and effortlessly cool. This collection captures the full spectrum of that golden era, from the hypnotic tribal rhythms of Progetto Tribale's 'The Sweep' to the shimmering, euphoric synths of Onirico's 'Echo'. There's the deep, rolling pulse of Don Carlos' 'Boy', the jazz-infused elegance of Lady Bird's 'Jazzy Doll (Odyssey Dub)', and the raw energy of Green Baize's 'Synthetic Rhythm'. Elsewhere, 'Titanic' by Mato Grosso offers an atmospheric voyage, while 'The True Underground Sound of Rome' delivers deep, sophisticated grooves. These weren't just club tracks; they were portals to another world. Whether it was the funky shuffle of Alex Neri's 'The Wizard', the soulful pianos of Carol Bailey's 'Understand Me (Free Your Mind)', or the after-hours pulse of MCJ's 'Sexitivity', this was music made by studio obsessives who understood that house wasn't just a soundiit was a feeling. Underground, inventive, and deeply emotional, this collection is a snapshot of an era where the Italian touch brought warmth, sensuality and an undeniable groove to dancefloors worldwide.
… Read moreGespielt von: Kenneth Bager // Musicfordreams
in stock $25.33
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Review: Euro disco pioneer Cerrone embarks on a fascinating new project, collaborating with the Symphony Orchestra of Cannes to reinvent 21 of his most celebrated and influential tracks. Cerrone's role in shaping modern dance music is monumental, with countless timeless releases from disco's golden era and beyond. Classics like Supernature, Love in C Minor, and Give Me Love continue to resonate, frequently appearing in the sets of today's top DJs. Here, they're transformed by a 50-plus piece orchestra led by the legendary Randy Kerber, delivering rich strings, sharp brass and dynamic percussion that elevate these iconic tracks to new heights.
… Read more in stock $16.25
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Review: Fresh from releasing a swathe of conceptual full-lengths, Los Angeles threesome Clipping have returned to their hip-hop roots via a mixtape style album reflective of their hip-hop roots. Of course, this is not hip-hop in the classical sense. According to the accompany sleeve notes, Dead Channel Sky is a collection of cuts focused on the present, dually inspired by the histories of cyberpunk and hip-hop. In practice, that means fast-flowing and lyrically dextrous rhymes, of course, but also beats that variously sample, chop up or reference everything from 90s rave classics, the rock-rave big beat antics of the Prodigy and Nine Inch Nails stail industrial grit, to TB-303-laden acid house, the dark and doomy trip-hop of Mezzanine-era Massive Attack, drum and bass and experimental electronica.
… Read more in stock $12.11
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Review: 'Girl Like You' hitmaker and former Orange Juice frontman Edwyn Collins has written some absolute corkers in his time and against all the odds - he's been through the wars with his health - is on life-affirming form still. This is his tenth solo album and, like his previous album Badbea, it was recorded in the beautiful Clashnarrow Studios in the Highland village of Helmsdale. The setting clearly a productive space as there's tunes on here that sit right up there with Collins' best work. 'The Heart Is A Foolish Little Thing' is a masterpiece so good it will likely either inspire budding songwriters or make them give up because they know that's the level to get to and it feels untouchable. 'Strange Old World' is another standout, with a bit of a darkly atmospheric Tarantino vibe. And ' The Mountains Are My Home' delves into more traditional folk and feels incredibly heartfelt, like we're being welcomed into Collins' home for tea.
… Read more! low stock $12.94
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Review: Famously, John Coltrane recorded the music on Coltrane Plays The Blues during the sessions for the more celebrated and ground-breaking My Favourite Things, with his former label Atlantic - who had paid for the sessions - initially releasing the album against his wishes. In many ways it's great they did, because it remains one of jazz's truly great sets - albeit one that at the time was overshadowed by the saxophonist's other work of the 1960s. It's breezy, emotive, occasionally smoky and - as you'd expect from the title - effortlessly bluesy, with Coltrane improvising superb sax solos atop a bed of bass (played by Steve Davis), drums (Elvin Jones) and piano (McCoy Tyner). This reissue is a "hybrid CD", containing both regular and 'super audio' versions. For those with access to the latter technology, the album has never sounded better.
