Review: Strap in for a wild techno ride on the first ever offering from Psionic. The new label kicks off with an EP from Astral Travel. The aptly named artist reaches for beyond the event horizon on "Sky's The Limit", with its punchy kicks and relentlessly wobbly bass. "As One" gets into a nicely mechanical groove built on stomping kicks and rigid synth movements that make for perfectly robotic funk and the trip closes out with "Orbiting." With its urgent drums that are smooth and silky and serene synth work, it's one for peak time techno cruising.
Jared Wilson - "Lynnwood2 Northgate Transit Center" (6:39)
Sohrab - "Sinking" (6:42)
KCLF - "Reloaded 9615" (4:17)
Review: Undersound Recordings hit release number 15 with a various artist EP that packs four vital techno punches. Audio Quest's "The Mental Screen" kicks off with some old school techno that recalls the sound of legendary Dutch label Djax-Up. It's filled with metallic snare sounds and deep space bleeps. Jared Wilson of course brings the acid that has defined his output for years, and Sohrab get busy with a kicking number and some busy melody patterns. KCLF closes out with twisted bass and shiny chords that look back to go forwards with "Reloaded 9615".
Review: Hoary Ukraine has kept up a busy rate of release since first appearing in the world, and as was the case with their eighth EP in April, this ninth offering is a various artists affair that calls on some slick tech house talents. Nick Beringer's "AI" is tight and crisp, with an old school feel thanks to the neon baseline, the Sota really pumps the party with his effervescing, fist pumping "Zerosandones". "UXB" on the flip is Nolga's clipped, bass driven tech-garage shuffler, then closing things out is Diego Krause with "Touchstone", a darker jam with some fresh sound designs.
Review: Since launching last year, Mexcian label Honne Music has so far offered up two multi-artist EPs packed with tidy tech-house and atmospheric minimal techno. The imprint's third outing explores similar sonic territory, showcasing tracks from a mixture of local and international artists. Old hand Lee Burton kicks things off via the intoxicating shuffle of "MAO" - all swirling sci-fi chords, minor key melodies and bubbly bass - before Niko Maxen delivers a fuzzier, slightly weirder take on intergalactic tech-house ("Homecoming"). Over on side B, Sarko emphasizes mind-mangling bass on the trippy tech-funk of "How Did I Get Here", while Moett C and Migueleto invite us to drift through deep space on the weightless, early morning warmth of EP highlight "Derriere".
Review: Barely two weeks have passed since Andrei Popa AKA Direkt delivered a strong contribution to the Atipic Lab series, but the Romanian producer is already back in action. "Language Point" is, of course, another rock-solid outing, this time on debutant label Thinc. Check first the deliciously spacey, sci-fi sounds of purist tech-house opener "Language Point", a slick, synth-heavy and far-sighted affair that's later given a glitchier, more contemporary tech-tinged makeover by remixer Vincentiulian. Direkt continues to dance his way through distant constellations on hypnotic EP highlight "Ephemeris", before combining chunkier tech-house beats, bubblier electronics and broken computer sounds on trippy, heads-down closing cut "Nova".
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Review: Graded, Regraded and now Intergraded? Label chief Midland has stated that it is a new label intended to focus on releasing music by new artists; whether unknown, emerging or established but working under different aliases. For the sixth release, we have Em and Stav. Well established in the vanguard of Bristol and beyond's electronic music scene, both individually in their own right and as a duo, they are partners in real life and behind the decks. Great stuff on this one: from the hypnotic and bass-driven broken beat of "Afterglow", to the soulful futurist electro of "Inner Space" and the emotive off-kilter IDM of B-side cut "Atmospheric Love" - this is a terrific effort from the promising pair.
Review: Jackmate, the king of off-kilter house, makes a welcome addition to Matthew Herbert's Accidental catalogue - matter of fact his style is right at home! The 'Werk' EP is the Philpot co-chief's first release in six years and he's in fine form as always. From the dry and disjointed shuffle of the title track, to the smooth and sensual deepness of B-side cut "Skeletones" - a Moodymann-ish cut which is perfect mood music for the warm-up or afterhours alike. Closing out the EP is something much more offbeat for the Sunday afternoon slot - the boppy summertime groove of "The Clarinettes' which like its namesake has some irresistible wind instrument action to get you on your feet and shaking your behind.
Review: Canadian maestro Jay Tripwire is a long time underground stalwart with countless gold-dust releases to his name, and still the modest artist keeps pushing on with more stellar tech house immersion heaters. Here he's been invited to Euphoria for an EP that burrows into the most shadowy corners of his sound. "H3misphere" is a spooky jam driven by a shuffling groove and offset with some dubby flourishes - a perfectly balanced workout for the club with a seductive air of mystery lingering around the rhythm section. "Werqles" is a lighter affair, but it's no slouch in the freaky department as a plethora of disembodied machine wriggles ping around the crisp 4/4 throwdown. The whole B-side is given over to SIT's "Remux" of "H3misphere", which holds the groove down in a more linear manner but keeps that chilling atmosphere intact just behind the beats.
Review: Berlin scene stalwart Nico Stojan is back on his respected Ouie imprint that he co-runs with Acid Pauli, with their seventeenth edition here. On the 'Cardano' EP you can sure bet that it is jam packed with glassy-eyed and bittersweet dancefloor narratives, as evident on the sublime title A side title track. Soothing melodies, warm bass and subtle rhythms underpin this melodic deep house journey throughout. On the flip, we have two more numbers aimed squarely at the Sunday morning dancefloor in the form of "Together" and "Inhale", the latter in particular will take you into the exotic with its chilled-out summertime island vibes.
Review: Ukranian tech house hero Andrew Guyvoronsky aka Tripmastaz is back, with more boompty and swing-fuelled business after the label's two year hiatus - and it's his most personal one yet. On the A side of '06', we have the groovy heads-down stomper that is "My B Is Better Than Your B" and while that may be a subjective thing, broadly speaking - we can sure give him the benefit of the doubt there. This one will mix in well with any of your Cab Drivers records for sure! On the flip, we have the smooth deep house of "Grime-O-Licious' and it's proper mood music if we've ever heard it. This chilled and dubby jam is perfect tackle for the afterhours.
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