Review: Well know for his remix marathons and as the one and only party-hard guy. He brings us another full effect peak time guaranteed floor-filler. Big support from Kiki (Bpitch control) who remixed this tune, more minimal but also more than DJ friendly.
Sam Shure - "Nandoo" (Oliver Koletzki remix 2018) (7:23)
Oliver Koletzki & Niko Schwind - "Camps Bay" (Oliver Koletzki remix 2019) (7:24)
Review: Since releasing his debut single way back on 2005, Stil vor Talent founder Oliver Koletzki has become a prolific remixer. Here he gathers together some of his favourite revisions on one handy, DJ-friendly 12". Intriguingly, some of the standout moments are a little breezier, deeper or more melodious than you'd perhaps expect - see the bongo-driven bliss of the Koletzki & Schwind "Camps Bay" fix-up - but even this picturesque excursion is still 100% dancefloor-ready. We are also loving the moody, big-room ready mix of Howling's "Stole The Night", a jaunty dub-house take on Channel X's "Snug Descent" and the exotic and tribal remix of Sam Shure's "Nandoo".
Review: Kolsch gets his freak on with this latest release on for the Kompakt Extra label which represents the Danish producer's fourth Speicher in total. We are not sure what Rune Reilly Kolsch was on when he was in the studio making "Papageno" but we sure would like some, as the production is bugged out to the extreme! Detuned synths and malfunctioning electronics collide magnificently with manipulated basslines and stripped back percussion before Kolsch introduces a most pleasant detour into a more melodic plane blessed by fluttering vocals from When Saints Go Machine's Waa Industry. On the flip, Kolsch teams up with pianist Gregor Schwellenbach for the sublime "Cassiopeia" which surely ranks as one of Kompakt's most affecting B Sides of recent memory.
Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.
Review: Having recently appeared on Bosconi Records and Altzmusica, Daisuke Kondo is a producer on the rise at present. This outing on Vibraphone adds fuel to that particular fire with four distinctive cuts that push to the outer edges of house music without losing sight of the groove. "Hold On To Love" is, on the surface, an upbeat, disco-infused house jam, but there's a certain trippy approach Kondo takes in the processing department that edges the music into a different head space. "Life" meanwhile gets gritty and bass heavy at one end of the frequency range, and airy and melodic at the other. "Feelin Blue" gets even dustier and scratchier with its sample treatment, and then "Fallen Star" lays down some unflinching machine beats with wonky, distant piano licks.
Review: London-based Italian duo Konstress are back with their third release on their self-titled imprint, and it once again shows the pair progressing with a dynamic, detailed and original approach to stripped down dance music. The first track pits a stuttering groove against blown out keys and a smorgasbord of errant synth noises, and those noises jump across to the second track to plot a course through a highly textured, ominous soundscape where the drums have been left behind. The B1 track sports a tough, crooked groove and warm, sci-fi synth tones while the B2 takes a more eerie direction into deep and dingy techno. A classy, highly developed record for adventurous souls.
Review: London-based, Italian-born duo Konstress may have first appeared with the Blind Box Series in 2015, but now they're really hitting their stride with their own self-titled label. This second installment sees the pair charging out into exciting territory on the experimental fringe of the minimal techno scene. The influence of the Boogizm label weighs heavy across all these tracks as intensely detailed sound design meets with chunky basslines and snappy, electro-informed grooves. This is not party music for the conformists out there, but any mutant dancers will find it hard to resist getting their freak on to these adventurous sounds.
Review: French artist Kool Vibe is back on his own Paris-based label KV Records with a new 4 track EP. True to the mission assigned to the label, this release brings us back to the early 90s through basics sounds and elements which have defined deep house since then : fat syncopated rhythms, heavy and groovy basslines, warm chopped vocals. There is something raw and genuine about this record. 'Basics' and 'Back To The RealA' definitely emphasize the minimal and raw side of deep house. 'Tribute' is humbly dedicated to the legendary Todd Terry, whose ultimate knowledge of the art of sampling contributed to shape house music in the early days . At last,'Sleazy Joint (Touch It, Suck it') closes the record with a nasty and sexy touch . Anyway, the whole EP is meant for the dancefloor and the simple pleasure of partying. So forget about the pressure and enjoy !
