Review: New gen energy with old school frequencies, Digital's protege Tim Clay lets rip with a level-upping dispatch. 'New Beginnings' is a statement in every direction. By far his heaviest hitting drums to date, you can feel the Function force on this one! 'Body Move' takes more of drum & bass approach with its strident piano stroke and sensual vocal - think Total Science or early Headz. Finally 'Information Overload' is a right old grizzly 95-era Bristol groaner. Rude in sonic and health. Big moves from Monsieur Clay.
Review: Destination Finland: Straight Up Breakbeat roll their sleeves up for this almighty VA from some of the most respected jungle crafters you could possibly shake a dubplate at. Local legend Sofa links with Rupture Queen Mantra for the opening cut 'The Tunnel'. Dark and tense, it sets the scene for some utterly fantastic moments. Long time pals Basic Rhythm & Tim Reaper get silly with 'Target Lock', Blood Trust gets militant with 'RLLR 24' while Jesta finishes with a little blue-faced bust-up 'Liquor Snurf'. Sup sup!!
Review: Strap in for another blistering ride thanks to the Sonic Force crew who has tapped up Dissect and Abstract Illusion for a series of new tunes and remixes of one another. 'Tengoku' (Dissect's Heaven mix) is first up with some thrilling breaks that float just above the dance floor amidst nice lush pads. Dissect's 'Cosmos' then rides a lurching beat with more raw percussion and Abstract Illusion's 'Tengoku' ups the ante with crashing snares and hi-hats, plenty of turbulent rhythms and planning basslines. Dissect shuts down with 'Black Hole' which is a darker stepper with a menace undercarriage that might make it the best cut of the lot.
Review: Rave friends Shadow Child and DJ Haus link up for more Rhythm Forces and the results are double edged sword; 'Mystik Vortex' is a straight up 3am junglistic nug that's more cosmic than the contents of a wizard's pocket after a night out on the astrals. '3030 In The Mist' brings us back down to earth with slow and stately breaks and atmospheric washes so startling and refreshing you'll feel like you'll never get dry again. Maybe you won't? The force is that strong on these ones!
Review: It's finally here! Pola & Bryson's fourth studio album Overgrown has been building up hype and suspense since 'Phoneline' called us up and whispered sweet nothings into our ears way back in 2023. Over time they've been hammering out the anthems ('Stampede', 'Listen', 'Want It', 'Falling 4 U', the list goes on) and now it's time for the whole package. Featuring an epic range of collaborators from Break to Charli Brix to Goddard to MPH, this is the sound of a headline dnb act really taking their sound to the highest places they can. From the endlessly rising chords and powerful sense of hope on 'The One I Need' to the grizzly dancefloor melter 'This Chance' to the chugging dancefloor / technoid romp 'Magic', the message is clear... The world is Pola & Bryson's and we're mere ravers on its dancefloor. Massive album.
Review: A significant return to the core of Goldie's pioneering drum & bass project, here in collaboration with Bournemouth beatsmith Submotive. Since the early 90s, Rufige Kru have ve redefined breakbeat science, with Goldie's early tracks like 'Darkrider' and 'Terminator' laying the foundation for modern drum & bass. Now, over a decade since their last release, the duo's chemistry is palpable, revisiting their roots while steering the genre forward. The opening track, 'Alpha Omega', sets the tone with intricate beats and emotional intensity, while 'Goldikus' (feat. Cleveland Watkiss) layers jazz influence with expansive soundscapes. 'Still The Same' (feat. Casisdead) blends grimy vocals with atmospheric pads, reaffirming their connection to the genre's experimental edge. With tracks like 'Mercury' and 'The Guardianz', the album remains rooted in the soulful, deep bass culture Goldie helped create. A fresh chapter in the legendary Rufige Kru legacy.
Review: It's a nearest and dearest thing; Polish craftsman Offish calls up his pals from around Europe for this epic collaborative free-for-all. Taken from the full digital album that comprises 13 bleeding edge slabs of timeless brutalism, this vinyl sampler highlights its extremes with these four powerful cuts. 'Eviscerate' (with Forgiven Soul) nods to the Quarantine sound with strong elements of Digital and Spirit (RIP) while 'Mushrooms' (with Greg Lvov) is an immense and hypnotic weave of percussive elements. Elsewhere the ominous dubbed out minimalism of 'Look For Patterns' (with NonRev) set us up for the disarming depths and cosmic charm of 'Cautionary Tale', making this this is an exceptional trip for DJs, dancefloors and listeners alike.
