Review: It's a sizzling seven up for Moiss Music here as they draw together four different artists to offer up one cut each for this new various artists collection. Boogietraxx goes heavy on the filter vibes on 'S N T' which is French touch disco-house of the highest order. Kellit's 'Pryscoks Sockin Socks' is all about sultry sax lines and loose-limbed disco house beats while C Da Afro gets heads up with the streaming sunshine synths of 'Don't Be Quiet.' Groovemasta shut down with the funky Afro-disco stylings of 'Gonna Make U Rock.'
Review: Kiko Navarro kicks off 2024 with his Afroterraneo label's first release, presenting a fresh rendition of 'Mama Calling', his enduring collaboration with Buika. Originally released in 2004, the track was revitalised during preparations for a November 2023 live show, becoming a standout performance. Retaining its signature horn stabs, this updated version injects new energy into the vibrant, life-affirming anthem. With a remix by Tedd Patterson included, the release promises to ignite dancefloors well into the New Year, offering a perfect blend of nostalgia and contemporary flair.
Review: Cool Million has long been synonymous with the boogie funk style, which is sadly a genre lost by the late 1980s. Collaborating with singers spanning eras from the 80s to today, they bridge generations of soul, funk, and boogie. Here they work with English soul sensation Kenny Thomas, known for his UK Top 40 hits, who is a cornerstone of the original UK soul scene, boasting eight Top 40 singles and two Top Ten albums. His track 'Without Your Love' exemplifies this genre, a driving uptempo anthem with a funky uplift. The accompanying dub version enhances its appeal for DJs worldwide, affirming its place in contemporary record bags.
JKriv - "Better Than Her" (feat Saucy Lady & Tortured Soul) (4:39)
Kim Anh - "In The Stars" (5:06)
Cody Currie - "Ghost" (4:48)
Review: Razor-N-Tape's Family Affair series makes a welcome return here with a third great instalment. This series is something of an annual end-of-year tradition by now (OK, it's arriving a touch late) and this one hits as hard as any with five tracks taken from the full and standout compilation. It is two great remixes of classic RNT material that gets things underway with Ezel offering a dub of Cor.ece and Bruce Leroys sublime deep hose mix of Guinu, then JKriv's 'Better Than Her' is a fat bottomed bit of deep cut electro funk and elsewhere Kim Anh gets raw and cosmic, and Cody Currie's 'Ghost' is broken beat perfection.
Kool & The Gang - "Give It Up" (DJ Soopasoul edit) (4:02)
Aretha Franklin - "Rock Steady" (DJ Soopasoul edit) (3:30)
Review: Jalapeno jive maestro Soupasoul had another standout year, in 2024 and only heightened his reputation for crafting exceptional edits that bring new life into funk standards and hidden gems. With a sharp focus on the groove-rich breaks, he is back once again with another instalment that will ignite dance floors everywhere. This time his scorching rework of 'Give It Up' spotlights dynamic horn interplay and soulful jazzy choruses and 'Rock Steady' celebrates Aretha's powerful vocals paired with a killer breakbeat. These finely tuned edits honour the originals while adding fresh energy.
Listen Love (original Funkhut instrumental) (6:44)
Listen Love (Funkhut dub) (5:02)
Review: Funkhut Records is proud to bring to you the anticipated release by DjPope & The Funkhut All Stars Feat. Kenny Wesley "Listen Love". With all the live instrumentation along side Kenny's extraordinary interpretation of the great Jon Lucien's original, "Listen Love' makes this release a must have for any music connoisseur. Produced, Mixed and Arranged by DjPope. Additional Mixing by David Sussman, Mastered by Joey Hernandez, Bass : Irv Madden Guitar: Karlos Brickhouse Drums: PJ Spraggins Congas: Kevin Pinder Keyboards: Charles Dockins.
