Review: After a two-year hiatus, the "Watergate Affairs" series returns with an EP of tracks from what the legendary Berlin label describes as "talent from outside the crew's immediate circle". Danish duo Baime step up first with the humid late night techno exotica of "Majka" - all Indonesian percussion, snake charmer synths and Teutonic grooves - before Kadosh offers up the melodious tech-house/deep-house fusion of "Better Days". Turn to the flip for a dash of quietly euphoric White Isle tech-house goodness from Ibiza-based Kintar ("Paradisou") and the extra-percussive throb of Kevin Di Serna's "Lucero Del Alma", where evocative electronic lead lines bubble above moody bass and pulsating synthesizer motifs.
Review: We're used to seeing DJ Rocca in collaborative mode; since making his debut in 2005, he's worked alongside everyone from Dimitri From Paris and Hard Ton to Fred Ventura, Rodion and In Flagranti. His latest collaborator is label-hopping London producer Alex Warren AKA Kiwi. A-side "Bronze" is warm and breezy, with the pair wrapping heavy analogue tones, dream house style chords and cosmic synthesizer flourishes around a sturdy, suitably bass-heavy groove. "I Got A Toy" is arguably even more fluid and colourful, with the combination of melodic positivity, bubbly bass and crunchy machine drums making a suitably Balearic impression despite its obvious house credentials.
Review: REPRESS ALERT: Gravity Graffiti has been doing great things with its series of split 12"s already, but now the Italian label goes one better for its tenth release with this mighty double pack of heavy hitters. First up is the ever-untouchable Yoshinori Hayashi, who gets as straight up as he possibly could with the freaky house burner "Dissociative." Telephones is feeling particularly dubbed out and groovy on "Kalimbalimbo", while DB.Source and Riccardo Schiro take things strung out and textural on "Montevago". Dynamo Dreesen is in rave mode for the pepped up and delightfully weird "Reactivate", leaving the final side to Oyvind Morken & Kaman Leung's chugging "Tunnel Visjon" and the rubbery side swipes of Acidboychair's "The End (At Any Speed)".
One More Round (86 House mix By Frankie Knuckles) (8:10)
Walkman (86 House mix By Brett Wilcots) (7:17)
Review: Best turn their attention to that sweet mid 80s spot when the petri dish of party music was shaken up between disco, boogie, Italo and the emergent house sound from Chicago. Claudio Simonetti was a titan of the Italian groove, but his monster jam as Kasso, "One More Round", reached the stratosphere when Windy City godfather Frankie Knuckles gave the track his Midas touch. No more justification is needed for this pressing, but don't overlook the flip which finds 80s remix supremo Brett Wilcots taking on "Walkman" and whipping up a boogie frenzy of the highest order.
Review: There's something brilliantly unfussy and matter-or-fact about Matthew Farrow's latest outing as Kepler, which marks his first appearance on no nonsense Mulen sub-label Hoarder. The four collected cuts are subtly varied and all aimed squarely at the dancefloor, with Farrow striking a near perfect balance between rolling dancefloor hypnotism, funk-fuelled glitch-house and bottom-heavy peak-time intent. We're particularly enjoying the spacey and ultra-deep swing of "Self Hypnosis" and the weighty, stripped-back pump of opener "Few Days' - a track built around little more than fluid sub-bass, crunchy drums and metallic electronic riffs - but the organ-powered, U.S garage-influenced tech-house bump of "French Lessons" is not far behind.
Review: Soundscape Versions delivers its third edition of the various artists series and offers four effective cuts between subtle house breaks, acid house, electro and atmospheric techno. Featuring Kintaro 89, Faune, Arian Alexander and Douala.