Review: Commonly found rocking out on Unison Wax, Constant Sound and Pleasure Zone, Diego Krause is a certified mover and shaker in the minimal house scene, and he's on fire with this latest round of missives for Blind Box. "Malice" leads the charge with a plethora of eerie synth textures flexing organically round the sturdy beat, while "Monolith" slips into a slinkier groove while keeping the tripped out tone tweaking at the forefront of our minds. "Return" brings a tougher, fist-pumping rhythm section with a snaking syn-cussion tones trickling throughout, providing Blind Box with plenty of material to sink their gnashers into on the remix.
Review: Berlin scene veteran Diego Krause serves up the seventh release on his Unison Wax imprint and doing what he does best: deep and dubby tech house that's best served at the afterhours. Kicking off with the lo-slung tribal groove of the title track, Krause goes deeper into the morning hours next with the swirling and hypnotic minimalism of "Phenomena". On the flip, things get off to a bouncy start with the tripped-out and swing-fuelled house shenanigans of "The Company You Keep" followed by "Lost Tribe" which will draw you in with its entrancing and infectious bass-driven attitude.
Review: Russia's Nina Kraviz graces the record buying public with her first material in some time, with the three tracks on Ghetto Kraviz the prelude to a full album pencilled in for release on Rekids at some point next year. Nods to the seminal Dance Mania imprint abound as soon as your eyes clasp on the cover art, and this continues with the stripped down music held within, as Kraviz's languid drawl is looped up and dizzyingly placed amidst the minimalist; low slung bass and 808 flex on the title track. "Jealousy" is that bit smokier, with Kraviz herself sounding slightly intoxicated amidst the stripped down jack. (Intriguingly both sound quite fun when spun at 45 rpm). As the flipside "Show Me Your Time" operates at 45prm there's no footwork fun to be had there, though it's an equally potent combination of Kraviz's vocals laid atop each other amidst the sub heavy beat.
Review: Kreon & Lemos continue their exploration of dubby motifs and crafty beat programming on this latest missive for Equivalence, and at this point it's safe to say anything could be possible from the adventurous Greek duo. Each of the artists has a side across which to express their own vision of "Avatone", starting off with Kreon. The urgency of the funky breakbeat rhythms powering both versions is hard to resist, with Kreon's version ramping up the nagging synth lines in between the drums while Lemos opts for a more meditative refrain around the intricate percussion.
Review: The second offering from Brooklyn-based Let's Play House offshoot, Room Service, is, like the first one, a four-track solo EP by one of the most exciting house music talent's around. RECORDS features four originals by Spanish producer Kresy, who's already released a few 12"s on the esteemed Hivern Discs as well as Retrofit, Freerange, and his own Discomaths. The songs included here vacillate between hands-in-the-air feel good disco and jittery, shuffling house, though they're all unified by an inherent grooviness and bright tonality.
Review: House-centric producer Kresy began his production career with a pair of storming EP's for Hivern Discs, back in 2012, and since then he's popped up on some of the finest club labels going; Freerange and Retrofit being up there in the ranks. This week, he's back on Discomaths with New Experiences On Old Hardware, and EP clearly dedicated to an analogue sound and chunky warehouse beats. "Frog Acid", as the name implies, is a bundle of 303 magic mixed up with metallic percussion and a dusty swing, followed by the hefty 4/4 to-and-fro of the bleepy 'Washelator". Over on the flip, "It's All Really Happening" sees the producer return to more familiar territories thanks to a powerful, warm-as-hell bass swing, and some gorgeous broken chords. Tip!
Review: Rough House Rosie is back with another selection of sublime tones in the adventurous corner of the deep house playground. The Silent Movie Sounds series never fails to present a fascinating array of producers, and so it is on the fourth volume as Nemanja Krstic seduces with the melodic delights of "Bass Odyssey" and Lady Blaktronika heads into blissed-out territory with the spiritual wonder of "Ringo Oiwaka Heaven". Miruga's "White Moon" is a mysterious, dubbed out affair and Seal Bient heads even further out with the scuffed and muffled flutter of "Slavery". As ever, the vitality of the tracks on this 12" can't be ignored for open-minded diggers looking for original, contemporary deep house.
Review: New York-based Irishman Dec Lennon aka Krystal Klear had a massive year in 2018, with the disco epic "Neutron Dance" and the terrific Club Studies EP on Hot Haus Recs. Now, the Cold Tonic boss returns to Running Back with his electrifying new trip by the name of "Euphoric Dreams" which is a fitting title for this evocative and neon-lit dance floor burner which calls to mind the best of the golden era that was the '80s. He goes deeper into the night on the flip with "Miyoki"; a delightful boogie-down number which boasts of shimmering arpeggios, steely drum computers and an all-round vintage flair - there's more to come from Lennon this year for sure.