… Read more in stock $44.90
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Cat: QCD2BRED 921. Rel: 17 Apr 25
Balearic/Downtempo
Review: The recent, untimely death of David Lynch from emphysema possibly inspired this new Cherry Red compilation, mapping the career of the equally late musician Julee Cruise, who died in 2022. This new 2xCD set compiles the first phase of the unique and enigmatic chanteuse's recording career, which really begun not long after the infamous Twin Peaks songster penned the theme tune 'Falling', which finally put dream pop on the map after many years of general incubation. Of course, said Angelo Badalamenti benchmark production features centrally, but many more rapid-eyed reveries - such as 'This Is Our Night', 'Floating', 'Into The Night' and 'Summer Kisses, Winter Tears' - also document the washout pop passions of Cruise outside of the Lynchian paradigm, with Wim Wenders soundtrack cuts to original lounge-classical dirges all following in tow. Stylishly presented, and complete with an insightful sleevenote essay, 'Fall_Float_Love' demands a long overdue rediscovery
… Read more in stock $14.87
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Review: Recorded in October 1997, but lost and rediscovered two decades later by digital artist Gvoon Arthur Schmidt, GVoon: Brennung 1 is one of countless gems nestling in the sound archives of the late, great Holger Czukay. Described as a "futuristic sound meditation" by remastering engineer Dirk Dresselhaus (better known as experimental electronica producer Scheider TM), the single, expansive piece was created by Czukay at a point in time when he was happily working with German techno and electronica producers (Westbam included) while exploring the potential of digital music-making and production technology. The results are typically immersive, enveloping and off-kilter, sounding as far-sighted and ahead-of-their-time as they no doubt did when the piece was originally recorded in 1997.
… Read more in stock $12.67
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Review: Funk, soul and house music cognoscente Dave Lee spent the best part of two decades trying to find the ideal vocalist with whom to work on a full-length LP. Only lately did he chance upon the glabrous tones of Maurissa Rose on a Theo Parrish record, 'Free Myself', after which the impulse to work with a plucky yet radical-potential singer across an entire album could no longer be ignored. From 'I've Been Here Before' to 'Look At The Stars' to 'Do You Believe', this international communication in soulful house shimmies through uptempo boogie flavours and lower-slung street soul, and is best described as a career-defining milestone, polarising two talents as reps of two of dance music's most a-musing cities.
… Read moreGespielt von: Pete Haigh
in stock $15.97
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Review: Marie Davidson's sixth studio album finds her collaborating with Belgium bossmen Soulwax - previously responsible for the massive rework of her 'Work It' track - and Pierre Guerineau. It follows her fiery single 'Y.A.A.M. (Your Asses Are Mine)' and the intense club track 'Contrarian' and marks a return to the dance floor but reimagined with the artist's signature sense of evolution. Blending the techno punch and spoken-word edge of Working Class Woman with the melodic pop structures of Renegade Breakdown, City of Clowns delivers a striking sonic fusion that is inspired by her pre-pandemic roots yet shaped by fresh antagonism, all while Davidson confronts a new foe: Big Tech.
… Read more in stock $12.11
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Cat: 964057 830. Rel: 20 Mar 25
Hip Hop/R&B
Review: The Grind Date is now two years strong so gets a customary Anniversary Edition that invites us to revel in the album's enduring impact on hip-hop. It features the iconic American trio's signature eclectic style which is of course to blend thought-provoking lyrics with laid-back beats. With standout tracks like 'Shopping Bags (She Got from You)' and the title cut, De La Soul's ability to remain relevant while experimenting with fresh sounds is very much laid bare. This edition includes remastered audio but with a sympathetic edge that retains the nicely undercooked sound of the oringal.
… Read more in stock $16.25
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Review: This De La Soul's classic is a coveted release among hardcore hip-hop fans. Originally issued in 1994 as a promotional item to top DJs, it's considered the holy grail of their catalogue. The album includes four tracks from Buhloone Mindstate and two exclusive tracks: 'sh.Fe.Mc's' featuring A Tribe Called Quest and 'Stix & Stonz' featuring The Fearless Four, Grandmaster Caz and Prince Whipper Whip. With only 500 copies pressed at the time, this legendary gem is now being reissued in a limited edition that is sure to fly off the shelves.
… Read more! low stock $19.56
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Review: There's a certain drama in the air when the beats kick in with an instant jolt of energy that doesn't let up. The tracks on the second album on Pete Burns-fronted crew are an exuberant mix of bold melodies and infectious rhythms, blending sharp pop with a cheeky edge. You'll know their massive SAW-produced SMASH 'You Spin Me Round (Like a Record)', but the group's unmistakable sense of theatre shines through, with each track feeling like a mini anthem. Whether it's the larger-than-life production or the slightly over-the-top flair, the sound remains unapologetically fun. It's pop at its most playful, wrapped in an unmistakable 80s glow that still carries weight today.
