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New releases last four weeks: Leftfield
Leftfield vinyl released in the last four weeks
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Review: Geir Jenssen (Biosphere) marks his AD93 debut with The Way Of Time, wrapping elucted echo and looping synth drift around spoken fragments of Elizabeth Madox Roberts' great 1926 novel The Time Of Man. A Midwestern gothic literary staple, Roberts' novel is about the daughter of a Kentucky tenant farmer, and Jenssen's haunting use of Joan Lorring's voice from the 1951 radio play adaptation readapts his usual icy predilections for suitably huger desert horizons. Rather than treating the vocal as ornament, he folds it deep into the mix, letting it dissolve into the melodic architecture.
… Read more in stock $15.50
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in stock $12.95
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in stock $12.95
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Cat: LM 001CD. Rel: 29 May 25
Review: While he may well be best-known for his nostalgic, synthesiser-powered Warrington-Runcorn New Town Development Plan project, Gordon Chapman-Fox has also put out some fine music under his given name - not least 2023's ambient opus on Castles In Space's 'Subscription Library' offshoot. On Very Quiet Music To Be Played Very Loudly, Chapman-Fox delivers four expansive ambient soundscapes. He sets the tone with the Vangelis-esque synth suspense and spacey creep of 'Components', before opting for sustained, almost neo-classical sweeps and delay-laden electronic string sounds on 'Fringe'. 'Emphasis' is immersive and quietly picturesque, while closing cut 'Singular' is dark, moody and quietly paganistic - a kind of imaginary soundtrack to a 21st century folk-horror movie.
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Review: Throbbing Gristle co-founder and all round British experimental electronic institution, Cosey Fanni Tutti returns with 2t2, a new full-length set for release through her own Conspiracy International label. The new nine-tracker extends the tracked terrains of 2019's Tutti, blurring personal reflections on years of loss and upheaval into prosthetic electronic soundscapes. The record unfolds over two contrasting halves, one beat-driven, the other more introspective, yet it also keeps anchored to a certain ground point emphasising resilience and focus. Lead cut 'Stound' features overtone chanting, which Cosey describes as a way to channel inner strength: "allowing the sounds to permeate and soothe as well as create a sense of power."
… Read more in stock $13.80
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Review: Robert Smith has always treated remixing less like revision, more like ritual i a habit that's followed him since his days in Crawley, West Sussex and then surfacing officially on the first Cure remix album, 1990's Mixed Up. This triple-disc release of reworkings from the band's latest LP Songs of a Lost World feels assembled with obsessive care, mapping out every possible mood lurking beneath the surface. There are club-ready flips, yes i Sally C, Danny Briottet and Gregor Tresher all push the rhythm forward i but they sit beside glacial pieces that feel more like haunted sketches than reworks. Mura Masa's take on 'All I Ever Am' is disintegrated almost beyond recognition, its vocal a flickering memory. Mogwai's 'Endsong' feels like the end of the world in slow motion. Even Chino Moreno turns in something striking i 'WarSong' morphs into a sludgy howl with heat-warped edges. But it's the sequencing that surprises: these aren't bolted together, but grouped in arcs, as though Smith were arranging the bones of an old idea into something still alive. Four Tet's version of 'Alone' is a high point i deeply textured but featherlight. Like all The Cure's output, what really matters is the feeling of being drawn somewhere, and Smith's hand never letting go.
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Review: More than four decades after he first appeared in smudged eyeliner and a mop of jet-black hair, Robert Smith is still finding new ways to pull his music apart and stitch it back together. This new remix collection i assembled and curated by Smith himself i feels less like a victory lap and more like a restless dissection of a legacy he's still actively shaping. The collaborators here are hardly incidental: Four Tet, Orbital, Ame, Chino Moreno, Mura Masa, Trentemoller, Mogwai. It reads like a list built by someone still hungrily tuned into the present, not stuck in the past. And true to form, the results are all over the place i a feature, not a flaw. Some tracks lean into grandeur: Paul Oakenfold's take on 'I Can Never Say Goodbye' opens with all the sweeping melodrama you'd expect, while Daybreakers stretch 'WarSong' into widescreen synthwork. Elsewhere, Shanti Celeste and Ex-Easter Island Head bring a strange intimacy to 'Alone', teasing out its ache with a different kind of spaciousness. At times, you wonder if Smith enjoys seeing how far his work can be bent before it breaks. But it never does i even filtered through others' hands, his sense of tension, drama and deep emotional unease holds everything together.
