Back catalogue: Funk Soul & Jazz

Review: This reissue brings a fascinating piece of reggae history back to the light, showcasing a unique collaboration between Alton Ellis and Slim Smith. Recorded in 1971 at Chalk Farm Studios, this 7-inch single captures a moment of creative exploration and cross-cultural fusion. Side A features 'Sho-Be-Do-Be-Do (I Love You)', a mid-tempo soul duet where their voices intertwine in a display of effortless harmony and heartfelt emotion. Their performance blends soulful melodies with a distinctly Jamaican rhythmic sensibility. On the flip, Ellis takes the lead with 'Be True', a reggae-funk infused cut that highlights his versatility. The track is a testament to Ellis' ability to seamlessly blend genres. Originally intended for release on A&M Records, these tracks were part of a larger project spearheaded by producer Stanley Pemberton. This reissue sheds light on this intriguing chapter in reggae history and allows listeners to appreciate the artistry of Ellis and Smith in a new light. Their collaboration is a testament to their vocal prowess and their ability to create music that transcends cultural boundaries.

Review: Yuima Enya & Inokashira Rangers offer fresh takes on classic Sade tracks with their new release. 'Smooth Operator' transforms into a smoothed-out lounge record infused with reggae, while still retaining the soul and pop appeal of the original. On Side-2, 'Kiss of Life,' becomes a breezy jam with a subdued yet vibrant lounge band feel. Hats off to them for tackling such beloved songs and making them their own. These are great alternative versions, bringing new life to Sade's classics while respecting the originals. Perfect for fans looking to experience these timeless tracks in a new light.

Review: Thomas Blanchot has been casting a spell with his sun-soaked reggae renditions as Mato for a long time now. He's back on his regular stomping ground of Stix with a beautiful version of Roy Ayers' evergreen 'What You Won't Do For Love', with Ethel Lindsey taking on the role as singer to complement Blanchot's sweet and easy riddim. It's a tune primed to greet the warmer weather, staying faithful to the original while giving it a fresh spin. As well as the full vocal version on the A-side, we know full well you're going to love flipping it over for the consummate dub version on the B-side.

Review: Stix Records, a sub-label of Favorite Recordings, presents the second release from its new Mellow Reggae Series project. Launched earlier this year by Mato & Ethel Lindsey, with a stunning cover of the famous 'What You Won't Do For Love' by Bobby Caldwell, the series continues with the same duo, now taking over 'Baby Come Back', the underground AOR/Blue-Eyed-Soul classic from The Player. Like he always does, Mato delivers an outstanding version, delighting us with his matchless skills for dub production. Already matching on Bobby Caldwell's rendition, Ethel Lindsey ensures yet again the perfect vocals over Mato's production.

Review: Following his Original Mr Cool Ruler album being reissued back in summer by Lantern Rec, Octave Lab now gets in on the action by serving up his I Do Love You album from 1972. It's a delightful work of lovers' rock and roots magic that is centered around his impossibly pure and soulful vocals. They convey all manner of emotions from pain to joy over clean dubs and acoustic guitars. The hooks are catchy and their rhythms percussive, with joyous like 'Don't Stop' and more rueful vibes such as 'You're Eyes Are Dreaming' all sounding as good as ever.