… Read more in stock $38.01
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Review: In the seven years that have passed since the release of his last solo album, DJ Koze has become one of electronic music's most celebrated and sought-after producers. For that reason, the release of Music Can Hear Us is a genuinely big deal - as the impressive roll call of guest vocalists and collaborators (Damon Albarn, Sophia Kennedy, Ada, Notwist and Marley Waters included) attests. Typically, alongside a handful of genuine dancefloor workouts in his skewed deep house style ('Buschcutter', 'Bush Taxi'), Koze serves up far more fine material that is less easy to categorize - think Indian-influenced downtempo exotica ('The Universe In a Nutshell'), off-kilter outsider electronica ('The Talented Mr Tripley'), jangly psych-Balearic excursions ('Arunda') and heady ambient soundscapes ('A Donde Vas?'). Spots in end of year 'best of' lists await.
… Read more in stock $15.42
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Stanka Pooh (1:26)
Bullfrog (2:11)
Boiled Peanuts (1:53)
Denial Is A River (2:35)
Catfish (2:09)
Skipp (1:46)
Hide N Seek (2:18)
Bloom (2:11)
Wait (2:53)
Death Roll (2:24)
Profit (1:30)
Boom Bap (4:10)
Nissan Altima (2:32)
GFTO (2:04)
Huh! (3:04)
Slide (2:46)
Fireflies (1:32)
Beverly Hills (3:39)
Alligator Bites Never Heal (2:40)
Review: Doechii drops a vivid, genre-blurring mixtape, riffing on her Floridian roots and personal battles, relaying them over an arresting artistic statement. Raised in Tampa, she first gained attention with the viral hit 'Yucky Blucky Fruitcake' before signing with Top Dawg Entertainment in 2022. The mixtape's title and cover, with Doechii holding an albino alligator, nod to her "Swamp Princess" nickname and symbolize resilience" as she explained, "This mixtape is my riposte. I am no one's prey; I was born to be the predator." Doechii confronts industry pressures, sobriety, and self-worth with sharp lyricism and stylistic versatility, over standouts like 'Denial Is A River' and 'Boom Bap'.
… Read moreGespielt von: Juno Records Staff Picks
in stock $12.94
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Cat: HCD 2072. Rel: 17 Apr 25
Jazz
Blue Bossa
Confirmation
Memories Of You
My One & Only Love
Bag's Groove
Blue Friday
The Theme
Review: While never lauded by the jazz establishment, enthusiastic fans of the style have long claimed that Kenny Dorham was one of the finest trumpeters of his generation - not to mention one of the true greats of the bebop era. He worked with all the greats and mentored Joe Henderson, who made one of his compositions, 'Blue Bossa', a bossa-jazz classic. This album showcases for the first time a near legendary concert performed by Dorham, alongside an all-star band, at the Blue Morocco Club in the Bronx, way back in 1967. It's an electrifying performance all told, with his interpretations of Miles Davis's 'the Theme', Charlie Parker's 'Confirmation', Milt Jackson's ' Bag's Groove' (here spun out to near 15 minutes) and his own 'Blue Bossa' standing out.
… Read more in stock $13.78
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Review: With Jimi Goodwin having retired from touring duties, this album takes on a whole new level of significance as it brings to question whether this album marks the end of the road for them as a unit. We certainly hope that it's just the beginning of a new era as they sound at the top of their game and reassert their reputation as one of the best British bands. The achingly beautiful 'Renegade' is right up there with their Lost Souls era and featured some stunning lyrics that tug at the heart strings: "As you walk out the door / Then your walking out, you're out forever." Meanwhile, 'Cold Dreaming' has an epic feel to it and is Leeds indie sorts The Music-esque - it's lush and orchestral with an epic chorus melody that will have you punching the air triumphantly. One to crank up on the car stereo and wind down the windows for definitely.