Review: True to the name, FFF's releases do tend to make us teeter on the edge of profanity, inciting us to utter a hearty "FFF...!" whenever one of his pre-drop seatbelt warnings is sounded. With what sounds like a copyright lapsed, twilight zoney TV sample musing on the terror of true freedom kicking off the opener 'No Holds Barred', we're inducted into a true blue jungle asepsis here, with an unstoppable, untainted 808s extending over both tracks, full time and halftime alike. Only the breakbeats on the A singe the mix to the point of well done break steak, where the track's atmospheres are otherwise clean and twinkly; FX's remix, on the other hand, hovers dirtily and indubitably between jungle techstep and trip-hop, delivering a consciousness expanding mind mutator.
Review: Reissue! Future Retro's 2023 wallop session from Professor Turbo himself Dev/Null get a repress and you'll have to be speedy to cop it. Grounded in more of the breakcore-type circles, 'Deep Love and 'The Cut' are slightly slower than his usual fare, but they sound just as furious and heavy as you'd expect. 'Deep Love' is a big hurricane of tune while 'This Cut' is more techno than it is jungle. Complete with remixes from Sonar's Ghost and Dwarde, this is a veritable rave volcano.
Review: On the debut release for their newly minted label, Manchester's Response and Buda make a bold statement with this EP. 'Evolutions' opens, delivering an immediate rush that churns up dark rave stabs and pounding percussion, invoking memories of the early 90s Jungle scene. Yet, there's a modern sharpness in the track's evolving structure, making it feel fresh without losing the classic vibe. 'Fintons Dub' adds a layer of atmosphere, with its subdued bass and cinematic samples adding depth. Double 0's remix of 'Fintons Dub' hits like a freight train, its forceful bass and raw breaks cutting through the mix. Rounding out the EP, 'Acid Vein' slows things down with acid house influences, merging acid squelches with a deeper, more contemplative breakbeat rhythm that adds tension to the release.
Review: It never rains but it pours for fans of Etch at the moment, with not only an extensive long player set to drop on Sneaker Social Club in November 2024, but also this four tracker on that other much loved and consistently wonderful label Ilian Tape. His work is stepped in the textures of jungle, drum & bass, grime, dubstep and bass but rarely enslaved by their limitations. Admittedly, the final of the four tracks here, 'Clockwork Romance', vaguely resembles a late 90s techstep workout, with a hint of junglist roughneck-ness, but the other offerings are very much their own beasts, from the clattering turntablist-constructed beat of 'Jack's Design' to the gnarly, scratchy groove of 'Asami' - imagine Basic Channel and Burial jamming - and the breezy, sunny-sounding opener 'Liz's Track'. Eclectic, individual and bursting with rich flavours.
Review: Bay Area badness! Soeneido lets rip on his own Lotek imprint once again with four absolutely savage jungle cuts. Comprising pure drummage and slight elements of hardcore throughout, each cut hits hard and unapologetically. Those looking for a little mystic charm and space should head for the A where 'Midori' and 'Choose The Sword' err on a deeper, eerie touch while those on a hunt for pure breakbeat adrenaline should flip for the wild industrial drums of 'Ninja Hunter' and the heavyweight finale 'Noon Saibot'. Blimey.
Review: A bittersweet release... Laffin Buddah and Parallax link up to reissue last year's rave treasure trove 'Palomas' and help raise money for the family of The Bridge Project member Stuart Heath who sadly passed away this year. The original rave energy and crucial 4x4 stompage of 'Palomas' is matched by a brand new cut penned by the other half of the project Lee Shilton named 'Tune For Stu'. A firing, darkwave tear-up with all the blasts, shreds and twists Stu would have demanded himself, it's a fitting epitaph to a man sorely missed. Show some support!
Review: Calibre aka Dominick Martin pairs up with DRS, each taking one side of this 12" and each more than holding their own. Martin continues his current obsession with the pure sound of the real piano, a powerful antidote to the more synthetic sounds we're more used to hearing in the genre. Add a supreme male vocal in plaintive mood,. declaring "I've been looking for love in all the wrong places" and you've got something that really stand out of the crowd. Living For by DRS is more of straight anthem, with reggae influences and a hip-hop vocal giving it a proper lighters-in-the-air atmosphere, its conscious lyrics very much echoing the mood of Britain in 2020. Two very different tracks, for sure, but this package is strong in its diversity.