… Read more in stock $15.21
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Pale Ravine (20th Anniversary Extended Edition) (CD limited to 300 copies)
Cat: MIACD 035. Rel: 30 May 25
Review: Deaf Center's debut LP gets a 20-year anniversary reissue on CD, pairing the original 2005 album with 20 minutes of unreleased material from the same sessions. Originally out on Type, Pale Ravine marked the first full-length by Erik K Skodvin and Otto A Totland, who've since carved solo paths via Sonic Pieces. Drifting between chamber composition, shadowy electronics and the hiss of old tape, the record draws on their Norwegian roots and personal family histories. Grainy textures, ghostly pianos and wind-blown field recordings conjure a mood somewhere between forgotten reels of silent film and weather-worn Nordic folklore.
… Read more in stock $21.69
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Review: Brian Eno and Beatie Wolfe join forces on a dual release infusing two distinct musical visions rooted in shared environmental concern. Their new joint release unfolds across two sides, with Luminal offering a vocal-led collection leaning into alt-pop ambiances and timbres, before Lateral rears itself in counterpart as a seamless ambient composition, making up a study in contrast and connection. Recorded in London, the project reflects Eno's lifelong exploration of mood and atmosphere, alongside Wolfe's ongoing push to blur the lines of digital innovation and tactile experience. The project builds the activist art works of Wolfe, a British-American concept artist based in Los Angeles, named by WIRED as one of "22 people changing the world," and tracks the expression of music beyond language or form.
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Review: Brian Eno's career has always been about explorationiof sound, technology and the emotional power of music. After pioneering ambient music, Eno has consistently sought out new ways to blend different genres and voices and his latest collaboration with Beatie Wolfe continues this tradition. Wolfe, a British-American artist with an innovative approach to music and activism, complements Eno's atmospheric world with her emotive, alternative vocals. Their work, recorded in London, moves seamlessly from the meditative to the experimental, with tracks like 'Big Empty Country' offering stark contrasts between the brightness of the day and the shadows of the night. This release is not only a nod to Eno's sonic experimentation but also a testament to his lasting influence as an artist who always seeks to connect art with broader societal issues, especially the environment.
… Read more in stock $20.57
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Hibernation (CD limited to 100 copies)
Cat: WLR 181. Rel: 17 Jun 25
in stock $11.26
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in stock $13.80
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in stock $17.47
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Rain Man (Remastered & Expanded Edition) (limited CD)
Cat: LLLCD 1662. Rel: 19 Jun 25
in stock $44.23
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Cat: BF 074CD. Rel: 29 May 25
in stock $16.33
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Review: The twelfth studio release from Manchester duo Marconi Union reaffirms why they remain such a quietly vital force in ambient music. Formed in 2003, the pair's latest work arrives after a two-year process of reorientation i one that saw them scrap old habits, test new material live, and ultimately return to the atmospheric instinct that first defined them. The result is a seamless 55-minute composition split into nine movements: fluid, immersive, and full of emotional nuance. It's a brand new release that spans sequencer-driven passages, low-lit drone work and impressionistic electronics, all stitched together with an elegant sense of pacing. 'Eight Miles High Alone', the first piece completed and shared publicly, sets the tone with a solitary pulse and slow-building tension i its clarity and weightlessness shaping much of what follows. The music unfolds without force, evoking both disquiet and release. Though wordless, the journey speaks volumes. A sense of modern anxiety hovers throughout, yet it's counterbalanced by warmth, space and stillness. After years of refining their sound across acclaimed releases and multimedia collaborations, Marconi Union deliver some of their most affecting work to date i not by reinventing themselves, but by rediscovering the beauty of doing less, slowly, and with purpose.
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The Book Of Dreams (CD limited to 100 copies)
Cat: WLR 185. Rel: 17 Jun 25
in stock $11.26
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in stock $12.11
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Tall Tales (Japanese Edition) (UHQ-CD with obi-strip)
Cat: BETE 32153762. Rel: 04 Jun 25
in stock $48.45
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Review: First released three years ago and now receiving a deserved reissue, I Am A Tree I Am A Mouth is undoubtedly one of the most magic albums by Australian-American sprano and composer Jane Sheldon - an artist famed for her unique, voice-based works. While the album is not entirely made up of layered vocals and vocalisations - Sheldon employs long, languid ambient drones and textures throughout - they're naturally the focal point. Most of the lyrics (mostly sung, but some spoken) are taken from Rainer Maria Rilke's 1995 tome The Book of Hours (meaning Sheldon largely sings in German), and these are delivered in all manner of inspired ways. The results are uniformly dazzling, blurring the boundaries between chamber music, neo-classical and ambient music's experimental fringes.
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Cat: SPS 2597. Rel: 16 Jun 25
in stock $16.33
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in stock $14.64
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The Grass Harp (hand-numbered CD limited to 150 copies)
Cat: LAAPS 044CD. Rel: 19 Jun 25
in stock $20.00