… Read more in stock $15.15
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Another Summer
Review: This demo sessions album is a real rarity - so if you were one of few to bag a copy first time round, you likely earned some jealous looks from fans. But since it's earned cult status as a jewel in their oeuvre through word of mouth, America's answer to Slowdive caved to popular opinion and made it more accessible with this first ever remaster job. This album takes it back to where it all began. Before signing to Caroline Records, Boston-based shoegazers took a leaf out of the punk DIY handbook and handed out this collection on cassette at gigs around London and posted it to labels. 4AD picked up on it and handed the cassette to the Melody Maker, where critics swooned and sparked a feeding frenzy for their signature. And for good reason: despite being less produced than their albums proper, the muddier mixes have a murky, hypnotic edge. Of the songs here 'Song For J.J.' is exhilarating with its unsettling, apocalyptic atmosphere. And 'Daymom' is the audio equivalent to being stood on a windswept Arctic tundra - dark, desolate beauty to its core. Many bands will come and do their best Drop Nineteens impression with the nu-gaze movement in full swing, but the 'Teens had something really special that can't be repeated.
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Review: The Dub Syndicate's later albums, rounding off their earlier box set, showcase the band's evolution in the late 1980s and 90s, marking their rise to prominence. With Style Scott stepping into the spotlight as bandleader and co-producer, the group's sound transformed, blending classic Jamaican musicianship with Adrian Sherwood's signature UK studio experimentation. This fusion created a series of albums that appealed to both ravers and dreads, combining dub's roots with experimental sounds. Included are: Strike The Balance (1989), followed by Stoned Immaculate (1991), Echomania (1993) and Ital Breakfast (1996), each album further refining the band's distinctive urban dub sound. The bonus album, Obscured By Version (2025), serves as a special treat, offering fresh versions of rhythms from this era. The Dub Syndicate remain legends in the genre, known for their bold use of sampling and raw, immersive dub that has influenced generations of listeners. This collection highlights their critical role in shaping the dub sound, cementing their place in music history.
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Cat: ROBIN 77CDD. Rel: 20 Feb 25
Disco/Nu-Disco
Review: Jazz-trained musicians Lauren Rinder and W. Michael Lewis were not only amongst the most prolific producers of the disco era, but also - thanks to a love of synthesiser sounds - genuine pioneers. This double-disc retrospective focuses on one of their numerous projects, studio band El Coco, showcasing cuts from their first four albums (Brazil and Mondo Disco from 1975; 1976's Let's Get It Together; and 1977 set Cocomotion). Starting off breezy and summery with all manner of South American influences (see 'Disco Carnival' and 'Masquerade'), the collection bounces between heady disco ('Disco Mondo', 'Let's Get It Together', 'I'm Mad As Hell'), quirky, synth-heavy covers (a cheeky but genius cover of 'Yakety Yak', AKA the Benny Hill theme tune), low-slung disco-funk ('Heartbeat'), eccentric horror-disco ('The Count of Monte Disco') and gritty Blaxploitation workouts ('Put On Your Jeans').
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Review: Since turning his hand to music production midway through the last decade, XL Recordings owner Richard Russell has delivered a couple of predictably hard to pigeonhole, guest-packed albums as Everything is Recorded. Russell, of course, has an admirably bulging contacts book and as deep a knowledge of British music - be it hip-hop, grime, rave, jazz, experimental electronica or otherwise - as anyone. The depth of both is naturally evident on third album Temporary, with Russell and a dizzying list of guests delivering atmospheric, sample-rich fusions of head-nodding, hip-hop leaning grooves, field recordings-heavy sample collages, woozy dream pop, sub-heavy nods to UK bass, slow-motion neo-folk, blunted trip-hop, contemporary UK jazz, hazy Americana and much more besides. That it works as a coherent and sonically adventurous album is testament to Russell's increasing skill as a producer and standalone musical artist.
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Review: The most comprehensive tribute to one of Japan's most unique and influential bands, this box set serves as not only an enjoyable package of music, but an example of music eventually getting the respect it deserves. Emerging in the early 90s, Fishmans blended reggae, rocksteady and dub with dreamy, psychedelic elements, leaving a legacy that still resonates today. This meticulously curated box set presents rare recordings, radio performances, unreleased live tracks and demo tapes, all expertly digitised from cassette tapes, DATs and multitrack tapes. Kin-ichi Motegi, who took over vocal duties following the tragic passing of frontman Shinji Sato in 1999, oversees this collection, offering in-depth commentary on every track. The set captures the band's evolution from their reggae roots to their more experimental, art-pop phase, with Long Season often hailed as their artistic zenith. The ethereal vocal style of Sato is especially poignant, as it's woven through the band's melancholic yet engaging soundscapes, which continue to impress listeners in a dreamlike atmosphere. The ultimate package for Fishmans fans with an intimate look into their creative process.
