Review: Having played a slew of inimitable and unforgettable television comedy characters over the past decade or so, from Toast of London's Stephen Toast to Douglas Reynholm in The IT Crowd, Dixon Bainbridge in The Mighty Boosh and Todd Rivers in Garth Marenghi's Darkplace, you could be forgiven for expecting Matt Berry to use songwriting and music as another form of hilarious release. That's definitely not the case. There's plenty of release on I Gotta Limit, but this is anything other than satire. The first new music to come from Berry's 2025 album, Heard Noises, the two tracks here are pure joy, authentic and genuinely impressive on a technical level. Exchanging lines in a duet with Kitty Liv for the titular number, the vibe is part Northern Soul, part psych rock, and pretty much all completely captivating.
Review: Blundetto unveils a captivating folk single here that features the ethereal voice of French singer Juliette Magnevasoa. 'La Playa' is an acoustic-rich cover of Marie Laforet's 1970 classic and this rendition has a new vocal whose unique timbre adds depth and all-new charm. Together, the artists create a delicate harmony of softness and melancholy and blend soothing tones that evoke timeless beauty. Already heralded as a classic gem, this subtly evolved new version of 'La Playa' offers a serene and heartfelt sound for intimate moments.
Everything Is Recorded, Noah Cyrus & Bill Callahan - "Porcupine Tattoo" (3:31)
Everything Is Recorded - "Norm" (feat Bill Callahan) (3:04)
Review: XL boss Richard Russell's Everything Is Recorded returns with 'Porcupine Tattoo', an unexpected yet compelling collaboration with Bill Callahan and Noah Cyrus. The track, released via XL Recordings, came about during sessions at LA's infamous Chateau Marmont hotel, when Russell asked Callahan who he'd most like to write a song for. Callahan's surprising answer: Noah Cyrus. The result is a stripped-down folk tune with subtle gospel undertones, featuring Callahan's deep, pitched-down vocal layered alongside Cyrus' delicate voice. Russell's production, iminimal yet atmospheric, ihighlights the contrast between Callahan's gravelly tone and Cyrus' ethereal presence. Recorded during a rain-soaked week, the track evokes a sense of melancholy and intimacy. On Side-2 'Norm', is a tribute to comedian Norm Macdonald, featuring only Callahan. This release continues Russell's tradition of creating genre-blurring, evocative collaborations.
Review: Ghost Box present the CD edition of their latest record by freakish scene-dazzlers Beautify Junkyards, Nova. Despite the record's immediate imagism bringing together news clipping collage, and connotations of scrapheaps and salvaging indicated by the band's name, the sound of the record is anything but adjacent to these themes. The six-piece psychedelia/acid folk band command a wide foundry of instruments, smoothening any rough edge into a shared, sonically doughy dream, beautifying a well-sifted haul of believably, formerly scrapped instruments into a pristine assemblage. Though it builds on motifs heard in 60s and 70s film soundtracks, echoing spaghetti Westerns and early sci-fi, the record's best moments are its seemingly impossible electronica syntheses, such as the unassailed critical mass of trickling drum machine, spring reverb, tonal murmur and near-atonal noise reached on 'Raridade De Contrastes'.
Review: Every once in a while, you get a band emerge from the vibrant London music scene that you notice aren't like all the other bands. You sense they have something a bit special. BC, NR are like that - they offer something so rich musically that it appears immune to any potential threat that could come from changing trends. This third studio album of theirs comes under what looked like difficult circumstances from the outside. Their lead singer and songwriter Isaac Wood left the band shortly before the release of their second album. But they've withstood the pressure incredibly and are on top form here. There's more emphasis than ever on sharing the role of frontperson so the album is like a smorgasbord where you sample different voices and songwriting styles that exist within the group. Lead single 'Besties' is violinist Georgia Ellery's. It thrives off of its dynamism with explosive Phil Spector-esque wall of sound moments set in alongside elegant indie folk. A truly massive chapter awaits.
Review: It has been some five-plus years since the last full Bon Iver album but the wait has been well worth it. This one follows the introspective SABLE, a sparse, vulnerable EP born from isolation and inner turmoil. Where that was shadow, this is light-a lush, radiant celebration of love, connection and emotional rebirth. Written at April Base in Wisconsin with collaborators like Jim-E Stack and Danielle Haim, the album leans into clarity and intimacy and gets rid of the signature dense abstraction for more honest and heartfelt pop. The vocals are delivered with openness and purpose as they explore desire, hope and devotion. While still acknowledging lingering shadows, this full-length is a story of growth that isn't about fairytale endings, but about the lessons love teaches.
Review: Muireann Bradley is a startling new talent in country and bluegrass from County Donegal in Ireland. I Kept These Old Blues absolutely calls back to a golden age of Americana, but Bradley’s Irish lilt comes through and entwines with her faithful Southern twang to make for an endlessly charming end result. Her playing is pitch-perfect, stripped to the bone finger-picking all the better to savour the songs and the way they’re sung. This is the cassette edition of the 2023 album, which is an ideal format to enjoy these charmingly olde worlde yarns sung the way they ought to be.
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