Back in stock: Soundtracks

Review: Tricatel presents a stunning gatefold vinyl release featuring Bertrand Burgalat’s lavish compositions for this series. Known for his sophisticated and genre-blurring approach to music, crafts a score that balances classic revue traditions with a fresh, contemporary sensibility. Marc Fitoussi, having worked with Burgalat on Les Apparences, recognised his ability to create authentic cabaret-style music reminiscent of legendary venues like Paradis Latin and Alcazar while also capturing the energy of modern nightlife. The result is a soundtrack that fluidly moves between vintage theatrical elegance and contemporary dancefloor charm, mirroring the series' exploration of performance and reinvention. The score's connection to the rich tradition of backstage musicals, from 42nd Street to Chorus Line is fully evident. Much like these classics, Ça, c'est Paris! follows a troupe striving to put on a show against all odds. Burgalat’s compositions encapsulate this spirit, infusing his signature harmonic complexity and inventive tonal shifts to bring Fitoussi’s vision to life. His music not only underscores the drama but also breathes new vitality into the time-honored genre.

Review: It has been five long decades since the Charlie Brown Thanksgiving episode first hit US TV screens. Originally aired in 1973, the show proved beyond any doubt that Peanuts was the coolest and most sophisticated cartoon of the day, and that's in no small part down to the original scores, which were the responsibility of Vince Guaraldi, and all of which are worth picking up if you see copies on sale.

A Charlie Brown Thanksgiving has never been available on record before, having only recently been rediscovered in the vaults and then primed for this autumn 2023 debut. Remixed and remastered to elevate some of the details that had been lost in the old recordings, tracks run between lounge jazz and soul funk, with 'Little Birdie' arguably the pick of the lot (and not just because it stands out with those iconic vocals).

Review: The Fallout: Soothing Sounds of the Apocalypse vinyl is a nostalgic journey through iconic hits of the 1930s, 40s and 50s that beautifully contrasts the dark, post-apocalyptic setting of Amazon's Fallout series. This 12-song collection includes unforgettable tracks by legends like Johnny Cash, Nat King Cole, The Ink Spots, Perry Como and Ella Fitzgerald, evoking a haunting yet charming atmosphere for fans of the show and the beloved video game franchise. Songs like 'I Don't Want To Set the World on Fire' by The Ink Spots and 'Orange Colored Sky' by Nat King Cole capture the eerie beauty of a world grappling with survival amidst ruins, while tracks such as 'Crawl Out Through The Fallout' by Sheldon Allman add a touch of dark humour.This soundtrack brings together timeless music that has helped shape the unique atmosphere of the series.

Review: Quentin Tarantino has been one of the most beloved and well-respected directors over the better part of the last 35 years. His movies have altered culture, changed mindsets, created new ways to make movies all the while, the challenging the status quo by pushing the boundaries of entertainment. Equally memorable is his soundtracks to the projects he presents. This compilation features some of the most cherished and memorable songs that have supported his vision. Included are songs by Johnny Cash, The Coasters, Jay Clark and more. Fans of soundtracks and Quentin Tarantino will equally enjoy this most enjoyable trek down legendary cinema.

Review: I Saw The Glow is the latest movie-meme to be peddled by film auteurs and distribution powerhouse A24; written and directed by Jane Schoenbrun, this contemporary horror-comedy explores themes of alternate realities and cancelled futures, centring on the chaos that ensues after two friends endure the axing of their favourite TV show. Slated to have become a success from its inception, the film's soundtrack is bedazzling to match, corralling the likes of Caroline Polachek, Sloppy Jane, Phoebe Bridgers, Kristina Esfandiari, Florist and Yeule into a single soundtrack nonetheless made up of original songs. Curated entirely by Schoenbrun, the artists selected reflect a contrarily modern take on the retro-nostalgic moods of the film; in going into the soundtrack's curation, the director herself recalled seeing commercials on MTV for film soundtracks, and wanted to emulate this long-lost approach whilst also reflecting the film's setting between the late 90s and early 00s. Reviving a forgotten formula - a soundtrack album for which artists record original material - this isn't one to be missed.

Review: The music from Michael Ondaatje's Booker Prize and 12-Oscar-winning film encompasses the original score by Gabriel Yared with the haunting vocals of Marta Sebestyen and Fred Astaire. It is a story which has successfully made its mark on every medium that counts a - a classic to beat all classics. It's a cathartic journey that explores identity, fidelity, and fate amid the chaos of World War II. Shot against the majestic backdrop of the Northern Sahara and Italy, Yared's score blends Hungarian folk tunes, baroque themes, and romantic orchestration and mirrors the emotion of the film's characters without relying on visuals. Period tracks by Fred Astaire, Ella Fitzgerald and Benny Goodman complement the emotional depth of the story.