Review: It's ten up for the FrescoEdits Iabel with this latest entry into their esteemed series and as always there are plenty of irresistible beats on offer. The in-house FrescoEdits add their touch to the glorious, string-laced and funky disco of 'Little Love' and bring bumping beats and funky guitar riffs to 'Philadelphia'. Rogue D's 'Pensi A Me' is a super smooth heart melter for dancing in the open air as the sun begins to fade, while Kings Of Groove's 'You Got The Funk' is a soulful, slapping house cut with cosmic synth energy and hooky vocals that will always bring the good times.
Jose Finagandara, Juan Diego Lllescas & Ground - "Something Sign" (5:39)
Akira Arasawa With KUN & FRANKY-CH - "Yunnan" (8:18)
Review: Especial Specials has joined forces with Osaka-based imprint Chillmountain Recordings to offer up another Enjoy Your Self EP. This one once again showcases the talents on its roster with label head Ground kicking off with a beatdown meets trance sound on "Utau Narukoyuri'. After that slow burner come tribal percussive sounds from 'Arauma' (Kobato Dub), sunny cumbia on 'Something Sign' and a meandering Balearic journey from Akira Arasawa With KUN & FRANKY-CH that is brought to life with new age flute sounds, bird calls, jungle drips and folkloric strings. A fantastic EP, then.
Review: All aboard the velvet sound ships! 'Right By The Moon' is one of Giorgio Dolce's iconic Italo disco gems. It came in 1984 right at the height of that sound's popularity on Many Records and is now back and better than ever. That is because this reissue has come straight from the original tapes and features the original and club mixes lighting up the A-side. Flip to the B-side for a double treat: the never-before-heard original demo and a dazzling remix sprinkled with Eddy Mi Ami's signature magic. A regular favourite in Radio Stad Den Haag's Top 100, this I.D. Limited Records reissue is pure crack for Italo addicts.
Review: Planet Trip Records calls Millos Kasier one of their favourite DJs on earth so they are buzzing to have him next up. He is a Brazilian talent who brings plenty of the energy and style of his homeland to this EP. 'Te Quero Perto' has woody, knocking beats and an old-school Chicago bassline setting the tone before glistering and retro-future keys arrive to bring light and hope. A Latin vocal and Italo chords then take things to the next level and make this a real summer sizzler. A Paco Cabana is more percussive and Lipelis & Orion Agassi offer two different versions that rework it for the club.
Review: Karolina BNV is not to be messed with, putting it lightly. The Berlin-based producer has garnered a loyal following among fans of EBM, New Beat, industrial, electro-goth and robot sex droid fetish production scenes. The latter we just made up but hopefully you get what we're getting at. Descriptions aside, she follows her 'Lessons On Good Behaviour' release with four more tracks born from a terrifying future we're probably already living in, we just don't really know it yet. From the apocalyptic sludge and punch of 'Unforgivable Decisions', to the electro rave squelch and staccato percussion of 'Context Abuse', the two tracks roll out relentless grit and grime. Then you have '1988' and 'Germany Calling', with their retro futurism, acid house totems held high in the air for all to see that there is still some resistance to the robots.
Review: 15 months after dropping his first Versions EP of re-edits and reworks, sometime Shall Not Fade and SB Jamz producer Kassian has finally got round to readying volume two. If you're looking for bona-fide peak-time thrills, we'd recommend A-side 'If You Want Me', a subtly straightened and toughened-up re-arrangement of Barbara Roy and Ecstasy, Passion & Pain's 1981 disco anthem 'If You Want Me'. Kassian teases out some of the Italo-disco style elements audible on some of the early mixes of the boogie-era track, adding some twerkin' acid lines towards the end of the track. Over on the flip, 'So Nice' is a bouncy, shuffling, house-style tweak of a gorgeous disco bumper of unknown origin.
Review: After his debut release with remixes from Arpanet and Mr Oizo, Kavinsky is back! Killed in a car crash back in 1986, Kavinsky is now a zombie in need of revenge. This record, released on Record Makers, is the story of his first steps in the world of the living dead. Three powerful and original tracks and a Sebastian remix. A bloody good one too.
