You Don't Care (About Our Love) (long version) (6:30)
You Don't Care (About Our Love) (3:48)
You Don't Care (instrumental) (4:27)
Review: The Record Store Day releases are coming thick and fast right now, and this is another doozy that arrives in limited quantities. British artist Mark 'China' Burton left an indelible mark with his one and only ever release, which is this soulful disco masterpiece. Produced by Adam Sieff and unveiled on the Logo label in 1979, this string-laden gem remains highly coveted, with original 12" copies fetching over L400. The arrangement, crafted by the UK's John Altman, who later collaborated with icons like Diana Ross and Tina Turner, adds to its allure. Altman, known for his work on the iconic 'Walking In The Air' with Aled Jones, lends his expertise to this limited edition release.
You Don't Care (About Our Love) (instrumental) (4:28)
Review: China Burton's 'You Don't Care About Our Love' is a widely recognised deep funk classic from 1979 which has long been favoured by DJs on the soul circuit. It's not hard to hear why - the tune has everything you need, from a slinky breakdown to an anthemic chorus, and the rhythm section is primed to get bodies moving. There have been scattered bootleg versions of this tune put out before, but now Soul Brother are doing a legitimate job with the vocal and instrumental versions on a fresh 45.
Review: Billy (younger brother of Jerry) Butler's seven 'official' releases on Okeh 45s are often thought to be some of the best-ever Northern Soul tunes to come out of the Windy City. Despite that, he never got the same fame as his sibling but this reissue of one of them should show you why that was so wrong. 'Right Track' is just under two and a half minutes of high energy and driving Northern Soul goodness with lush vocal harmonies and 'Boston Monkey' then brings some classic piano energy and big horns to swinging beats and expressive vocals.
Review: The Buttshakers are fresh from their acclaimed Arcadia album but have still managed to get back in the studio to make more new music. It comes in the form of this potent new 7" for Record Store Day which is a double-sided serving of soulful grooves. 'Cold World' captivates with its Stax-inspired horn hooks, driving rhythm, and poignant vocals, all of which offer hope amidst a bleak landscape and urges you to stay resilient. On the flip side, 'Crossroad' delves into soul's bluesy-country roots. Intimate guitar melodies give way to a feverish drumbeat, evoking a journey to meet the Devil at the crossroads. A tale of legends, infused with twang and soul, takes the listener on a haunting journey.
Review: Byamm follows up on the success of last year's well-received Anthropomorphic Fantasy EP with yet another mega-limited private press modern soul release that could be some cult favourite from the 70s. Featuring crisp production that blends gospel, heavyweight 80s boogie, classic 2-step soul, and downtempo joints, this collection delivers top-quality selections once again that will both get your heart dace, your feet tapping and your head nodding. With timeless songwriting and classic soul vibes, Byamm continues to showcase their talent for creating music that resonates across genres and eras here.
Review: Theo Bijlhout is a Surinamese gospel singer from Paramaribo. It is there that he owns his own record shop in the centre of town and there where he recorded his small but well-formed discography in the late 1970s. This is one of the standout tunes from it and was his first-ever release in 1977. A good quality original copy is hard to find and relatively pricey but this reissue helps you out there. 'Get Down Cause Ain't Funky' is the real gem with its afro drumming, smooth grooves and lively vocals next to the big horns. 'It's Gonna Be Different Now' is a slower, more sentimental sound with a tender vocal and deeper sense of remorse.
Review: Another jewel for all the deep diggers out there produced by Calvin Arnold aka Billy Byrd - soul and funk singer, guitarist, songwriter and producer from Georgia, USA. "Lost In The Crowd" is a solid funk workout, featuring an intense rhythm and a powerful vocal. On the flip, there is a more chilled-out soul jam titled "Silly Kind Of Love" for the connoisseurs out there. Reissued due to public demand here on a nice great-sounding 45" by Vienna's always reliable Record Shack.
I Know You Got Soul (Mister Mushi Special vocal mix) (4:00)
I Know You Got Soul (Mister Mushi Special instrumental mix) (4:03)
Review: Bobby Byrd's classic 'I Know You Got Soul' was originally recorded with James Brown's band The J.B.'s back in 1971 and soon became a club staple. It has endured in original form ever since but now it gets subtly reimagined by Mister Mushi. He offers a fresh, funky remix that's perfect for both crate diggers and DJ sets with the standout feature being the open drum break, which is a percussion lover's dream and has been designed to be sampled and looped for fun. Mister Mushi's impeccable mix stays true to the original funk spirit and the whole thing has been pressed on high-quality vinyl so it sounds superb.