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Review: As a former member of Kraftwerk, Wolfgang Flur is never short of offers to collaborate. On Time, his first solo album for three years, he's once again taken up many of these offers. So alongside regular collaborators Peter Duggal, U96 and Miriam Suarez, you'll also find contributions from New Order bassist Peter Hook, Thomas Bangalter (aka Vangarde, taking his disco-making father's moniker surname here) Detroit electro and techno pioneer Juan Atkins (who appears on opener 'Posh'), and long-serving techno producers Anthony Rother and Fabrice Lig. As a result, Time is rooted in sharp electro, synth-pop and revivalist new wave, but also offers nods to techno, electroclash, acid house and proto-trance, with Suarez and Flur take it in turns to add their own atmospheric vocals. If you enjoyed Flur's previous album, Magazine, you'll lap this one up - it's an even stronger proposition.
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Review: Athens dub techno producer Fluxion debuts their latest LP on Vibrant Music, riffing on his earliest days as a member of the trailblazing Chain Reaction crew whilst also bringing said early pioneering stirrings into the present moment. Recorded between 2023-24, this record plays back like an impression of back-roomed delirium; blackout moments in intra-club corridors, where one's sense of time is lost. Louder music may pump away in the room next door, but that's OK, because nothing comes close to this affective hotbox. Branching out from "dub techno" in its strictest sense, 'Touch' adds superluminal, vacuumed Whammy guitar to a swelling, motionless chord repeated throughout the track, and bluesy dub crackler 'Reflections' indulges mournful piano above a scape-squinting mix; 'Desiderium' is the third highlight of ours, powerfully evoking the sense of something irrevocably lost.
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Review: Wherever You Are is the sonic result, expressed through solo piano, of a bright burst of introspection experienced at home by John Foxx of Ultravox fame. Made up of compositions he created in the quiet hours following a rare performance at Kings Place, London, during the BBC Radio 3 Night Tracks event in October 2023, the majority of Wherever You Are was recorded at home, with Foxx noting that the matutinal hours are the best for minimising self-criticism, and letting creative freedom flow. Morning, on Foxx's watch, is the ideal time to play: and in stark contrast to his oblique solo LP Metamatic, Foxx's latest is a mono-instrumental monument to personal tranquility and contentment. It reiterates the importance of quietude and temperance as crucial start-points for navigating the complex world we face today.
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Review: Following a pair of well-received albums on Juicebox Recordings (not to be confused with A Guy Called Gerald's 1990s label of the same name), self-styled "nu-funk" duo Franc Moody have transferred to Night Time Stories for the release of new album Chewing The Fat. Like its predecessors, it blends a left-of-centre, Hot Chip style sensibility with colourful and nostalgic synth sounds, disco strings, good grooves and nods aplenty to both 21st century electronica and the Halcyon days of synth-funk in the 1980s. The results are frequently superb, with highlights including the throbbing-but-sparse 'Square Pegs In Round Holes', jaunty opener 'Driving On The Wrong Side of the Road' and the blissful, tactile and string-laden nu-disco bounce of 'Bloodlines'.
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Review: By K-pop standards, rapper-turned-popstar G Dragon (Real Name Kwon Ji Yong) is something of a veteran. He's been a star in his native South Korea since the tail end of the 2010s, enjoying success for a trio of albums released between 2009 and 2013. Ubermensch, officially his fourth full-length, sees him return to solo action following a period spent working as a songwriter and producer for other artists. It's a typically entertaining, fun and boisterous set that sees him sing (and more occasionally rap) atop tracks that variously mix and match elements of P-funk, EDM, disco, synth-funk and 21st century pop. K-pop fans take note!
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The Japanese Album (CD:1)
MR Universe (CD:2)
Glory Road (CD:3)
Future Shock (CD:4)
Double Trouble - Studio (CD:5)
Double Trouble - Live (CD:6)
Magic (CD:7)
Review: Spanning the years 1978-82, this seven-disc set captures the history of the band put together by Ian Gillan after he departed hard rock giants Deep Purple, the 94-strong tracklisting features remastered versions of all studio their albums alongside a rich selection of B-sides, outtakes and rarities. Key highlights include the debut album, sometimes known as The Japanese Album as it wasn't initially released in the UK, the more intense Mr Universe, the initally fan only Glory Road and the chart-climbing Future Shock Double Trouble is that most novel of formats, a half studio, half live double album, while Magic, captures the group's last creative burst before disbanding. Housed in 7" packaging with a detailed 32-page booklet, the collection also includes an insightful new interview with the often outspoken frontman.
