Review: Returning with his redemption attempt follow up to 2020's We Are Chaos, industrial metal shock-rock provocateur Marilyn Manson seeks to skirt the numerous controversies and accusations accrued in the last few years with his most potent musical statement in decades. Signing with Nuclear Blast and enlisting the likes of Chelsea Wolfe collaborator/producer Tyler Bates to helm the project, his 12th full-length One Assassination Under God: Chapter 1 (indicating that more is sure to follow), offers up some of the heaviest and introspective material of his career to date, with cuts such as 'Nod If You Understand' harking back to the unhinged angst of Antichrist Superstar, whereas 'As Sick As The Secrets Within' breathes with the same mercurial synth-gloom as the strongest moments on Mechanical Animals. A cynical attempt to regain fan adoration, or the sound of a tortured artist finally coming to terms with his own demons and attempting to rediscover former glory and prowess, the interpretation is entirely your own to consider.
Review: Johanna Sadonis (real name Johanna Platow Andersson) is the German Wiccan frontwoman of Swedish retro psych-doomers Lucifer. Crafted in collaboration with her regular songwriting partner and husband Nicke Andersson (of hard rock heroes The Hellacopters and death metal legends Entombed), the aptly titled V marks the group's fifth full-length and distils accessible AOR style hooks with the sleight hands of proto-metal and blues-tinged psychedelia, while lyrically delving into the occult and cosmic otherworldly rituals; elevated and brought to life by Platow's sultry, frosted and commanding presence.
Review: Returning with their heftiest and most malevolent work to date, Desolation's Flower marks the fourth full-length from the Oakland based queer blackened screamo-sludge two-piece Ragana. Their first effort upon signing with extreme purveyors of underground ugliness The Flenser (home to caustic noise-rock titans Chat Pile and ecstatic black metal newcomers Agriculture), the LP serves as a creative rebirth following their longest gap between projects yet, with their preceding third LP You Take Nothing arriving back in 2017. Continuing their grim excavation into hideous sonic malaise, yet with an expanded palette of grooving doom, frenetic screamo-violence and heaving sludge metal ripped right from the banks of the bayou, this is a thick, dense, murky gaze into a void that spits back eternal blackness.
Review: Danzig and Misfits mastermind Glenn Danzig stepped out solo for this superb cassette release that has had fans fawning. It's a suitably spectacular sequel to the first part of the Black Aria series that was originally released in 2006 and is seen as one of his most audacious ever works. It finds Danzig extends his band's already ambitious, classically-themed project with this time the infamous Lilith, the first wife of Adam, as the main theme. The cover is a super one that features an illustration by the well known Marvel comic artist Bill Sienkiewicz. All in all, a vital reissue of a metal classic.
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