Back catalogue: Post Rock/Experimental

Review: The long-awaited ninth full-length from legendary Japanese noise-rock duo Melt-Banana comes over a full decade on from 2013's exceptionally bizarre Fetch, marking their longest gap between albums yet. Known for combining the yelping, yapping, unhinged yet endearing vocals of Yasuko Onuki and the cybergrind guitar manipulations of the virtuosic Ichiro Agata, the pair expertly craft a schizoid car crash of genres, styles and sounds that would simply refuse to coalesce in lesser artists hands. Sugary bubblegum pop-punk is dropkicked by grindcore powerviolence, while industrial harsh noise engulfs hyperpop hooks before suffocating the debris in death metal malevolence. If this sounds horrible, impossible and bewildering, it only means two things: 1. You are sane. 2. You need to get some Melt-Banana into you. What better way to make sense of the chaos than by starting with the highly anticipated 3+5, then working backwards?