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Cat: EDSL 0226. Rel: 28 Feb 25
Rock
CD1: Consequences (part 1)
CD2: Consequences (part 2)
CD3: Consequences (part 3)
CD4: L
CD5: Freeze Frame
CD6: Ismism
CD7: Birds Of Prey
CD8: The History Mix Vol 1
CD9: Goodbye Blue Sky
CD10: Non-album Tracks & 7" Versions
CD11: Extended Mixes
Review: This collection plunges into Godley & Creme's eccentric post-10cc years, a whirlwind of boundary-pushing pop and inventive production. Tracks like 'An Englishman in New York' burst with surreal humour and layered arrangements, showcasing their knack for storytelling through off-kilter melodies. Meanwhile, 'Snack Attack' plays with genre, blending funk-laden grooves and absurdist charm. These songs aren't just quirky diversions-they're windows into the duo's fearless approach to dismantling pop conventions. Packed with vocal harmonies, synth experiments, and a sprinkle of the absurd, this box set is a reminder of how Godley & Creme rewrote the rules for art-pop.
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Review: Since releasing her much admired debut album 19 Masters in 2022 - an impossible to pigeonhole affair that saw the Canadian-Japanese bassist-turned-solo artist explore her abstract and experimental influences - Saya Gray has kept fans content via a series of low-key (but undeniably interesting) EPs. Here she finally delivers full-length number two, the simply titled Saya, whose genesis can be traced back to a solo trip across Japan accompanied by her acoustic guitar. Musically, it is rooted in folk - bluesy finger-picking motifs, strummed chords and her sweet vocals are an almost ever-present - but it's like no folk album you'll have heard before, with Gray throwing in everything from Tricky style moody trip-hop beats, haunting pedal steel, dark electronics and nods to country, Americana, r&b and atmospheric electronica.
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Review: Canadian composer Hecker's movement into scoring for film and television has been a natural progression over the past 25 years and now the artist has perfectly aligned his sound with motion pictures and film. Perhaps not fully intentional by Tim but most fans point to him as an artist whose music evoke emotions that equal the power of what a film could create. Known for his transcendent soundscapes that push ambient music into unclassifiable realms, Hecker collects a series of compositions originally created for projects like Infinity Pool, The North Water, Luzifer and La Tour. While some pieces were left unused in the final productions, their standalone presentation here showcases Hecker's ability to evoke vivid atmospheres. The seven-track EP, released via Kranky, includes the hauntingly beautiful 'Sunset Key Melt', where celestial chimes echo amidst layered, dense melodies. It exemplifies Hecker's knack for crafting spacey, droning soundscapes. Meanwhile, 'Morning' begins as a delicate piano piece before unsettling feedback disrupts its serenity, blending traditional composition with experimental textures. Shards reflects a late-career revelation: Hecker's immersive sound design translates seamlessly to visual storytelling. His work on Arctic psycho-chiller The North Water and supernatural horror Luzifer underscores his ability to merge ice-cold atmospheres with emotional depth. This EP is both eerie and ethereal, showing why Hecker's style is so compelling.
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David HEPWORTH / VARIOUS
More Deep 70s: Undiscovered Jewels From Music's Most Action Packed Decade (unmixed 4xCD in hard-back book sleeve)
Cat: EDSL 0161. Rel: 20 Feb 25
Rock
Review: David Hepworth has been writing, broadcasting, and speaking about music since the 1970 - often alongside Mark Ellen, with the pair currently hosting the Word In Your Ear podcast. He helped launch and edit Smash Hits and The Word amongst others, and was a presenter on BBC's The Old Grey Whistle Test and an anchor for Live Aid in 1985. As such, he knows his stuff. Following the success of his Underrated Cuts From A Misunderstood Decade comes this follow up, which he has annotated track-by-track.From Roy Harper and Sandy Denny's folky shenangans to Status Quo. ZZ Top and proto-punks Eddie & The Hot Rods, this is Hepworth making a case that the 70s remains unmatched for music invention, and a strong case it is too.
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Cat: 12K 1103. Rel: 15 Apr 25
Ambient/Drone
Review: Ezekiel Honig is a New York City-based artist who founded two vital labels, Anticipate Recordings and Microcosm, and now he is back with a new album on 12K. Unmapping The Distance Keeps Getting Closer is a tender and honest work of art that wears its heart on its sleeve with piano, horns and broken rhythms all characterising the palette. Field recordings are also worked into the arrangements to add a real narrative and to really evoke a sense of place. Add in plenty of textural and tactile motives and you have a journeying album full of melancholy but also a sense of hope.
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