Four Flies Italy Schallplatten & CDs

Review: .The last full length we had from Federico Amorosi and Valerio Lombardozzi, AKA Dressel Amorosi, was a pretty scary place to spend time. Themed around late-mid-20th Century Italian horror movies (see: Dario Argento), the record paid homage to the iconic sounds of that culture, but also refused to simply rehash the past. An atmospheric, spine-tingling collection of suspenseful synth-first stuff, it also benefited from landing around the same time as a new Stranger Things series. A year on and things are now on a slightly less tense route. Spectrum is still looking to offer thanks to the Italian film industry as was a few decades back - specifically for gifting us so many amazing soundtracks. But this time round we're much closer to the glam and glitz of a Roma Italo party than anything like the Upside Down, while still packing depth and atmosphere.

Review: One of Giuliano Sorgini's finest and most sought-after titles, Scappo Per Cantare, is finally available as an official LP reissue, and the first ever to be remastered from the original tapes. Originally released in 1971 on the small library music imprint FAMA - which operated as a sub-label of RCA Italy - the record contains the original music written for Scappo Per Cantare, a small, pseudo-psychedelic 'musicarello' (musical comedy film) broadcast on RAI television. Despite this seemingly innocuous commission, the music - though he's uncredited, it was made in collaboration close confidant Alessandro Alessandroni - is incredibly surreal, and a psychedelic treat for anyone seeking crisp, chordophonal-compositional mastery distilled on record.

Review: Four Flies thrillingly reissues Piero Umiliani's soundtrack to the 1969?giallo thrille Orgasmo (curiously retitled Paranoia in English speaking countries), the firstof three erotically charged? ilms directed by Umberto Lenzi and starring cult siren (and Oscar nominee) Following the first ever release of this OST in 2020, this follow-up version hears Four Flies top up the release with a fuller restoration, after some serious detective work in the composer's archives revealed a post-hoc salvaging of the original tapes, where they where first thought to be lost or unusable. Bringing Umiliani's score back to life for all to enjoy, Orgasmo perfectly captures the stylish and sleazy vibe of Lenzi's film, its acid-drenched visuals, and its themes of sick psychological mind games (courtesy of the devious characters played by Swedish enfant terrible Lou Castel and?French beauty?Colette Descombes).