Review: Kaymany & Asestar hail from Rome, a city where many musicians spend most of their days producing sounds for the television industry and even shopping malls. That's part of the reason the country has such a reparation for great jazz-funk sounds and now adding to that cannon are Kaymany & Asestar. 'Effimera' is glossy and feel good disco with retro future chords, while 'Digressione' has a Bob James style energy to it with its high speed funky bass and incidental chords. 'Capao' closes in Latin fashion with manic keys and more plucked and funky bass slaps making you shake every limb.
Tu Tak Tu Tak Tutiyan (Elado's Gulab Jamun rework) (4:10)
Tu Tak Tu Tak Tutiyan (Elado's 4 AM mix) (4:48)
Review: Elado Gulab Jamun did a fantastic job with his edit of this Bollywood gem to the extent that it has become a real dancefloor gem that's been much loved all around the world for the last two years. Now it makes its way to a 7" vinyl pressing and is backed with his 4am mix of the same tune. This one is a sublime and dubbed out, acid tinged electronic trip that comes with original CD artwork that pays great tribute to original artist Nadim Khan. Another tasteful outing from Razor-N-Tape for this fresh edit.
Review: A top value for money opportunity here, as Moiss Music deliver the latest in their sweet and sticky Jam series of various artist 12" line ups, bringing you no less than six bubbling, vivacious disco triumphs from six artists. Khemir's 'Disco Bandit' kicks off proceedings, a production that sounds like it was made by a band of around 45 musicians, a proper cavalcade of strings, brass, brazen disco thump and beautifully bold vocals. Wurzelholz's 'Prince' goes for a bit more economy but with a slinky funk bassline like that - not to mention the occasional exclamation from the purple overlord himself - it's equally devastating in dancefloor terms. Among the other highlights, 'Golden' by I Gemin has the feel of a lost Daft Punk flip tune and Cosmocomics' 'Glamorous Garcon', boasting 70s-style synth bubbles that are as cute as they are retro. Tasty as ever.
Review: The latest missive from modern funk maestros The Sleeperz Records is a red seven-inch double header that pairs Canadian neo-boogie queen Maya Killtron (a label regular) with two similarly minded producers. She joins forces with Andrew Napoleon on A-side 'Body Fly', a glossy slab of mid-80s synth-funk/synth-pop fusion rich in squelchy P-funk bass, bright lead lines and colourful chords. Estonia-based Latvian Artis Boris sits in the producer's chair on side two, underpinning a typically expressive and soulful Killtron vocal with sinewy strings, modern boogie grooves and nods aplenty to early 1980s disco. Naturally, the sound is nostalgic, but both cuts sound undeniably fresh.
Review: Vancouver's Maya Killtron is an artist on a mission. A talented songwriter and vocalist with a deep-rooted love of synth-funk and 80s boogie, her slim catalogue to date is full of quality collaborations with talented, like-minded producers. She's at it again on her latest missive for Spanish "modern funk" stable The Sleeperz Records. On side A, she works with producer Andrew Napoleon on the brilliant 'Body Fly', a glossy slab of mid-80s synth-funk/synth-pop fusion rich in squelchy P-funk bass, bright lead lines and colourful chords. Estonia-based Latvian Artis Boris tales over on side two, underpinning a typically expressive and soulful Killtron vocal with sinewy strings, modern boogie grooves and nods aplenty to early 1980s disco. Naturally, the sound is nostalgic, but both cuts sound undeniably fresh.
Review: Here comes Emotional Rescue and Konduko's last in their series of Noel Williams/King Sporty reissues, this time looking at later electro productions and the hip-hop/boogie influenced 'Sun Country'. Vocals and co-production come from Williams' long-time partner Betty Wright and as well as a vocal and instrumental mix there's a longform remix by Bay Area disco dub stalwarts, 40 Thieves.
