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Notes: ***B-STOCK: Box opened, product in perfect working order***


An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A genuinely unique, inspiring instrument. The successor to the Solar 50 is an experimental dronee machine with a range of sound sources, processing tools and effects. Also avaialble in black.

Supplier's notes:
SOLAR 42 is an analogue microtonal ambient drone machine.

It is an improved model of the SOLAR 50.

On board:

Four drone voices as in SOLAR 50
Two new drone voices, totally different from SOLAR 50. To create space sound
effects
Two white noise generators.
Two Samples and Holds
Two volt octave VCO voices with different waveform variations, including
morphing.
Two LFOs as in SOLAR 50.
5 step analogue sequencer
Preamp for contact mic.
Envelope follower
Stereo mixer with panoramic left and right channels
Dual polyvox stereo filter
Dual cartridge effector combiner with CV control. Now you can load a different
effect on each channel.
Stereo audio output
Dry audio outputs volt octave voices
External audio input.
Joystick
Separate push-button keypad for six drone voices
Touch sensitive keypad controller for volt octave voices.
Power supply unit no longer needs to be reset.
Reduced output noise compared to SOLAR 50.

Size: 49,5 x 32 x 2,9 cm
Weight: 5,5 kg
Designed and engineered by Arseniy Tokarev
Elta Music

TOUCH SENSITIVE CONTROLLER settings

Behaviour:
- single: 12 key mode
- twin*: 2x6 key mode, the parameters are the same for both sides
- split*: 2x6 key mode, but with separate parameters for both sides (e. g.: you can have an arpeggiator on one side, but a basic keyboard controller on the other side)
* in twin and split modes the pressure output acts as the note CV output, therefore pressure parameters (output, rise and fall) have no effect

Arpeggiator state:
- off: the module acts as a keyboard controller
- on: enables arpeggiator

Arpeggiator hold:
- off: the arpeggiator will play only while the keys are held
- on: the arpeggiator will continue to play the last progression after the keys are released

Arpeggiator clock:
- sets the clock multiplication/division ratio for the arpeggiator

Arpeggiator direction:
- forward
- backward
- ping-pong
- random

Arpeggiator variation: when enabled the arpeggiated progression will be played again transposed by the selected interval.
- OFF
- x1
- x2
- x3
Arpeggiator variation interval: 1 - 12 semitones

Arpeggiator rhythm: an eight step trigger sequencer placed between the arpeggiators virtual clock input and clock source, applies a rhythmic pattern to the arpeggio. - turn steps on/off

Arpeggiator rhythm length: sets the length of the rhythm sequencer. 1 - 8 steps

Portamento: creates slew limiting effect on the CV output, sets the speed of gliding (ie: how much time it takes to transition from one pitch to the next). 0 - 255

Legato:
- off: portamento is always on
- on: gliding happens only when two or more note plates are touched simultaneously (this parameter has no effect when arpeggiator is enabled)

Vibrato speed: sets the speed of the LFO that's modulating the note CV output. 0 - 127

Vibrato depth: sets the modulation amount. 0 - 127

Vibrato delay: specifies a time delay before vibrato begins to apply until it reaches the full strength specified by the depth parameter. 0 - 127

Vibrato pressure control: when enabled, the modulation amount is altered by the pressure applied to keys.
- off
- on

Pressure output:
- pressure: voltage on the pressure output will continuously follow the pressure applied to key plates
- ASR: attack/sustain/release envelope generator
- AD: attack/decay envelope generator
- LOOP: looped AD envelope generator
- random: outputs a random voltage

Rise: creates slew limiting effect on rising edge in pressure and random modes, sets attack time in envelope modes. 0 - 255

Fall: creates slew limiting effect on falling edge in pressure and random modes, sets decay/release time in envelope modes. 0 - 255

Scale editor: turn notes on/off of the scale applied by the note quantiser, when all notes are disabled the module works as a microtonal keyboard.

Load scale: select and load a preset scale/mode.
- Semitones
- Ionian
- Dorian
- Phrygian
- Lydian
- Mixolydian
- Aeolian
- Locrian
- Blues major
- Blues minor
- Pentatonic major
- Pentatonic minor
-Folk
-Japanese
-Gamelan
-Gypsy
-Arabian
-Flamenco
-Whole Tone

Root note: sets the root note of the scale applied by the note quantiser. C - H

Notes: Four-channel rotary design with two-band channel EQs and three-band master isolator. Analogue VU meters, versatile cueing options and pristine audiophile sound. Lovely stuff.

*** Please note: comes with black wooden panels and with Bass, Mid and Treble knobs in different positions. ***

Supplier's Notes:
Resor 2533 is a 4-channel mixer that covers all four festival seasons. It's a DJ's dream to have four turntables and four CDJs attached. Additionally, you can further customise your mix with external effects via Master Insert.

With added FX-bus, the Resor 2533 FX offers plenty of possibilities by adding an external FX unit and apply those per channel.

Channels 1,2,3: Line / Phono

Channel 4: Line, Line/Line, Line/Phono, Line/Mic or Phono/Mic (see the order form for customizations and prices)

Master Out (XLR, Balanced Stereo), Booth Out (TRS, Balanced Stereo), Record Out (RCA, Unbalanced) and Headphones (TRS, Stereo)

Master Insert (TRS, Unbalanced), Stereo (Tip - Left, Ring - Right, Sleeve - Ground)

2 band Baxandall Equalizer

Bass - boost and cut 12 dB (100 Hz)
Treble - boost and cut 12 dB (10 kHz)

3 band master isolator, 24dB (< -90 dB of attenuation) "full-cut", with maximum boost of 12dB. Crossover frequencies are at 310 Hz and 3100 Hz. True Bypass switch. IC-based and very transparent (FAQ page for more info)

Two NISSEI analogue VU-meters provide a tactile level of L+R Stereo Mix signal (post summing)

Cue Select (route a stereo audio signal of any channel)

Cue/Mix (blends stereo audio signal between Cue and Mix)

Technical specification

Line Inputs

Discrete, Class-A Op-Amps
Measured Line In to Master Out:
Frequency response +/- 0,3 dB, 20 Hz to 20 kHz
THD+N better than 0,004 %
SNR better than -95 dB

Phono Inputs

Discrete, Class-A Op-Amps, Gain 40 dB
Passive RIAA Equalization, polypropylene capacitors, close tolerance
Input impedance is 47 kohm
Input capacitance is 47 pF
Measured Phono In to Master Out:
RIAA accuracy within +/- 0,3 dB (20 Hz - 20 kHz)
THD+N better than 0,02 %
SNR better than -77 dB
Maximum input signal level before distortion 100 mVRMS

Master Output

Balanced XLR
Unbalanced RCA L and R
Impedance < 300 ohm

Booth Output

Balanced TRS
Impedance < 300 ohm

Record Output

Nominal level -10dBV
Impedance < 300 ohm

Crosstalk

Channel Fader offness < -100 dB
Channel L/R separation <-70 dB
Isolator offness < -90 dB
Dimensions

330 mm (W), 250 mm (D), 98 mm (H) - (please note that this does not include Knobs, Headphone Jack on the front side, RCA's and Sockets on the rear side of the mixer)

Weight

Mixer: 4.5 kg
Power Supply: 1 kg
With travel case: 8 kg