Review: Seminal business: DJ Rap's 1995 anthem 'Intelligent Woman' remains one of the most relevant and iconic jungle tracks to this day and still demands a reload 27 years later. Fully backed up by a harder, more D&B-focused 2020 re-lick, Kniteforce pay respect to Rap and her influence on the drum & bass game with this long-awaited repress. Grab it and invest in a slice of serious history.
Review: South London d&b brothers Sean and Mark Roberts created Probe-One after growing up on pirate stations, inspiring Sean to buy a deck and mess around himself. It goes that the siblings were frustrated at the drip release of d&b cuts and took the initiative themselves. 'Aether' and 'Expanse' clock in at just over 15 minutes combined, the long and winding ambient buildups giving way to ginormous breaks on 'Aether', or receding into a more atmospheric direction circa the Playstation 1 'IDM' era. The A-Side is for the breakbeat inclined, filled with intensity and volume against its ethereal synth waves. Side B is for the late-night Pulse FM listeners, the gentle percussion of dawn breaking - it's almost relaxing if such a thing were possible.
Review: Low-cal melodic pop d&b done from a new-gen perspective: Piri & Tommy's take on drum & bass has been a runaway success in the last two years as the couple bring their own unique song writing signature to the genre. Now to mark this year's RSD, their debut album Froge.mp3 enjoys a limited vinyl outing and it sounds amazing for it. Cuts like the sing-along 'On & On' and the lofi dreaminess 'Slowly But Surely' and the sun-kissed summer joint 'Beachin' all still sparkling as bright as they did when they first dropped last year, this is a significant moment for Piri & Tommy. Happy Record Store Day!
Review: Man like J Majik dusts off the old Innervisions alias for these two straight-up jungle primetimers. 'Ain't Ready' takes a classic vocal sample and whips it up a gear so it playfully teases those pitched up hardcore flavours without ever getting too OTT. 'Adams Rib', meanwhile, rains down the breaks on a biblical level while ice cold pads stir up the sinister flavours in the background. You ain't ready for these ones.
Review: Dyce and Acen aka The Brothers Grimm have many classics in their oeuvre and this is one of them. While their earlier and groundbreaking cut ' Exodus' gained immediate fame upon its release, this gem steadily earned its legendary status over time. A seminal piece of early '90s jungle, it showcases the duo's innovative approach to pushing the genre's boundaries and paving the way for future jungle productions. With its forward-thinking sound and raw energy, these gems take you right back to the jungle heyday and are sure to continue to captivate the club.
Review: The Time Is Now to welcome bass legend Samurai Breaks to your ears; the artist's latest record 'Turbo Diesel' is a splittingly fast garage come bassline EP, one boldly unafraid of the upper ranges of the proverbial tempo fader. Described as "another cut of face-melting goodness" by the Shall Not Fade sister label, the likes of 'Exercise Riddim' and 'Wheel Up' bring raw and confident rave sampleage to a brisk doubletime 150-odd BPM, while B-siders 'Turbo Diesel' and 'Supa Wobbly Shedda' hear a seamless mix into juke-footed drum & bass come bassline. We're ordered to "pop the trunk" amid siren blares on the former track, not long before we're bundled into the back and taken on an earnapped ride, the latter track indeed shedding any prior inhibitions we'd harboured.
Review: Ajit & Kate's mutations continue! Having hit us hard, deep and powerfully over the years - especially on their incredible Grassroots album a few years back - the longstanding Belgium-based couple go back to the very roots and essence of soundsystem culture: dub. Fusing aesthetics of the longstanding sound and drawing on its eternal influence that has always been there in every Untouchables record, each track highlights a different characteristic of dub. 'Onward Forward' flexes that infectious halftime swagger and groove, 'Living In Sacrifice' celebrates the more meditative, time-transcending elements of dub, 'Dubbing Siren' is all about that hypnotic immersion while 'Dread Box' is pure dub. A beautiful homage; this sounds exactly as you'd want a new Untouchables record to sound and adds a whole new twist. High recommended.