By this point in his career, the godfather of Miami Bass had travelled a long way from his Jamaican roots in reggae and soul, paying homage to the warm climbs of the Sunshine State and laying down a much copied template using the TR-808 drum machine create the electronic emulations of the breakbeat, claps accenting the backbeat and trademark low frequencies shaking the floorboards. The instrumental stretches the arrangement, emphasising the interplay between electronics, bass, vocal samples, scratching and fx, the voice transformed into a percussive element in its own right. The flip sees 40 Thieves flexing their understated understanding of electro funk, making for a rounded, generation-jumping package.
Review: The last of the Konduko series from Emotional Rescue arrives now and quite possibly it is the best of the lot from Noel Williams. His 'Fantasy' saw him work with Larry Dermer aka Der Mer on what is an effective and catchy electro jam that operates at the higher end of the tempo chart with some classic vocoder vocal action to really make it pop. Despite being released originally in 1984 this one still bangs with its emulated TR-808 beats and nagging melodies. The instrumental heightens that and then the Jonny Rock Discomix shuts down with long-form rework that shows why the DJ, editor and all-round amiable bloke is so well regarded.
Tonight's The Night (Good Time) (Dave Lee Tonight It's partytime mix) (6:56)
Tonight's The Night (Good Time) (12" version) (7:03)
Open Your Mind (Dave Lee Seeekret mix) (8:57)
Open Your Mind (6:34)
Review: Italy's Groovin Recordings - based out of Milan's Vinylbrokers record shop, and dedicated to repressing some of the best and often hard-to-find disco and soul bits - have pounced at the chance to reissue and rework this gem as a 4-tracker. Taken from NYC disco band Kleeer's debut album, 'Tonight's The Night' is a classic diggers' disco divertissement. Now, it gets a thorough makeover. Along with the original version rounding this 12" off, Groovin have provided an extended version on the A-side. Two remixes come courtesy of the inimitable Dave Lee (fka. Joey Negro), who shines extra light on this tirelessly bright classic's rolling strings, divine choruses, wrist-slinging funk guitars and banging kettle drums. The 'Seeekret' mix is a standout: dubbing out the track to call attention to its laid-back moments.
Mark Knight & Armand Van Helden - "Don't Abuse It" (extended) (5:47)
Cloud One - "Disco Juice" (Fabrikate rework) (4:47)
Full Intention - "Sky;s The Limit" (6:37)
Ewan McVicar - "Plain Outta Luck" (5:59)
Review: KooKoo offers up a sampler of what it is all about here and it spans some big-name house talents and equally big tunes. Mark Knight & Armand Van Helden open up with 'Don't Abuse It' (extended) which is a full-throttle house sound with diva vocals and plenty of raw fills. Cloud One's 'Disco Juice' (Fabrikate rework) brings some 70s disco energy to modern production and Full Intention's 'Sky's The Limit' is a celebratory house cut with loose grooves and freewheeling pads. Last of all is the party-starting disco house pumper 'Plain Outta Luck' from Ewan McVicar.
Review: Razor-N-Tape is back again this week, this time with Kokoro Disco-San, an experienced trio of musicians and producers from Barcelona who have clearly stayed on the pulse of the nu-disco scene in recent years. 'Sunshine' in its original form is an edit of a familiar vocal-led disco groove which is perfect for poolside chilling, but it's the reworks by label chief Jkriv which really bang the party. The bright like neon Beach Burn mix is sure to get the hands in the air, as will the low slung SPF76 mix which is perfect to drop just before sunset.
Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.
Review: For its ninth release, Gamine knocks it out of the park again with Konerytmi's new five-track EP. This release is a heartfelt tribute to the 80s, but it offers more than just nostalgia-it's an interpretation of the era's distinct musical style. The tunes capture the iconic timbres, drum sounds, melodies and harmonies of the 80s so take you back to that time on a wave of killer electro rhythms that are both vibrant and fresh but driving and club ready. If you're longing for the 80s but don't have a time machine, this 12" is the perfect way to relive the music of that decade.
