Review: There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.
Indo Tribe - "Bring In The Pulse" (MFK mix) (5:10)
Indo Tribe - "In The Mind Of A Child" (First Born mix) (5:04)
The Future Sound Of London - "Hardhead" (Frothin' At The Mouth mix) (6:06)
The Future Sound Of London - "Pulse State" (831 AM mix) (7:20)
Review: Jumpin' & Pumpin' looks back into the seminal archives of The Future Sound of London here to reissue their fantastic The Pulse EP from 2008 which also featured tunes from Manchester pair Indo Tribe. It is they who start with 'Bring In The Pulse' which features some Happy Mondays hallelujahs, mad rave whistles and bristling electronic breaks. 'In The Mind Of A Child' (First Born mix) is then a bouncy techno cut with more visceral synth and acid lines and The Future Sound Of London kick off the flipside with 'Hardhead' (Frothin' At The Mouth mix) which is an assault of breaks, congas, whistles and rave signifiers. 'Pulse State' (831 AM mix) is that perfect tune to zone out to on a late night drive on the motorway.
Review: Multiple Angle Distortions (M.A.D) is the second of two EPs previewing The Future Sound of London's upcoming 2025 album. It dives into darker, more percussive terrain than before and blends acidic 303 textures with brooding orchestral layers as the cult FSOL continue to expand their sonic palette. Grammy-nominated Daniel Pemberton guests on the striking 'Improvisations,' which is a live recording from a London fashion show, while closing track 'Northern Point' showcases FSOL's own custom-built synths. The result is a heady fusion of house, electronica and techno with an experimental edge that is both cerebral and immersive. M.A.D affirms this outfit's legacy while still pushing boundaries decades into their career.
Review: There is a great selection of reissues of Future Sound of London's back catalogue going on right now. It goes all the way back to 1988 when they first started chaining the game with their forward facing electronics and mix of rave, breaks, hardcore and ambient into something utterly fresh. It still resonates today, hence these reissues, and this one is a 25th Anniversary edition of Accelerator. This one was, at the time, seen as the group's most "commercially-minded" album but that takes nothing way from its visionary sonics and immersive sonic landscapes.
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