Review: Did you know that Iceland had its own rather influential rave scene back in the 1990s? Whatever the answer to that question, you will want to check out this first-ever collection of anthems from that era which is now on vinyl for the first time. This collection came on Thule offshoot label TMT Entertainment as a CD in 1992 and features memorable and timeless tracks from back then, many of them now with cult status. It's called Alsaela, which translates as "ecstasy" and gives you some idea of what to expect from it. It features a non-stop selection of old school rave alongside some lost and previously unavailable classics by Agzilla & DJ L.S.K and some unreleased gems from AJAX. A great bit of history that still does the trick.
Review: There's no need to explain the importance of Krust to jungle and drum & bass - the Bristol pioneer set new standards and has a legacy overflowing with next level invention and shock-out grooves. This compilation on Wonder Palace makes the case in no uncertain terms, taking a broad view over his work and delivering some stone cold classics alongside harder-to-find bits and pieces. What's apparent is how Krust build's vivid worlds within his tracks, not least on the widescreen classic 'Brief Encounters'. There are deadly rollers like 'Set Speed' and 'Maintain', dreamy deep-divers like 'Jazz Note' and so much more in between. If you want seven seminal joints from a true master, this comp has got you covered.
Review: Reload to 2017, Soul Intent dropped one of his most comprehensive bodies of work to date: 'Delusions Of Grandeur'. Over six years later, here come the remixes from the likes of Ed:it, Chromatic, DKN and Soully himself. Uncompromising, underground and straight to core, each reboot really hones in on the pure drum & bass craft of the originals. Ed:it takes 'Test Fire' to Metalheadzian places, while Chromatic's take on 'Took Funky' goes full on turbo mode. Elsewhere Soul Intent's VIP of 'Nearly There' adds a little extra va-va-voom while DKN's take on 'Cry For You' finishes the EP with iciest happy slap you've ever endured. Grand!
Review: Topping off an incredible year in which he's launched his own label (Weaponry) and delivered three EP troves of deep drum darkness, Seattle's Homemade Weapons presents his debut album Negative Space. Followers of his disarming, physical, rolling sub-heavy sound will know exactly how important this is: the flurried amen crashes of opener "Hawkeye", the cavernous ricochet rhythm shots of "Retina", the heavily pressurised space station pads, micro-traces of jazz and busted drum fury of "Conduit", the gurgling Doc Scott style drones and sense-blurring space between the drums on "Red Herring".... Homemade Weapons has captured his stark signature with slick, subtle detail and created a document that compounds everything we've suspected since he emerged in 2011.
Review: The respected DIY hero Xin Lie's reputation has spread far from his native Bangdung in the Indonesian province of West Java - and this eight track debut album will no doubt add to his international repute even further. Electronica is one of the hardest genres in which to forge an original, distinctive path but Lie does it here effortlessly, from the juddering bass-driven half speed groover 'Parat' and the frenetic, polymetric rhythmic riddle that is 'Ngalengkah', to the tribal percussiveness meets mangled robotics of 'Papait Nu Amis', it never settles into accepted ways of doing things, constantly challenging you to keep up. "Perhaps it's best imagined as the soundtrack to a multi-sensory art installation," Lie suggests, "or a performance staged not in a gallery but in an unassuming house down your street." Fine. Or just a really compelling record, you could equally argue.
Review: The mysterious Vibez 93 returns to their white label series with more timeless breakbeat treats. Having moved away from the big bootleg styles, Vibez is now finding their own vibe with these powerful jungle-influence broken funk bombardments. Each cut sitting round that mid-late 90s era where both techstep and jungle were both dominant styles, highlights include the Moving Shadow style grace and breezes of 'Ripples' and the big dark booms of 'Self Aware'. The horn-heaved party power of the finale 'Blue' can't go without a shout either. Vibez by name, vibes by nature...
Review: This special anniversary edition of Squarepusher's debut album Feed Me Weird Things is released almost exactly 25 years to the day after the original. Back then it came on Aphex Twin's now defunct Rephlex label and has not been available on streaming platforms ever since. All remastered from the original DATs and with a new, original booklet filled with note and ephemera it is an essential cop for fans old and new. The record broken out of the tight genre restrictions of the time to pair complex rhythms with disarming melodies.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.