Review: Following the success of the 2022 dancefloor hit Tron, Koto returns with two exciting new tracks on I Venti d'Azzurro Records. The A-side is 'Sputnik' and it stays true to Koto's iconic 1980s synth-driven, space-adventure sound, while the B-side introduces Overdrive, a fresh electro track primed for the dancefloor. The release comes with some exclusive DJ versions alongside the original cuts to provide even more ammo for jobbing selectors. The Ep is also complemented by signature Koto-style artwork that helps capture the authentic essence of Italo's golden era while delivering a modern twist.
Acknowledge (DJ Con-t & Opposite Direction remix) (5:52)
Review: First released back in 1990, a year after Dutch producer Michael van der Kuy took ownership of the Koto project from its' Italian founders (a duo responsible for such Italo-disco classics as 'Japanese War Game' and 'Visitors'), 'Acknowledge' returns to stores in remastered and refreshed form. Side A sports two versions first showcased on the 90 12-inch: the throbbing, deep space Italo-disco-meets-hi-NRG cheeriness of the original extended mix (A1), and the slightly moodier, dancefloor dub style 'Knowledge Mix'. Turn to the flip and you'll find two new interpretations. First, 21st century Italo hero Flemming Dallum does a terrific job in making the record sound like it was made in 1984 -unsurprisingly, the analogue-sounding synths are particularly attractive - before DJ Con-T and Opposite Direction give it a house leaning Italodance tweak.
Review: Krewcial is a master of clever cut up and paste and edit jobs. He tackles a big range of old soul and disco sounds that many will know and love and he does it on labels like Gamm, Riot, We Play House and now Vinylators. 'Extended Girl' is a shoe cold classic with big trumpets and drawn out breaks all making the original that bit more club ready. 'Piano Girl' is another edit of the same tune but here with more pianos laced in - no prizes for guessing that one - and Dub Girl is a final version of the same tune that pairs things back to the bare essentials.
Love & Devotion (feat Nimiwari - Kid Sublime Emo Bruk mix) (7:18)
Nereci (feat Han Litz - club mix) (7:25)
Nereci (feat Han Litz - Bruk mix) (7:37)
Nereci (feat Han Litz - acoustic mix) (6:08)
Review: DeLaChaud is the long-time home and record label of Krewcial, who is something of what you might call a young veteran in the game. Following impressive solo albums on PlayItAgainSam and UK's BBE in the early 2000's he is still going strong and this new one proves it. Whether sampling jazz greats, laying down funky bass and infectious drums there is no mistaking the soulful impact of these tunes. 'Love & Devotion' is a vocal gem that will raise anyone's spirits no matter which version you pick here and 'Nereci' brings a throwback house sound with a Latin vocal on the club mix. The Bruk mix is a lovely London broken beat and a final acoustic mix is a useful tool.
Review: Krewcial unleashes Discosaurs Vol Two with another series of raw edits that are all given some modern dance floor weight to get dance floors roaring. 'Track 1' is all about the soaring strings that bring great scale to the instrumental disco beats. 'Track 2' gets even more expressive with florid melodies, big disco male vocals and hurried funk grooves. 'Track 3' keeps the soul train chugging with more gorgeous strings but this time some cute balearic style guitar noodles and then the closer slows things down a touch to allow a female vocal plenty of room to to its work.