Review: Bobby Byrd struts in inimitable style on 'Never Get Enough' which is an evergreen favourite that now gets reissued once more. Originally released on Brownstone Recordings during the 1970s funk era, the track was produced and arranged by the legendary James Brown, alongside the exquisite 'My Concerto'. While 'My Concerto' is typically indispensable, its omission in this reissue is forgiven in light of an extraordinary addition: an unreleased instrumental of James Brown's iconic production. Funk enthusiasts, take heed - this B-side reissue is a must-have for collectors seeking rare gems from the era.
Review: This track was originally released on a rare 7" in the mid-70s and later became the title track of Bobby Byrd's 1993 album. Dubbed 'Soulbrother #1' by Fred Wesley, soulful and funky legend Bobby Byrd rediscovered the track while at Soulciety Records in Hamburg. When the album On the Move (I Can't Get Enough) debuted in 1994, it became a surprise hit that was widely celebrated by rare groove fans and hip hop fans alike, all of whom who admired Bobby's work and his collaborations with James Brown. Now, this classic is available once more and features an unreleased instrumental version.
Review: Bobby Byrd comes strutting on posthumously through to Sedsoulsociety with 'Never Get Enough'. This ineluctable treat was first released on Brownstone Recordings sometime during the early 70s funk heyday, and was produced and arranged by none other than that ingenious titan, James Brown, together with the beautiful 'My Concerto'. We usually wouldn't forgive the removal of the latter track from any reissue, but we're making an exception here, for the fact that an even greater treat lines this B-side reissue: a formerly unreleased instrumental of said James Brown classic production. Funk completists hardly need to be told not to sleep on this one.
Bobby Byrd comes strutting on posthumously through to Sedsoulsociety with 'Never Get Enough'. This ineluctable treat was first released on Brownstone Recordings sometime during the early 70s funk heyday, and was produced and arranged by none other than that ingenious titan, James Brown, together with the beautiful 'My Concerto'. We usually wouldn't forgive the removal of the latter track from any reissue, but we're making an exception here, for the fact that an even greater treat lines this B-side reissue: a formerly unreleased instrumental of said James Brown classic production. Funk completists hardly need to be told not to sleep on this one.
Review: Jai Alai's latest release brings forth a collection of forgotten vinyl tracks that have been previously unreleased on 7" format or limited to CD-only albums. Donaldson Toussaint L'Ouverture Byrd II, to give him his full name, was a pivotal figure in jazz history and a prominent trumpeter and flugelhorn player after his stint with Art Blakey's Jazz Messengers in the mid-50s. Collaborating with jazz icons like John Coltrane, Thelonius Monk, and Sonny Rollins, Byrd's journey evolved into experimenting with jazz fusion, African rhythms, and r&b by the late 60s. His transformative fusion work, notably with the Blackbyrds, reshaped the jazz-funk landscape, paving the way for dance jazz on disco floors and becoming a wellspring for hip-hop samples. These are two of his many great moments of soul-drenched goodness.
Robert Byrne - "Do You Wanna Make Some Love" (previously unreleased) (2:52)
Review: Byrne and Barnes 'Love You Out Of Your Mind',first released in 1981, epitomises the smooth blend of soft rock and AOR during its peak era. Featured on the album An Eye For An Eye, this track marked a unique collaboration between the duo, both of whom would later contribute to the success of artists like Earth, Wind & Fire, Patti Austin, and Phil Collins. The song showcases the signature AOR sound, merging jazzy elements with soulful grooves, giving it a timeless WestCoast flair. Now, for the first time, this classic is getting the 7" single treatment, backed by an exclusive, never-before-heard track from Byrne's archives. 'Do You Wanna Make Some Love', also rooted in AOR and WestCoast vibes, flirts with Boogie and Disco influences, offering a fresh yet nostalgic sound. This newly unearthed gem, found by the original executive producer, is a great B-side addition. Despite being somewhat overlooked in its time, Byrne & Barnes' music has built a dedicated following over the decades. This reissue brings their sophisticated sound back into the spotlight, ready to win over another generation of music lovers.
Review: Cinematic soul legend El Michels Affair has written a superb album Glorious Game which is due for release later in spring. Before that full-length with Roots co-founder and lyricist Black Thought - which is a meditation on the state of the hip-hop scene in the early 2020s - we get this taster single from it. 'Glorious Game' as you would expect as all the lush instrumentation and dark soul sounds you'd expect from this artist by now with the added extra of some superbly thought-provoking mic work. 'Grateful' is another heart-wrenching and alluring sound that more than gets us excited for the full length.