Afro National - "Push Am Forward" (Al Zanders edit) (6:03)
Afro National - "Push Am Forward" (3:42)
Review: There's naturally much to enjoy on the latest volume in Africa Seven's A7 Edits series, which pairs original - and usually obscure - old Afro-disco and Afro-boogie gems with fresh 21st century edits. This time round, the A-side is all about Kemayo & K System's piano and horn-heavy disco-funk jam 'Biram', a two-minute blast of dancefloor exuberance that Phillip Lauer cleverly re-imagines as loopy, locked-in chunk of Afro-disco/disco house fusion. Over on the flip there's a chance to savour Afro National's heavy, low-slung stomper 'Push Forward', a cut that brilliantly adds chanted vocals and Hendrix style guitar solos to a sweaty, non-stop groove. Al Zanders does a great job in ratcheting up the tension and heaviness on his accompanying club-ready extension.
Review: REPRESS ALERT!: Funkyjaws Music is back to make your body move with the latest instalment in its ongoing edit series, Let's Dance, this time with a sixth sizzling volume. Monsieur Van Pratt's loose and languid 'Besame' opens up with some gorgeous strings and funky guitar licks then Kiko Navarro brings a rich Afro flavour with the shuffling and percussive rhythms of 'Bosinga'. Bogdan Ra's 'Get On The Floor' is a fresh take on a disco classic with irresistible vocal charm and swooning pads. Last of all, Zaffa demands you 'Shake It' and you surely will as he layers up wet claps, sliding hi-hats and lively drums into a big-hearted party starter.
Review: Spanish producer Kiko Navarro has joined up with veteran Beninois vocalists and musical powerhouse Kaleta and the next level skills of The Ibibio Horns for this vibrant new 12". It's an inspired and Afro-infused groove exploration with funk, disco and acrobat all bottle dup in the beats that traverse Afria from East to West. The Ibibio Horns are on fire of course as they blaze up the sounds with their expressive horns and red hot keys while the vocals from Kaleta add further fuel to the fire. Instrumentals are also provided for more direct to dancefloor business.
Review: Given the serious disco-house credentials of '90s survivor Boris Dlugosch and contemporary nu-disco chops of hyped outfit Purple Disco Machine, you'd expect "Love For Days" to be pretty darn hot. It is, of course, with Purple Disco Machine's extended mix - nestled on the B-side - offering the perfect mixture of strong diva vocals (provided by Karen Harding), sweeping disco orchestration and modern disco-house trickery. Arguably the best version, though, comes from Masters at Work legend Kenny Dope, whose fluid rework utilizes looser, live-sounding percussion, far more orchestration and all manner of original disco-era references. Motez completely flips the script on B2, serving up a skipping, Champagne sipping version that brilliantly joins the dots between disco and two-step UK garage.
Review: Venti d'Azzurro Records has hit another milestone - this marks the Italian label's 50th release. In honour of that, they have put together this lovely picture disc with six of what they think of as their most classic songs. The wax has art on both front and back and comes in a special sleeve so looks as good as it sounds with plenty of disco goodness. Swan kicks off with 'Shining Star', Ken Laszlo brings Italo magic to 'Dancing Together', Ryan Paris brings some stepping cosmic brilliance to 'I Wanna Love You Once Again' and there is plenty more from Albert One, Miko Mission and others.
Yuji Toriyama & Ken Morimura - "Night Together" (4:47)
Chie Sawa - "Sea Gull" (4:07)
Review: Way back in 1982, Japanese musicians and producers Yuji Toriyama and Ken Morimura joined forces to deliver Aerobics, a soundtrack for exercise classes (really) that joined the dots between boogie, disco and city pop. 'Night Together', a superb electrofunk instrumental rich in picturesque synthesizer melodies, jazz-funk guitar solos (Toriyama was a guitarist by trade), squelchy bass and drum machine beats. It's certainly well worthy of being reissued - as this tidy "45" from Pony Canyon amply demonstrates. Curiously, it's not backed by another gem from that set, but rather another slept-on Japanese classic - 'Sea Gull' from Chie Sawa's 1974 hybrid folk-rock/psychedelic rock album 23 - Twenty Three Years Old. It's decent, but the A-side is the real winner.
Review: Following a run of quietly impressive singles on Boitte Music, Nicolas Saavedra brought his Kabinett project to Internasjonal back in 2022. A couple of EPs later and the Bogota-based DJ/producer is ready to deliver his debut album. Taking cues from fellow Colombian Felipe Gordon, the tracks on offer blend vintage and contemporary synth sounds, electric piano motifs, MPC-driven lo-fi beats, a few choice samples and his own vocals to create a set of tracks that variously draw inspiration from deep house, lo-fi pop, jazz-funk and space disco. Highlights include dreamy pop number 'Volatile Love', the Prins Thomas-esque 'Owl Disco', the decidedly psychedelic and hard chugging title track, and stellar cosmic funk head-nodder 'Don't Rush'. An album that's well worth your time and money.
Review: Remastered on vinyl for the first time since 1980, Kano's eponymous album is given a new life through limited edition and hand-numbered vinyl. Italian production duo Stefano Pulga and Luciano Ninzatti are considered pioneers of Italo by many, with their sound serving as a bridge to electro and breakdance later in the 1980s. Features dancefloor hits such as 'It's A War' and its instantly recognisable hook, the neon-lit night drive of 'Cosmic Voyager' and another golden oldie in the form of 'I'm Ready' with its funky vocoded goodness . This one is a new must have for disco lovers.
Review: Kano's music epitomised the Italo era of the 1980s and has managed to retain its allure for disco collectors and dance floors to this day. Many of their tracks have been resisted and now comes the fully remastered version of their definitive album which comes back on limited-edition white vinyl, marking its first repress since its debut in 1983. A treasure for hardcore Italo enthusiasts, it blends funk, soul, and synth-pop, adorned with glossy arpeggios. Glen White's charismatic vocals infuse extra soul and character into timeless classics like 'Mad In Love' but all of the cuts here are golden, truth be told.
Review: Ever a treasure trove of house goodness, Toy Tonics Music is back with Para Mytho Disco, the second album by label founder and creative director Mathias Modica who is also known as Kapote. His work as Munk on Gomma Records might be his best-known stuff at the moment but this album goes a long way to redressing that with its fresh take on disco house, experimental electro, jazz fusion and Afro-American grooves. All of that is distilled through a futuristic mix of keys, bass, synths and percussion inspired by 1970s jazz and 1980s synthwave. As such this record reflects Kapote's vision of bringing diverse musical styles together to create a positive, inclusive vibe and is own that yields more rich detail with each listen.
Too Much Of The Same Things (feat Kurtis Wells) (4:16)
Closer To The Source (Signals) (3:38)
No Escape (feat Barney Bones) (3:27)
Sunseeker (feat The Code) (2:56)
Left In The Air (3:23)
Music For The End (2:46)
Review: Kartell's debut album Everything Is Here melds French electronic accessibility with r&b and disco grooves while also drawing on prog rock's esoteric elements and introspective psychedelia. Nostalgic yet forward-looking, it expands on his EPs with dream pop aesthetics and the futuristic allure of the 60s and 70s. Space rock's nebulous textures and ethereal sounds permeate throughout as tracks are anchored by minor-key grooves. The dense, cinematic production weaves a vivid tapestry, integrating live bass, drums, and guitars amid hazy effects and synths to leave you lost in sound.
Review: During the late 1970s and early '80s, Miami was a hotbed of percussion-rich disco-funk that blended popular Black American grooves of the day with nods to the drum-heavy rhythms of Afro-Cuban music. Herman Kelly & Life were amongst the outfits at the vanguard of this movement, though unusually they only released one album, 1978's Percussion Explosion! Here it gets a remastered CD reissue. It's naturally best-known for boda-fide disco anthem 'Dance To The Drummer's Beat', but there are plenty of other hot, break-heavy classics on display - not least the low-slung, high-octane brilliance of 'Who's The Funky DJ?', the string-drenched disco-soul sweetness of 'Share Your Love' and the low-down, extra-heavy funk rinse-out that is 'Do The Handbone'.