Review: Death Is Not The End's 333 series reissues the exceptional original cut of the late Hortense Ellis' wonderful 'Hell & Sorrow' here. It was originally produced by Jimmy Radway and released on his Fe Me Time label in the mid-1970s and remains a popular joint on the sound system circuit. Here this most classic track is paired with the iconic DJ counteraction 'Tribulation' by Big Youth, which offers a compelling glimpse into reggae's rich history while also laying down a nice fat rhythm.
Review: GrandMagnetto, masters of skanking pop reggae covers,
return with 'Everybody's Talkin' by Harry Nilsson, off of
the Midnight Cowboy soundtrack. Blundetto transformed
the track into a killer deep dubby hit. Both tracks are storming.
Review: Brixton Heights Records' 'This Crazy Feeling Called Love' is a collaborative single by the Brixton Heights Crew, Kieko De Stefanis, and Gaudi. The track features Mafia & Fluxi on drums and bass, Gaudi on piano and co-production, and contributions from the Ital Horns, N. Gatti, and R. Rassi. Legendary reggae singer Peter Hunnigale provides new English lyrics that have been adapted from an old reggae song by the Italian band Sensasciou. The A-Side showcases Hunnigale's iconic vocals, while the B-side, 'Caruggi Jazz,' is an instrumental tribute to Genoa's charming alleys with a dub-infused orchestral sound. Mixed by Gaudi and mastered by Augustus "Gussie" Clarke, this is sure to become a dancefloor hit.
Janet Jackson - "Got Til Gone" (feat Joni Mitchell & Q-Tip - DNA edit) (4:43)
Black Eyed Peas - "Joints & Jam" (DNA edit) (3:45)
Review: Two iconic tracks, each remixed with finesse by the DNA crew. On Side-1, 'Got Til It's Gone' receives a fresh edit that enhances its laid-back groove and lush, genre-blending aesthetic. The DNA touch subtly amplifies the track's timeless charm to a higher level. Side-2 offers 'Joints & Jam (DNA Edit)', revisiting their breakout underground hit with a polished edge. The remix retains the track's infectious energy while elevating its funky, soulful essence, capturing the group's pre-megastardom authenticity. Together, these edits highlight DNA's ability to preserve the originality of each track while delivering a cohesive and modern reimagining. Neat work.
Billy Hawks - "(O Baby) I Do Believe I'm Losing You" (3:03)
Review: This Juno colour vinyl exclusive finds Linda Lyndell serve up her own majestic cover of the classic "What A Man." Her vocal is smooth and buttery but also laden with gravitas, while the sweeping horns and jazzy keys all around her help to lift the spirits. On the flip is an ice cold slice of funk from Billy Hawks in the form of his "(O Baby) I Do Believe I'm Losing You". It's raw soul that glides at high speed with plenty of hip swinging claps. This is a much sought after reissue that will shift quick, so make sure you do too.
Monsieur Van Pratt Le Groove - "El Rap Clap O" (Regroove) (4:40)
Bully Boy - "Fear'n'Loathing In Funk Vegas" (4:34)
Ben Jamin - "Old Time Feeling" (4:50)
Review: French funk lovers Acts of Sedition roll out another tasty double 7" here that features some massive joints from around the world. First up is the Latin heat of Rare Cuts's 'Amigo Bracno' with its big, bright leads, string lushness and percolating, percussive groove goodness all finished with a great Portuguese vocal. Monsieur Van Pratt Le Groove's 'El Rap Clap O' (Regroove) hits a little harder but with similar funk playfulness and some great chord work and Bully Boy then offers the raw and strident funk of 'Fear'n'Loathing In Funk Vegas.' Ben Jamin slows it right down with the sun-kissed late night bliss of 'Old Time Feeling.'
Review: The renowned Jamaican reggae singer Winston Reedy is someone who has had several solo number-one hits that have made him widely known in the reggae world. He was also the lead singer for top reggae band The Cimarons with whom he saw much more success. He leads this new 45rpm with the super laid back and vibey 'Pirate' and it is paired with a 'Steady Rock' dub by The Inn House Crew, then backed with Jamaican-born, London-based artist, songwriter and producer Barry Issacs and a Germany-based Jamaican in Juliaiasiah whose 'Secret' is a sun-kissed delight.
Review: The Barefoot Beats crew return with outing number 14 and once more it is music for sunny climates. Aroop Roy takes care of the A-side of this 10" with 'Fankiando Taniador', the Latin flavoured deep cut disco and funk roller with 80s horn stabs and rumbling bass all topped with a red hot vocal full of flair. It's pure Brazilian heat that is perfect for outdoor dancing and Bernardo Pinheiro's 'Expresso Amor' then brings more sunshine goodness with its slinky disco house beats and swinging hand claps all irresistible to anyone with a heart.
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