Review: The good folk at Mr Bongo are reissuing Herman Kelly's seminal 1978 album that birthed the iconic breakbeat classic 'Dance To The Drummer's Beat.' This Miami-based disco-funk project headed up by the drummer and producer features Latin, funk and percussive grooves that have gone on to influence generations of hip-hop and dance music producers. It is thought to have been sampled over 125 times by legends like DJ Shadow, N.W.A. and Run-D.M.C. after initially gaining fame via Ultimate Breaks & Beats in 1986. This reissue presents the sought-after 4:12 Alston Records version and it is as infectious and irresistible as ever.
Review: The first release from the all new Epsilon label is Loving Cup, an album from Keys & Friends that features eight of their incredible and previously unreleased soul songs from the mid-70s. These have all been sourced directly from a master tape that was unearthed in the CEO and Founder of Music Of The Sea Inc, Eddie Caldwell's vault. The group was assembled by the famously talented Southside Chicago songwriter William A. Keyes and some included here were tracks first penned for artists like Sly Johnson, Little Johnny Taylor, and Joyce Faison. Now available on vinyl for the first time, these high-quality recordings capture the essence of 70s soul and disco with some upbeat delights next to rueful downbeat beauties.
Review: King Pari is an LA-via-Minneapolis duo who creatively blend influences from Prince and psychedelic dub into a new sound they have described as "bedroom funk." Their infectious lo-fi tracks are rich in emotion and brimming with funky grooves so make for a catchy listen. This group actually picked up props from Prince himself before the late Purple genius passed in 2016 and since then jazz innovator Kamasi Washington has also annoyed himself as a fan. This full length is only sure to win the pair ever more accolades for this new take on classic funk.
Review: Japanese keyboard player, singer-songwriter, music producer Mimi Izumi Kobayashi was born in Funabashi and went on to become a cult artist who released six albums, all of them in the eighties. Tropicana came in 1983 and is maybe the best known of lot and it now gets reissued on limited vinyl via Universal. It's a bright and vibrant blend of city pop, soul, disco and tropical sounds with nostalgic 80s drum sounds, hook vocals in English and Japanese and plenty of camp and catchy grooves. A real exotic wonder.
Review: Choice Cuts 1978-1983 gathers eight tracks from four of Mimi's early albums-Sea Flight (1978), Coconuts High (1981), Nuts Nuts Nuts (1982), and Tropicana (1983). Opening with a funky, syncopated take on Sergio Mendes' 'Mas Que Nada' and the crisp techno-pop of 'Coffee Rumba,' all of which mean the compilation showcases Mimi's eclectic style. It also features the synth jam 'Quiet Explosion' and the piano samba 'Espresso.' Two standout tracks from Coconuts High-the sultry 'Crazy Love' and the lively 'Palm Sr'-highlight her playful Latin-tinged jazz fusion. Released on Takanaka's Kitty Records, this collection reveals Mimi's vibrant and innovative artistry.
Donny McCullough - "From The Heart" (Kon's Multi remix) (6:33)
Taxie - "Rock Don't Stop" (3:32)
The Mazyck Project - "More Power To You" (4:39)
The Edge Of Daybreak - "EOB (Edge Of Daybreak)" (4:01)
Shake - "Lost In Space" (5:12)
Oby Onyioha - "Enjoy Your Life" (6:18)
Bomp - "Disco Power" (4:57)
Christy Essien Igbokwe - "You Can't Change A Man" (3:57)
Harry Mosco - "Sexy Dancer" (6:37)
Goddy Oku - "Dont' Ask Me" (5:37)
Review: BBE unearth another batch of rare and underexposed disco cuts on Off Track Vol 3. Compiled by the crate digging New York/Boston based duo Kon & Amir, the release gives an authentic representation of Brooklyn’s ghetto, funk and afro music scenes. Sophisticated tracks for real music heads
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